Introduction to laser technology 3rd Edition C.
Breck Hitz - PDF Download (2025)
https://ebookultra.com/download/introduction-to-laser-
technology-3rd-edition-c-breck-hitz/
Visit ebookultra.com today to download the complete set of
ebooks or textbooks
We have selected some products that you may be interested in
Click the link to download now or visit ebookultra.com
for more options!.
Introduction to Process Technology 3rd Edition Charles E.
Thomas
https://ebookultra.com/download/introduction-to-process-
technology-3rd-edition-charles-e-thomas/
A Programmer s Introduction to C 2 0 3rd Edition Eric
Gunnerson
https://ebookultra.com/download/a-programmer-s-introduction-
to-c-2-0-3rd-edition-eric-gunnerson/
Calculus Applications and Technology 3rd Edition Edmond C.
Tomastik
https://ebookultra.com/download/calculus-applications-and-
technology-3rd-edition-edmond-c-tomastik/
Introduction to Healthcare Information Technology Mark
Ciampa
https://ebookultra.com/download/introduction-to-healthcare-
information-technology-mark-ciampa/
The Laser Book Laser sailing from start to finish 5th
Edition Tim Davison
https://ebookultra.com/download/the-laser-book-laser-sailing-from-
start-to-finish-5th-edition-tim-davison/
Introduction to Financial Technology 1st Edition Roy S.
Freedman
https://ebookultra.com/download/introduction-to-financial-
technology-1st-edition-roy-s-freedman/
An Introduction to Music Technology 2nd Edition Dan Hosken
https://ebookultra.com/download/an-introduction-to-music-
technology-2nd-edition-dan-hosken/
C How to Program With an Introduction to C Global Edition
Paul Deitel
https://ebookultra.com/download/c-how-to-program-with-an-introduction-
to-c-global-edition-paul-deitel/
Introduction to Executive Protection 3rd Edition June
https://ebookultra.com/download/introduction-to-executive-
protection-3rd-edition-june/
Introduction to laser technology 3rd Edition C. Breck
Hitz Digital Instant Download
Author(s): C. Breck Hitz, James J. Ewing, Jeff Hecht
ISBN(s): 9780471723127, 0471723126
Edition: 3
File Details: PDF, 14.73 MB
Year: 2004
Language: english
INTRODUCTION TO
LASER TECHNOLOGY
Third Edition
IEEE Press
445 Hoes Lane, P.O. Box 1331
Piscataway, NJ 08855-1331
IEEE Press Editorial Board
Stamatios V. Kartalopoulos, Editor in Chief
M. Akay M. Eden M. Padgett
J. B. Anderson M. E. El-Hawary M. S. Newman
R. J. Baker R. F. Herrick W. D. Reeve
J. E. Brewer R. F. Hoyt G. Zobrist
D. Kirk
Kenneth Moore, Director of IEEE Press
Catherine Faduska, Senior Acquisitions Editor
Linda Matarazzo, Associate Acquisitions Editor
Marilyn Catis, Marketing Manager
Mark Morrell, Associate Production Editor
Cover design: Caryl Silvers, Silvers design
Technical Reviewer
William Silvast, Sandia National Laboratories, Livermore, CA
Books of Related Interest from the IEEE Press
INTRODUCTION TO OPTICS AND OPTICAL IMAGING
Craig Scott
1998 Hardcover 480 pp IEEE Order No. PC4309 ISBN 0-7803-3440-X
UNDERSTANDING LASERS, Second Edition
Jeff Hecht
A volume in the IEEE Press Understanding Science & Technology Series
1994 Softcover 448 pp IEEE Order No. PP3541 ISBN 0-7803-1005-5
INTRODUCTION TO
LASER TECHNOLOGY
Third Edition
Breck Hitz
Laser and Electro-Optics
Manufacturers 'Association
J. J. Ewing
Ewing Technology Associates, Inc.
Jeff Hecht
Laser Focus World
IEEE
PRESS
The Institute of Electrical and Electronics Engineers, Inc., New York
This book and other books may be purchased at a discount
from the publisher when ordered in bulk quantities. Contact:
IEEE Press Marketing
Attn: Special Sales
445 Hoes Lane, P.O. Box 1331
Piscataway, NJ 08855-1331
Fax:+1732 981 9334
For more information about IEEE Press products, visit the
IEEE Online Catalog & Store: http://www.ieee.org/store.
© 2001 by the Institute of Electrical and Electronics Engineers, Inc.
3 Park Avenue, 17th Floor, New York, NY 10016-5997
All rights reserved. No part of this book may be reproduced in any form,
nor may it be stored in a retrieval system or transmitted in any form,
without written permission from the publisher.
Printed in the United States of America.
1 0 9 8 7 6 5 4 3 2 1
ISBN 0-7803-5373-0
IEEE Order No. PC5813
Library of Congress Cataloging-in-Publication Data
Hitz, C. Breck.
Introduction to laser technology / Breck Hitz, J.J. Ewing, Jeff Hecht.—3rd ed.
p. cm.
Rev. ed. of: Understanding laser technology, 2nd ed. © 1991.
Includes bibliographical references and index.
ISBN 0-7803-5373-0
1. Lasers. I. Ewing, J.J. (James J.), 1942- II. Hecht, Jeff. III. Hitz, C. Breck.
Understanding laser technology IV. Title.
TA1675 .H58 2000
621.36'6—dc21
00-050538
CONTENTS
Preface ix
Acknowledgments xi
Chapter 1 An Overview of Laser Technology 1
1.1 What are Lasers Used For? 3
1.2 Lasers in Telecommunications 4
1.3 Lasers in Research and Medicine 4
1.4 Lasers in Graphics and Grocery
Stores 5
1.5 Lasers in the Military 5
1.6 Other Laser Applications 6
Chapter 2 The Nature of Light 7
2.1 Electromagnetic Waves 7
2.2 Wave-Particle Duality 11
Chapter 3 Refractive Index, Polarization,
and Brightness 17
3.1 Light Propagation-Refractive Index 17
3.2 Huygens' Principle 22
3.3 Polarization 24
3.4 Polarization Components 27
3.5 Birefringence 31
3.6 Brewster's Angle 40
3.7 Brightness 41
Chapter 4 Interference 45
4.1 What is Optical Interference? 45
4.2 Everyday Examples of
Optical Interference 48
v
vi Contents
4.3 Young's Double-Slit Experiment 49
4.4 Fabry-Perot Interferometer 52
Chapter 5 Laser Light 57
5.1 Monochromaticity 57
5.2 Directionality 58
5.3 Coherence 63
Chapter 6 Atoms, Molecules, and Energy Levels 65
6.1 Atomic Energy Levels 66
6.2 Spontaneous Emission and
Stimulated Emission 67
6.3 Molecular Energy Levels 69
6.4 Some Subtle Refinements 71
Chapter 7 Energy Distributions and Laser
Action 75
7.1 Boltzmann Distribution 75
7.2 Population Inversion 79
7.3 L.A.S.E.R. 82
7.4 Three-Level and Four-Level Lasers 84
7.5 Pumping Mechanisms 85
Chapter 8 Laser Resonators 89
8.1 Why a Resonator? 89
8.2 Circulating Power 91
8.3 Gain and Loss 92
8.4 Another Perspective on Saturation 94
8.5 Relaxation Oscillations 95
8.6 Oscillator-Amplifiers 97
8.7 Unstable Resonators 97
8.8 Laser Mirrors 98
Chapter 9 Resonator Modes 101
9.1 Spatial Energy Distributions 101
9.2 Transverse Resonator Modes 103
9.3 Gaussian-Beam Propagation 104
9.4 A Stability Criterion 109
9.5 Longitudinal Modes 111
Chapter 10 Reducing Laser Bandwidth 117
10.1 Measuring Laser Bandwidth 117
10.2 Laser-Broadening Mechanisms 120
Contents vii
10.3 Reducing Laser Bandwidth 123
10.4 Single-Mode Lasers 127
Chapter 11 Q-Switching 133
11.1 Measuring the Output of Pulsed Lasers 133
11.2 Q-Switching 135
11.3 Types of Q-Switches 139
11.4 Mechanical Q-Switches 140
11.5 A-O Q-Switches 140
11.6 E-O Q-Switches 142
11.7 Dye Q-Switches 144
Chapter 12 Cavity Dumping and Modelocking 147
12.1 Cavity Dumping 147
12.2 Partial Cavity Dumping 151
12.3 Modelocking—Time Domain 153
12.4 Modelocking—Frequency Domain 156
12.5 Applications of Modelocked Lasers 157
12.6 Types of Modelocked Lasers 158
Chapter 13 Nonlinear Optics 161
13.1 What is Nonlinear Optics? 161
13.2 Second-Harmonic Generation 164
13.3 Phase Matching 167
13.4 Intracavity Harmonic Generation 172
13.5 Higher Harmonics 173
13.6 Optical Parametric Oscillation 173
Chapter 14 Semiconductor Lasers 177
14.1 Semiconductor Physics 178
14.2 Modern Diode Lasers 182
14.2.1 Wavelength of Diode Lasers 186
14.2.2 Vertical Cavity,
Surface-Emitting Lasers 187
Chapter 15 Solid-State Lasers 191
15.1 Diode-Pumped Solid-State Lasers 195
15.1.1 Lamp Pumping 202
15.1.2 Thermal Issues 206
Chapter 16 Helium Neon, Helium Cadmium, and
Ion Lasers 211
16.1 Gas-Laser Transitions 212
16.2 Gas Laser Media and Tubes 214
viii Contents
16.3 Laser Excitation 216
16.4 Optical Characteristics 217
16.5 Wavelengths and Spectral Width 218
16.6 HeNe Lasers 219
16.7 Principles of HeNe Lasers 220
16.8 Structure of HeNe Lasers 222
16.9 HeCd Lasers 223
16.10 Ar- and Kr-Ion Lasers 225
Chapter 17 Carbon Dioxide and Other
Vibrational Lasers 229
17.1 Vibrational Transitions 230
17.2 Excitation 232
17.3 Types of CO2 Lasers 233
17.4 Optics for CO2 Lasers 236
17.5 Chemical Lasers 237
Chapter 18 Excimer Lasers 239
18.1 Excimer Molecules 241
18.2 Electrical Considerations 243
18.3 Handling the Gases 245
18.4 Applications of Excimer Laser 249
Chapter 19 Tunable and Ultrafast Lasers 253
19.1 Dye Lasers 256
19.2 Tunable Solid-State Lasers 258
19.3 Ultrafast Lasers 261
19.4 Nonlinear Converters 264
Glossary 269
Index 277
About the Authors 287
PREFACE
HOW DOES A LASER WORK AND WHAT IS IT
GOOD FOR?
Answering this question is the goal of this textbook. Without delving into the
mathematical details of quantum electronics, we examine how lasers work as
well as how they can be modified for particular applications.
THE BOOK'S APPROACH
You should have some feeling for the overall organization of this textbook be-
fore you begin reading its chapters. The book begins with an introductory
chapter that explains in unsophisticated terms what a laser is and describes the
important applications of lasers worldwide.
Lasers produce light, and it's essential to understand how light works be-
fore you try to understand what a laser is. Chapters 2 through 5 are dedicated
to light and optics, with lasers rarely mentioned. The subjects discussed in
these chapters lead naturally to the laser principles in the following chapters,
and the laser chapters themselves won't make much sense without the optics
concepts presented in Chapters 2 through 5.
The heart of this text is contained in Chapters 6 through 9 because these
are the chapters that explicitly answer the question, How does a laser work?
As you read these chapters, you will find that two fundamental elements must
be present in any laser: some form of optical gain to produce the light, and
some form of feedback to control and amplify the light.
Having covered the fundamentals, the book turns to more sophisticated
topics in Chapters 10 through 19. Chapters 10 to 13 describe how a laser can
be modified for particular applications. Lasers can be pulsed to produce enor-
mously powerful outputs, or their beams can be limited to a very narrow
IX
x Preface
portion of the optical spectrum. And the color of the light produced by a laser
can be altered through nonlinear optics.
Finally, the last six chapters of the book apply the principles developed in
the first 13 chapters to explain the operation and engineering of today's com-
mercial lasers. All important lasers—gas lasers, optically-pumped solid-state
lasers, and semiconductor lasers—are explicitly covered in these chapters.
Breck Hitz
Laser and Electro-Optic
Manufacturers' Association
J.J. Ewing
Ewing Technology Associates, Inc.
Jeff Hecht
Laser Focus World
ACKNOWLEDGMENTS
We wish to acknowledge the many suggestions made by students during the
past two decades that have found their way into this book. We also wish to ac-
knowledge the assistance of Professor Joel Falk of the University of Pittsburgh
with the original manuscript, and of Professor Anthony Siegman of Stanford
University for helpful suggestions about explaining the subtleties of quantum
mechanics on an intuitive level.
Breck Hitz
Laser and Electro-Optic
Manufacturers' Association
JJ. Ewing
Ewing Technology Associates, Inc.
Jeff Hecht
Laser Focus World
xi
This page intentionally left blank
CHAPTER
1
AN OVERVIEW
OF LASER TECHNOLOGY
The word laser is an acronym that stands for "light amplification by stimulated
emission of radiation." In a fairly unsophisticated sense, a laser is nothing
more than a special flashlight. Energy goes in, usually in the form of electric-
ity, and light comes out. But the light emitted from a laser differs from that
from a flashlight, and the differences are worth discussing.
You might think that the biggest difference is that lasers are more power-
ful than flashlights, but this conception is more often wrong than right. True,
some lasers are enormously powerful, but many are much weaker than even
the smallest flashlight. So power alone is not a distinguishing characteristic of
laser light.
Chapter 5 discusses the uniqueness of laser light in detail. But for now it's
enough to say that there are three differences between light from a laser and
light from a flashlight. First, the laserbeam is much narrower than a flashlight
beam. Second, the white light of a flashlight beam contains many different col-
ors of light, while the beam from a laser contains only one, pure color. Third,
all the light waves in a laserbeam are aligned with each other, while the light
waves from a flashlight are arranged randomly. The significance of this differ-
ence will become apparent as you read through the next several chapters
about the nature of light.
Lasers come in all sizes—from tiny diode lasers small enough to fit in the
eye of a needle to huge military and research lasers that fill a three-story build-
ing. And different lasers can produce many different colors of light. As we ex-
plain in Chapter 2, the color of light depends on the length of its waves. Listed
in Table 1.1 are some of the important commercial lasers. In addition to these
fixed-wavelength lasers, tunable lasers are discussed in Chapter 19, and semi-
conductor lasers are discussed in Chapter 14.
The "light" produced by carbon dioxide lasers and neodymium lasers can-
not be seen by the human eye because it is in the infrared portion of the spec-
trum. Red light from a ruby or helium-neon laser, and green and blue light
1
2 Introduction to Laser Technology: Third Edition
Table 1.1 Fixed-wavelength commercial lasers.
Laser Wavelength Average Power Range
Carbon dioxide 10.6 |xm Milliwatts to tens of kilowatts
NdrYAG 1.06 mm Milliwatts to hundreds of watts
Nd:glass 1.06 mm Pulsed only
Cnruby 694.3 nm (vis) Pulsed only
Helium-neon 632.8 nm (vis) Microwatts to tens of milliwatts
Argon-ion 514.5 nm (vis) Milliwatts to tens of watts
488.0 nm (vis) Milliwatts to watts
Krypton-fluoride 248.0 nm Milliwatts to a hundred watts
from an argon laser, can be seen by the human eye. But the krypton-fluoride
laser's output at 248 nm is in the ultraviolet range and cannot be directly de-
tected visually.
Interestingly, few of these lasers produce even as much power as an ordi-
nary 100-W lightbulb. What's more, lasers are not even very efficient. To pro-
duce 1W of light, most of the lasers listed in Table 1.1 would require hundreds
or thousands of watts of electricity. What makes lasers worthwhile for many
applications, however, is the narrow beam they produce. Even a fraction of a
watt, crammed into a supernarrow beam, can do things no lightbulb could
ever do.
Table 1.1 is by no means a complete list of the types of lasers available
today; indeed, a complete list would have dozens, if not hundreds, of entries.
It is also incomplete in the sense that many lasers can produce more than a
single, pure color. Nd:YAG lasers, for example, are best known for their
strong line at 1.06 u,m, but these lasers can also lase at dozens of other
wavelengths. In addition, most helium-neon lasers produce red light, but
there are other helium-neon lasers that produce green light, yellow light, or
orange light, or infrared radiation. Also obviously missing from Table 1.1
are semiconductor diode lasers, with outputs as high as 1 W in the near in-
frared portion of the spectrum, and dye lasers with outputs up to several
tens of watts in the visible.
The ruby, yttrium aluminum garnet (YAG), and glass lasers listed are
solid-state lasers. The light is generated in a solid, crystalline rod that looks
much like a cocktail swizzlestick. All the other lasers listed are gas lasers,
which generate light in a gaseous medium like a neon sign. If there are solid-
state lasers and gaseous lasers, it's logical to ask if there's such a thing as a liq-
uid laser. The answer is yes. The most common example is the organic dye
laser, in which dye dissolved in a liquid produces the laser light.
Chap. 1 An Overview of Laser Technology 3
1.1 WHAT ARE LASERS USED FOR?
We've seen that lasers usually don't produce a lot of power. By comparison, an
ordinary 1,200-W electric hair dryer is more powerful than 99% of the lasers
in the world today. And we've seen that lasers don't even produce power very
efficiently, usually wasting at least 99% of the electricity they consume. So
what is all the excitement about? What makes lasers so special, and what are
they really used for?
The unique characteristics of laser light are what make lasers so special.
The capability to produce a narrow beam doesn't sound very exciting, but it is
the critical factor in most laser applications. Because a laser beam is so narrow,
it can read the minute, encoded information on a stereo CD—or on the bar-
code patterns in a grocery store. Because a laser beam is so narrow, the com-
paratively modest power of a 200-W carbon dioxide laser can be focused to an
intensity that can cut or weld metal. Because a laser beam is so narrow, it can
create tiny and wonderfully precise patterns in a laser printer.
The other characteristics of laser light—its spectral purity and the way its
waves are aligned—are also important for some applications. And, strictly
speaking, the narrow beam couldn't exist if the light didn't also have the other
two characteristics. But from a simple-minded, applications-oriented viewpoint,
a laser can be thought of as nothing more than a flashlight that produces a very
narrow beam of light.
One of the leading laser applications is materials processing, in which
lasers are used to cut, drill, weld, heat-treat, and otherwise alter both metals
and nonmetals. Lasers can drill tiny holes in turbine blades more quickly and
less expensively than mechanical drills. Lasers have several advantages over
conventional techniques of cutting materials. For one thing, unlike saw
blades or knife blades, lasers never get dull. For another, lasers make cuts
with better edge quality than most mechanical cutters. The edges of metal
parts cut by laser rarely need be filed or polished because the laser makes
such a clean cut.
Laser welding can often be more precise and less expensive than conven-
tional welding techniques. Moreover, laser welding is more compatible with
robotics, and several large machine-tool builders offer fully automated laser-
welding systems to manufacturers.
Laser heat-treating involves heating a metal part with laser light, increas-
ing its temperature to the point where its crystal structure changes. It is often
possible to harden the surface in this manner, making it more resistant to
wear. Heat-treating requires some of the most powerful industrial lasers, and
it's one application in which the raw power of the laser is more important than
the narrow beam. Although heat-treating is not a wide application of lasers
now, it is one that is likely to expand significantly in coming years.
4 Introduction to Laser Technology: Third Edition
1.2 LASERS IN TELECOMMUNICATIONS
One of the more exciting applications of lasers is in the field of telecommuni-
cations, in which tiny diode lasers generate the optical signal transmitted
through optical fibers. Because the bandwidth of these fiberoptic systems is so
much greater than that of conventional copper wires, fiberoptics is playing a
major role in enabling the fast-growing Internet.
Modern fiberoptic telecommunication systems transmit multiple wave-
lengths through a single fiber, a technique called wavelength division multi-
plexing. The evolution of this technology, together with erbium-doped fiber
amplifiers to boost the signal at strategic points along the transmission line, is
a major driving force in today's optoelectronics market.
1.3 LASERS IN RESEARCH AND MEDICINE
Lasers started out in research laboratories, and many of the most sophisti-
cated ones are still being used there. Chemists, biologists, spectroscopists,
and other scientists count lasers among the most powerful investigational
tools of modern science. Again, the laser's narrow beam is valuable, but in
the laboratory the other characteristics of laser light are often important too.
Because a laser's beam contains light of such pure color, it can probe the dy-
namics of a chemical reaction while it happens or it can even stimulate a re-
action to happen.
In medicine, the laser's narrow beam has proven a powerful tool for ther-
apy. In particular, the carbon dioxide laser has been widely adopted by sur-
geons as a bloodless scalpel because the beam cauterizes an incision even as it
is made. Indeed, some surgeries that cause profuse bleeding had been impos-
sible to perform before the advent of the laser. The laser is especially useful in
ophthalmic surgery because the beam can pass through the pupil of the eye
and weld, cut, or cauterize tissue inside the eye. Before lasers, any procedure
inside the eye necessitated cutting open the eyeball.
Even more exciting is the promise of new, emerging techniques in laser
medicine. The LASIK procedure, described in Chapter 18, promises to re-
store perfect eyesight to millions of people. Because a laser's color is so pure,
it may have the capability to destroy a diseased tumor while leaving nearby
tissue undamaged. Laser radial keratotomy—cutting several tiny incisions
with a laser in the cornea—may one day make eyeglasses and contact lenses
obsolete for millions of people. And laser angioplasty may greatly simplify
the coronary surgeries performed on hundreds of thousands of patients
every year.
Chap. 1 An Overview of Laser Technology 5
1.4 LASERS IN GRAPHICS AND GROCERY STORES
Laser printers are capable of producing high-quality output at very high speeds.
Until a decade ago, they were also very expensive, but good, PC-compatible
laser printers can now be obtained for a few hundred dollars. In a laser printer,
the laser "writes" on an electrostatic surface, which, in turn, transfers toner
(ink) to the paper.
Lasers have other applications in graphics as well. Laser typesetters write
directly on light-sensitive paper, producing camera-ready copy for the pub-
lishing industry. Laser color separators analyze a color photograph and create
the information a printer needs to print the photograph with four colors of
ink. Laser platemakers produce the printing plates, or negatives in some cases,
so that newspapers such as the Wall Street Journal and USA Today can be
printed in locations far from their editorial offices.
And everyone has seen the laser bar-code scanners at the checkout
stand of the local grocery store. The narrow beam of the laser in these ma-
chines scans the bar-code pattern, automatically reading it into the store's
computer.
1.5 LASERS IN THE MILITARY
So far lasers have been found to make poor weapons, and many scientists be-
lieve that engineering complexities and the laws of physics may prevent them
from ever being particularly useful for this purpose. Nonetheless, many thou-
sands of lasers have found military applications not in weapons but in range
finders and target designators.
A laser range finder measures the time a pulse of light, usually from an
Nd:YAG laser, takes to travel from the range finder to the target and back. An
on-board computer divides this number into the speed of light to find the
range to the target. A target designator illuminates the target with laser light,
usually infrared light from an Nd:YAG laser. Then a piece of "smart" ord-
nance, a rocket or bomb, equipped with an infrared sensor and some steering
mechanism homes in on the target and destroys it.
Diode lasers are sometimes used to assist in aiming small arms. The laser
beam is prealigned along the trajectory of the bullet, and a policeman or sol-
dier can see where the bullet will hit before he fires.
Diode lasers are used as military training devices in a scheme that has
been mimicked by civilian toy manufacturers. Trainees use rifles that fire
bursts of diode-laser light (rather than bullets) and wear an array of optical de-
tectors that score a hit when an opponent fires at them.
6 Introduction to Laser Technology: Third Edition
1.6 OTHER LASER APPLICATIONS
There seems to be no end to the ingenious ways a narrow beam of light can be
put to use. In sawmills, lasers are used to align logs relative to the saw. The
laser projects a visible stripe on the log to show where the saw will cut it as the
sawman moves the log into the correct position. On construction projects the
narrow beam from a laser guides heavy earth-moving equipment. Laser light-
shows herald the introduction of new automobile models and rock concerts.
And laser gyroscopes guide the newest generation of commercial aircraft (an
application that depends more on a laser's spectral purity than on its narrow
beam).
CHAPTER
2
THE NATURE OF LIGHT
What is light? How does it get from one place to another? These are the ques-
tions that are addressed in this chapter. But the answers aren't all that easy.
The nature of light is a difficult concept to grasp because light doesn't always
act the same way. Sometimes it behaves as if it were composed of waves, and
other times it behaves as if it were composed of particles. Let's take a look at
how light waves act and at how light particles (photons) act, and then we'll dis-
cuss the duality of light.
2.1 ELECTROMAGNETIC WAVES
Light is a transverse electromagnetic wave. Let's take that phrase apart and ex-
amine it one word at a time.
Fig. 2.1 is a schematic of a wave. It's a periodic undulation of something—
maybe the surface of a pond, if it's a water wave—that moves with character-
istic velocity, v. The wavelength, A, is the length of one period, as shown in Fig.
2.1. The frequency of the wave is equal to the number of wavelengths that
move past an observer in one second. It follows that the faster the wave
moves—or the shorter its wavelength—the higher its frequency will be. Math-
ematically, the expression
/= v/A
relates the velocity of any wave to its frequency,f,and wavelength.
The amplitude of the wave in Fig. 2.1 is its height, the distance from the
center line to the peak of the wave. The phase of the wave refers to the par-
ticular part of the wave passing the observer. As shown in Fig. 2.1, the wave's
phase is 90° when it is at its peak, 270° at the bottom of a valley, and so on.
So much for wave. What does transverse mean? There are two kinds of
waves: transverse and longitudinal. In a transverse wave, whatever is
i
Other documents randomly have
different content
Dark night has enfolded her mantle around me,
And the brightness of day to oblivion consign’d
No more the wild influence of passions confound me,
They have fled, and tranquility reigns o’er my mind.
All nature reposed, at this moment is sleeping,
And man has forgotten the turmoils of care,
Ev’n mem’ry, entranced, o’er past happiness weeping,
In the “semblance of death” imaged raptures may share.
Calm solitude’s power o’er my bosom is stealing,
In whispers of peace, its monition addres’t,
Arouses each pure spark of genuine feeling,
Allays every passion that ruffled my breast:
To the bright climes of fancy, where flowers ever blossom,
On the wild wing of thought, I would hurry my flight,
Shake off every sorrow that weighs on my bosom,
And roam with pure spirits in regions of light.
Indulging each sweet intelectual pleasure,
That fancy’s bright dream, upon man can bestow,
Could I taste of the joy, in its rapturous measure,
Without you to share it? believe me ah no!
Tho’ fancy may yield her precarious blessing,
Tho’ wit may enliven, and talent may glow,
’Tis Friendship alone, all our sorrows redressing,
Yields the purest delight that man’s bosom can know.
THE ALTER’D LAY.
I gave the strain to wild despair,
When pleasure’s sweetest scenes had faded,
When youth’s gay dreams, so bright and fair,
Misfortune’s murky cloud had shaded.
II
But still, tho’ sorrow rul’d the song,
And grief, that gay delights would perish,
Would Hope a softer note prolong,
And bid my breast her influence cherish.
III
She bade me turn to each delight
That blest with smiles life’s radiant morning,
And still her hand, with visions bright
Was every future hour adorning.
IV
I counted every transient joy,
That deck’d the gay and blissful season
When I, “a visionary boy,”
Disclaim’d the voice of sober reason.
And memory swell’d the alter’d lay
With sounds of sweet, and transient gladness,
They told of pleasure’s fairy sway,
In hours that mock’d intrusive sadness.—
VI
And there was one, in hours gone past,
Whose smile was like the smile of heaven,
When beauty’s brightest hues are cast
Along the dress of summer even.—
VII
It woke, within my youthful breast,
Emotions dear, that never slumber,
They come when all is sunk to rest,
They breathe upon the sadden’d number.
VIII
The strain still lov’d to linger o’er
The mem’ry of our happy meeting,
In childhood’s wild, uncultured bower,
When heart met heart, in tender greeting.
IX
Her form, her face, Ah what were they?
Tho’ loveliest beauties there were dwelling;
The ringlets unrestrain’d that stray’d;
The ruby lip with nectar swelling?
Tho’ these were fair, her lovelier mind
Each outward beauty far exceeded,
By nature’s quick’ning power refined,
Soft Pity’s gentle voice it heeded.
XI
And love, had been the tender name
That swell’d our hearts in holiest union,
But ah! too young to own the flame,
We felt the bosom’s soft communion.
XII
Sudden, again—the tremb’ling lyre
Its sound, to sorrow’s notes surrender’d;
Lost was remember’d rapture’s fire,
And woe seem’d in its strings engender’d.
XIII
Why changed the sound? ah why! no more
Did rapture wake th’ inspiring measure?
Why jar’d despair the accents o’er,
Dark’ning each scene of vanish’d pleasure?
XIV
Wild shrieks the blast of heaven, round
The grave, where all her beauties wither;
The Yew-tree moans in solemn sound,
When gently stirs the ambient æther.
XIV
The cold sod wraps her lovely form,
That rapture to my soul imparted;
She lived in beauty! but the storm
In early morn, life’s current thwarted.
XVI
Where once the laughing, mirthful eye,
With joy’s bright beam was wont to glisten;
When time on pinions fleet went by,
And we to hope’s fond tale would listen:
XVII
Or when the tear-drop started there,—
The sympathetic gem of feeling,—
And o’er that face so passing fair
Soft pity’s sorrowing look was stealing.
XVIII
The icy worm his revel keeps,
And there, his form is dully shining,
Arround that lovely forehead creeps,
Or o’er her faded cheek is twining.
XIX
The bosom, once that heav’d with mine,
The throb of joy, or sigh of anguish,
When fancied ill, or fond delight,
Bade hope arise, or sudden languish.
XX
Sleeps silent, in the earthy grave.
No woe her angel-dreams disturbing;
Misfortune’s storm there cannot rave!
No passion’s power the rest perturbing.—
XXI
O be thy spirit ever near!
Attend my rude course to its closing;
Melvina!—still thy name is dear,
A thousand past delights disclosing.—
XXII
Thou wert to me, a kindred flower—
In nature’s garden, nurs’d together,—
We grew, till in a stormy hour
Thy vernal charms were doom’d to wither.
XXIII
But gladness still, shall mark the strain,
And hope shall point to brighter pleasure,
When our torn hearts shall meet again,
In hallow’d transport’s fullest measure.
ERRATA.
It is with much regret, that the publisher
(notwithstanding his endeavours to prevent it) has
discovered a few instances of erroneous typography—
those which would impair the sense are the following:—
“Hours of Childhood,” page 19th, section VII, line 2d,
for Scar’d, read, Sear’d.
In “The Moon’s Pale Ray,” page 80th, 1st verse, 4th
line, for sea, read, sea’s.
*** END OF THE PROJECT GUTENBERG EBOOK HOURS OF
CHILDHOOD, AND OTHER POEMS ***
Updated editions will replace the previous one—the old editions
will be renamed.
Creating the works from print editions not protected by U.S.
copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS
WORK
To protect the Project Gutenberg™ mission of promoting the
free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.
Section 1. General Terms of Use and
Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only
be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project
Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the
United States and most other parts of the world at no cost
and with almost no restrictions whatsoever. You may copy
it, give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is
posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project
Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute
this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or
providing access to or distributing Project Gutenberg™
electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You provide a full refund of any money paid by a user who
notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend
considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set
forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the
Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.
Section 2. Information about the Mission
of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.
The Foundation’s business office is located at 809 North 1500
West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws
regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states
where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot
make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.
Please check the Project Gutenberg web pages for current
donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.
Section 5. General Information About
Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.
Project Gutenberg™ eBooks are often created from several
printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
back
back
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade
Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.
Let us accompany you on the journey of exploring knowledge and
personal growth!
ebookultra.com