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The Influence of Italian Culture on the Sevillian Golden
Age of Painting 1st Edition Rafael Japón Digital Instant
Download
Author(s): Rafael Japón
ISBN(s): 9780367755485, 1003162916
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Language: english
The Influence of Italian Culture on the Sevillian
Golden Age of Painting

This book explores the cultural exchange between Italy and Spain in the seventeenth century,
examining Spanish collectors’ predilection for Italian painting and its influences on Spanish
painters.
Focused on collecting and using a novel methodology, this volume studies how the
painters of the Sevillian school, including Francisco Pacheco, Diego Velázquez, Alonso
Cano and Bartolomé Esteban Murillo, perceived and were influenced by Italian painting.
Through many examples, it is shown how the presence in Andalusia of various works
and copies of works by artists such as Michelangelo, Caravaggio and Guido Reni
inspired famous compositions by these Spanish artists. In addition, the book delves into
the historical, political and social context of this period.
The book will be of interest to scholars working in art history, Renaissance studies,
and Italian and Spanish history.

Rafael Japón holds a PhD in History of Art from the Universities of Granada and
Bologna.
Visual Culture in Early Modernity

Series Editor: Kelley Di Dio, University of Vermont

A forum for the critical inquiry of the visual arts in the early modern world, Visual
Culture in Early Modernity promotes new models of inquiry and new narratives of early
modern art and its history. The range of topics covered in this series includes, but is not
limited to, painting, sculpture and architecture as well as material objects, such as
domestic furnishings, religious and/or ritual accessories, costume, scientific/medical
apparata, erotica, ephemera and printed matter.

Making and Moving Sculpture in Early Modern Italy

Edited By Kelley Helmstutler Di Dio

Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350–1490

Diana Hiller

Apostolic Iconography and Florentine Confraternities in the Age of Reform

Douglas N. Dow

Leon Battista Alberti and Nicholas Cusanus: Towards an Epistemology of Vision for
Italian Renaissance Art and Culture
Charles H. Carman

Hybridity in Early Modern Art

Edited By Ashley Elston and Madeline Rislow

The Influence of Italian Culture on the Sevillian Golden Age of Painting

Rafael Japón

A Patron Family Between Renaissance Florence, Rome, and Naples: The Del Riccio in
the Shadow of Michelangelo
Vincenzo Sorrentino

For more information about this series, please visit: https://www.routledge.com/Visual-

Culture-in-Early-Modernity/book-series/ASHSER2107
The Influence of Italian Culture on
the Sevillian Golden Age of Painting

Rafael Japón
Cover image: Bartolomé Esteban Murillo, The Infant Christ and Saint John the Baptist
with a Shell, c. 1670, Museo Nacional del Prado, Madrid (photo: © Archivo Fotográfico
Museo Nacional del Prado).

First published 2022

by Routledge
605 Third Avenue, New York, NY 10158
and by Routledge
4 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2022 Rafael Japón
The right of Rafael Japón to be identified as author of this work has been asserted in
accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any
form or by any electronic, mechanical, or other means, now known or hereafter invented,
including photocopying and recording, or in any information storage or retrieval system,
without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered
trademarks, and are used only for identification and explanation without intent to
infringe.
Library of Congress Cataloging-in-Publication Data
A catalog record for this title has been requested

ISBN: 978-0-367-75546-1 (hbk)

ISBN: 978-0-367-75548-5 (pbk)
ISBN: 978-1-003-16291-9 (ebk)
DOI: 10.4324/9781003162919

Typeset in Sabon
by Taylor & Francis Books
To my parents, Ana María and Antonio Rafael.
Contents

List of Figures viii

Preface and Acknowledgments xi

1 Presentation 1
2 Genoese Nobility, Trade, Artistic Patronage and Cultural Influence in the
Kingdom of Seville 9
3 Literature, Art and Trade Between Seville and Tuscany 48
4 Sevillian Presence in the Papal States: Rome and Bologna 89
5 Other Territories 130
6 Conclusions 155

Appendix of Documents 160

Bibliography 176
Index 197
Figures

1.1 Willem Jansz Blaeu, Andalvzia continens Sevillam et Cordvbam,

1634–1635, Koninklijke Bibliotheek, The Hague (photo: KB | National
Library: KW1049B12_009 – Vol. 1). 2
2.1 Michelangelo Merisi da Caravaggio, Madonna di Loreto, 1604, Basilica of
Sant’Agostino in Campo Marzio, Rome (photo by the author). 17
2.2 After Michelangelo Merisi da Caravaggio, The Incredulity of Saint
Thomas, seventeenth century, Palacio de la Condesa de Lebrija, Seville
(photo by the author). 18
2.3 Tomaso and Giovanni Tomaso Orsolino, Altarpiece of Capilla de los
Genoveses, 1651–1671, Church of Santa Cruz, Cádiz (photo by the
author). 21
2.4 Family tree of the Marquis of Estepa, sixteenth and seventeenth centuries
(diagram by the author). 22
2.5 The Remains of the Castle-Palace, Estepa (photo by the author). 24
2.6 Tiziano Vecellio, Self-Portrait, c. 1562, Museo Nacional del Prado, Madrid
(photo © Archivo Fotográfico Museo Nacional del Prado). 27
2.7 Carlo Francesco Nuvolone (workshop copy), Martyrdom of Saint Agatha,
c. 1660, Church of Inmaculada Concepción, Gilena (photo by the author). 30
2.8 Gioacchino Assereto, Moses Striking the Water from the Rock, c. 1640,
Museo Nacional del Prado, Madrid (photo © Archivo Fotográfico Museo
Nacional del Prado). 34
2.9 Luciano Borzone, The Flight into Egypt, c. 1640, Church of Santa Maria
di Castello, Genoa (photo by the author). 36
2.10 Bartolomé Esteban Murillo, The Flight into Egypt, c. 1650, Musei di
Strada Nuova – Palazzo Bianco, Genoa (photo: Musei di Strada Nuova). 37
2.11 Diego Velázquez, Mercury and Argus, c. 1659, Museo Nacional del Prado,
Madrid (photo © Archivo Fotográfico Museo Nacional del Prado). 40
3.1 Cappellone degli Spagnoli, Church of Santa Maria Novella, Florence
(photo by the author). 53
3.2 After Bronzino, The Virgin and Child with the Infant Saint John, c. 1580,
Museo de Cádiz, Cádiz (photo by the author). 56
3.3 Family tree of Alessandro di Carlo and Alessandro di Francesco Del Nero
(diagram by the author). 60
3.4 Francisco Pacheco, The Last Judgment, 1614, Musée Goya, Castres (photo
© Ville de Castres – Musée Goya, Musée d’Art Hispanique). 66
 List of figures ix
3.5 Alonso Vázquez (attrib.), Ceiling of the House of the Poet Arguijo, c.
1601, Museo de Bellas Artes, Seville (photo: Instituto Andaluz de
Patrimonio Histórico, Santos Madrid, José Manuel). 68
3.6 Alonso Vázquez (attrib.), Assembly of the Gods, Ceiling of the House of
the Poet Arguijo (detail), c. 1601, Museo de Bellas Artes, Seville (photo:
Instituto Andaluz de Patrimonio Histórico, Santos Madrid, José Manuel). 69
3.7 Alonso Vázquez (attrib.), Ganymede, Ceiling of the House of the Poet
Arguijo (detail), c. 1601, Museo de Bellas Artes, Seville (photo: Instituto
Andaluz de Patrimonio Histórico, Santos Madrid, José Manuel). 70
3.8 Francisco de Zurbarán, Saint Didacus of Alcalá, c. 1656, Museo Nacional
del Prado, Madrid (photo © Archivo Fotográfico Museo Nacional del
Prado). 77
3.9 Niccolò Betti, Saint Didacus of Alcalá, c. 1610, Convent of Descalzas
Reales, Valladolid (photo by the author). 78
4.1 Jusepe de Ribera (here attrib.), Saint Peter, 1625, Colegiata del Salvador,
Seville (photo by the author). 93
4.2 Guido Reni, Saint James the Greater, 1625, The Museum of Fine Arts,
Houston (photo: The Museum of Fine Arts, Houston. Museum purchase
funded by the Agnes Cullen Arnold Accessions Endowment Fund, October
2002). 95
4.3 Apostolate, Cathedral of Zamora (photo by the author). 97
4.4 Francisco Gutiérrez Cabello, Joseph Presenting his Father and his Brothers
to the Pharaoh, seventeenth century, Museo Nacional del Prado, Madrid
(photo © Archivo Fotográfico Museo Nacional del Prado). 101
4.5 Orazio Borgianni, Saint Christopher Carrying Christ, c. 1606–1615,
Church of Santa María de Gracia, Gelves (photo by the author). 108
4.6 Michelangelo Merisi da Caravaggio (copy), Ecce Homo, c. 1610, Church
of Encarnación, Almuñecar (photo by the author). 109
4.7 Unknown artist, Martyrdom of Saint Peter, c. 1600–1650, Church of San
Alberto, Seville (photo by the author). 111
4.8 Juan Gui, Christ Crucified, 1611, City Hall, Seville (photo ©ICAS SAHP.
Fototeca Municipal de Sevilla. Colección Patrimonio Hispalense, Pepe
Morón). 112
4.9 Orazio Borgianni, Christ Crucified, c. 1600, Museo de Cádiz, Cádiz (photo
by the author). 113
4.10 Giusto Fiammingo (here attrib.), The Flagellation of Christ, seventeenth
Century, Church of Anunciación, Seville (photo by the author ©
Universidad de Sevilla). 114
4.11 Annibale Carracci and workshop, Saint Didacus of Alcalá Saves a Child
Sleeping in the Oven, 1604–1607, Museo Nacional del Prado, Madrid
(photo © Archivo Fotográfico Museo Nacional del Prado). 115
4.12 Giovanni Francesco Romanelli (here attrib.), Mary in Adoration Before
the Sleeping Child Jesus, c. 1625, Hotel Fontecruz Sevilla Seises, Seville
(photo by the author). 116
4.13 Unknown Italian painter, Mary in Adoration Before the Sleeping Child
Jesus, c. 1635–1645, Palacio de la Condesa de Lebrija, Seville (photo by the
author). 117
x List of figures
4.14 Workshop of Guido Reni, Saint Jerome in Meditation, c. 1610, Convent of
Santa Paula, Seville (photo by author). 118
4.15 Bartolomé Esteban Murillo, The Infant Christ and Saint John the Baptist
with a Shell, c. 1670, Museo Nacional del Prado, Madrid (photo ©
Archivo Fotográfico Museo Nacional del Prado). 121
5.1 Juan de Roelas, Glory, 1615, Cathedral of Seville (photo: por cortesía del
Cabildo Catedral de Sevilla). 132
5.2 Diego Velázquez, Last Supper, 1629, Museo de la Real Academia de Bellas
Artes de San Fernando, Madrid (photo: Museo de la Real Academia de
Bellas Artes de San Fernando). 134
5.3 Jusepe de Ribera and Juan Dò (attrib.), Rest on the Flight into Egypt,
seventeenth century, Convent of Santa Paula, Seville (photo by the author). 139
5.4 Francisco de Herrera the Elder, The Penitent Saint Gerome, seventeenth
century, Church of San Pedro, Arcos de la Frontera (photo by the author). 141
5.5 Giovanni Battista Caracciolo, Battistello, The Virgin and Child with Saint
Anne, c. 1620, Cathedral of Seville, (photo: por cortesía del Cabildo
Catedral de Sevilla). 142
5.6 Pedro Núñez de Villavicencio, Judith Displaying Holofernes’s Head to the
People of Bethulia, 1674, Museo de Bellas Artes, Seville, (photo © Museo
de Bellas Artes de Sevilla, Pepe Morón). 143
5.7 Francesco Glielmo (attrib.), The Preaching of Saint John the Baptist, c.
1630–1640, Museo Huelva (photo: Museo de Huelva, Foto Martín). 145
5.8 Tanzio da Varallo, David with the Head of Goliath, seventeenth century,
Museo Nacional del Prado, Madrid (photo © Archivo Fotográfico Museo
Nacional del Prado). 148
5.9 Giulio Cesare Procaccini, Miracle of the Child Carlo Nava, c. 1610,
Palacio de Las Dueñas, Seville (photo by the author). 149
Preface and Acknowledgments

This book began life as a PhD thesis undertaken within the framework of an International
Doctorate Agreement between the Universidad de Granada and the Università di Bologna,
directed by Dr. David García Cueto (Museo Nacional del Prado), Dr. Daniele Benati
(Università di Bologna) and Dr. Gabriele Finaldi (The National Gallery, London). I am
deeply grateful to them for guiding me, for the support received, as well as for providing
me with the necessary resources to complete this study.
In the revision and adaptation for the book publication, I have tried to take into
account the most recent literature, as well as the advice of specialists, particularly Andrés
Úbeda de los Cobos, Sonia Cavicchioli and Jaynie Anderson, whom I thank very much.
I am very grateful to many people who have contributed in some way to the realization
of this publication, in particular: Jaynie Anderson, Francesca Cappelletti, Patrizia
Cavazzini, Elizabeth Cropper, Francesca Curti, Francisco Fernández-López, Marta Fos-
sati, Carla Mazzarelli, Juan Clemente Rodríguez Estévez, Cristina Terzaghi and Erica
Witschey.
Finally, I thank Routledge, especially Isabella Vitti and Kelley Helmstutler Di Dio, for
their confidence in publishing this book.
1 Presentation

The Spanish Golden Age was a time of unprecedented development in the visual arts in
Seville. In the early decades of the seventeenth century, the leading practitioners of
Mannerism in the city lost ground to a new generation of artists who embraced nat-
uralism,1 creating a body of work that was highly prized across the territories under
Spanish rule. Since the late fifteenth century, Seville had grown into one of the most
important enclaves for maritime trade between America and the rest of Europe, and a
cultural crossroads for the interaction of people from different nations. Many of these
foreign merchants found it convenient to stay in the Kingdom of Seville, moving there
with their families to set up their companies, in the process bringing with them their own
culture. Among these immigrants, Italians played a special role. Their presence and
artistic influence on the Sevillian school of painting are the main subject of this volume.
The Kingdom of Seville covered a vast territory that comprised the current provinces of
Seville, Huelva and Cádiz, as well as other localities of Málaga and part of the south of
Badajoz (Figure 1.1). An analysis of the region’s cultural heritage in the literature, from the
earliest treatises to contemporary publications, shows its significant contribution to the
world of art. Notable advances have been made in its cataloging and documentation, as well
as in the reconstruction of the biography of its main artists. However, much of this research
has been inward-looking in its focus, successively seeking explanations for its idiosyncrasy in
the same milieu that generated it. Lack of a wider Spanish or even European perspective has
resulted in a partial view that has overlooked some of the connections which had an impact
on the development of the Sevillian school during this period.
One of the decisive factors that shaped Spanish art in the early modern period was a
heavy Italian influence – where influence is understood as the elements of Italian culture
that had been imported into the Spanish art scene since the sixteenth century. These
ideological, literary and artistic aspects strongly impacted the Castilian tradition. The
political relations derived from the Spanish crown’s possession of various territories in
the Italian peninsula – the Duchy of Milan and the kingdoms of Naples, Sicily and Sar-
dinia – which led to the establishment of a wide network of cultural exchanges between
Spain and Italy that prepared the ground for the broad reception of Italian artists, models
and iconographies in the Spanish terrain. Seville, the most important port of trade
between Europe and America, underwent an evident process of cultural hybridity due, in
large part, to the presence of diverse groups of immigrants whose customs were gradually
assimilated into the local urban culture.2
Since the early twentieth century, the Italian presence in seventeenth-century Seville has
been the object of research among scholars interested in studying the evolution of trade
between Italy, Seville and America. In these investigations, the cultural sphere has played
DOI: 10.4324/9781003162919-1
2 Presentation

Figure 1.1 Willem Jansz Blaeu, Andalvzia continens Sevillam et Cordvbam, 1634–1635, Koninklijke
Bibliotheek, The Hague (photo: KB | National Library: KW1049B12_009 – Vol. 1).

a minor, when not non-existent, role. Even so, these studies have been instrumental in
drawing a clear picture of how the city of Seville was structured at the time, taking into
account the political and social weight of the Genoese and Florentine communities. Their
significance is attested by the number of conferences held on the subject over the past dec-
ades – including the Hispano-Italian colloquia Presencia italiana en Andalucía: siglos XIV–
XVII (1989) and Génova y la monarquía hispánica (1528–1713) (2011) – as well as by the
many theses written in the last decade, such as Yasmina Ben Yessef Garfia’s dissertation
entitled Una familia genovesa entre la república y la monarquía hispánica (2015). Also
worth highlighting are the books that center on the cultural relations between Spain and
different Italian states, even when they do not specifically address the Kingdom of
Seville, such as the collection España e Italia edited by the Centro de Estudios Europa
Hispánica, as well as David García Cueto’s Seicento Boloñés y Siglo de Oro Español
(2006), and Artistic Circulation between Early Modern Spain and Italy (2020), edited by
Kelley Helmstutler Di Dio and Tommaso Mozzati.
And yet, the influence of Italian culture on the paintings of seventeenth-century Sevillian
artists has not been systematically studied. The same is true for a series of circumstances that
left an imprint on the Sevillian school, such as the establishment of Italian families in the
territories of the Kingdom of Seville and the journeys Sevillians made to Italy, as well as the
collections of art in the city that included paintings from different Italian schools. And this
 Presentation 3
despite the well-known dependence of certain works of the Sevillian school on Italian
models. In this regard, in the eighteenth century Miguel Espinosa Maldonado de Saavedra,
2nd Count of Aguila, in a letter addressed to Antonio Ponz, pointed to the similarity between
the Moses and the Water from the Rock of Horeb by the Genoese Gioacchino Aseretto
(1600–1649) and the work on the same subject that Bartolomé Esteban Murillo (1617–1682)
made for the church of San Jorge in the Hospital de la Caridad.3 At that time, too, the close
aesthetic resemblance between the production of Guido Reni (1575–1642) and Alonso Cano
(1601–1667) led Ponz to dub Cano the “Spanish Reni.”4 In the following century, Juan
Agustín Ceán Bermúdez cited other Italian sources of inspiration for Murillo, such as Ste-
fano della Bella (1610–1664), Jusepe de Ribera (1591–1652) and Titian (1490–1576), whose
works he would have seen on his purported stay in Madrid, previously mentioned by Anto-
nio Palomino (1655–1726).5 On that occasion, Murillo, accompanied by Diego Velázquez
(1599–1660), would have improved his technique by studying and copying the Italian origi-
nals in the royal residences.6 In 1848, Valentín Calderera found fault with the nickname by
which Francisco de Zurbarán (1598–1664) was known at that time, “the Spanish Car-
avaggio,” arguing that the only similarity he could see in their work was “the vigor only of
chiaroscuro.”7 Years later, Pedro de Madrazo again called attention to the relation between
Raphael’s Madonne and Murillo’s Virgins.8
These critics must have had an extensive knowledge of Italian culture, as well as of
Spanish historical-artistic sources, especially of the writers and biographers Francisco
Pacheco (1564–1644), Bartolomeo Carducci (1560–1606), Jusepe Martínez (1600–1682)
and Antonio Palomino. Moreover, the stylistic comparisons they make suggest that
Sevillian artists were necessarily acquainted with the work of Italian painters, since they
express no surprise at this artistic dependence. This could be due to the fact that in the
eighteenth and nineteenth centuries many of the artworks that had arrived from Italy to
Seville in the previous centuries were still found in the city, as indicated by Ponz in Viage
de España (1780),9 José María Montero de Espinosa in Guía de forasteros (1832)10 and
José Amador de los Ríos in Sevilla pintoresca (1844).11 The latter lamented that years of
foreign looting of the artworks in Seville’s temples and convents, in spite of the laws that
had been enacted for their protection, had decimated the artistic heritage of the city, a
situation that had been further aggravated by the plundering of art during the French
invasion. He also suggested that a small part had been saved thanks to the Sevillian aes-
thetes who, aware of this situation, acquired numerous works to prevent them from
leaving the region.12 In these collections, Italian painting plays an important role both for
the number of works involved and for the quality of the artists who made them.
However, by the early twentieth century the artworks in these collections had been
dispersed and their presence practically forgotten. But even if there had been no certi-
tude of the coexistence of these Italian works with the production of the local masters
in seventeenth-century Seville, historians – for the most part foreign – continued to
underline the affinities between them. For instance, August L. Mayer identified the
compositional inspiration for Murillo’s The Infant Christ and Saint John the Baptist
with a Shell to be derived from a print by Reni, which in turn was based on a compo-
sition by Annibale Carracci (1560–1609).13 What’s more, he discerned in Murillo’s style
the influence of Raphael’s and Correggio’s oeuvres, which led him to state that these
traits “turn Murillo into Guido Reni’s companion, and we think we really should call
him the Spanish Reni more than the Spanish Raphael.”14
By then, the work of both painters – Reni and Murillo – was experiencing an aesthetic
depreciation in Spain, translated into a visual fatigue probably produced by the plethora
4 Presentation
of reproductions of Murillo’s paintings in the market. Today, Murillo’s oeuvre has
regained its value thanks, among others, to the many events organized around the fourth
centenary of his birth. Reni’s style, however, continues to be unjustly underrated precisely
on account of its stylistic assimilation with Murillo’s.
On the contrary, Velázquez’s work has always been highly esteemed, even when it was
equally widely influenced by Italian art. In 1927 Roberto Longhi insisted that he had to
know Caravaggist painting during his Sevillian stage in order to have been able to make
paintings such as his Saint Thomas (Musée des Beaux-Arts d’Orléans).15
And yet, at the time when the historiographical reconstruction of the pillars of
Baroque art in Seville was taking place, foreign influences took a back seat in favor
of Spanish artists. Narciso Sentenach, for example, saw in the figure of Francisco
Herrera the Elder (c. 1576/90–1656) a true exponent of naturalistic painting, the
painter who managed to leave behind a tradition based on “that school which had
been made manifest in the frescoes and panels of the Italian artist,” referring to the
work of Francisco Pacheco and Pablo de Céspedes (c. 1538/1548–1608).16
Denying any foreign influence in Herrera’s compositional process, Sentenach maintained
that the artist’s technique was based exclusively on the imitation of nature. Thus, he made
him responsible for introducing this new style into Seville, achieving this feat exclusively
through his genius, “his own inspiration and the mastery of the tools which he had
acquired.”17 In this way Sentenach contended that the origin of Sevillian naturalism was
a product of its own evolution, ignoring the contemporary success of Caravaggism. He
endorsed this thesis by claiming Juan de Roelas († 1625) to be a disciple of Herrera, even
when he knew that he might have trained in Italy at the beginning of the seventeenth
century.18
Indeed, Sentenach recognized a certain parallelism between Roelas’s palette and the
brilliant coloring of the Venetian school, but rather than reading this as a progression of
influences, he saw it as a casual association of ideas. He thought that Seville and Venice
were twinned in that they shared the atmosphere of port cities, even if one was a river
harbor and the other a seaport. He believed that the Sevillian school was destined to be the
sister of the Venetian one, with Roelas as the link between them.19 He conceded that
Roelas – whom he believed to be of Sevillian origin, when in reality he was born in Flan-
ders – must have studied and assimilated the techniques of Tintoretto (1518–1594), Titian
and Veronese (1528–1588), discovering the way to make certain colors shine, a skill that on
his return he combined with the naturalism he learned in Seville from Herrera.20
The scholar prepared a convincing explanation for the enigmatic naturalism present in
Velázquez’s youthful work. While the latter trained under Pacheco, an artist who con-
secrated his practice to the production of works in a late Mannerist style, he had pre-
viously been Herrera’s apprentice, and this enabled Sentenach to justify his rapid
evolution towards the imitation of nature despite his subsequent link to Pacheco and
his artistic circle, and thus avoid dealing with possible Italian influences that were
difficult to determine at the time, stating: “Notwithstanding these circumstances,
Velázquez kept to the revolutionary vigor of Herrera’s style in regard not only to his
drawing, but also to the study of nature which that master had instituted.”21
In time, thanks to the fruit of the new information that came to light from doc-
umentary research, which among other issues clarified various episodes of Roelas’s life,
Sevillian historians identified this painter as the key to local naturalism. Nevertheless,
since then scholars have continued to explain the local school’s identity as a synthesis of
its own idiosyncrasy, as was put forward in the introduction to Pintura sevillana del
 Presentation 5
primer tercio del siglo XVII (1985),22 ignoring the transcendental foreign factors that
were at play in the seventeenth century.
Given this, it is paradoxical that since the early twentieth century, studies regarding
the presence and influence of Italian art on Spanish artists have proliferated, as in
Ainaud de Lasarte’s Ribalta y Caravaggio (1946), in which the Lombard master’s ori-
ginals and copies in Spain are cited for the first time, in addition to the publication by
Alfonso E. Pérez Sánchez on Borgianni, Cavarozzi y Nardi en España (1964) and his
dissertation, Pintura italiana del siglo XVII en España (1965). In the latter he refers to
the many works by artists of different Italian schools in Spain and includes historical
news of pieces no longer conserved. In addition, various national and international
exhibitions have studied the dependence of seventeenth-century Spanish painters on
Italian naturalism. In these, the Sevillian school was represented by masters such as
Zurbarán and Velázquez, thus bringing to the fore the spread of Caravaggism
throughout Europe since its early days. Noteworthy among them are Caravaggio y el
naturalismo español (1974), organized in Seville by Pérez Sánchez, as well as De Her-
rera a Velázquez: el primer naturalismo en Sevilla (2005), which focused exclusively on
this phenomenon in Seville. The catalog of this last show includes an essay by Salvador
Salort Pons in which he discusses for the first time the importance of the Italian pre-
sence in the city and the relations between the two peninsulas as part of a process of
cultural influence.23 In addition, Benito Navarrete Prieto’s dissertation on the use made
by Andalusian painters of foreign engravings is particularly relevant.24
Despite conclusive evidence of the arrival of Italian originals and prints in southern
Spain during the Golden Age, each time the influence of an Italian model on a Sevillian
painting has been detected, scholars have gone to great lengths to make it clear that their
observations are in no way intended to erode the idea of “originality” of the local
school.25 Thus, for example, José Guerrero Lovillo dedicates part of his article, “Murillo
y Assereto” (1950), to negating the idea of plagiarism on the part of the Sevillian painter
only to later recite the similarities between the works of both artists. More recently,
several Murillo specialists have tried to minimize the impact of Italian prints on his pro-
duction, in spite of very obvious parallels, stating that his use of engravings was com-
pletely alien to his compositional process, since lack of originality would be detrimental to
the “genius” of Sevillian artists in their imitation of nature.26
In this way, many modern scholars continue to uphold the idea of a Sevillian Baroque
school that developed independently of diverse but insignificant external references. This
trend imbues the concept of originality with nuances that are inherent to the artistic van-
guards, in which the ingredient of novelty prevails in art. In the early modern period this point
was understood differently. Copying foreign references and models to create new works was
part of a painter’s learning process, so that originality did not apply so much to the aspect of
compositional novelty as to the development of a personal style capable of veiling borrowings
from the great masters. This is how it is understood in art treatises such as Pacheco’s El arte
de la pintura (1649) and Palomino’s El museo pictórico y la escala óptica (1715–24), in which
this practice was also seen as a kind of intellectual game that allowed a painter to make
himself known to a public well-versed in the oeuvre of other international artists.
The purpose of this research is to reconcile the historical, economic, political and
social disciplines that have as their object the study of the Italian presence in Seville
during the Golden Age with those of a cultural nature in order to better comprehend the
artistic influences that had an impact on the evolution of the local pictorial school. The
concept of “influence” has been the subject of debate in international art historiography
6 Presentation
circles for some time now, in part due to the oftentimes subjective and unfounded inter-
pretations made by authors.27 On this occasion the term is used taking into account
various factors specific to the seventeenth century in Seville. The treatise writer Francisco
Pacheco, one of the leading lights of the Sevillian school of painting, highlighted in his
writings the importance of the works that hailed from Italy on the training of apprentices
in Sevillian workshops, as well as in the composition of their masters’ creations. In his
opinion, one of the traits of excellence in painters lay in knowing how to interpret in
their own works elements taken from foreign paintings, independently of whether they
were known through originals, reproductions, engravings or drawings. In this way,
artists demonstrated their “intellectuality” and the broad knowledge they had of the
international artistic panorama both of the past and present.28
In keeping with the parameters formulated by Pacheco, this study has taken into account
the historical documentation on paintings from Italy in collections in Spain, and specifically
in Seville, to explain a series of visual affinities between Sevillian and Italian pictures,
taking into consideration the date of creation of the former and the date of arrival of the
latter. This approach clearly shows that the phenomenon of artistic projection was a con-
stant in Seville during the Golden Age, and makes it possible to formulate a theory about
the direct and indirect effects of Italian culture on Sevillian painting that goes beyond a
simple visual comparison.
Other factors in this study, especially those associated with the social taste for Italian
painting, confirm this broad process of influence. Among these, it is important to look into
the interest in art patronage shown by the Italian merchants and agents established in
Seville, as well as the collections of Italian painting that arrived in the city from the hand of
the ecclesiastics and nobles who traveled to southern Spain from the Italian Peninsula. All
of this calls for recognition of the ample and varied repository of original artworks, copies
and prints to which local artists had access, whose integration into their repertoire had a
bearing on the natural evolution of Sevillian painting. This also shows that Sevillian artists
were well informed of the latest developments in Italian art centers through the efficient
channels of communication established by trade, religion and the nobility.
The chapters that follow show how extensive research into historical materials and
archival sources brought to light the presence of an important group of Genoese and
Florentine nationals in the city, leading to the study of the cultural circles of these com-
munities of financiers and merchants in the Kingdom of Seville. Examination of these
groups, and of some of their most relevant characters, was key to determine the weight of
the culture of these two regions in the south of Spain in the seventeenth century. More-
over, documentary investigation pointed to a predilection for collecting works from
Venice and other Italian regions under Spanish dominion, such as Naples, Milan and
Sicily. Regrettably, a dearth of documentation in the archives regarding the direct cultural
relations between Seville and the latter Italian cities has resulted in an unequal amount of
material and hence of chapter lengths. This circumstance should not be understood as a
lessening of the importance of the works produced in these regions in favor of others. On
the contrary, it is essential to unearth further information about the collecting of paint-
ings from these other territories in order to determine the level of knowledge that local
collectors and painters had of the art of these parts of Italy. Until more extensive
knowledge is gained, the presence of works from these territories can only be explained
through the preferences of the Florentines and Genoese living in Seville for the art of
other Italian regions and through the collecting that citizens of Seville carried out in Italy.
The fourth chapter thus revolves around the presence of Sevillian citizens in the Papal
 Presentation 7
States, places where the different cultures of the Italian peninsula converged, and
throughout the book attention is paid to the cultural relations Seville had with the other
Spanish kingdoms, and especially with the court as a trendsetter.
On the other hand, news and publications that focus on cultural relations between the
Iberian Peninsula and Italy have not been taken into account when a relationship with
southern Spain has not been possible to establish with any degree of certainty. Although
these materials are of great interest to understand this process of influence from a more
global perspective, they cannot be considered when they do not document Italian influence
on the pictorial dynamics of Seville, which is one of the objectives of this study.
In the future, this methodological approach may be extrapolated to other Spanish
regions as well as other types of art – such as sculpture and architecture – with a view to
drawing a broader map of Italian cultural influences in Spain.

Notes
1 Here the term “Mannerism” is used to designate a pictorial trend characterized by the imitation
and adaptation of the techniques and compositions of the masters of the Italian Renaissance
and their followers. Cfr.: Fernando Marías, “A propósito del Manierismo y el arte español del
siglo XVI,” in Manierismo, John Shearman (Madrid: Xarait ediciones, 1984), 7–18.
2 Peter Burke, Hibridismo cultural, ed. María José del Río Barredo (Madrid: Akal, 2013), 118–19.
3 Letter in: Juan de Mata Carriazo, “Correspondencia de don Antonio Ponz con el Conde del
Águila.” Archivo Español de Arte y Arqueología 14 (1929): 157–84.
4 Antonio Ponz, “Ghido Reni español,” in Viage de España ó cartas en que se da noticia de las cosas
más apreciables y dignas de saberse que hay en ella (Madrid: Viuda de Ibarra, hijos, y compañía,
1780), vol. 9, 271.
5 Antonio Palomino, Vidas, ed. Nina Ayala Mallory (Madrid: Alianza, 1986), 291.
6 Juan Agustín Ceán Bermúdez in José de Madrazo, Colección litográfica de cuadros del Rey de
España el señor don Fernando VII (Madrid: Real Establecimiento Litográfico, 1832), vol. 1, 32;
Juan Agustín Ceán Bermúdez, Carta a un amigo suyo sobre el estilo y gusto en la pintura de la
escuela sevillana; y sobre el grado de perfección a que la elevó Bartolomé Esteban Murillo: cuya
vida se inserta, y se describen sus obras en Sevilla (Cádiz: Casa de la Misericordia, 1806), 48–49.
7 Valentín Calderera, “Francisco Zurbarán.” Semanario pintoresco español 5 (1848): 357–58. “El
vigor solo de claroscuro.”
8 Pedro de Madrazo, Murillo y Rafael: discurso leído en la velada con que se conmemoró en
Madrid el segundo centenario del eminente pintor sevillano (Madrid: Imprenta y Fundición de
M. Tello, 1882).
9 Ponz, Viage, vol. 9.
10 José María Montero de Espinosa, Guía de forasteros de Sevilla (Seville: Imprenta del Diario de
Comercio, 1932).
11 José Amador de los Ríos, Sevilla pintoresca (Seville: Francisco Álvarez y Cª, 1844).
12 Ibid., 408–9.
13 August L. Mayer, Murillo. L’Oeuvre du maître (Paris: Hachette, 1913), 89.
14 August L. Mayer, La escuela sevillana de pintura: aportaciones a su historia, ed. Daniel Romero
(Seville: CajaSol, 2010), 250. “Un compañero de Guido Reni, y nosotros creemos que realmente
debemos llamársele el Reni mejor que el Rafael español.”
15 Roberto Longhi, “Un San Tomaso del Velázquez e le congiunture italo-spagnole tra il ’5 e il
’600.” Vita artistica: studi di storia dell’arte 2 (1927): 4–12.
16 Narciso Sentenach y Cabañas, The Painters of the School of Seville (London: Duckworth; New
York: Charles Scribner’s Sons, 1911).
17 Ibid., 79.
18 Ibid., 80.
19 Ibid., 88–89.
20 Ibid., 90.
21 Ibid., 105–6.
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Thos 1260 Molaro Frank 1262 Johnstone Archd R 1264‘Whltahead
John 1266 Vacant 1279‘Laveroek David 1272 Fountain Earl 1274
Tltterson Ernest W 1276‘Green Percy W 1278 Jeffery Arthur W ♦
Darker av crosses 1282‘Sweeney Mlchl J gro 1284 Pereira Susan Mrs
•Barns Eliza A 1286‘Crossman Ernest C 1288 Wilson Archd
1290‘McVlcker Geo 1292‘Thorogood Gordon 1294‘Todd Thos 1296
Large Henry G 1298 Millard Frank 1300‘Evans Ernest G 1302‘Webb
Chas lJOd^Ponzo Wm fruit + Holbome av crosses 1316 Martin Geo T
1318‘Andrew Janet Mrs 1320 North C Geo 1322‘Nowell Clifford H
1324‘Wood Jas 1326‘Alkman Wm H 1330‘Warburton Alfred
1332‘Darrow Wm ♦ Virginia av crosses 1336‘WIlllams Roy L
1388‘Mumford Jas F 1340‘Wallls Fred W 134L‘Rlchardson Wm W
1344‘Belton Geo J 1346‘Loneshaw Gilbert V 1348‘Lewls Arthur R ♦
Cosburn av crosses ♦ Plains rd ends ♦ O'Connor dr crosses
+WOODBOROUGH AV (Sliverthorn) Northwesterly and west from
CNR tracks, fifth north of Egllnton av w. +W00DBRIDGE RD
(Leaside) North from Bessborough dr to Broadway av, second east of
Bayview av. -fWOODCROFT CRES (Fairbank) North from Hatherley
rd, first east of Ennerdale ra. NORTH SIDE . 10 Bryan Frank C
14*Brown Arthur L 16 Steer Geo T Chafer Walter 18‘Radley Donald F
20*Walnwrlght Arthur L 22‘Ivawranee Wm SOUTH SIDE . 7‘WIcks
Thos T 9‘KeIth Martha Mrs 9A Jennings J Wm 11 Bryan Geo W 11A
Plane Susan /Mrs 13 Wicks Edwd T 15*Gibson Jas 19 Lee Geo H 21
Willmore Jos 23 Watkins Wm 25*Patterson Geo B 27*Jones Walter E
W WOODFIELD RD 8 (Old Morley av) North from the Bay and
Eastern av to CNR tracks, crossing Queen east at 1483, second east
of Greenwood av, Ward 8. EAST SIDE . 9*Higgins Edwd G 11 Tapper
Robt H plstr 13 Heldman Ross •O’Brien Rose R Mrs 15 Patterson
Francis Street Guide, Pink Page 535
 woo WOODFIELD East Side Continued 17 Tate Albt Strange
Alice Mrs 19*Cox John W Rogers Sydney 21*Hodgson Minnie Mrs
Whitmore Wesley 23 Billington John T florist 25 Morley Frank
27*Underhill Jos W 29*Spagnolo Thos Crawford Albert E 31 Schwab
Chas A 33 Roworth Gordon S Carter Thos 35 Patterson Wm L
37*Norris John J 39*De Friez Archd T piano tuner 41 Running Annie
Mrs 43*Graver Victoria Mrs 45*Graver Herbert W 47 Dumond W
Everett + Queen st e crosses 53*Haacke Allan 55 Whorley Richard
Whitney Geo 57 Gray Wm Garden John 5i9 ♦Woolley Wm 61
Robinson Edwd H Devlin Harry 65 ‘Todd Robt W 67*Lomas Beatrice
Mrs Groves Harry I 69*Scott Walter E 73*Parkin Alice E Mrs Huber
Maurice J 75 Farley Phillip 79*Holt Prudence Mrs Holt Wm L
81*Duffy Hannah Mrs 83 Wilson Jas P ♦Wilson Frances Mrs Harvey
Edwd 85*Gawtrey Thos 91 Bowers John B Aiken John 93*Pellow
Wm J 97*€raig John 99 Sutton Geo H 99A Ritchie Samuel
107*Camphell Sami Smith Chas 109*Knapp Arnold H McDonald
Harold 111 Ward Geo D 115*Calver Andrew J 117*Craig Adam 119
Robeson Walter D 121*Lindsay T J Mrs 123*Fisher Geo 127*Dennett
Edwd 129 McTague Norman 133*Knox Wm J 135 (Gaston John +
Apple Grove av commences 149 Applegrove Groceteria Bowden Fred
‘Aehison Harvey G 153*Lauder Mary A Mrs Cole Edmund
155*Giddlngs Harry 157*McKelvle Geo 161*Woodhouse David
163*Barnard Frank R 165*Hann Arthur H 167*Alcorn Jas 16i9
♦'Boyle John W 171*Spencer Ethel Mrs 177 Marsala Joe 179 Bennett
Alfred li81*Bovee David D 18i3*Dell Jas 185*Mason Frank H Rev 187
Johnston Andrew 191*Adams Caroline Mrs Stilwell Jesse 195 Walsh
Fredk 199‘Lomas Geo Wilkes Geo E 201 Kay David Munro Jas 203
MacNair Alec A 205 Verney Alfred W 207*Gordon Geo H 209*Morton
Vernon 211*Cranham Albert G 213»Black Robt 223*McCrum Geo
223*Medhurst Edwd W Law John 227 Gault Robt 229*Main Geo 231
Grey Howard 233*Miller Anthony 235 Cooke James A 237»Webber
Cecil 239*Mitreff Geo Purcell Wm 241 Gasson Jos 243*Hunt Geo
245*Hearn Maurice G 247*Brand Geo 249*McColl Jean Mrs
Broderick Louis V 251*Wakelin Wm ■Styles Francis J East Side
Continued 2'61*Thomas Wm E Williams Alice Mrs 263*Geh Fredk M
Smith John T 267*Lightfoot Arthur H 269 Humphrey Howard R
271*Finch Christina Mrs 273*Routley Fred J 2,75*Mi'ller Jas 277
Pinkerton Allan Lewis Jos C 279 iMorley Court Apartments — A
McCartney J H B Graham Sami 1 iStewart Lindsay 2 Boxshall Walter
3 Greer Lloyd 4 Luscombe John M 5 Godden Geo It 6 Schofield Edwd
7 Legare Wm C 8 Henderson Andrew D 9 Gauthier Bernadette 10
Hutton Ernest 11 Barrass Richd Coathup Harvey C „2 Mucklestone
Richd V 15 Gardner Alex Street contd — + Gerrard st e crosses 281
Mackenzie Brock R 289 Driffield Archd Smith Hubert 291 Harkness
Gordon L 293*Fry Fredk J Sobier Edwd 295*Sharpe Brenda F Mrs
297*Garbutt Walter F 301*Wilcox John P 393*G&rnett Willie 393%
Whitehead Thos 305 MacKay Malcolm 305% Bunting Jack E Welch
Edgar 307 ‘Duke Margt Mrs 309 Shadoff C Chapman Francis Mrs 311
Bryant Thos J 313 Creasy Fredk C — 325 Cox Alex W Mcllroy Alex
327 McPherson John M 329 Hainsworth Harry 331 Lafevre Gatson
333 Smith Wm M Derry Geo 335 Turner Arthur 335 Guppy Thurlow J
337 Ayre Arthur F 339 Garvey John B 341 Sinkins Geo M 343 Insley
Clayton D 345 Atkinson Jas 347*McCaffrey Annie Mrs
349*Humphrey Geo 331*Hamilton Alex 3‘53*Adcock Alice Mrs
355‘Wagland Chas 357 Pollock Harry Richards Wm E F 359‘Taylor
Thos 361*Bullied Victor A 363*Webb Jas L 365 Dundas Harry +
Fairford av commences 375‘Brown Thos C 377*Boyd Wm 379 ‘Rutter
Wm 381*Poulton Wm C Quinn Robt M 383*Gonder Lottie Mrs
385*Thallon Wm F 387 Moyle Henry Sager John 389 Cook Archd
393*Kennedy Norman 395*Wilkes Geo Rutter John E 397 Burdett
Ralph 399»Wright Wm 401*Manning Walter G 403 Little Wm A
405*Stevens Walter A + Walpole av crosses 427*Hunt Henry J 429
Hayman Stanley 431*Rlchardson Hector 433*Field Minnie Mrs 435
Chipperfleld Jas W 437 Ashwell Stanley F 439 McComb Stewart 441
Brown Thos 443 Dunwoodie John J 445*Eastwood Ernest J 447
Kane Wm 449 Armstrong Tom J 451*Johnson Emily M Mrs 453
Wilkes Fredk A 455 Davis John J 457 Simpson Coal Co WEST SIDE .
2 Dawson Boathouse 4 North American Vinegar Co + Eastern av
crosses 6 Brown Jas 8 Sharkey Sami G 10 Ross John 12 McCarthy
Thos 14 Quance Wilfred G 16 Cockburn Jas West Side Continued 18
Tallon Jas 20 Taylor Ivy Mrs 22 McDonald Sami 24 Irwin Wm 26
Hobbs Jessie G Mrs 28*Ball Thos C 30*Graziano Lawrence 32*Gillam
Alfred E 34 MoGann Geo Heywood Wm 36*Grant Herbert 38 Moody
Wm Kelman Geo 40‘Penny Frank L 42 Rootham Harold J + Queen st
e crosses 54‘Ashbridge Jesse 60 Duke of Connaught Pub Schl
100*Yerrell Albert W 102 Dennis Ernest Mitchell Robt 104*Mackenzie
Duncan R 196‘Gosllng Reginald 10S*Whitcombe Robt Conn Lloyd
110‘Wilkinson John H 112*Swlft Jas A 114 Seago Edith Mrs 116 -
118*Taylor Herbt W F 120 Arnold Jos Gordon Russell 1.22
Bannerman Wesley J 124‘Whitcombe Raymond J 126 Smith Jas W
128 Caldwell Jas 130*Corton Hugh F 132 Scott Margt Mrs
144‘Thompson Harry 136‘Grisold Elva 138*Elkington Beatrice Mrs
Turner Wm 140*Rlce Donald + Apple Grove av crosses 144‘Burton
John H 146*Marshall Fredk C 148 Powers Harry B 150 Hepworth Geo
T Brewer Wm 152 Stone Fredk 154*Furneaux John J 156*Gibbs Albt
E 158 Belfry Keith E 160*Wakelin Wm 164‘Price Arthur W 166*Norris
Harriet Mrs 168*Mitchell John Mutch Albt 170‘Fixter Harry L
172*Devvsbury Leslie G 174 Lawrence Geo W 176»Prole Chas H
178*Parsons Henry J 1'82‘Bailey Thos H 190»Kirby Edwd H
192*McIver David S 194*Haines Edith Mrs 196‘Marshall Wm Taylor
Elroy 198 Balmer Jas W 200‘Clark Alex M 202*Jennings Percy C
204*O’Reilly John E 206*Woods Thos 208*Murray Henry C
212‘Rogers Weston L 216 Hollinger Wm G 218*Boyd Hugh
220*Dowie Albert 222 Lang Jas M 224‘Bundy Harry 230 Ferguson
Frank 232‘Gower Stanley W 234 Allen Horace G 236‘Izzard Henry W
238‘Gregory Frank Farquhar Chas A 240*Pugh Florence Mrs 242
Archer John E Sloan Martha Mrs 244*Lord Thos A 246*Meyer
Matthew 248*Clymer Wm 250 Weir John E Scott Wm 252 Wood
Emma L Mrs 254 Hightower Rolley E Lester Wm J E 25'6*Poole
Christopher 258*Reeves Arthur E 260‘tBarnes Alfred J 262*Wilson
Benj 264*FIemming Jennie 266*Pescott Wm G 268*Moase Arthur
270*Abram John Watson John 280 Avalon Apartments Apartments
— 1 McIntosh Geo S 2 Stewart Raymond P 3 Cross Marie Mrs 4
McCracken Jessie 5 Hughes Emily Mrs 6 White John janitor 7
Kennedy Wm G 8 Absent 9 Smith Chas J Street contd — + Gerrard
st e crosses 282*Dunlop Jas J 284*Faugh Archd C West Side
Continued 286*Canick David Boyes Harold L 288 Hanson Ernest A
290 Wood Jas E 292 Humphrey Alfred E 292A*McLeod Robt 294
Berry Mary Mrs Donalson Harold 296*Broad Franklin R 298‘Lorimer
John 300 Walton Wilfred 302*Raeside Wm Shand Geo 3'04‘Bazley
Chas 306*Henderson Robt 308 Peacock Ernest R 310 Dinham Ernest
A 312 Schofield Fredk 314 Garvey David 316 Watson Thos J
318*Cunningham Herbt B 320‘Eisenliardt Jacob 322 Chandler Morris
C 324*Connor Geo H 3i2'6*Thompson Mary 330‘Mitchell Isabella Mm
Troupe Wm 332 McGowan Clifford J 336*Hayford Thos W Henderson
Jas 348 McGill Richd J 350*Buckler Wm 352*Croot Wm H 354 Gray
Owen Morlan Chas T 3'56*Nicholson Leslie J 358 ‘Thomson John
860*Dales Herbt T 362*Tait Cecil Williams Leonard 364*Gaunt Frank
364%‘Slater Fredk E 366*Goldie Alex W 366% Norman Harry
368*McKay Robt 370 Richards Arthur A 372*Dandy John J 374
Cartan Bruce A ♦Coultis Emma Mrs 376 Johnston John R 378
Dalrymple Archd S 380*Lillie Isaac 382*Williams Ivor Smart Howard
P 388 Best Wm J 390 Brooker Horace 390%‘Gray Wm H 392 Kelly
Stephen 392%‘Dartford Albt N 394*Dunsdon Henry E 394%*Wbittle
Walter 396 Venman Fredk F 400 Partington Jos R 402‘Corrigan
Dorothy 404*Benham Geo gro + Walpole av crosses 426*Gourlie
Agnes Mrs 428‘Parrish Albert 430 Ferguson James 430% O'Connor
Jos 432*Cochrane Sami 434 Thompson Wm J 436 LaLonde Adrian
438‘Wilkie David WOODGREEN PL 8 South-west from rear of 785
Queen east to Saulter, second west of Riverdale station. Ward I.
NORTH SIDE . 2 Rock Albt 4 Kingley Wm 6 McKenzie Howard 8 Bell
Donald N 10 Fascarini Frank 12 Holloway Harry SOUTH SIDE . Not
built on WOODINGTON AV 6 North from Danforth av to Sammon av,
first east of Coxwell av. Ward 8. EAST SIDE . ♦ Strathmore blvd
crosses 35‘Seymour Newton F 37*Hill Alex 39*Channing Richd G
41*Edgar Andrew J 43 Buckley Sydney T W 45*Foote Alfred
47*Cubbage Alfred ♦ Wolverleigh blvd crosses 55 Earl Beatty School
♦ Glebeholme blvd crosses 73‘Caswell Victor M Kennedy Cyril P
75*Gostlin N Earl Scott Harry Cott C John 77 Smith Henry W Hornett
Arthur E 79*Godbout Albert 81*Pyle Wm Sanford R A 83‘Carmichael
Geo 85*Janes Francis J 87 Ranieri Vincent Meade Ada 89‘Cloutier
Clement 91 Sumner Douglas B 93*Voutilainen David J 95 Crummer
Isobel Mrs —536— The star (*) appearing after street number
indicates house owned by occupant. East Side Continued + Milverton
blvd crosses 97‘Murphy John F 99 McMullen Sami 101*Emond Felix
103‘Pugh Edwd L Pugh Edwd G 105*Crighton Harold A 107*Reid
Percival C + City limits 4*East York. 109*Cralg Earl M lll*Hoey Wm
Word Wm 113‘Norman Mary Mrs 115‘Wilson Andrew 117 Bowman
Benj 119*Staples Wylie A ♦ Springdale blvd crosses 121 Mighton
Edwd F 123‘Bambridge Geo H 125*Stead Thos 127*Bale Herbt
1'29‘Fitzakeriey Leonard Hyman Weldon 18d "Collins H Alfred
133‘Arrowsmith Chas H 135‘Owen Jerry 137»Wixon Wm G 139
Logan Fredk 141‘Marsh Wm M 143‘Kemp John + Queensdale av
crosses 145*Walker Henry 147*Atanasoff Nicholas N 149‘Branagh
Sami 151‘Corkum Howard R 153‘Garnett Geo 155 Wilson Richd 157
‘Hall Arthur J 159‘Glngell Gordon WEST SIDE ... . 14‘Craig Jas C
16*Foster David 18*McGlashan Duncan 20‘tManning Geo A
22*Gibson Albert + Strathmore blvd crosses 26*Yake Fredk A 28
Roberts Wm 30 Kerr Robt 32 Lambert Arthur R 34 Peden Wm C 3 6
‘McNally Sami A McKendry Clarence 38*McConnell Jos A 40 Gray
Hannah Mrs 42*Thompson Arthur 44*Hunter Alex M Grimhlebv
Murray W 46‘Pollard Major 48*Hlnkley Edith M Mrs + Wolverleigh
blvd crosses 52*Yates Chas R 54*Morgan Jas P 56 Scovell Godfrey S
Rev 58*Everest Elizth A Mrs 60*Blatherwick Rita Mrs 62*Tordoff Jos
64*Kelly Fredk W 66*Cowell Alfred 68*Baldry Albert V 70 Hall Wm C
72*Seawright Richd A + Glebeholme blvd crosses 74*McGill David W
76‘Bottomley Frank H 78‘Oarroll Wm H 80 Walsh T Percy Rota Geo
82‘Herriot Geo J 84*Spinks Elizth Mrs Jackson Melville R 86*Peet
Henry 88*Jenner Fredk T 90*Loates Ernest A 92*Rosenhagan Elmer
W 94*Paul Thos 96 Day Edwin S 96A Harlow Thos D Harlow Gordon
C + Milverton blvd crosses 9S“Gannon Patk J 100 ‘Smyth Leonard F
102 Orser John M 104‘Glroux Octave J 106*O’DQnohoe Wm 108
Brettell Hartley + City limits •{•(East York) 110 Thacker Alice M Mrs
112 Ferguson David W Arbuckle Alex 114 Aylwin Albt McDonnell May
116 Anderson Wm + Springdale blvd crosses 118*Jex Chas E
120‘Mercer Wm W 122 Savage Robt R Seim Gordon 124 Gartner
Steven C 126‘Kilgour Andrew 128‘Grant Thos P 130‘Hunt Norman R
Beauchamp John J 132*Gibson W Geo 134 Heath Thos 136*Hilton
Wm E 138*Smith John Henderson Geo 140 Rae Jas A + Queensdale
av crosses
 West Side Continued I 142*Adams Percy Adams "Lawrence
N 144’Emerson May Mrs Greenham Cyril 146’Bruce Douglas 148
iMcIlwaine Jas Hesford Geo : 150’Holmes Geo V 152’Scott Wm J
1154 Walker Wm 156*Wllllams Chas ■ 158 McGraw Mlchl J 160
Smith Geo C _ I+WOODLAND HEIGHTS (Swan) East and south from
Ellis av, first south of Grenadier Hts. SOUTH AND EAST SIDES .
1’McCauley Richd 7*VandewIele Albt R 15*Laurte Russell 17’Bretz
Walter P 19*Macartney Frank E 21 ’Randall Wm T 27 ’Peterson
Stewart K NORTH AND WEST SIDES . 2’Duncan Alex D 4*Emmel
Rex S WOODLAWN AV E 8 East from 1284 Yonge, first n of
Summerhill av, to Reservoir Park, Ward 2. NORTH SIDE . 2 Mee
Martha Mrs I 4*Kerr Regd W 22’HeighIngton Angus C l 80’Bongard
Gordon R || 82 Orton Thos II Orton Frances Orton Thos H jr Winder
E R Forrest R Margaret Mrs I 84 ’Dale Gordon M 86*Macdonald D
Bruce (Rev SOUTH SIDE . 9*Loudon Wm J 11 Moore Margt A Mrs
13*Treadgold Wm M lo’Lugsdln Lawrence J 17*Robinson Herbt A
19*Coutts Minnie Mrs 21*Fraser Geo W 23*Hudson Mabel A Mrs
25*Barlow Robt 27*Buchanan Duncan G 29 Mahon John F 31*Mullin
Alex 33’Quigley Herbt S MacKinnon Emma Macintosh Grace Irwin
Harold 35*Fergus Ethel M Mrs 37 Willson Chas C Plunkett Ramona
Mrs 39*Pembar Ernest G 41*Mullln Mary 43*Jarvis Harry St John
Waugh Harry A 45*Harrison E Aileen Harrison Isabel 47 Kirkwood
John C Jeffrey Olivia Mrs 49’Hossack Jas A 51 Morrison Rlehd P
53*Oraig Thos A 79 Endicott Norman J 81 Barker Arthur 81%
’Ashdown Jessie C S3 Edwards Henry D 85 Scroggle Geo T 87
Shearer Jas WOODLAWN AV W 5 West and north from near 1284
Yonge to Farnham av, third south of St Clair av w, Ward 3. NORTH
SIDE . 16 Hormel J Godfrey Smith Mary A Mrs lS’Loft 'Richd J 20
Aitken Janet Mrs 22 Aubin Norman D S'tronach Ernest 2 4 ’Bracken
John H White Mark 26*Lyons James A 128 Nesbitt Blanche Mrs 30 1
Seifert Elizth H 2 Spiers Elizth Rogers Millicent M 32 Hylton Rex
Burbidge Beatrice L Goold Helen 34*Lattiihore Jessie G Mrs Ling
Clare Mrs 36 Thompson David 38 ’Chapman Arthur 40 Seaborn
Muriel K Mrs 42 Finlay Edith Mrs 58’Gunn Hugh A 60 Ross Robt G
62*Thomson Bessie Mrs 6 4 ’Swan Jas 66 Absent 68*Ritohie Mary A
Mrs 72’Millar John McD 84 Bondo V Wm Rev Larson Carl J
S6*Coulson Lillian M Mrs SS Clarkson Douglas 90*Conlan Robt J
North Side Continued 92 Brown Frank H Garner Robt S 98 Taylor
Leroy Young Kenneth 100’Johnson Edwd A 106 Wray John W 108
Dewey Annie Mrs 110 Somerville Jas 1'12 Absent SOUTH SIDE . 3
McGill Grace 13*Clerk Annie M Mrs 15’Jamcs Wm A 17*Blachford
Percival S 19*Broreton Bortha M Mrs 21’Beattie Minnie Mrs
23*Saunders Edith Mrs 29»Cousens Elwyn H 31 Nicholson Sami H
33*Rlchardson Wm P 35*Saunders Bernard 37*Scott Vincent A
Baines Robt H 39 Lyon Wm Whitman Louis 41*Cosgrove Irene
♦Kaiser Annie Mrs 43 Morgan Geo W Carpenter Regd G 45*Bolwell
John W 47 Mix A Beatrice Mrs 49’Flerheller Harold P 51’Trollope
Oairman 55*Lang Edith Mrs 59’Moore Geo H 61*Maekenzle John A
63*McCully John W 6'5’Blong Robt C 67*Fraser D S 71’Nairn Isobel
73 Fraser Donald C C 73*Cole Ida J Mrs 83*Jackson Victoria C Mrs
S5*Moyer Stanley G 87 Burgess Muriel Mrs Raymer Ralph H
89’Wilklnson Ellis H 91 Elliott Chas R 95*Bar,d Chas P 99*Aggett
John Mrs 101’Clare Geo F Poehlman Harry 103*Wade Osier Mrs
107’Cassels Geo H 109’Aylesworth Gladys Mrs Burton Mary R Mrs
lll’Gowans Susan C 117 Draper Annie 119’Challenor Haynes 121
Bryan Earl N 123’SIvers Chas L Jarvis Clara Mrs Himsworth Lillian G
WOODLEE RD 13 North from Gerrard e to CNR, third west of Main,
Ward 8. EAST SIDE . 1 Elliott Norman R o’Nelson Hbrace G 7*Fearn
Benj 9*Hodgson Arthur ll’Page John R Page Leonard R 11% Roberts
Fredk L 15 Hancock Thos J 17*Smlth Edwin WEST SIDE . 4 Bricknell
Gilbert W Long Kathleen 8 Bryson Ida 'F Mrs 10 Hurt Robt
14*Mayberry Clifton 16*McClintock Hugh WOODMOUNT AV 6 North
from Danforth av to Cosbum av, first west of Woodbine av. Ward 8.
EA8T SIDE . 1 Findlay Marshall G ♦ Strathmore blvd crosses 19
Rondel Jas 21’Corscadden Geo H 23*Blackmore Albert E
25*Pequegnat Arthur H 27 Gunn Annie Mrs 29*Smith Jas 31’Ciiinn
Victor A 33*Gait Geo E 35 Wallis Alfred W 37*Cockburn Richd 43
Anderson James P 45*Orpwood Robt W ♦ Wolverleigh blvd crosses
47*Clayden Jos 49 51*Lounsberry Edwd 53’IJamlett Jessie
55’McIntyre John F 57*MoDonald Wm J 59*Trempe Katherine
61*Gurney Morley W 63*Mullen Jos F 65’Morrtson John 67*Speck
Cecil J 69*Andrews Harvey 71 Landers Thos P ♦ Glebeholme blvd
crosses 73’Fa.rnswortih Harry 75’Edwards Victor 77*Pryor Arthur G
East Side Continued 81’Doian Frank J 83*Duckworth Jos 83’Downey
John 87’Nown Alice Mrs 89’Tough Jas 91’Lcwis Bob 93’Lcech Edwd S
J 95’Jeevcs Albert E 97’Bumett Horace L ♦ Milverton blvd crosses 99
Duggan Chas M 101’Ralnford Wm 103*Hugbes Gordon W 105 Brown
Wilfred W 107*Walkem Flora Mrs ♦ City Limits + (East York)
109*Maddock Walter J lll’MItchell Robt 113’Elder Wm Elder Mary Mrs
115*McCullough Geo 117 Silson Chas H Arnold Chas H ♦ Siprlngdale
blvd crosses 119 Bender P Harry 121 Munro Mary Mrs 123 Daly Thos
125 McDonald John J 127’McCrone Geo 129 Arthurs Norman J 131
Smith Wm A 133*Rrewer Tbos G 135 Butterfield Wm Dauby Thos
Butterfield Window Cleaning 137*Jones Arthur W 139*Irving Andrew
A Dainty Fredk G ♦ {Jueensdale av crosses 141 Weldmark Garnet N
143*Belanger John L 145*McDonald John H 147 Smith Richd H
157*Kellett Laura Mrs Doughty Harold A 159*Pashley Chas
161*Hore Cecil G 163 Neilan Francis Callacher Richd 165’Sorrell Geo
♦ Sammon av crosses 167 Woodmount Grocery Dennis Raymond
169*Buckley Kenneth J 171 Baker Ernest A Taylor Alfreda Mrs 173
Bell Clinton A 175 Robson Alex 177’Burgess John 179 Stuart John W
181 Fontaine Harris A 183 ’Wilson Geo D ♦ F rater av crosses 185
Sanger Archd Vacant (store) 187*McKenzie Frances Mrs
lS9*McKenzie Thos 191 Ager Arthur G 193*Inee Fredk T 195
Patterson Jos A 197*Hookings Geo V 199 White Jas K 2 Oil Hardy
Henry ♦ Mortimer av crosses 203*Stewart Walter S 205’Bowell Thos
207 Redmond Bridget Mrs 209 Berwick David 211 Corby Alfred 213
Smith Robt 21'5’Sowerbutts Frank V 217*Holton Jas A 219*Hewston
Wilbert C 223’Smyth David 225*Robinson Robt P 227 Harmer Horace
J ♦ Dunkirk rd. crosses 229 *Miac Charles Arthur W 231 Blake Jas
233*Horobin Reuben E 235’0’Halloran Frank 239*Voytek Augustine
241 ’Harlow Chas H 243 Pattenden Roy 245*Blumlein John F 247
Brooks Henry 24-9 Hill Robt H ♦ Barker av crosses 251*Mirhael Jas
plstr Smith John J 253’Haberle Henry ^ Holborne av crosses +
Virginia av crosses WEST SIDE . 2 Vacant 4 Gledhill Geo T 6
Stephens Wm G Ruse Cecil J ♦ Strathmore blvd crosses 24*Carter
Ctietwynd S 26’McRae John C 30*WhItehead Lillie Mrs 32’Allison Jos
H 34 Taylor Alex 36*Green Alan A 3S*Reynolds John J 40 Gunn Regd
J Plumridge Wm G 42 Montgomery Ernest J 44 Cay Charles *Oay
Grace E 46*McAllister Edwd Street Guide, Pink Page 537 West Side
Continued ♦ Wolverleigh blvd crosses 50*St Brlglds Separate School
♦ Glebeholme blvd crosses . 74’Shlpway John R 76 Gallagher Edwd
78 Simpson Jack Petts Wm 80’Rlchardson Wm 82 Garbutt Victor 84
Sloan Maude Mrs Whitley Marie Mrs 86’Crowe Edwd Ross Leslie W
88 Lee Ida Mrs 90’Geary Edwd D 92’Howard Sami 9 l’Mllls W Elijah
96 Burns Mlchl C 98 Tryhorn Ronald R MeWado John H ♦ Milverton
blvd crossea 100 JefTery Thos N Barker Robt B 102 Ford Edwd G
104 Hart Henry 100’Bailey Ernest W 108 Absent 110’Theurer
Ambrose W ♦ City Limits ■p(East York) 112 - — 114’Stevens Henry A
116’Sproule Hugh 118’Inneis Florence A Mrs 120 King Geo E ♦
Springdale blvd erosse* 122’Elwood Thos Spence Arthur 124
McCarol David Walker Harold 126 Cummer G L 128 Egan Josephine
Mrs 130 Bishop Sarah Mrs 132* Whall Ernest H 134*Comartin Wm H
136 Von Zuben Ross E 138 Russell Herbt J 140’Loekhart Wm
142’Duaz Andrew Hanna Helen Mrs ♦ Queensdale av crosses 144
Reltih John 146’Allan Alex C 148 Freeman Chas J 152 Goodwin Jack
154 Poole Gladys • J Mrs 1 5'6’FindIay W David 158’Mathieu Jos E
Lambert Roy 158A*Leadbeater Thos Corma Hairdressing 160 Purity
Fish Store Harrison Wm ♦ Sammon av crosses 162 Bilson Gladys Mrs
gro 164 Miller Asa M 166 McGuire Wm S 168 Wilson Wm E 170’Ellis
Wm 172*Newton Ernest ,T 174’ Jeffrey Jas D 176*Holland Clair A
178*Snowdon Wm ♦ Frater av crosses 180*Wnodward John A 182
Wilson Geo 184 Holden Thos A 188’Reakes Chas A G 190»No°.d Albt
B 192’Morfltt John 194 O'Neill John F 19 6* Dye Wm G ♦ Mortimer
av crosses 198 Shelton E J & Son gros Shelton Fred 200’Danson
Henry 202*Howe Wm J 204 House Arthur H 206’Cardy Jas 21
O’Green Leonard 212*May Andrew 214 Turner Harry E 216 Almark
John H ♦ Dunkirk rd crosses 218 Yates Peter E 220 Cotton W Geo
222*Turner Sidney A 224*Cody Chas W 226*Gibson John W
228’Egan John 230»Dyer Herbt E 232’Ceorge Nick234 Moore Wm G
236 Murphy John M 238’McCracken Jos ♦ Barker av crosses
240’Prouse Sarah Mrs 246’Parsley Henry J 21S*Debney Geo L
250*Penney Sydney J ♦ Holborne av crosses ♦ Virginia av crosses
WOODROW AV East from Coxwell av to east of Drayton av. first
south of Danforth av. Ward 8. NORTH SIDE . ♦ Hillingdon av crosses
66*Gadd Ettielbert W 68*Foster Geo H 70 Babbs Walter 72»Smlth
Gordon M 74 Swales David WOO WOODROW BLVD S North Side
Continued 76 Spain Wm 7S*Boyle Wm 80 Ward Herbt R Funston J
82*Glanvecchlo Rocco gro ♦ Drayton av crosses SOUTH SIDE . 11
Ilickllng Jas W Molcsworth Wm 15’Lees Wm A 17’lrvlne Charlotte
19’Ross Robt J 21’Kelley Wm J •23’Wlcks Gertnide M Mrs /Sawyer
Thus 25 Blackhall Gordon D Reed A Mrs 27’MacDonald Edmund P
Garratt David 29’Miller Chas L 31’Gracle Edith Mrs Cronin Jos
33’Hlckling Chas B 35’Nleholls Wm T 37 Hoskins Andrew 39 Coombs
Howard E 41’Loveys Alfred 43’Brennand Thos 45*McConaghy Patk
47’Rlchard John E 49’Craven John H 51*Manchee Eleanor Smith
Edwin P 53 Marchant David Patterson Jas 55*Caughley John 57’Kerr
Margt L Mrs Scott Geo H 59 English Percy C ♦ Hillingdon av erosse*
63 Livingstone Wm Stewart Robt H 65’Plke Johanna Mrs
67’Hermlston Wm 69 Haragan Fredk 71’Shler Herbt A 73
McCutcheon Chas 75 Bidlake Arthur Bruce Jas M 77*Urquhart Attrill
C 79 Jones Cecil 81 Porter John 83 Allen Patk M ♦ Drayton av
crosses 85 Menes Edith Mrs 87*Dickey Wm T gro 89*McKelvey Jos
91 Kimberley Sami 93’Smart Horace W •{•WOODROW AV (Lambton
Mills) West from Prince Edward dr to beyond Rankin av, first north of
College. •{•WOODROW BLVD N (Scarboro) North from Raleigh av to
St Clair av e, fourth east of Birchmount av. •{•WOODROW BLVD S
(Birch Cliff Heights) (Birch Cliff) North from Plnegrove av to
Aylesworth av, fourth east of Birchmount rd. EAST SIDE . 19’Parkes
Flossie Mrs 39 Ward John 43’Bluett Sidney G 45 Excelsior Veterans
Hall 57*Metz Mary E Mrs 67’Gray John W 69*Cable Robt W 71 ’GUI
Jos 73 Ovens Edna G 89 Forbes Wm A drugs + Highvlew av crosses
127*Brown Wm J 131 White Franklin A W 145’Bell Albert 1
47’Winsklll Chas 149’McBride Jas R 153*Hamilton Alex 159 Mitchell
Austin H ♦ Willingdon av commences 195*Bonk Wm E
197*Humplireys Wm A 199’Bragg Thos E 203 Minns Ross G
209’Eaton John WEST SIDE . 50’Zurosky Nestor W 52* Yorke-
Norburn Henry 60 Irwin Calvin B 62’Watson Eugene J 66*WilUams
Frank X 70*McBrlde T H Edgar bldr & contr 76’Anderson Norman H
 WOODROW BLVD S West Side Continued ♦ Highview av
crosses 96*Chorton Walter 13S Taylor Florence Mrs ♦ Haddon av
ends 170*Oaillier Gerard 172 Rutherford John W 176*McInnes Geo
1S4 Partridge Leslie 186 Goldsworthy Frank 196 Dunnett Wm J
204*Thacker Bertram G 220*Maskell Wm WOODSIDE AV 9 West
from 138 Evelyn av to Runnymede rd, first south of Annette, Ward 7.
NORTH SIDE . 20 Smith Norman Thompson Wm 22*Tress Robt G 24
Wilson Robt 24A Compston Arthur E 26 Wilson John A 2S*McInnes
Stuart 30 Tod Fredk C 34 Bridel Frank A ♦ Fairview av crosses
40*McKenzie Wm 42*McKenzie Irene E Mrs 44 Virtue Eva Mrs
46*Witzel Sami 4S*Paddon Wm 50* Abbott Arthur 52*Bright Hugh R
Mrs ♦ Gilmour av commences 60*Terry Emma M Mrs 62 Armstrong
Thos A Nattrass Wilfred 66*Gray Clifford P 6S*Revelle Annie M Mrs
70*White Orville R 72*Clancy Danl J 74*Cowles John P 76*McDowell
Geo A Reynolds Bernard Lane John V 7S Patterson Harvey S Little
Elmer H 80*Horn Henry 82 Spencer Chas T Sime Robt C S4*Almas
David A S6*MacCallum Wm 88 Dyke Herbt J 90 Rowan Sami E
92*Bottomley James L 94 McLaughlin Edwd 96 Sutherland Wm L
SOUTH SIDE . ll*Johnson Geo 15 Black Laura M Mrs 17 Stewart
Thos F 19*Mason Arthur W 23 Milbury Geo M 23*Jarmain Harry G
27*Balmer Agnes R 29*Huffman Garnet W 31*Evans Wm J D +
Fairview av crosses 39 Alexander Regd E 43 Coliton Chas 45
Bingham Sami F ♦Holding Irene Mrs 47*Rhodes Edwd W 49 Nichols
Pearl Mrs ♦Morran Frances J Mrs Renwick H albert S 51 Caulfeild Eric
53*Drummond Harry W 55 Mundee Gordon 57*Catford Elizth Mrs
59*Dyson Jas R 6d Bailey Marshall J White Arthur 63*Renwick John
H 85*Hndgson Earl 0 67*W.allace Mary H Mrs Callis Russel 69
MacGregor Ian 69A McDonald Percy S 71 Mitchell Joseph H 73*Hicks
Percival E Flint Harold L 75*Lindsay Albert 77*Hall Wm E
79*Armstrong Thos G 81*Espie Robt J 83*Sinclair John 85*Chisholm
John L 87*Lewis Arthur 89*Grant Stephen J WOODSTOCK PL 5
North from 318 Carlton, first east of Sackville, Ward 2. EAST SIDE .
1 Hendry John M 3 McCartney Hugh 5 McAulay Wm 9 Banks
Winnifred Mrs WEST SIDE . Not built on •frWOODVILLE AV (East
York) East from 1249 Broadview av to Donlands av. NORTH SIDE . 2
Tyler Gordon C 4*Minor Gerald 6*Hanson Geo 8*Cabel Wm 10*Reid
Hugh 12*Edgley Sidney 14*Ritchie Wm J 16*Ritohie Thos H
18*Lawson Hubert M 20*Williams A Ronald 22*Walton Basil G
24*Foulket3 Regd A 26*Melvin John 28*Bonnett Maurice W
30*McCorry John 32*Webb Philip G 34*Milne Wm L 36*Bamett
Leslie J 3S*Barnard Wm W 40*Ayers Herbt G 42*Sanune W Ernest
44*Jeanes Ernest 0 46*Brady Albt E 48*Robertson Gilbert S
50*Pollock Edwd W 52*Eickmeier Roy V 54*Dunford Horace
56*Hughes Harry T 58*Coleman Albert E 60*Smith Chas B
62*Sandbrook Stanley W 64*Jefferey Thos F 66*Gihon David
68*Freeman Robt + Hassard av begins ♦ Pape av crosses + Pepler
av commences + Rivercourt blvd commences ^ Chilton rd.
commences 17S*Lereverend Harold lS0*Rae Fred I lS2*Surphlis Wm
B lS4*Campbell Jamas ^ Warland av begins 186*Thomson James l-
88*Barrett Alex 190*Blake Geo 192*Ford Steven J 191*01iphant
Kenneth ♦ Wolverton av commences 196*Hewitson Geo 206*Sandell
John A 20S*Horton Hanry J 210*Forsyth James 212*Goodacre Regd
E 214 Reeves Geo P 216*Chapman Wm J 218*Spilchuck Joseph ♦
Lasell av commences 220*Young Wm B 222*Munro Henry
224*Hamilton Clarence 226*Howorth Fredk SOUTH SIDE . 1
Fitzgerald Richd 3 Williams John M 5*England Geo E 7*Bellamy
Orville 9 Reynolds Frank 11 Robinson Alex 15*Burton F Arnold
17*Speed R Geo 19* Watson Henry 21 Scott Ernest A 23*Mcss Geo
2o*Livingstone David H 27*Brown Joseph 35 Gormley Danl J
37*Skinner Florence Mrs 41*Sklnner Wm J 43*Pillow Martha Mrs
45*Simmons Chas W 49 “Holland” The landscape gardeners
♦Veenstra Meindert al*Bradwell Joseph E J3*Boak John Ellis John J5
Rumford Geo E 57*Chambers Robt 59* Carey Lottie Mrs
61*McDonald Leo Raitt David 73*Jeanes Chas 75 Absent 77*Dick
Alex 79*Tyrrell JohD 81*Shannon Francis M 83*Preddy Albert E
S5*Mlskelly John A S7*S.mith James 89 Curtis Geo H + Pape av
crosses 155*Webster Ernest 157 Prosser John W ♦Davidson Malcolm
A 159*Sutton Jas 161*Humphrys Wm H 161%*Hodkinson Lewis
163*Durrant John H 165*Rnbinson Geo A 167*01iphant Percy W
169*Daubert Albt 171*Magee Earl E 177 McBride Sami 179*Budd
Clem A 183 Wood Ethel A Mrs 187*Dro(ban Bessie Mrs 189*Holland
Edwd H 193 West a 11 Victor A 195 Steele Jas South Side Continued
195% Gore Arthur 197 White Geo 199*0’Neil Jas 203 Everingtoam
Jonathan 205*Budd Annie Mrs 207*Holmes Fred ♦Hughes Dean 223
Vacant 231 Vacant 233*Vail Jas L 235*Fordham Albert W
WOODWARD AV 8 North from 1017 Eastern av to Queen east, first
east of Woodfield rd. Ward 8. EAST SIDE . 29 Mitchell John B 31
Buchan Geo P W 33 Mitchell John 35 Wood Albert 37 Henderson
Angus 39 Service David WEST SIDE . Not built on ^.WOODWARD AV
(Weston) East from Cypress to limits forming northern boundary.
NORTH SIDE . Not built on WOODYCREST AV 6 North from 780
Danforth av to beyond Floyd av, second east of Pape av. Ward I.
EAST SIDE . 1A Arrigo Apartments Apartments — 1A A Knox Wm F B
Millar Holland E C Chaplin Dorothy D Bustin Mary Mrs E Paul Chas F
Varnell Fraser Street contd — l*La.rmer Walton T Murray Jack IB
Vacant (store) 1C Kelly’s Beauty Parlor 3 Stewairt John 5*B'ennett
Wm A 7*Hall Regd 9*Bird Thos 11 Morley Stanley L Montgomery
Robt li3*Schryver Wm 15*Hunter Jennie Mrs 17*Ledlie Jas
19*Kassteen Mary Mrs 21 Potter Harvey 23*Prendergast Alphonsus
D 25 Wrare Edwd W 27 McLagan Gordon MacDonald Marshall
29*Buckner Josephine Mrs Graham Geo 31*White Arthur C ♦
Gertrude PI crosses 33*McDonald Jas 35*Hodgson Harold 37*Slade
Gordon T 39 Leas Annie Mrs 39 A Gausby E Rose Snoddon Hannah
Mrs 41 Japp Alfred 43*Bustin Geo Fyall Jas S 45*Poole Vina 45
Lomas Lottie Lomas Jessie 47 McDowell John M 49*McLam Chas T
Gladwin Chas H 51*Tomlinson Geo L 53*Wright Andrew Pickering
Edwd 55*Glen Danl 57*Beesley Alfred C 61*Kerr John 63*Tapsell
Richd E Spence Norman 65 Skarott Christopher 67*Whatling Wm J
69*Gallagher John E 71 Howe Wm H Price Harry 73 McIntosh Peter
75 Hamilton Earl M ♦Livingston Wm 77 Bedley Wm Sumsion Wm
79*Stewart John 81 Dowson Howard *Shea Wm 83*Livingstone
Wilbert 85*Stevenson Percy G 85y2 McCordie He.rbt N ♦ Selkirk av
crosses 87 McClure He.rbt L 89*Langstone Harold E 91 Fraser
Everett R D Popay Cecil G 93*Livingstone Sami 95*Challis Catherine
Mrs 97 Nicholson Stewart W 99*Mitchell Anna C Mrs Webber Wm V
101*Clift Wm + City Limits •f«(East York) 103*Wiles Gordon T
105*Allan Sami East Side Continued 107*Gratton Lionel
109*Puhringer Paul lll*Harrison Dent 113*Badger Charlotte Mrs 115
Mann John 117 Dawes Alfred 119 Page Earl 121 Jenkins Ada Mrs
123 Bell Robt L 125 Oxley Hugh 127 Walden Edgar W ♦ Aldwych av
crosses ♦ Sammon av crosses 133 Smith Philip F 135 Heatlie Thos
137 Guest Elwood W 139 McGee Jas B Nortihover Ronald 141
Batstone James 143 Welton Harry N 145*Noyce Edwd 147*Bell
Herbt O Ilson Leonard W 149 Weston Thos ♦ Maclean blvd crosses
151*Helliwell Paul 153*Christopher Alex 155*Mackie John
157*Smith Wm A 163*Jarvie Alex 165*Ford Arthur 167*01iver Jas J
Renshaw Kathleen 169 Prudham Harry M 171*Butcher Edwd W 173
Molloy Harry E 17'5*McDonald Fergus ♦ Mortimer av crosses 17.9
♦Leaver Jas W 181 Thompson J Wesley 183 Stark Robt A lS5*Child
Alfred 185 Vacant 187 King Geo R 189*Oram John 191 McKenna
Douglas 193*Hickey Ross 195*Kindness Geo B 197*Ea.rles John E
199*Maniates Euripides ♦ Westwood av crosses 201*Hembruff Percy
203*Chestnut Percy L 205*Cannon John H 207*Coulter Warren R
209*Baker Harold D 211*Hollister Chas J 213*Whate Ernest J
215*Wilde MaTy Mrs ♦ Floyd av crosses WEST SIDE . 2*Watman
Geo A 4 Middleton Harold J 6 Ashworth Arthur 8 Gordon Robt
McKeown Fred 10 Landels Wm 12 O’Connell Harold 14*Slatter Percy
H 14A*Snelgrove Jos 16 Vacant ♦Shaw R Stuart 18*Eceles Richd W
20*Edginton Walter 22*Summers Geo W 24*Hodgson Wm E Rev 26
Prentice Edwd H 2S*Whitehead Fred 30*Boake Ella B Mrs Hawkey
Fred E 32*Sawden Ford P 34*McLellan D Stewart 36*Ross Jas
38*Ross John A Rev Smith Frank W 40*Bamford Nellie Mrs 42 Senior
Fred Roberts Jack W 44 MacNicol John G Morton Margt Mrs
46*Grant Bert A 4S*Cox Chas V 50 Peacock Geo Her.ridge Edwd
52*Ogg Charlotte Mrs 54*Jarvis Wm E 56 Reading Alfred C Fiddes
Earl A 5S*Hoskin Ada Mrs 60*Masey Ohas R 62 Allen Robt A
64*Armstrong Annie J Mrs 66 Dawson Thos J 68*Riley Annie Mrs
Stevens Jos 70*Palmer Ira W 72*Bedford Chas 74*Doherty J
Norman 76*Biggar Beatrice Mrs Robinson Victor C 78*Green Herbt
McLellan Wallace S'0*Hendrikz Alice Mrs Whalen ATthur ♦ Selkirk av
crosses 82*McCordic Francis M 84*Ruscica Jos Ruscica Bros sewer
contrs 86*Devine John J 88 Murphy F Chas 90*Hornell Margaret Mrs
96*McB'ride Fredk J 98 Parkinson Ira J Hunter Margt Mrs + City
Limits West Side Continued •WEast York) 100*Rutherford J Geo
Anderson Geo 10’2*Briggs E IC T 104 Branning Lawrence
106*Calder Robt McK Howis Gordon 108 Newmlbam Isabella Mrs
110*Hall Jas E 112 Hughes Jos F 114*Lewis-Watts Desmond L
McLean Herbt R lil6 Walker Clhas L Grogan Cihas F 118 Norley Thos
J ♦ Aldwych av crosses 120 Doran Floyd 122*Mitcihell Wm Tracey
Victor F 124*Weldon Ewart P 126*Ilson Arthur H 128 Jennings Herbt
W 130 CuthbeTtson David P ♦ Sammon av crosses 132 Lomoro Nick
134 McRae Edwd J 136 Holt Claude G 138 Pilley Cyril 140 'Colby
Harvey H 142 Eberhardt Max 144 Lun,t John H Dawson Wm E 146
Bridge Leslie A 148 Chapman Wm E ♦ Maclean blvd crosses 15.2*
Hunt Milton E 154 Dunbar Wm 156*Goddard Herbt E 158*Lehmann
Hanry 160*Boyes Joseipti R 162 Terry Chas Harrison Wm T
164*Kingswell Ernest E 166*Coles Richd A 168 Hollis Eileen Mrs ! ♦
Mortimer av crosses 174 Forgie Wm ♦McDermott Wesley V
176*Johnston John W 178*Knott James D Eraser Wm J 180 Staples
Norman R 182*Gardner Arthur H lS4*Randall Walter J 186*Gormley
Mary Mrs 188*Hamilton Thos H 190 Meade Albert W Manser
Raymond ♦ Westwood av crosses 192*Hill Richd J 194*Clancy Jos R
196*Forrest Clarence C 198*Taylor Thos L 200*Tomlinson Wm E
202*Blackwell Albt H 204*Reading Alfred C ■206*McClintock Robt
contractor + Floyd av crosses 4-W00LNER AV (Runnymede) East
from Jane, first north of Corbett av. WORDSWORTH AV 12 North
from Eglinton av w to Roselawn av, first west of Avenue rd, Ward 3,
WRENSON RD 8 East from head of Highcroft rd to Belhaven rd, first
north of Eastwood rd, Ward 8. NORTH SIDE . 4*Seckinger Lewis 6
Addison John M 8*Wilson Geo 12*Garvin Jas R 14*McFetridge John
16 Doig Edwd 18 20*Breens Arthur Galbraith T H 22*Parker Edgar P
+ Beaton av commences Fairmount Park + Godfrey av commences
60*King John 62*McBeath Geo R 64 Gerolamy Alice Mrs ♦Walker
Marie Mrs 66*Bayes Richmond Sutherland Russell 6S*McColl Duncan
70 Farmer Ernest W 72*Tinney Clive 74 Haffey Frank J 76*Salkeld
John 0 78 Renowden Wm Law Earl 80*Hendry Chas + Bowmore rd
crosses SOUTH SIDE . ll*Grudeff John 15*Winmill Herbt J
17*Richarrdson D G Leslie 19 Robson Elroy 21*Arrowsmith Geo E
23*McKenzie Wm L 25*Robinson Thos 27*Schlegel Edmond E 29
Hutchinson Jean L Mrs 31*'Sutcliffe Oliver 33*Blakeman Richd H
35*0’Hearn Jos N —538— The star (*) appearing after street
number indicates house owned by occupant,
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