0% found this document useful (0 votes)
128 views8 pages

Ecstasy of Gold - Clarinet Quartet-B Clarinet 2

The document contains sheet music for the B♭ Clarinet parts for 'The Ecstasy of Gold' from 'The Good, The Bad and The Ugly' composed by Ennio Morricone. It includes various sections for B♭ Clarinet 1, 2, 3, and Bass Clarinet, detailing the musical notation and dynamics. The tempo is indicated as Andante at 80 beats per minute, with sections marked for performance.

Uploaded by

Joice Alves
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
128 views8 pages

Ecstasy of Gold - Clarinet Quartet-B Clarinet 2

The document contains sheet music for the B♭ Clarinet parts for 'The Ecstasy of Gold' from 'The Good, The Bad and The Ugly' composed by Ennio Morricone. It includes various sections for B♭ Clarinet 1, 2, 3, and Bass Clarinet, detailing the musical notation and dynamics. The tempo is indicated as Andante at 80 beats per minute, with sections marked for performance.

Uploaded by

Joice Alves
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 8

B♭ Clarinet 2 THE ECSTASY OF GOLD

from The Good, The Bad and The Ugly


Ennio Morricone

 Andante  = 80  
B♭ Clarinet 1 

B♭ Clarinet 2   


       
        
B♭ Clarinet 3


  

B♭ Bass Clarinet

3  
B♭ Cl. 1 
 
 

B♭ Cl. 2


    
   
B♭ Cl. 3

B♭ Bs. Cl.
  

5  
  

B♭ Cl. 1

 
B♭ Cl. 2   

                    
     
B♭ Cl. 3

 
 
B♭ Bs. Cl.
  
7
2

B♭ Cl. 1  
   

           
B♭ Cl. 2      

  
  
B♭ Cl. 3


   
 
B♭ Bs. Cl.

10  

10

B♭ Cl. 1

 
 

B♭ Cl. 2

 


B♭ Cl. 3

 
  

B♭ Bs. Cl.

12  


B♭ Cl. 1

 
B♭ Cl. 2 
 
B♭ Cl. 3 


 
B♭ Bs. Cl.
14
3


    

B♭ Cl. 1

  
B♭ Cl. 2              
    
B♭ Cl. 3 
      

  
  
B♭ Bs. Cl.

17
    
 = 100
 
Più mosso


B♭ Cl. 1

  
   
            

B♭ Cl. 2

        

B♭ Cl. 3


   

  

B♭ Bs. Cl.

22
B♭ Cl. 1         
   
B♭ Cl. 2           

B♭ Cl. 3        

   
     
B♭ Bs. Cl.
4

27   
27

 

B♭ Cl. 1

  
 

B♭ Cl. 2

   


     

B♭ Cl. 3

  

B♭ Bs. Cl.

    
29        
       
33

 
B♭ Cl. 1

        
    
 
 
B♭ Cl. 2

  
         
   
 
B♭ Cl. 3

   
       
     
B♭ Bs. Cl.


  
34   
   
  

  
B♭ Cl. 1

     
 

 
     
B♭ Cl. 2

     
B♭ Cl. 3  

                         


    
B♭ Bs. Cl.
39      
5


    
B♭ Cl. 1



    
B♭ Cl. 2

   
B♭ Cl. 3 

          


    
B♭ Bs. Cl.


42


42

                               
B♭ Cl. 1



B♭ Cl. 2      

 
B♭ Cl. 3     

    
 

B♭ Bs. Cl.

44
                                
   
B♭ Cl. 1


   
  

B♭ Cl. 2

   

B♭ Cl. 3

  
B♭ Bs. Cl.

46           
6

  
   

B♭ Cl. 1


        
  
 
B♭ Cl. 2



3

 
 
B♭ Cl. 3



 
 
B♭ Bs. Cl.

  
        
    
48
49


B♭ Cl. 1

        
        
 
 3 
B♭ Cl. 2

  
3

   
               

B♭ Cl. 3


   
                    
 
B♭ Bs. Cl.


  
52        
 
  
B♭ Cl. 1

      
B♭ Cl. 2     

3 3

                    


 
B♭ Cl. 3

          
              
B♭ Bs. Cl.

7

56  
57

 
  

B♭ Cl. 1

    
B♭ Cl. 2 

          

B♭ Cl. 3

                         
    
B♭ Bs. Cl.

61        
   
        
   
B♭ Cl. 1


         
        
   
B♭ Cl. 2

         

   
B♭ Cl. 3

  
      
   
B♭ Bs. Cl.

66       
  
67


   

B♭ Cl. 1



 
   
  
   
B♭ Cl. 2

  
      

 
B♭ Cl. 3



                           
      
B♭ Bs. Cl.

 
71     
 
8

  
B♭ Cl. 1 

    
  
B♭ Cl. 2   

 
          
B♭ Cl. 3   

                         


         
B♭ Bs. Cl.

76        
B♭ Cl. 1      

     
B♭ Cl. 2      

 
       
  
B♭ Cl. 3  

  
                

B♭ Bs. Cl.

You might also like