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Brass Scene Kids Full For Brass Band-Sousaphone

The document is a musical arrangement for the sousaphone titled 'Brass Scene Kids' by Alonzo Richardson, performed by the No BS! Brass Band. It includes various musical notations and instructions for performance. The piece appears to be structured with multiple sections and specific tempo markings.

Uploaded by

Rafael Fonseca
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
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0% found this document useful (0 votes)
33 views3 pages

Brass Scene Kids Full For Brass Band-Sousaphone

The document is a musical arrangement for the sousaphone titled 'Brass Scene Kids' by Alonzo Richardson, performed by the No BS! Brass Band. It includes various musical notations and instructions for performance. The piece appears to be structured with multiple sections and specific tempo markings.

Uploaded by

Rafael Fonseca
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Sousaphone Brass Scene Kids

Arr. Alonzo Richardson


No BS! Brass Band

      
     
           
 = 105
       
       
    

   
            
           
5

               
   
   
                     
     
    
9

           


   
  
                    
     

13

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         
 
                               
17



    
                    
                      
22


     
   
             
Solo

        
      
27

 
        
   
          
          
31

               
            
                                  
35

   
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          
40

            
 
   
   
 
      
     
    
45

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     
    
49

    
         
   
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     
    
53

         
    

         
                           
 
57

    
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                        
    

   
62

 

      3   3
                 

68

      

3   3
3

                                  
 
75

       3

   
                
       
79 To Coda

         

  
           
86

                 
         

96

                 

         
  
108

                 

2
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     
117

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D.S. al Coda

   
124

  

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    
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        
131

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      
138

  
  

   
          
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           
143

  
       

  
             
    
         
147

         

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152

  
  
161


3

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