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IMSLP837219-PMLP3785-Rumores de La Caleta2

The document is a transcription for guitar of Isaac Albéniz's piece 'Recuerdos de Viaje, Op. 71, No. 6: Rumores de la Caleta' by Roland Schlieder. It includes musical notations and instructions for performance. The piece is characterized by its lively and melancholic themes, typical of Albéniz's style.

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Antonio Brito
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© © All Rights Reserved
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0% found this document useful (0 votes)
43 views6 pages

IMSLP837219-PMLP3785-Rumores de La Caleta2

The document is a transcription for guitar of Isaac Albéniz's piece 'Recuerdos de Viaje, Op. 71, No. 6: Rumores de la Caleta' by Roland Schlieder. It includes musical notations and instructions for performance. The piece is characterized by its lively and melancholic themes, typical of Albéniz's style.

Uploaded by

Antonio Brito
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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ISAAC

ALBENIZ
RECUERDOS DE VIAJE, OP. 71
NR.6 RUMORES DE LA CALETA

Transcription fo r the Guit ar by


Roland Schlieder
Nr. 6 Rumores de la Caleta
Malagueña

  m a 
     
Transc.: Roland Schlieder Isaac Albéniz (1860 - 1909)

       

 
3

1 
 1  
7 Allegro

3
i

 3
4

3 2 4
2 2
2 p p   
1

 melancolico
p

 m3 a    a 
         
   1    
3

  1   3  1     0   
m

 
i i

4 3
 2 3  2 3 4 2 1
4

 2 2 2
3

p 2 p    p p
1
3
p p

3 3

 m3 a    a 
            
3


 1       1 
 1 
    
m

3  
i i

3 4 3
 2 3 2 3 4 2 1
8

2 2 2 2
3

p p    p p
1

p p

3 3

 m3 a 
       
    
          1 
i

3
 2  3   2 3 4 2 1  2  3   2 3 4 2 1   2 p
12

1 1


p
p
3 3 3 3 3 3

i  a  i  a 
dim.

       
 
3 3

     1 
     1 

m m

1  3 2  3
 3  42 
15

2  3 4 2

   p p    p p
p p p p p p p p
1


p p

        
 2
      
4       
19

 1 3 1 3
  3  1 

Schlieder2022
 m3 a   m3 a 
2

         
  1   3  1  1   3  1
3

i i

 1  
22

 2  2
p 2 p   p 2 p  
3
4
p p
(ral.)
( )
(ral.)
Meno tempo

4     2
    
a
a m

   0  0   2
1 
 
26 4 a
3


3 3 1 3

 m   m

2
2 1 5 5 4
5 4

p p i p p i
p p


3 3

 4  4  3        
2 4 
3 i m a


3 III

 42 
    1   3 
3

 2
1  
29 3 1

  
   p 2 p
3

  
2 1
1 5 4 p
(ral.)
3 m ( )
p p p i

( )         
   
m a m a

 
i i

1   1   3  1  
3 3

 2
 0
       3
 2  3   2 3 4 2 1   2 p
33

 3 4 
p 2 p
p p p p
1
p p
p
3 3 3

       3  
    
i m a

 2
        1   3 
4  1 3      
37

 1 3   3  1  
p 2 p p

       3  
   
  3 4 2  1   3 4 2  1   3 4 2  1
41

2   2   2  
1 1 1
3 2 3 2 3 2

3 3 3 3 3 3 3 3
dim.
Schlieder2022

3

4  3   4 2 3a
VII

 3 4  4   3 p p3
 3   1 3
m a 3
a

  0 0  2
1 

2

2
1 

44 1

 5 4 5   5 4  1
 5 4 m
m  m 
2
2 1

p p p i p p 3p i p i
3

VII

 m3 a 
4   4    3 2  4   4  3   3  
  
3 III 3 V

  2  1   3 
 
i
49

  2
2

 
2

 p 2 p  
3

m
3


1
p
(ral.)
p p i
p
3

VII

 m3 a  2
4 3
3  
4      
III

   
3 3 V

3   1   3   
  
i
53

  1
2

 
2 3 4
4

 p 2 p   
2 3


p

3 i m
p p

           
1 3
 4   
a


i m a i m

3
 
3 3

 1   3     1    
2

1
3

 0 3 3
4
57

  2 p 
p 2 p
 2
  2
  
3
2
p p p
p
p

   
        3
i m a


  1   3  0
3

 1  1  2 
3    
61

   
2 3 
   p 2 p
2 4 2 3 4
2 1
p

3 3

Schlieder2022
4

 3          
      3  
  1   3  1    1      1
3

3
4    42 
64

 
  2 p  
2

2
p p 
2 3
3 3
2 2 1
p p
p
dim. 3 3

 
        
IX


    
3 4 2 1    
3 4 2 1
  4 
   
Lento 4

 


68

2   2  
 1 4 
1 1
3 2 3 2 3
Fine

3 3 3 3 3 3

      4  
1 
3 
      1 2      1  2     
3 3 3
Tempo I
72 1 1 2

3 3
4

    3      3  
4

sempre 


VIII

 2  3  4   21             2     
V

  3  2  3
        
      
77

  3
4

poco rit. a tempo


   23  4   1  2  2
III

  2     
I

   4  2  3
 4       2
 3
    
0
80

  
1

() ()
rit.
rit.

Schlieder2022
5

 
4
 4  4    
V

  1  3   4  0 
V

 1
  2      3   
III

    2     
83

3
   3   ()
3
3
6
a tempo

 3   3          4    4     
   3  1  2 
3 III

  4      0  0 2

 3 
86

2  3  
4

rit. 1 1
a tempo


1 3
 4  3     2  4  2  2   2 
  3     0 
IV
III

  1
  3
  2  0   0    
89

 0  1
4

1 1
4

  VII
 4  4  2         41  4
V


I III

 1  2       2   3    
Adagio

  
92

  
2

 3       

2
3 2 1

ritenuto Cadenza lento


molto rit.


2 1 4      
 4 1 2    4  
rit.

 
4 4

 3  4
V
96

3

2

2 1 ad lib. ritenuto
D.S. al Fine

Schlieder2022

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