Sousaphone Brass Scene Kids

Arr. Alonzo Richardson

      
     
           
 = 105
       
       
    

   
            
           
5

               
   
   
                     
     
    
9

           


   
  
                    
     

13

              

         
 
                               
17



    
                    
                      
22


     
   
             
Solo

        
      
27

 
        
   
          
          
31

               
            
                                  
35

   
                      
          
40

            
 
    
   
 
      
     
    
45

              
   
    
          
     
    
49

    
         
   
    
          
     
    
53

         
    

         
                           
 
57

    
          
                        
    

   
62

 

      3   3
                 

68

      

3   3
3

                                  
 
75

       3

   
                
       
79 To Coda

         

  
           
86

                 
         

96

                 

         
  
108

                 

2
                           
     
117

        

                  

        
    
D.S. al Coda

   
124

  

           
    
            
        
131

       
                             
      
138

  
  

   
          
        
           
143

  
       

  
             
    
         
147

         

               
           
152

  
  
161


3