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Symphony No. 2 in E Minor, Op. 27-Trumpet - in - BB

Symphony No. 2 in E Minor, Op. 27 by Sergei Rachmaninoff features a variety of musical sections including Largo, Allegro moderato, and Moderato, each with specific tempo markings. The score includes detailed instrumentation and dynamic instructions for the performers. This symphony is characterized by its emotional depth and complex orchestration.

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0% found this document useful (0 votes)
15 views11 pages

Symphony No. 2 in E Minor, Op. 27-Trumpet - in - BB

Symphony No. 2 in E Minor, Op. 27 by Sergei Rachmaninoff features a variety of musical sections including Largo, Allegro moderato, and Moderato, each with specific tempo markings. The score includes detailed instrumentation and dynamic instructions for the performers. This symphony is characterized by its emotional depth and complex orchestration.

Uploaded by

jeronreijne
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Symphony No. 2 in E Minor, Op.

27
I.
Trumpet in B♭
Sergei Rachmaninoff
A

    
in A.

                  
Largo. ( = 48)
                
1
   
 

Vcl. e Basso Ob. I.


 

  
        
   
           
     
 
24

  

          2       
6

     
Poco più mosso. ( = 58)

      
33

   
          
   
   
             
rit.

       
46 Viol. I. a tempo

   dim. 4

 3          1   2     5 
Allegro moderato. ( = 63)

    
rit. a tempo
58

 

  
Clar. I.
6 Poco a poco più vivo. ( = 80)

    
 
           
     
          
     
111 Ob. I. Viol. I.

  

3 3

 
     Ob. I.II.  
Moderato. ( = 76)

                    
rit.
   
( = 80)
   

123 7 8

 
 . ( = 72)
      
       
 
 

9 Viol. I.

   
 
       
154 Tr. I.





    
10 a tempo


rit.

     
poco a poco calando


Meno mosso.
 
163

 
  
2

 Clar. I.     

  
Tempo I. ( = 60-63)

     
189

    
1. 2.
    
                     
  
3

  
           
Un poco più mosso.

    

     
     
 
11
             
Clar. I.


  
213


Solo

    
     
      
                                    
 
    


   
 
229 Fl.. I.

  
 con sord.     
 dim.

    
Poco più mosso. ( = 76)

        
12

 
237 13

  cresc.  dim.   cresc.  dim. 



Meno mosso. ( = 56)

                 
rit.
 
     
271 Clar. basso senza sord.

  dim.    dim. 
 
dim. dim.

 


più mosso ( = 66)

      
15 poco a poco cresc.e agitato
  
14


281 a tempo

Ob. I.

 dim.  


   

304

 

        16         
Fl. I.

    
        
         
   
 
307



 
                                
      cresc. 

324


                  

( = 80 )

           
330

   marc.    
                       
      
 cresc.
337

  

        
     
rit.

     
         
17


344

   marc. 
dim.  
    
     
4


       
a tempo 18

362
Tr. I.

dim. 

   


    
380


3 3


           
  
        
5

       
 
381

 
                 
3

  
3 3
cresc.
cresc.

         
386

3 

  
20

  
poco a poco e rit. ( = 56)

      
393 19

  
poco a poco dim.

          
dim.

         



     
       
Moderato. (Come prima) 21 Fl.
  
I.II.

    
 

  
 
Fl. I.II.

 
427

     
 
Meno mosso.

   
        
   
  
calando

       
22

456 Tr. I. Ob. I.

   
   
 
       
 
a tempo

    
         
481 23

 
    
     
        
Fl. I.

        
Più mosso. ( = 76)

 
     
 
 
       
506
Timp. Ob. II.

   
                  
 
24


25


518

   
 
                               
dim.

 
547

      cresc.

                     
cresc.

                
556

    
 
  
                     
dim.

      
562

 dim.   marcato cresc.  


6
III.
46

    



Adagio.( = 50) a tempo

               
 
poco rit.
47 3


3 3

   

              
         
       
 
   
48

  
Poco più mosso. rit.

38



cresc.  dim. 

     50 
49

       
         
Tempo I.
a tempo rit.


45


  dim. 
                   
(Oboe) (Tuba)

     

   
                
 
72

   cresc.  

  
cresc.

  
 
77 51

   
53

  
  
Tempo I.


52 54

             
87


  dim.  dim. 
 
(Cor.) (Viol. I.)

   
  
124 55
  
Cor I.



 3
           
        
        
          
         
135 3 3 cantabile

 cresc.  dim.
     Tempo I. 
Ob. I.

  
            
poco acceler.rallent.
142 56

 
  

57


160
   
7

                        
in A.

  
Allergro vivace. ( = 84-92)

 
3

 
          
9 3

 


                     
 
13 3

      
3


  

  
     
58

 
26 3

3
 
               
3

            
27

    
3

  dim. dim.  
3 3

 3 3

        
             
8

      
32 3

     
3 3


   60 
     
cresc.

    
59

   
38

     

 
Tr. I.


  
76

   

            
           
  
61

       
78 3

 
  
 
  
87

  
                    
89 3

      
3

  

  
dim.

     
62


100


3 3


          
        
  
            

101 3

          
3 3 3 3 3


3 
 3
    
cresc.

            
                
106 3

  
3 3

 
3

dim.  

          
       
cresc.

              
63


112

   dim.
3

 
        3   3             
   
Con moto.

 
rit. a tempo


122 3 3

  
 dim.
 
9

        
135 
( = 88-92)
3 3

(Tromb.) 

   
                     
138
64
3 3 3 3 3 3

  (Tromb.)


       
164


3 3

 
                         
165
65
3 3 3 3 3 3 3 3

cresc.  dim. 

   
                          

173
3 3 3 3 3 3
66

cresc.  dim.  (Tromb.)


 
10

                                    
188 3 3 3 3 3 3 3 3 3 3

  
 
dim.


 
                 
194
67 68
3 3 3 3 3

 
   
cresc. dim.


    
Adagio. ( = )

   
69


231
rit.

 =  ( = 88-92)
 
   

(Viol. I.)

   
 
Tempo precedente.
         
       
     
 


      
     

252

   
(Ob. I.)

               
70

       
262

   dim.
 
(Tromb.)

    
71


280

   
                       
72


296


  
 
73


308 74

         
           
329 75
    

  
 marc.

(Tr. I.)

   
339

 

   
                     
76 Tempo I.


341

 
3 3

    
    3   3  3 
11

                       
77


 
351 3 3

 dim.  cresc.


    
361

   3  3
                                  
 
362 3 3


3

 3 dim.

  3  
  

                        
367 3 3 3 3

 3 3 

 
        
  
372

3 3 3

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