Materiali di studio per il corso di

TEORIA DELL’ARMONIA E ANALISI III

Raccolta di brani dalla seconda metà dell’Ottocento alla prima metà del Novecento
A cura di P. Coggiola, F. Girardi, A. Mauriello
!
Richard Wagner

Tristano e Isotta

“Preludio e morte di Isotta”

!
!
!
!
!
!
!
!
!
Johannes Brahms

Sonata per violino e pianoforte op. 78, I mvt.

Intermezzo op. 76, n. 4

Capriccio op. 116, n. 1

!
!
!
!
!
!
!
!
4. Intermezzo, Bb Major Op. 76/4
Free Public Domain Sheet Music - Courtesy of http://www.SheetMusicFox.com

1
4. Intermezzo, Bb Major Op. 76/4 4. Intermezzo, Bb Major Op. 76/4

2 3
!
Franz Listz

Années de Pèlerinage II

“Il pensieroso”

“Sonetto 104 del Petrarca”

Bagatelle sans tonalité

=
!
Sonata in Si minore!
!
!
!
!
!
!
!
!
Aleksander Scriabin

Preludi per pianoforte

op. 11, n. 1; 22

op. 13, n. 1

op. 74, n. 1-3

!
!
!
!
!
!
!
!
!
Claude Debussy

Prélude à l’après midi d’un faune

Preludi per pianoforte

Primo volume: 1; 2; 8; 10
Secondo volume: 1; 12

!
!
!
!
!
!
!
!
!
Erik Satie

Gymnopédie n. 1

Gnossienne n. 1

!
!
!
!
!
!
!
!
!
Maurice Ravel

Pavane pour une Infante défunte

Tombeau de Couperin

!
!
!
!
!
!
!
!
!
Gustav Mahler

Sinfonia n. 1, III mvt.

Sinfonia n. 5, Adagietto
!
!
!
!
!
!
!
!
!
Igor Stravinsky

Petrushka

Sagra della Primavera

!
!
!
!
!
!
!
!
!
Arnold Schönberg

op. 19; op. 25

!
!
!
!
!
!
!
!
!
Anton Webern

op. 27; op. 30

!
!
!
!
!
!
!
!
!
Sergei Prokofiev

Visions fugitives

Sonata per pianoforte n. 2, op. 14, IV mvt.

!
!
!
!
!
!
!
!
!
George Gershwin

Songs

Three Preludes

!
!
!
!
!
!
!
!
 SUMMERTI ME 3

Fr omPor gy And Bess

by GEORGE GERSHWI N, DUBOSEand
DOROTHY HEYW ARDand I RAGERSHW IN

AL-
Al l egr et t o sempl i ce
4
fyw
f . . 1~~f
~Tr ft f rf fr~fr f_r
f tt . rft ~f f f_r
i t _r f f_rf r~~f f ~- ~r
_t _r f f f ~~r
f f f" f f f "a
~. _ t . ~~t " f t.
1 n
mf espr .
P
'f rf01t
J[" "
~Wf -! ~
' ~
~~f
S f ~f
ff~f "Y
f / ' f f " "" nI I ~ af f f f f f ~f <f f t <" t W- a~f -
I I -f f f

Am6 E7 Am6 E7 Am6 E7 Am6 Dm F

an' t he l i v - i n' i s eas - y, Fi sh ar e j ump- i n' ,

ff"V"
f .. 79- f~
~I -~
f f f f ~~f f ~~J~f f f f f f f ~
' 7_ r J~ : ~A~Nf f -R
f ' :. IJf~l a
"I J:
ff"

v~~i ~r ! a r <r~af
czr _~~r
w~tr
_rr cLm
_~M t _~
~v ~

®1935 ( Renewed) Chappel l & Co, USA

War ner Chappel l Musi c Lt d, London Wl Y 3FA
 Am6 E7 Am6 E7 Am6 E7 Am
h D7 FmaJ7 D#o E B7 E Em6 E7- 5 Am6 E7

!J .
dad- dy' s r i ch, - an' yo' ma i s good - l ook - i n' , so an' you' l l t ake- t he sky . But t i l l t hat mor n- i n'

" ~ r
I
C

I l l wr _~w R
MW

I i Io

C Am
Am6 E7 Am6 E7 Am D7 c . Am
. '. .

hush, l i t -t l e ba- by, don' yo' cr y . ---

. f

poco an i mat o

poco r i t . a t empo
Am6 C+ D9 C+ Am6 E7 E7
3

One of t hese mor n- i n' s Yougoi n' t o r i se- up st and- i n' by .

a t empo
Sf l S

Am6 E7 Am6 E7 Am6 Dm F

Bb E7 ( 13)

Then you' l l spr ead yo' wi ngs -

EMEEM

rI F ~.
~~: . r _of f r ::
~. L- J- Mr : i l - "I I
W 7 q~4- ~~

3
 I GOTRHYTHM

Musi c and Lyr i cs by

GEORGE GERSHWI Nand I RA GERSHW IN

day - f ul of song, Why shoul d- nt we si ng a -

> a
i i i I I

F
L i vel y
, c

Gmi Gmi 7 Cmi 7 F7

Days can be sun - ny, With
> > a

o~~t " ~
~ i
Q
Yt 7. l I 1 f : 1 . I NEENI PS~1 t "
~~: ~I f ~ al . - 1
~I ~~~r r f r ~: ~s

Gut Yur
Symhol s: ( ami

nl
I TV 1r ~
Hap - py wi t h my l ot . How do I get t hat way?

l ' I

( ami 867 ami 96 ami

add B
B6aUK. 5

7'
w~~mr r . ~. r Pons a. " " " . ~~~~Ol r r

!J Ci n17 67 D7
buy . Bi r ds in t he t r ee si ng Thei r

iw

1
I
Look at what I ' ve got :

r
( ami Dmi 7 Gmi Dmi 7 ( } mi Gmi Cmi
I

YO~
Edl m. G; 7 F7 Rbmi
Cmi 7 F7 wi d G Ddi m F7

C1930 ( Renewed) Chappel l &Co and NewWor l d Musi c Co ( Lt d)

admi ni st er ed by WB Musi c Cor p, USA
War ner Chappel l Musi c Lt d, London W l Y 3FA
 REFRAI N ( wi t h abandon)
p- M{

T Off
I got r hy - t hm, I got mu - si c, -
Tr ou - bl e, I don' t mi nd hi m,- You - won' t
> > ? L I ' > > > >

77,
YpP~f f f ~~f f f t
7 f ~~ - ` - ` - p1

t } mi Cmi 7 F7 wi t h C Edi m Cmi 7 F7

Ddi m D7 G Duug . 5 Dmi . G7 C7 Bb

Lr r

I - got my man, Who coul d ask f or an- y- t hi ng mor e?

f i nd hi m- ' Round_ my

~ f f / ' f f ~/ 7` f t f ~~pl ~~ ~f pt " . ~ pl r f f f f f f f f f l

"V A' "

1apt - - I FEMOPW
HAJ PA"
I MNW
fp
&M~~~
agr f
~f f f f f ~~~f f ~f ~f y-
Bb C7
wi t h F7 C9 F7 Umi
Cdi m C9 Hb

st ar - l i ght , I - got sweet dr eams, I - t r ot my man, Who coul u

91
( 3 m 1 7
Bb dmi Cm17 F7 wi t hc Edi m Cmi 7 F7 Bb t ) mi Gm i 7 ,
Fb mt
C vi 7 F7 wi t h C Bdi m. Cmi 7 F7 Bb Gni l C m17 F7 :,,Id 1

mn _-

my man, Who coul d ask f or an- y- t hi ng mor e? Ol d- Man

a > > ask f or an- y- t hi ng mor e, Whocoul d ask f or an- y- t hi ng mor e? mor e?
1L > ^
awi ns
41- 7- 4
w. v W " ~~.
f "V~- ! !" ' ~YT- _LI I ~I l l l l l l l l l l l l l l l l l pf ~~~
.IIIIIIIIIII~`II"I I W- ~1 f f f I
I
T-
I IL
I L

f f f f f /r ~1
f ~l ~
r r~
~~al
~~~
Eb mi
Cmi 7 F7 addC Bb F7 Bb D7 C
8 f 7
B~ Fl ni (i 7 C7 F7 G, > D~ B'
Bb Ab
 EMBRACEABLE YOU

Musi c and Lyr i cs

GEORGE GERSHWI Nand I RA GERSHV4

What was it t hat con- t r ol l ed_ me? What kept my l ove- l i f e

My nose I used t o t ur n - up When you' d be- si ege my

Whi msi cal l y v 1- ei sur eh

r , t t t t t t t w", . , _.
t=~ - L

( BB) Doz- ens of gi r l s woul d st or n i

( sHB) I went a - bout r e - ci t -
F#7
. r . . ~t na
i
. t ai - _ vi m f
IlI
n p smou! / i l V ~- '

ra r a r a f a i ~fa, ~
LL 1 _. l ean? My i n - t o - i - t i on t ol d - me You' d come
Gui t ar G hear t ; Now I com- pl et e - l y bur n- up When ycoi ' r e
Sy~. aGol a

i ff

r- - ~
u

m. . ~i r ar : ar t s ~r - r ~
\ J _ 1v
- up; I had to l ock m y door .
- i ng, " Her e' s one who' l l nev - er f al l ! " F#7
B
~"~r
w s w
wf r: ~ t ar t " w
E~. ~. , .. ~. -
t
.v
%rr uts s~t t t : .ttttt.
~~ ~t s. ~ c~a~~
- ~
~t i ttt t twt . ~~
- - t
~t-t~t
ttm
s~t
t ~t t
tc
t ."~
t ~ t t i t t i t t t ~ r a~t t t t ~ tttttt
M t ~i r ~ on t he scene . La- dy, l i s - t en t o t he r hy- t hm of my
sl ow to st ar t . I ' m a - f r ai d you' l l have t o t ake t he con - se -

ttttt~
ttttr . ~~" t t t t i t ~t ~" ttttttt. ~~~~" s~s-
~~
~. _ ar m
w
Some- how I coul d- et war m up To one be - f or e.
But I ' m a- f r ai d t he wr i t - i ng Is on t he wal l .

qql ~
rai l . e di m.

hear t - beat , And you 11 get j ust what I mean .

- quenc - es ; You' ve up - set t he ap - pi e car t .
D7 G
FRm D7
7
_
777- -
' rai l . e di m.

Em Em Em A7 Am D Am Am D Am D7
add CO

C1930 ( Renewed) Chappel l &Co and New Wor l d Musi c Co ( Lt d)

admi ni st er ed by WBMusi c Cor p, USA
War ner Chappel l Musi c Lt d, London W l Y 3FA
 RFFRAI N ( Ri zYMmi cal l y)

P_
116-

Em- br ace
me, My sv. eet em - br ace - a - bl e you!
Ei n- br ace me, Nl y s%xeet em - _I
br ace - a - bl e you! I l ove al l t he man - y char ms a - bout you_
_ _ ----- ?
> But ha>3g i t ! Come on, l et ' s gl o - ri - f y l ove!
` i - -uw~www~ - _ w
i _- wr ~ww~w
l -
ws .
!,
'
V Aj - r r f ={ - - "r 7 # t
TV
MOMM 1.
~=ww~wwr , - " -
D^ C Ddi m D7 W~ i I

COdi m 67 C Ddi m D7

A
wr y~
Er r. - br ace me, You i t - re - pl at - a- bl e you!
Em- br ace me, You i t - re - pl at - a - bl e you! A- bove al l I want my ar ms a- bout you Don' t be a
Di ng dang i t ! youl l shout ; ` En - cor e! " if I l ove . - Don' t be a
s r-r T
4L -a-

y ewas -- I~r ~
wm" mr u~T-w
~w
~w ~~~w
"wr ~www~ww~ww ~a
w~ _ I ~ I L

-f .
G G I - - r
G z

~' G7 C; di m G7 f
F7 G7 wi t h C C
D7

wwr ~. ~~wwr ww~ r

Just one l ook at you, my hear t gr ew tip - sy i n me;
I n your ar ms I f i nd l ove so de - l ect - a - bl e, dear , naugh- t y ba - by, Come t o pa- pa, Come t o pa- pa, do! My sweet em-
naugh- t y pa - pa, Come t o ba- by, Come t o ba- by, do! My sweet em -

W~~.

YR' ai wl r ~i wwl ~~ww~- i L . H. !y

Em D
Em Em7 F#7 Bm E7 /, C. ..
add C# Bbl aug. 5 Eb aug. 5 G
a, l , add C
add F#

You and you a - l one br i ng out t he gyp - sy i n me!

I' m a - f r ai d it i s - nt qui t e r e - spect - a- bl e, dear , -
- > >

wr ~s
AL
I

r r ss~~- ~~. r_
T - _T 1- 1
- zi p
D DRdi m D7
A7
64
SOMEBODY LOVESME

por n f i t .
Musi c and Lvr i cs by GEORGEGERSHWI N,
BALLARD M ACDONALDand B. G. DE SYLVA

met ; I m cl ut ch- i ng at st r aws, j ust be- cause I may meet her yet .
knows That some- one i s t r ue ; But j ust who, I t wi l l not di s - cl ose .

Al l egr o moder at o
f : -

REFRAI N ( mol t o l egat o)

ni p con mot o p - / a t empo

t " !
When t hi s wor l d be - gan I t was Hea- . ven' s pl an Ther e shoul d be a Some - bo - dy l oves me I won - der who, I won - der
Though I wai t in vai n, Ti me and t i me a - gai n, No one ev - er

i
VI P . n n m
r cm-s: ~a~~s~
6
4
-0

Em DM Ema r-m
7
Bm Ems Ame BT G Am' D G CT G

Some- one has up - set Hea- ven' s pr et - t y gr

pr o amm e f or we' ve nev - er
That so sweet - l y gr ows Seems t o t ur n my way as if it sur e - ly

yr ~m -

-I - T

Gmai T D Ge AmT D7 GT C Cme D 1<: ~

©1924 ( Renewed) Chappel l &Co and Redwood Musi c Lt d.

War ner Chappel l Musi c Lt d, London Wl Y 3FA and Redwood Musi c Lt d, London NW1 8BD
 be wor - r i es me. - For ev - ' r y gi r l who pass - es me I shout , Hey!

ISi am*~
ET

r.

may - be, You wer e meant t o be my l ov- i ng ba - by .

w
r wi . . ~r a." s

Am y EmT AT Eml AT

10
Some - bo - dy l oves me I won - der who, May

_ 6

r
G AmT DT* G V Cl

r l F- 2

_-

- be it' s you. you.

-~Wf t .. O. . . . . MMw
~~4L . . u
or af f . 0~~~~~~r ~r T~1

n ------ 7 f i t . e (f i m.
i
r wav~AL. m

Amy t )T rI