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Schooling Diaspora
ii
Schooling Diaspora
Women, Education, and the Overseas
Chinese in British Malaya and Singapore,
1850s–​1960s

Karen M. Teoh

1
iv

1
Oxford University Press is a department of the University of Oxford. It furthers
the University’s objective of excellence in research, scholarship, and education
by publishing worldwide. Oxford is a registered trade mark of Oxford University
Press in the UK and certain other countries.

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America.

© Oxford University Press 2018

All rights reserved. No part of this publication may be reproduced, stored in

a retrieval system, or transmitted, in any form or by any means, without the
prior permission in writing of Oxford University Press, or as expressly permitted
by law, by license, or under terms agreed with the appropriate reproduction
rights organization. Inquiries concerning reproduction outside the scope of the
above should be sent to the Rights Department, Oxford University Press, at the
address above.

You must not circulate this work in any other form

and you must impose this same condition on any acquirer.

Library of Congress Cataloging-in-Publication Data

Names: Teoh, Karen M., author.
Title: Schooling diaspora : women, education, and the overseas Chinese
in British Malaya and Singapore, 1850s–1960s / Karen M. Teoh.
Description: New York, NY : Oxford University Press, 2018. |
Includes bibliographical references and index.
Identifiers: LCCN 2017026624 (print) | LCCN 2017041595 (ebook) |
ISBN 9780190495626 (Updf) | ISBN 9780190495633 (Epub) |
ISBN 9780190495619 (hardback)
Subjects: LCSH: Chinese—Education—Malaysia—History. |
Chinese—Education—Singapore—History. |
Girls’ schools—Education—Malaysia—History. |
Girls’ schools—Education—Singapore—History. | BISAC: HISTORY / Asia / General. |
EDUCATION / History. | POLITICAL SCIENCE / Colonialism & Post-Colonialism.
Classification: LCC LC3089.M3 (ebook) | LCC LC3089.M3 T43 2018 (print) |
DDC 370.8209595—dc23
LC record available at https://lccn.loc.gov/2017026624

9 8 7 6 5 4 3 2 1
Printed by Sheridan Books, Inc., United States of America
Portions of this book in an earlier form were previously published as the following book
chapter and journal articles, and are reprinted here with permission: “Breaking Down Barriers
in Chinese Female Education,” in Chinese Women: Their Malaysian Journey, ed. by Neil Khor
(Malaysia: MPH Publishing, 2010); “Exotic Flowers, Modern Girls, Good Citizens: Female
Education and Overseas Chinese Identity in British Malaya and Singapore, 1900s–1950s,”
Twentieth-Century China 35, no. 2 (April 2010): 25–51; “The Burden of Proof: Gender, Cultural
Authenticity and Overseas Chinese Women’s Education in Diaspora,” Intersections: Gender and
Sexuality in Asia and the Pacific 36 (December 2014), http://intersections.anu.edu.au/issue36/
teoh.htm; and “Domesticating Hybridity: Straits Chinese Cultural Heritage Projects in
Malaysia and Singapore,” Cross-Currents: East Asian History and Culture Review 5, no. 1
(May 2016): 115–46.
For my teachers, and for teachers everywhere.
vi
CONTENTS

Acknowledgments  ix
A Note on Spelling and Terminology   xiii

Introduction: Women, Education, and Overseas Chinese Identity   1

1. A Little Education, a Little Emancipation: The Colonial Politics
of Female Education, 1850s–​1950s   18
2. Barrier against Evil, Encouragement for Good: English Girls’ Schools,
1850s–​1960s   40
3. So That They May Be an Honor to You: The Nyonya Problem and the
Singapore Chinese Girls’ School, 1890s–​1940s   65
4. R are Flowers, Modern Girls, Good Citizens: Chinese Girls’ Schools,
1900s–​1950s   91
5. Home Is That Which I Adore: Re-​Migration to China,
1940s–​1960s   121
Conclusion: The Domestic Citizen and Female Education in the
Postcolonial Era   146

Notes  159
Bibliography  183
Index  199
vi
ACKNOWLEDGMENTS

In a book about schools, it seems only fitting to start by acknowledging my

profound debt to the teachers and mentors I have had the good fortune
to work with over the years. Beatrice Bartlett, Henrietta Harrison, Philip
Kuhn, Kristin Mulready-​Stone, Mary Steedly, Michael Szonyi, Hue-​Tam Ho
Tai, Robert Travers, and Robin Winks shaped my intellectual trajectory and
expanded my horizons. A Chinese proverb says that it takes ten years to
nurture a tree but a hundred years to train people of ability—​I hope my
teachers are consoled by the fact that this book, while a long time coming,
did not take quite that long to be published.
The following individuals read parts of this book at various stages and
offered invaluable suggestions, or nudged me to sharpen my thinking
through scholarly discussion: Fan Ruolan, Henrietta Harrison, Miriam
Kingsberg, Matt Klingle, Belinda Kong, Patrick Rael, Lien Ling-​ling, Lin
Man-​houng, Pär Cassel, Chie Ikeya, Caroline Reeves, Sylvia Rodrigue,
Bettina Scholz, Amy Houston, Penny Sinanoglou, and Elizabeth Sinn. My
editor, Susan Ferber, patiently and efficiently shepherded this manuscript
to publication, while my project manager, Maya Bringe, helped it through
its crucial last stages of production. Two anonymous readers for the Press
improved this work with their insightful comments. To the many people
who gave thoughtful feedback at the conferences and workshops where
I presented my research, I extend my thanks. Needless to say, any and all
errors of fact or interpretation that remain in this work are my own.
The research for this book stretched across several countries and relied
on help from a small army of people. In Malaysia, I am grateful to Loh
Wei Leng, Shanthi Thambiah, and the History Department and Gender
Studies Program at Universiti Malaya. Without assistance from Chui Kah
Peng, Sr. Brede Forde, Lye Ming Pao, Neil Khor, Ong Kian Ming, and Tan
Liok Ee, my research would not have progressed beyond its initial stages.
In Singapore, the Asia Research Institute hosted me as a research affiliate
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x

and the National University of Singapore offered ready access to its librar-
ies and resources. Paul Kratoska, Lee Ching Seng, and Ng Chin Keong
shared their considerable knowledge and expertise. In China, Xiamen
University in Fujian, Zhongshan University in Guangdong, and the Fuzhou
Qiaolianhui (Fuzhou Association of Returned Overseas Chinese) facilitated
my research. Liao Shaolian, Li Minghuan, and Zhuang Guotu guided me
with equal parts warmth and astuteness, while Lin Zhuodong was a tire-
less interview coordinator. Lien Ling-​ling, Lin Man-​houng, the Institute of
Modern History at Academia Sinica, and the Center for Chinese Studies in
Taipei extended hospitality and mentorship that helped me complete this
project. My gratitude also goes to several girls’ schools and alumni asso-
ciations that gave me access to their archives and networks: Kuen Cheng
Girls’ School Alumni Association, the Holy Infant Jesus Provincialate of
Malaysia, Penang Chinese Girls’ High School, Nanyang Girls’ High School,
Raffles Girls’ Secondary School, and St. Margaret’s Secondary School. One
of my greatest debts is to the women whom I interviewed, many of whose
names and identifying details in this book have been changed for reasons
of confidentiality. Sitting with them and listening to their stories was the
most eye-​opening and rewarding part of my research. Without their gen-
erosity, openness, and good humor in sharing their experiences, the book
would have been impossible. I hope I have done them justice.
This book is informed by my personal encounters with education and
the overseas Chinese world in postcolonial Southeast Asia. I grew up and
attended school in Malaysia and Singapore. Having graduated from two
of the institutions discussed in this book—​Kuen Cheng Primary School
and Raffles Girls’ School—​I was able to use alumni connections to locate
sources and interviewees. My ethnic Chinese heritage has also shaped my
consciousness about the complexities of being both the observer and the
observed in diasporic space, and of claiming insight from the vantage point
of the Western academy where I am now situated.
A room of one’s own is a good place to start, but writers also need time,
money, and material. I received institutional and financial support at sev-
eral crucial junctures throughout this project: a series of grants for research
travel and writing from Harvard University and the Harvard Asia Center;
a Post-​doctoral Fellowship at Bowdoin College from the Consortium of
Faculty Diversity at Liberal Arts Colleges; a Taiwan Fellowship from the
Ministry of Foreign Affairs and Center for Chinese Studies in Taiwan; a
Research Publication Grant from the American Association of University
Women; and Professional Development Grants from Stonehill College. I am
grateful to the History Department and Asian Studies Program of Bowdoin
College for holding a workshop to discuss my research with members of

[x] Acknowledgments
their faculty. The History Department of Stonehill College has been a colle-
gial professional home in my continuing journey as a teacher and scholar,
and the College has generously supported me with vital research leave and
grants. I owe many thanks to librarians at several institutions, especially at
Harvard-​Yenching Library at Harvard University and MacPhaidin Library
at Stonehill College, who were ever ready to help me with my research
needs. If there are any other individuals or groups whom I have inadvert-
ently omitted, please accept my apologies and appreciation.
Throughout the writing of this book, friends and family smoothed
my path and sustained my spirits. For literally and figuratively giving me
shelter, I thank Petrina Kow and Sung Lingun, Maria Stalford, Merlina
Manocaran, Shika Pappoe, Claudine Riley and Meredith Faggen, and
Suzanne Lye. For non-​intellectual but essential companionship, I acknowl-
edge my dog Dante. Taymin and Chang-​bin Liu encouraged and aided my
work in Taiwan. Cate Liu, Chloe Tan, and Lucas Tan helped me keep in mind
the promise and energy of youth. Tan Tang Yew provided crucial technical
aid. To my sisters Celine Teoh and Adele Teoh, my lifelong companions and
friends: I don’t know what I’d do without you. Loving gratitude goes to my
earliest teachers: my mother, Chin Cheng Mei, for her belief in me and for
telling me when I was young that I should travel as much and as widely as
possible, and my father, Teoh Eng Chooi, whose enthusiasm for Chinese
history and culture started me on this path in the first place. My maternal
and paternal grandparents’ diasporic journeys gave rise to mine. In par-
ticular, I would like to remember my grandmothers Fu Mei Yoke and Ong
Ching Geok, whose talents for survival and compassion in times of hard-
ship are an inspiration.
Last but never least, heartfelt thanks to my husband Joe for his unstint-
ing love, support, and sense of humor—​what an education we have had
together. And to my son Benjamin, who brings me great joy and from
whom I am learning so much: someday, when you are a teenager, hopefully
this book will prove that your mother does know a thing or two.

Acknowledgments [ xi ]
xi
A NOTE ON SPELLING AND TERMINOLOGY

Most Chinese words in this book have been transliterated with hanyu pinyin
romanization, with simplified Chinese characters also given for key terms.
Where transliteration of names or terms has been established by contem-
poraneous sources and was in common usage, I follow the conventions of
the period in question, for example, Liew Yuen Sien, Kuen Cheng, towkay.
Chinese surnames precede given names, except in cases where individuals
have adopted Western-​style names. The word “medium” with reference to
schools, as in “Chinese-​medium,” indicates the main language of instruc-
tion and is used interchangeably with the descriptors “Chinese-​language”
or “Chinese.”
xvi
Schooling Diaspora
xvi
Introduction
Women, Education, and Overseas Chinese Identity

O n an October morning in 1951, the principal of Nanyang Girls’ School

in Singapore was walking to work when a group of youths threw a
toxic solution of nitric acid on her.1 Liew Yuen Sien survived and served at
Nanyang’s helm for another fifteen years, but she suffered painful chem-
ical burns to her face, eyes, and shoulders and could only resume work
after three years of recovery. Liew’s attackers were never caught. One of
the few descriptions of them on the official record is that they were simply
“Chinese ruffians.” Contemporary opinion was that the assault was an act
of retribution by local Chinese Communist sympathizers for Liew’s coop-
eration with British colonial authorities against them.2 Perpetrators and
victim alike were ethnic Chinese.
The attack on Liew Yuen Sien emerged from the collision of political
issues within the overseas Chinese community of Southeast Asia: China’s
quest for national modernization; female education as a key component of
this quest; and overseas Chinese efforts to live within an unstable matrix
of national, diasporic, and colonial demands. Liew’s professional creden-
tials illustrate this complexity. An active proponent of Chinese schools and
girls’ education in Singapore, Liew was principal of Nanyang Girls’ School
for forty years. She won a Chinese Nationalist (Kuomintang) government
award in 1940, an Order of the British Empire in 1958, and a Singaporean
presidential medal in 1967. She was hailed by much of the Chinese com-
munity as an active contributor to their welfare but also strongly criticized
2

by some of her co-​ethnics for her acquiescence to British anti-​Communist

pressure.
This episode of intra-​ethnic violence is an extreme example, but it
reveals the potentially explosive nature of the politics of education in colo-
nial Malaya and Singapore. It also points to an intractable problem in iden-
tity formation: the question of authenticity, and who gets to determine
what it means to be loyal to one’s ethnicity and country. There were sharp,
sometimes deadly, divisions within the overseas Chinese community and
between various ethnic groups in these colonies throughout the early to
mid-​twentieth century. These divisions were exacerbated by a linguistically
plural system of schooling established under British colonial auspices. The
British East India Company had taken over the strategically important trad-
ing ports of Penang (1786), Singapore (1819), and Melaka (1824), merging
them as the Straits Settlements in 1826. Home to Malays, Chinese, South
Asians, Eurasians, and several other ethnic or national groups, these settle-
ments came under direct English Crown control in 1867. They were further
amalgamated with other territories on the Malay Peninsula to form British
Malaya, which lasted until national independence in 1957. Throughout the
first half of the twentieth century, the British colonial government viewed
schools, especially local Chinese schools, as breeding grounds for political
activism and sought to control them through strict regulation.
The attack on Liew Yuen Sien occurred during the Malayan Emergency
of 1948–​60, when local Communist insurgents, most of whom were ethnic
Chinese, turned their attention from resisting the Japanese Occupation
during World War II to fighting British imperialism using guerilla tactics.
Like many other Chinese schools in Malaya and Singapore at the time,
Nanyang Girls’ School had been home to youth Communist activity and was
under colonial scrutiny. In late 1951, Nanyang was forced to close until Liew
agreed to disband student organizations and shut down the school’s dormi-
tories, both of which were hotbeds of political activism.3 Government sus-
picion of local Chinese schools persisted beyond the Malayan Emergency,
well into the postcolonial era, and remains a flashpoint in the cultural pol-
itics of modern Malaysia and Singapore.
There is an additional, gendered component to Liew’s attack: not only
was she a woman whose status derived from her stewardship of a girls’
school, but the assault on her involved acid intended to disfigure her person.
Increasingly available as a result of industrialization, sulfuric acid became
a popular weapon in the United States and Western Europe, especially in
labor clashes during the eighteenth century and domestic assaults during
the nineteenth century.4 By the late nineteenth and twentieth centuries,
chemical attacks in civilian society were largely associated with sexual

[2] Schooling Diaspora

jealousy or revenge. The majority of victims were women whose prospects
for marriage, work, and social acceptance would presumably be ruined by
facial disfigurement.5 In the mid-​to late twentieth century, the incidence
of acid attacks in Asia and the Middle East began to rise.6 The persistence
of such attacks today represents gender-​specific hostility, typically relating
to a woman’s assertion of independence in defiance of someone else’s claim
to her personhood.
In the case of Liew Yuen Sien, the body of a successful and influential
female community leader became the literal point of convergence for pub-
lic politics, personal animus, and a gender-​specific mode of violence. That
this incident took place almost exactly a hundred years after the founding
of the first girls’ schools in Malaya and Singapore is a grim reminder that
female education has had a long and uneven road to acceptance.

This book is a history of educated overseas Chinese women in British Malaya

and Singapore from the 1850s to the 1960s, during more than a century of
British imperialism, Chinese and Southeast Asian nationalism, and patri-
archy. It examines the motivations and strategies of missionaries, colo-
nial authorities, and Chinese reformists and revolutionaries for educating
girls, and the impact that this education had on identity formation among
overseas Chinese women and larger society. Combining institutional and
personal viewpoints, it explores the girls’ schools in which these women
studied and worked, both those where the primary language of instruction
was English and those where it was Chinese. These schools were sometimes
also called English-​language or English-​medium and Chinese-​language or
Chinese-​medium schools, respectively. Some of these institutions spread
missionary and imperial influence; others nurtured powerful Asian ethno-​
national sentiments. The chapters that follow relate the previously untold
stories of the students and teachers in these pioneering schools and trace
how ethnic Chinese women came to dominate these institutions—​in terms
of numbers, as agents of change, and as targets of consternation by British
and Chinese authorities.
Overseas Chinese female education in these colonies was a force for
transformation and a battleground of ideologies during an era of national
reinvention. Girls’ schools could reproduce social and cultural norms, but
they could also be disruptive, giving overseas Chinese women options to be
colonial subjects, transnational actors, patriotic national citizens, or some
combination of these roles. These institutions exposed diasporic women
to a different set of pressures and limitations than were experienced by
women within the Chinese nation. Educated overseas Chinese women
confronted tensions emanating from intersecting or outright conflicting

Introduction [3]
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Mr. Adams and Eve.
BRIGGS, STEPHEN FOSTER.
Soaring over the Everglades.
BRIGHT, ROBERT.
Georgie.
BRILL, CLARA A.
For Military Merit.
BRILL, JOHN SEAVER.
For Military Merit.
BRINK, CAROL RYRIE.
All I Desire.
BRINK, WILLIAM G.
Boy of Mexico: Juan and His Donkey.
BRINKLEY, WILLIAM.
Don’t Go Near the Water.
BRISTOL-MYERS CO.
Bucky Beaver Punching Bag Commercial—Ipana.
Bucky Beaver—Roy Williams Commercial—Ipana.
Bucky Beaver Tooth Detective Commercial-Ipana.
Bucky Beaver 25¢ Offer Commercial—Ipana.
Champ Bucky Beaver.
Day That Susie Lost Her Smile.
Sheriff Bucky Beaver.
BRISTOW, GWEN.
Jubilee Trail.
BRITANNIA FILM DISTRIBUTORS, LTD.
Jetstream.
BRITISH FILM MAKERS, LTD.
Assassin.
Desperate Moment.
Importance of Being Earnest.
Island Rescue.
Malta Story.
Promoter.
Something Money Can’t Buy.
Stranger in Between.
BRITISH INSTRUCTIONAL FILMS LTD.
Finish the Story.
BRITISH LION FILM CORP.
Man Between.
Man Who Loved Redheads.
BRITISH LION FILM CORP. LTD.
Breaking the Sound Barrier.
Captain’s Paradise.
Cry, the Beloved Country.
Girl in a Million.
Hobson’s Choice.
Mr. Denning Drives North.
Night Beat.
 Outcast of the Islands.
Story of Gilbert and Sullivan.
Tales of Hoffmann.
BRITISH LION FILM PRODUCTIONS, LTD.
Odette.
BRITISH LION FILMS, LTD.
Constant Husband.
BRITISH LION STUDIO CO., LTD.
Beggar’s Opera.
BRITISH MOVIETONEWS, LTD.
Flight of the White Heron.
BRITISH NATIONAL FILMS, LTD.
No Room at the Inn.
BRITISH RAILWAYS.
Golden Arrow.
BROADCASTING AND FILM COMMISSION OF THE NATIONAL
COUNCIL OF THE CHURCHES OF CHRIST IN THE UNITED
STATES OF AMERICA.
SEE National Council of the Churches of Christ in the United
States of America. Broadcasting and Film Commission.
BROADMAN FILMS.
All for Him.
And Make Disciples.
Choice.
Choose Ye This Day.
Choosing Your Life’s Work.
Christian Citizenship.
Endued with Power.
Every Christian a Missionary.
Faithful Witness.
Forsaking All Others.
Frontier in the West.
God’s Care of His Own.
He That Winneth.
Heart That Sings.
 Holding Forth the Word.
How to Visit.
Indian Children.
Indian Missionary Diary.
Job or a Calling.
Land of Love.
Leisure for the Lord.
Lift up Your Eyes.
Light from Heaven.
Light the Church Houses.
Missionary to Walker’s Garage.
My Church.
My Father’s World.
Newness of Life.
No Respector of Persons.
Price of Freedom.
Reaching Out.
Salvation and Christian Fellowship.
Sent Forth.
Sword of the Spirit.
Take the Fourth Part.
Tenth Man.
That They May Hear.
Their Future Is Yours.
Together We Build.
Triumphant.
Unto a Full-Grown Christian.
Vocational Choice: a Partnership.
Way Forward.
What God Hath Wrought.
What Must I Do to Be Saved.
With His Help.
Witness Before a King.
Workman Unashamed.
Your Life and Your Church.
BROADWAY ROADSHOW PRODUCTIONS.
Beauty and the Beast.
Daughters of Eve.
 French Follies.
Girl Gang.
Girlesk Show.
Harlem Queens.
Hold Everything.
Lady Godiva.
Lure for Love.
Maiden and the Monster.
Naughty but Nice.
Night in Hollywood.
Nude Ditties.
Oriental Vanities.
Rasputin and the Princess.
Shapely Sirens.
Strip Strip Hurrah.
Take Em Off.
Uncover Girl.
Undress Parade.
BRODER (JACK) PRODUCTIONS, INC.
Basketball Fix.
Bride of the Gorilla.
Bushwhackers.
Combat Squad.
Two Dollar Bettor.
BRODSKY, ROY.
Suzy Snowflake.
BRIGHOUSE, HAROLD.
Hobson’s Choice.
BROIDY (WILLIAM F.) PICTURES CORP.
Arson for Hire.
Legion of the Doomed.
Seven Guns to Mesa.
Shack Out on 101.
Thunder Pass.
BROIDY (WILLIAM F.) PRODUCTIONS, INC.
Behind Southern Lines.
Border City Rustlers.
 Calypso Joe.
Ghost of Crossbone Canyon.
Marshals In Disguise.
Outlaw’s Son.
Secret of Outlaw Flats.
Six Gun Decision.
Trail of the Arrow.
Trouble on the Trail.
Two Gun Marshal.
Two-Gun Teacher.
Wild Bill Hickok.
Yaqui Drums.
Yellow Haired Kid.
BROMFIELD, LOUIS.
Rains of Ranchipur.
BROOKE, HUGH.
Island of Desire.
This Is My Love.
BROOKINGS INSTITUTION.
Planning Our Foreign Policy.
BROOKINGS INSTITUTION, WASHINGTON D. C.
Big Enterprise in the Competitive System.
BROOKLYN. PUBLIC LIBRARY.
Library.
BROOKLYN COLLEGE OF PHARMACY.
Promoting the Prescription Department.
BROOKS, EDWY SEARLES.
Norman Conquest.
BROOKS, NORMAN.
Attack.
BROOKS, OSCAR.
Angel O Demonio.
BROPHY, JOHN.
Fixed Bayonets.
BROTHER (D. P.) AND CO.
Oldsmobile Demonstration Ride.
BROWN (E. C.) TRUST.
Human Heredity.
BROWN, FRANCIS J.
College: Your Challenge.
BROWN, FREDERIC.
Screaming Mimi.
BROWN, HARRY.
Apache Drums.
BROWN, HARRY PETER M’NAB.
Eight Iron Men.
BROWN (HOWARD C.) PRODUCTIONS.
Kangaroo Kid.
Mating Urge.
BROWN, JOE DAVID.
Kings Go Forth.
BROWN, JOSEPH W.
Chef’s Cuisine.
BROWN, KARL.
Vanquished.
BROWN, MARCIA.
Stone Soup.
BROWN, MARTIN.
Gem Set.
Rocket Rhythm.
BROWN, THOMAS GILBERT.
Library.
BROWN, WENZELL.
Violators.
BROWN, WILL C.
Man of the West.
BROWN & HALEY.
Mountain Bar Television Commercial.
BROWN-MURPHY PICTURES, INC.
Guns of Fort Petticoat.
BROWNE, CHARLES FARRAR.
American Wit and Humor.
BROZ, JOHN R.
Rock Fall and Cave-In at Prospect Point at Niagara Falls, New
York.
BRUCE, GEORGE.
Fury in Paradise.
Ride a Crooked Trail.
BRUCE, GERALD W.
SEE Home Craft Films.
BRUCE, ROBERT C.
As We Forgive.
BRUMMER, RICHARD SERLY.
Drum.
BRUMMER DEFOREST STUDIOS, INC.
Drum.
First Fear.
BRUNNER, ADELINE.
Preschool Patterns.
BRUNSWIG DRUG CO.
RVS Mark I.
BRYAN, JULIEN.
Girl Scouting Returns to Japan.
Picture in Your Mind.
Sampan Family.
BRYAN, JULIEN.
SEE International Film Foundation, Inc.
BRYAN (JULIEN) INTERNATIONAL FILM FOUNDATION.
Wider World.
 With One Voice.
BRYAN, MICHAEL.
Intent to Kill.
BRYANT (LANE) INC.
Successful Selling.
Woman’s Story.
BRYENTON, RALPH.
Fur Trapper of the North.
BRYNA PICTURES.
Paths of Glory.
BRYNA PRODUCTIONS, INC.
Careless Years.
Indian Fighter.
Lizzie.
Ride Out for Revenge.
Spring Reunion.
BRYNAPROD, S.A.
Devil’s Disciple.
Vikings.
BUCHANAN, ROBERT D.
Colonel Bleep.
Watch the Birdie.
BUCKINGHAM MANUFACTURING CO., INC.
Proper Care of Linemen’s Climbers.
BUCKNER, ROBERT.
Man Behind the Gun.
When in Rome.
BUEHLER BROS.
Dedication.
BUENA VISTA FILM DISTRIBUTION CO., INC.
Alaskan Sled Dog.
Ama Girls.
Arizona Sheepdog.
Blue Men of Morocco.
Cow Dog.
Cowboy Needs a Horse.
Cruise of the Eagle.
Darby O’Gill and the Little People.
Davy Crockett and the River Pirates.
Davy Crockett, King of the Wild Frontier.
Disneyland, U.S.A.
Donald in Mathmagic Land.
Eyes in Outer Space.
Grand Canyon.
Great Locomotive Chase.
How to Have an Accident at Work.
How to Have an Accident in the Home.
Jack and Old Mac.
Johnny Tremain.
Lapland.
Light in the Forest.
Man in Space.
Men Against the Arctic.
Nature’s Strangest Creatures.
Niok.
Noah’s Ark.
Old Yeller.
Paul Bunyan.
Perri.
Portugal.
Proud Rebel.
Samoa.
Sardinia.
Scotland.
Secrets of Life.
Seven Cities of Antarctica.
Shaggy Dog.
Sleeping Beauty.
Story of Anyburg U.S.A.
Story of Vickie.
Third Man on the Mountain.
Tonka.
Truth About Mother Goose.
 Wales.
Westward Ho the Wagons.
Wetback Hound.
White Wilderness.
BUHLER, KITTY.
China Doll.
BUICK MOTOR DIVISION, GENERAL MOTORS CORP.
SEE General Motors Corp. Buick Motor Division.
BULLETT, GERALD.
Last Man to Hang.
BUNYAN, JOHN.
Pilgrim’s Progress.
BUREAU OF ADVERTISING, AMERICAN NEWSPAPER
PUBLISHERS ASSN., INC.
SEE American Newspaper Publishers Assn., Inc. Bureau of
Advertising.
BUREAU OF AUDIO-VISUAL AIDS.
SEE Evangelical and Reformed Church. Bureau of Audio-Visual
Aids.
BUREAU OF HEALTH, PHILIPPINE ISLANDS.
SEE Philippine Islands. Bureau of Health.
BURG, IRVING X.
SEE Home Graft Films.
BURGESS, ALAN.
Inn of Sixth Happiness.
BURGESS, ROBERT WOODWARD.
High Calling.
BURKE (BILLIE) PRODUCTIONS.
Curare.
Intravenous Anesthesia and Tracheal Intubation.
BURKE (BILLY) PRODUCTIONS.
Streptomycin in the Treatment of Tuberculosis.
Surgical Treatment of Coronary Artery Disease.
BURKE, MARCELLA.
Toy Tiger.
BURNETT (LEO) CO., INC.
Tappy and Car.
Tappy at the Seashore.
BURNETT, R. WILL.
Atomic Research.
Simple Machines.
BURNETT, W. R.
Accused of Murder.
Badlanders.
Short Cut to Hell.
BURNETT, WILLIAM RILEY.
Arrowhead.
Asphalt Jungle.
Iron Man.
Law and Order.
BURNFORD, PAUL.
Birds Are Interesting.
Insect Zoo.
Mammals Are Interesting.
Mother Duck’s Surprise.
Skipper Learns a Lesson.
Tippy the Town Dog.
BURNFORD (PAUL) PRODUCTIONS.
Art and Motion.
Face of the Earth.
BURNS, HARRY A.
Men of the Fighting Lady.
BURRESS, JOHN.
Missouri Traveler.
BURROUGHS, EDGAR RICE.
Tarzan and the Lost Safari.
Tarzan and the She-Devil.
Tarzan and the Slave Girl.
 Tarzan, the Ape Man.
Tarzan’s Fight for Life.
Tarzan’s Greatest Adventure.
Tarzan’s Hidden Jungle.
Tarzan’s Peril.
Tarzan’s Savage Fury.
BURROWS, ABE.
Guys and Dolls.
BURROWS, JOHN H.
Al Capone.
BURSTYN, JOSEPH.
SEE Mayer-Burstyn, Inc.
BURSTYN (JOSEPH) INC.
Berliner.
Day in the Country.
Fear and Desire.
Flowers of St. Francis.
Girl from the Marshes.
Jofroi.
Justice is Done.
Little Fugitive.
Miracle.
Miracle in Milan.
Savage Triangle.
Tomorrow Is Too Late.
BURTIS, THOMSON.
Crosswinds.
BURTON, AL.
Young Captives.
BURTON, VAL.
Everything but the Truth.
BURTON, VIRGINIA LEE.
Little House.
Mike Mulligan and His Steam Shovel.
BURTON-MERCUR, PAUL.
 SEE Mercur, Paul Burton.
BURWOOD PICTURES CORP.
Tillie’s Punctured Romance.
BÚS-FEKETE, LÁSZLÓ.
Girl Next Door.
BUSCH, NIVEN.
Furies.
BUSH, VANNEVAR.
Modern Arms and Free Men.
BUTCHER’S FILM DISTRIBUTORS, LTD.
In-Between Age.
Man from Tangier.
BUTCHER’S FILM PRODUCTIONS.
Man from Tangier.
BUTE, MARY ELLEN.
Boy Who Saw Through.
BUTLER (DAVID) PRODUCTIONS, INC.
Glory.
BUTLER, EWAN.
Dunkirk.
BUTLER, GERALD ALFRED.
On Dangerous Ground.
BUTT, GLADYS L.
Clothes and You.
BUTTERFIELD, ALFRED.
Memo to a Salesman.
Salesman.
BUZZ PRODUCTIONS, INC.
Abominable Snowman of the Himalayas.
BYERS, ROBERT B.
SEE Travel-Lure Films.
BYRNE, JAMES A.
 Improve Your Reading, Series 1.
BYRNES, GENE.
Painting.
BYRON, INC.
Battle Against Malaria.
Emergency Action to Save Lives.
Hassan Discovers the World of Oil.
Trachoma.
Your Job and Oil.
BYRON MOTION PICTURES.
You and Your Money.

C
C & S PUB. CO.
Hammond Aid to Reading.
C-B EDUCATIONAL FILMS, INC.
Beginning Phrase Reading.
Speech Preparation.
C. B. PICTURES CORP.
Gun Battle at Monterey.
CBS FILMS, INC.
Border Patrol.
Col. Humphrey J. Flack.
Whirlybirds.
CBS FILMS, INC. SEE Terrytoons.
CBS TELEVISION.
Christmas Carol.
Our Miss Brooks.
CBS TELEVISION.
SEE Columbia Broadcasting System, Inc.
CBS TELEVISION FILM SALES, INC.
Border Patrol.
Col. Humphrey J. Flack.
 Gray Ghost.
Navy Log.
Whistler.
CBS TELEVISION FILM SALES, INC.
SEE Terrytoons.
Terrytoons, Inc.
C.G.K. PRODUCTIONS, INC.
Indestructible Man.
C.I.N.E.S. SEE Cines.
CMF, INC., a.k.a. CHRISTIAN MISSION FILMS.
SEE Christian Mission Films.
C. M. TELEVISION PRODUCTIONS, INC.
Lone Ranger Series.
CABRERA, JOAQUIN PITA.
SEE Pita Cabrera, Joaquin.
CADOGAN FILMS, LTD.
Man Who Could Cheat Death.
Revenge of Frankenstein.
CAFISA, PRODUCCIONES.
SEE Producciones Cafisa.
CAGNEY PRODUCTIONS, INC.
Bugles in the Afternoon.
Kiss Tomorrow Goodbye.
Lion Is in the Streets.
Only the Valiant.
CAHILL (CHARLES) & ASSOCIATES.
Impact.
CAHUENGA PRODUCTIONS, INC.
Johnny One-Eye.
CAIGNET, FELIX B.
Angeles de la Calle.
Monstruo de la Sombra.
Mujer o Fiera.
 Mujer Que Se Vendio.
Tesoro de Isla de Pinos.
CAIN, JAMES.
Interlude.
CAIN, JAMES M.
Serenade.
Slightly Scarlet.
CAIN, JAMES MALLAHAN.
Everybody Does It.
CALDWELL, ERSKINE.
God’s Little Acre.
CALHOUN-ORSATTI ENTERPRISES, INC.
Apache Territory.
Domino Kid.
Hired Gun.
CALIFORNIA. DEPT. OF JUSTICE. DIVISION OF NARCOTIC
ENFORCEMENT.
Narcosis.
CALIFORNIA. UNIVERSITY. EXTENSION DIVISION.
Surf Safety: Riptides.
CALIFORNIA. UNIVERSITY. INSTITUTE OF TRANSPORTATION
& TRAFFIC ENGINEERING.
Impact.
CALIFORNIA. UNIVERSITY. REGENTS.
Brush Dance at Hoopa, 1957.
Impact.
CALIFORNIA PICTURES CORP.
Mad Wednesday.
CALIFORNIA PRUNE AND APRICOT GROWERS ASSN.
Sunny Sweet in Good Wrinkles.
CALIFORNIA REAL ESTATE ASSN.
Closing Mr. Seller.
CALIFORNIA REHABILITATION CENTER.
 Proprioceptive Neuromuscular Facilitation.
CALIFORNIA FILM ENTERPRISES, INC.
Californians.
CALLAHAN, GEORGE.
Big Town.
CALVIN CO.
Follow-Through.
Grapevine.
How Much Cooperation.
In the Middle.
Promotion By-Pass.
Story of Peggy at the Farm.
CAMBRIDGE FILMS.
Follies of the Town.
Hawthorne and New England.
CAMBRIDGE PRODUCTIONS.
Story of Mankind.
CAMDEN PRODUCTIONS, INC.
Big House, U. S. A.
Desert Sands.
Fort Yuma.
Shield for Murder.
CAMERA EYE PICTURES, INC.
Operation Dames.
CAMERA FILMPRODUKTION.
Seven Journeys.
CAMERA FILMPRODUKTION, G.M.B.H.
Tromba the Tiger Man.
CAMERON, OWEN.
Night Runner.
CAMPBELL, ALAN.
Star Is Born.
CAMPBELL, JOHN W.
 Thing.
CAMPBELL-EWALD CO.
Action.
Aldred Demonstration Drive.
Aldred Interviews Pikes Peak Driver.
Aldred-Series Comml.
All New and Almost.
All You Could Ask For.
American Visits Paris.
Apple.
Bargain Battery-Stang.
Battery Town.
Before Your Very Eyes.
Berber Belles on Bikes.
Best of Best Sellers.
Big Trouble.
Birth.
Black Light Beauty.
Boy Gets Girl.
Bright New Star.
Burglar.
Businessman.
Camels Are Milder.
Car Is Born.
Car Troubles All Over.
Car’s Best Friend.
Chasing the Sun.
Chevrolet Dealer.
Chevy Mail.
Chevy Rides Better Because.
Chevy Wagon Ride II.
Chevy Youth, Beauty, Action.
Close Inspection.
Coast Guard.
Cocktail Party.
Cold Reception.
Confidence.
Corvair by Chevrolet.
Crown of Cups.
Darlington.
Darlington Record.
Daytona.
Decathlon Map.
Delco and Mr. Fox.
Delco and the Wallaces.
Dinah and Pat.
Discovery.
Don’t Wake The Battery.
Double Champion.
Drive Your Cares Away.
Dry Charge.
Earth-Mover.
Econ-O-Check.
El Camino Spotlight
Et Tu Brewster.
Everywhere You Go.
Expert Opinion.
Explosion.
Fascinating Hobby.
Features.
Fire Engine.
First in the Values That Last.
Fisher Body Craftsman’s Guild.
Fleetside Announcement.
Florida Housewife.
Four-Point Dependability.
4 Year Guarantee.
Freshest Power.
Freshie.
From Everywhere.
Fun Is in the Going.
Fun Without Fuss.
Going to the Dance.
Ground Control Approach.
Happy New Year.
Happy Thought—Baseball.
Happy Thought—Dancing Letters.
Hill Flattener.
Hospital.
Hot One.
How Are You Getting Around.
Imini Mine.
In Front of Your House.
Inside Story.
It’s Here.
It’s in the Battery.
I’ve Been Driving.
Jack Wilson.
Jill.
Jim Reed and Baker.
Keep a Spare.
Kwadjumbisoki and the Battery.
La Plante.
Life-Line of America.
Livelier, Lovelier Chevrolet.
Long Time TF-2.
Longest Line with El Camino.
Love Affair.
Lucky Traveler Contest.
Magic Box.
Making Money.
Man in the Rocket.
Mobilux.
Money Trucks.
Montana Snow.
Monte Carlo Project.
Mulish Car.
New Feel Behind the Wheel.
New Flagg Shoes.
New Heavy Duty Haulers.
New Word.
New Word for Smooth.
Newsreel for Truckers.
Nine Passengers.
1955 Detroit Lions Highlights.
Nothing.
O. K. Demonstration.
OK Use Car.
O. K. Used Cars.
Obstacles.
Of Parts and Places.
Once Upon a Time.
One of 19.
Only the Best.
Opening Billboard.
Opera.
Operation Freeze-Out.
Otto Flugle.
Outboard.
Panorama.
Pat and Dinah.
Performance Champ.
Phoenix.
Piano.
Piano & Drums.
Pikes Peak Task Force ’57.
Positraction.
Power Punch.
Price Spot.
Profit and Loss.
Question About Power.
Rebus.
Record-Smashing Driver.
Reporter.
Rock and Roll.
Rogers Fleetside Fun.
Romance.
Roy Rogers - Fleetside.
Roy Rogers Pickup Truck.
Sam.
Saturday Bath.
Screenplay.
Secrets.
See Some Country.
Sensational.
Separators.
She’s All Fun.
Show Stopper.
Showroom.
Six Big Wagons.
Sleeping Beauty.
Sports Model Line.
Start the ’60’s Right.
Station Wagons.
Summer and Sun.
TV Premiere.
Take a Peek.
Task-Force Trucker.
Tech Center Line Annct.
Tech Center II.
That Chevy Feeling.
There, There, There.
These Are the Trucks.
Thought Balloon.
Tiger Camp.
Times Square.
Today’s Tomorrows.
Traveler.
Trucking Picture.
Turboglide.
U.S.A. SEE The Chevrolet.
Uncle Cype.
Vive la Chevrolet.
Volcanic Delco.
Wait—Hold Everything.
Walk Around.
Watch Your Step.
We’ve Said It Before.
Which Car.
White Hunter.
Who Pays for Gas.
Yak Dependability.
You Save in a Chevy.
You’re Always on the Level.
 Youth, Beauty, Action.
CAMPBELL-MITHUN, INC.
Bear and Moose.
Bowling Bear.
Chipmunks and Six-Pack.
Dancing Bears.
Day in the Land of Sky Blue Waters.
Delivery Bear.
Freshlike French Style Beans.
Hamm’s Beer Commercials.
Merry Millers of Pillsbury’s Best.
CAMPBELL SOUP CO.
Magic Shelf.
Sales Don’t Just Happen.
CAMPUS FILM PRODUCTIONS.
Bronchopulmonary Segments.
Children with Nephrosis.
Enduring Modern.
Nephrosis in Children.
CAMPUS FILM PRODUCTIONS, INC.
Air to Therapy.
Key.
Stress and the Adaptation Syndrome.
To Your Very Good Health.
CAMRAS, MARVIN.
Nature of Heat.
Ohm’s Law.
Television: How It Works.
CANADA. NATIONAL FILM BOARD.
British Empire Games.
Herring Hunt.
Man in the Peace Tower.
Man with a Record.
Mission Ship.
Mountain Movers.
Royal Journey.
 Singing Is Fun.
Summer Is for Kids.
To the Rescue.
Wolfe and Montcalm.
Yoho, Wonder Valley.
CANBERRA FILMS (PTY.) LTD.
Smiley Gets a Gun.
CANDL PRODUCTIONS, INC.
Daring Dolls.
Fancy Femmes.
Saucy Sirens.
Slick Chicks.
Wham Wham Girls.
CANNERS LEAGUE OF CALIFORNIA.
Abundantly Yours.
CANNING, VICTOR.
Assassin.
House of the Seven Hawks.
Spy Hunt.
CANTERBURY PRODUCTIONS, INC.
Never So Few.
CANTICLE FILMS.
Upon This Rock.
CANYON PICTURES.
Running Target.
CAPITOL RECORDS, INC.
Bozo’s Circus.
CAPLIN, ALFRED GERALD.
Batula.
Evil Eye Fleagle.
Frank N. Stein.
Frog Man.
Haunted House.
Ice Man.
Li’l Abner.
 Lonely Hearts.
Match Head.
Mr. Ditto.
Onion Ring.
Sleep Walker.
Suit.
Swenn Golly.
CAPON, PAUL.
Hidden Homicide.
CAPP, AL, pseud.
SEE Caplin, Alfred Gerald.
CAPRON, MILDRED STEAD.
Deep Roots in the Chesapeake.
CARAMELIA, DAURA.
Sucedio en Acapulco.
CARAVEL FILMS, INC.
Cold Facts.
Wishes on Wheels.
Woodrow Wilson: Spokesman for Tomorrow.
CARDAN, HELEN M.
This Is Synchronized Swimming.
CARDENA, JORGE.
Corazon en el Ruedo.
CARDER, EDWARD O.
Wall-Tex Wall Fabric TV Film.
CARDINAL PICTURES, INC.
Champagne for Caesar.
D.O.A.
Second Woman.
Well.
CAREY, ELIZABETH B.
Calendar: Days, Weeks, Months.
Our Teacher.
CAREY, ERNESTINE MOLLER (GILBRETH).
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