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A Diagnosis for Our Times Alternative Health from
Lifeworld to Politics 1st Edition Matthew Schneirov
Digital Instant Download
Author(s): Matthew Schneirov; Jonathan David Geczik
ISBN(s): 9780791486818, 0791486818
Edition: 1
File Details: PDF, 3.78 MB
Year: 2003
Language: english
97385 cover 4/14/03 1:46 PM Page 1

50
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SOCIOLOGY / MEDICAL
A Diagnosis for Our Times

Schneirov and Geczik

100

A Diagnosis for Our Times Alternative Health, from Lifeworld to Politics

50

Alternative Health, from Lifeworld to Politics

100

Matthew Schneirov and Jonathan David Geczik

100

Despite having one of the most advanced systems of medicine in the world,
American consumers are increasingly turning to alternative medicine. Through a study
of two alternative health networks, one “New Age” and the other conservative
Christian, A Diagnosis for Our Times examines the health regimes followed by clients
100

of alternative practitioners, the way people find meaning in non-Western and pre-

A Diagnosis for Our Times

modern health traditions, and the relationship between alternative health and other
movements for change. In sharp contrast with other work on this subject, this book
100

characterizes alternative health as a social movement and a “cultural laboratory”

100

where people discover new values and new ways of living that may have larger impli-
75

cations. The authors discover surprising commonalities between the cultural left and
50

the religious right when it comes to healthcare, and they evaluate the potential of
25

alternative health to contribute to a new healthcare paradigm.

100

“Treating alternative health as a new social movement is a very good strategy. The
theory employed here is both helpful and innovative, and the ideas of Habermas,
Benjamin, and Foucault are all used very effectively to explain what alternative medi-
100

cine is, how it works, and why it is seen as helpful to so many people.”
— Joseph E. Davis, editor of Stories of Change: Narrative and Social Movements

Matthew Schneirov is Associate Professor of Sociology at Duquesne University. He

100

is the author of The Dream of a New Social Order: Popular Magazines in America,
1893–1914. Jonathan David Geczik (1942–2001) was Professor of Political Science
at the Community College of Allegheny County.
100

A volume in the SUNY series in the Sociology of Culture

Charles R. Simpson, editor

State University of New York Press

100

www.sunypress.edu
100

SUNY
75

Matthew Schneirov and Jonathan David Geczik

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Schneirov.qxd 4/8/03 3:46 PM Page i

A DIAGNOSIS FOR OUR TIMES

Schneirov.qxd 4/8/03 3:46 PM Page ii

SUNY series in the Sociology of Culture

Charles R. Simpson, editor
Schneirov.qxd 4/8/03 3:46 PM Page iii

A DIAGNOSIS FOR OUR

TIMES
Alternative Health, from Lifeworld to Politics

MATTHEW SCHNEIROV
JONATHAN DAVID GECZIK

STATE UNIVERSITY PRESS OF NEW YORK

Schneirov.qxd 4/8/03 3:46 PM Page iv

Published by
State University of New York Press, Albany

© 2003 State University of New York

All rights reserved

Printed in the United States of America

No part of this book may be used or reproduced in any manner whatsoever

without written permission. No part of this book may be stored in a retrieval system
or transmitted in any form or by any means including electronic, electrostatic,
magnetic tape, mechanical, photocopying, recording, or otherwise
without the prior permission in writing by the publisher.

For information, address State University of New York Press,

90 State Street, Suite 700, Albany, NY 12207

Production by Kelli Williams

Marketing by Jennifer Giovani

Library of Congress Cataloging-in-Publication-Data

Schneirov, Matthew.
A diagnosis for our times: alternative health, from lifeworld to politics / Matthew
Schneirov, Jonathan David Geczik.
p. cm.—(SUNY series in sociology of culture)
Includes bibliographical and references and index.
ISBN 0-7914-5731-1 (hbk.: alk. paper)—ISBN 0-7914-5732-X (pbk.: alk. paper)
1. Alternative medicine 2. Social medicine. I. Geczik, Jonathan David II. Title. III.
Series.

R733 .S366 2003

615.5—dc21
2002042635

10 9 8 7 6 5 4 3 2 1
Schneirov.qxd 4/8/03 3:46 PM Page v

To Jon whose passion for life and learning made this all
possible and to Rebecca, who loves books.
Schneirov.qxd 4/8/03 3:46 PM Page vi

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Schneirov.qxd 4/16/03 12:54 PM Page vii

Contents

Acknowledgements ix

INTRODUCTION 1

CHAPTER ONE The Study of Alternative Health 17

CHAPTER TWO Biomedicine and the Loss of Meaning 41

CHAPTER THREE Between the Aura and the Commodity 65

CHAPTER FOUR Technologies of the Self 99

CHAPTER FIVE New Social Movements 123

CHAPTER SIX From Alternative to Complementary Medicine 155

CONCLUSION 183

Notes 201

Index 219

vii
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Schneirov.qxd 4/8/03 3:46 PM Page ix

Acknowledgments

This book was truly a product of a joint effort of my colleague and

friend, Jonathan David Geczik and myself. We began with the same
curiosity and excitement about our research but with somewhat dif-
ferent assessments of where it would lead. We often argued, with
varying degrees of intensity, over how to assess and interpret our data.
Years later, after traveling throughout the Western Pennsylvania area
doing interviews, going to meetings, attending lectures and the like
and then discussing what we saw and heard, we developed an almost
identical orientation toward our subject. In fact, by the last few
chapters, we would compose together, and finish one another’s sen-
tences. Jon’s keen intellect, passion for life and learning, as well as his
immersion in the alternative health community really made this whole
project possible from the beginning. His untimely death, the same day
the SUNY editorial board voted to publish our manuscript, left me and
his many other friends in a state of shock, which still continues. This
book is part of the legacy Jon leaves to loved ones, friends, and I hope
to many others.
I would also like to thank the many colleagues at Duquesne
University who offered advice and support. Doug Harper, Richard
Colignon, Charles Hanna, and Fred Evans provided useful criticisms
and suggestions. The Social and Public Policy Center and its director
Mike Irwin provided graduate research assistants, help with transcrip-
tions and useful technical assistance while Duquesne University’s

ix
Schneirov.qxd 4/8/03 3:46 PM Page x

x Acknowledgments

internal grants allowed me to spend summers doing research. Many

colleagues commented on early drafts of various chapters at regional
and national sociology conferences, and we incorporated many of
these comments and criticisms into the final draft. Thanks to John
Markoff, Sidney Tarrow, and David Eisenberg for their encouragement
and special thanks to Norm Denzin and Joseph Kotarba who read
various sections of this manuscript in an early form and helped to
shape the final product. Greg Field and Robert Johnston, two historians
interested in alternative health, provided encouragement and helpful
comments. Editors and reviewers at SUNY press saw the potential in
this work and helped us to correct some of its limitations.
One of the pleasures of doing fieldwork is the opportunity it
presents to meet people who can change your life for the better. Many
of these people we refer to in the text, the founder and leader of Holistic
Living Quest, the chair of the Committee for Freedom of Choice in
Cancer Therapy, the director of Whole Health Resources, a prominent
holistic physician, managers of a health store, an impressive young
woman struggling with Hepatitis C, and many others, too numerous to
mention. So many times in doing interviews we were so stimulated and
fascinated by these conversations, that and John and I would spend
hours afterward talking about what we had learned. By and large the
alternative health community welcomed us and invited us to participate
in virtually all their activities. To all our friends in this community, we
offer our thanks. Special thanks to the leadership of the UPMC
Complementary Medicine Clinic for providing us with so much infor-
mation and for opening the clinic and its staff to us. Of course, we offer
special thanks to the folks who graciously agreed to be interviewed.
The author and publisher are grateful to the following for per-
mission to use previously published material in this book:

Matthew Schneirov and Jonathan David Grecik, “A Diagnosis for Our Times:
Alternative Health’s Submerged Networks and the Transformation of
Identities.”
Copyright 1996 by the Midwest Sociological Society
Reprinted from The Sociological Quarterly
Vol. 37. No. 4. by permission of the University of California Press

Matthew Schneirov and Jonathan David Grecik, “Technologies of the Self and
the Aesthetic Project of Alternative Health.”
Copyright 1998 by the Midwest Sociological Society
Reprinted from The Sociological Quarterly
Vol. 39. No. 3. by permission of the University of California Press
Schneirov.qxd 4/8/03 3:46 PM Page xi

Acknowledgments xi

Matthew Schneirov and Jonathan David Grecik, “Alternative Health and the
Challenges of Institutionalization.”
Health: An Interdisciplinary Journal of the Social Study of Health, Illness, and
Medicine.
Vol. 6. No. 2., pp. 201–220. Reprinted by permission of Sage Publications Ltd.
© Sage Publications Ltd., 2002.

Finally, family and friends were a constant source of encour-

agement. My cousin, Mark Wolynn, now a prominent alternative
health practitioner, began his career when this research was first
beginning. The hours of discussions, access to information about
some of his patients, and free sessions helped me to clarify many
ideas and feel better! Mary Beth Belsito, a good friend, was enthusi-
astic about the project and provided many insights. Dena Vrabel, a
massage therapist and friend, first introduced me to a physician in the
Complementary Medicine Clinic and helped to get this phase of the
research going. Dr. Vered Lewy, my wife’s cousin, commented on por-
tions of the manuscript and provided some technical assistance on
medical issues. My wife Shari, who taught me much about herbal tea
and the pleasures of eating organic greens, is the source of what is
most healthy about my life.
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Introduction

Two Vignettes

Arthur Sutton is a part-time accountant who is also the founder of an

organization called Holistic Living Quest (HLQ), a loosely organized
collective that disseminates information on alternative health, grass-
roots social activism, and various Eastern and New Age forms of spiri-
tuality. Monthly mailings are sent to a list of people and the group also
sponsors events such as a yearly awards banquet for people who had
distinguished themselves in these efforts. HLQ also sponsors a range of
activities called Wellness 2000, an effort to link alternative health with
other social movements not ordinarily associated with alternative
health—the labor movement, religious progressives, and the ecology
movement, for example. In addition, Wellness 2000 is engaged in
efforts to enhance the legitimacy of alternative health through estab-
lishing an HMO and by seeking health insurance coverage.
How does an accountant become a full-time alternative health
activist and a founder of an organization that coordinates alternative
health activities? Art began his journey in the 1970s after his divorce to
his first and only wife, Chris. Around this time Art began to explore his
own attitudes toward women, his spirituality, and self-help groups that
focused on personal growth and self-examination. He decided to leave
Pittsburgh and traveled through Europe and the Middle East in a spir-
itual quest to redefine his life and seek an ultimate purpose. He traveled

1
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2 Introduction

to India, Israel, Greece, and Scotland where he met a variety of mentors

who enlightened him about a number of religious and spiritual tradi-
tions. When Art returned to the United States he enrolled in a New
Thought theology school in California and lived communally for
thirteen months. During this time Art had a mystical experience during
a Gestalt workshop where “the gates opened up to a higher reality.”
While becoming interested in telepathy, precognition, and
Eastern spiritual practices, Art solidified his belief that “disease is an
expression of a fixation in certain behavior patterns.” In other words,
for Art, when people become frozen in repetitive habits that assert a
monopoly over their lives, disease manifests itself. Critical in this
respect is money for, as Art is fond of saying, “money is the most
habitual habit we’re stuck on.” As a result Art is able to link his
training in accounting with his interest in health and spirituality for
“money is the most emotional thing there is” and because of that the
most dangerous to health. Approaching an almost postmodern sensi-
bility, Art advocates a fluid, open stance toward experience where
emotions and beliefs are never allowed to become closed boundaries
capturing the person within them. HLQ can be conceived of as an
organizational arena that attempts to break through narrow bound-
aries of thought and emotion.
Eventually Art decided to move back to Pittsburgh because “he
knew he had to return” to bring these insights to the public life of
Pittsburgh. He became convinced that “New Age” people with their
solipsistic preoccupation with the self could never be a sufficient
means to change the world. The view that “I just need to work on
myself and the world will change around me” he calls the “New Age
cop out.” Nevertheless, Art is sympathetic with New Age spirituality
and its commitment to self-transformation. Art has strong commitments
to the intentional community movement, the men’s movement, fem-
inism, ecology, progressive religious groups and more broadly grass-
roots activism. Art no longer believes in conventional monogamous
marriage, would like to have several wives, believes in communal
living arrangements, and in living simply with less money. Much of this
he has been able to put into practice. He works part time and earns
only enough to maintain a relatively simple lifestyle, despite being in a
profession that if pursued full time would allow him to live much more
comfortably.
Ed Watkowsky is also an alternative health activist but couldn’t be
more different from Art. Ed, a regular at his local Methodist Church, is
one of the organizers of the Committee for Freedom of Choice in
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Introduction 3

Cancer Therapy (CFC). The CFC, which recently held its twenty-year
anniversary, holds monthly meetings that introduce to an audience of
middle-aged and elderly people a range of alternative treatments for
cancer and other diseases. Literature is displayed, videos are shown,
organic food is sold, and guest speakers representing a wide range of
alternative health care modalities are brought in to speak each month.
Ed has lived in a small town bordering Pittsburgh all his life, where he
was a steelworker and member of the USW. He has since retired and
now spends most of his time advocating the cause of alternative
health, and inventing and promoting his own water purification
system.
Ed has been married most of his life to the same woman, Sandra.
He says he married Sandra because he “got her pregnant” and it was
the right thing to do. Unlike couples who “fall in love” and then “ten
weeks later they’re trying to make out with someone else,” Ed has
grown closer to Sandra over the years and they work together (she
works in a health food store) and share the same religious values and
commitment to alternative health. Ed’s daughter is estranged from him
because she had a child out of wedlock. Despite the urging of his
friends to reconcile with her, Ed cannot because he believes that his
daughter needs to acknowledge her sin before he can forgive her.
Many years ago Ed was introduced to alternative medicine through
his good friends Tom and Ellen. Ellen had been diagnosed with breast
cancer and her health was rapidly deteriorating. As devout Christians
both couples believed in the power of prayer. As Ed put it, “We were
praying. Lord your will be done.” Ed thought that only prayer could
heal Ellen after she had tried chemotherapy, radiation, and a number
of operations without success. If she did not recover, it “was God’s
will.” But one day Ed and Sandra bumped into Tom and Ellen at the
local Eat and Park restaurant and discovered that Tom had become an
advocate of alternative cancer treatments and had convinced Ellen to
try these unconventional treatments. It was Ed’s friend Tom who envi-
sioned a new organization that would provide support for cancer
patients seeking alternatives to conventional treatments for cancer.
Shortly after, Ed became instrumental in the formation of the CFC
and, as he put it, “the word spread through a local radio interview and
through word of mouth.” Originally the group was loosely affiliated
with support groups for a California doctor who was in danger of
losing his license for using unauthorized and “dangerous” alternative
treatments for cancer (laetrile). While this case has long been resolved,
the CFC remains in existence and now focuses on its original mission
Schneirov.qxd 4/8/03 3:46 PM Page 4

4 Introduction

of supplying information, networking, and support for people seeking

alternative treatments for cancer and other chronic diseases.
For Ed alternative health is no peripheral matter. It is his life’s
work, so much so that he was regarded as a pariah in his church and
this causes him anguish and grief. Alternative health, as Ed puts it, is
still associated with dark and satanic forces by some members of his
own church, despite its roots in many evangelical congregations. Ed
believes strongly in voluntarism and self-help, departing from the
welfare state liberalism that was part of his working-class roots. Many
of his positions on social and cultural issues are conservative with a
dollop of libertarianism. For example, he personally opposes abortion
but is also against the state prohibiting it. Instead, he believes that a
woman who receives an abortion should be “shunned” by the com-
munity.
How did Art and Ed, coming from such disparate social back-
grounds with distinct biographies and world views, come to forge a
common commitment to alternative health? This is a complex issue that
will be explored throughout the book but for now we can see that it
points to the fact that alternative health slices through traditional
boundaries between the political Right and Left, conservatism and lib-
eralism. These two people also illustrate an unexpected convergence at
another level—the body that provides a source for new orientations
and sensibilities that are still in the process of crystallization.

The Study of Two Health Networks

Art and Ed are activists in two distinct alternative health networks.

While both pursue their health commitments in geographical proximity
to one another, they inhabit distinctly different worlds. Art is likely to
converse with astrologers, goddess worshipers, mystics and channelers,
participants in various men’s movements, ecology activists, and local
radicals engaged in community organizing. Art floats back and forth
comfortably among all of these groups—both cultural experimenters,
political radicals, and the strange and eccentric. His home is a com-
munal gathering point for all these groups. This is not a temporary
episode but the core commitment and identity in Art’s life.
Ed would not be comfortable in these circles. From the point of
view of an observer, his life would be conventional for a working-class
man in a small town. When we talked to Ed at his home, his wife
Sandra was present but said little except to affirm her husband’s many
Schneirov.qxd 4/8/03 3:46 PM Page 5

Introduction 5

opinions and observations. Ed told us about his life as a steelworker,

his traditional views about family, sexuality, religion, and politics. Yet
when the discussion shifted to health Ed sounded a lot like Art. Both
believe that the individual is responsible for his or her health and
should be free to explore modalities, including experimental
approaches, independent of government regulation. Both criticized the
medical establishment for enforcing a regimen that had limited effec-
tiveness against a range of chronic illnesses and that ignored the spir-
itual dimension of health and illness. Both also expressed a
commitment to voluntarism and community rather than government
regulation and bureaucratically administered care. Because of his com-
mitment to alternative health his minister and fellow parishioners ostra-
cized him and criticized his commitments.
It was easy to find out about Art and his HLQ activities for they
published an alternative health directory sold at the local food co-op.
We contacted as many of the practitioners who advertised in this
directory as we could, trying to interview representatives of a range of
alternative health modalities. In many cases were able to interview
some of the clients or “patients” of these practitioners who told us
about the way they cope with illness and their experiences with con-
ventional doctors and in alternative health. Eventually we were invited
to attend meetings of Wellness 2000, and special events sponsored by
HLQ. Our contacts with many in this community provided us with the
opportunity to invite some of them to a number of focus groups where
we discussed a range of issues.
At the same time, we heard through word of mouth about a group
concerned with alternative cancer treatments that met in a town north
of Pittsburgh. We started to attend their monthly meetings and through
this we introduced ourselves to Ed and other regular participants.
Through these contacts we learned about a closely related group, the
Natural Living Group (NLG). This group sponsors lectures, which
emphasize nutrition and sustainable agriculture as well as alternative
medicine, and has been meeting regularly since 1958. The NLG origi-
nally functioned as an organic food cooperative providing members
with fresh organic fruits and vegetables. It no longer operates as a food
co-op and instead sponsors weekly lectures on alternative nutrition and
health care and sponsors a yearly food festival. Today meetings consist
of between eighty and one hundred people, most of them elderly (in
contrast to meetings in the 1960s and 1970s that attracted a range of
ages). Speakers at the monthly meetings give talks about “The Fats in
Our Lives: Then and Now,” “Hypoglycemia, Diabetes and Emotional
Schneirov.qxd 4/8/03 3:46 PM Page 6

6 Introduction

Disorders,” “Pollution Most Likely Culprit for Latest List of Ills,” “Dealing
With Candidiasis and Allergies,” among many other topics. The speakers
are typically advocates of nutritional approaches for maintaining health
or for addressing particular health problems. The NLG was part of the
Health Foods Movement, which emerged in the 1930s as an alternative
approach to the discoveries of nutritional science. In the view of the
NLG, food has been “devitalized” or depleted of its minerals and
essential nutrients by modern agricultural planting practices and by the
application of chemicals—fertilizers, pesticides, and preservatives. The
leaders of both the CFC and NLG know one another well and go to
each other’s meetings but are far less likely to shop at the Pittsburgh co-
op or interact with HLQ members. It was more difficult for us to get to
know members of these groups, but we did attend the monthly
meetings, interview the leadership of both the CFC and NLG and
administer a survey at one well-attended CFC meeting.
From our contacts with both groups we learned about a national
organization, the National Health Federation (NHF), that functions both
as an interest group, a source for information and health referrals, and
a sponsor of conferences and health fairs that provide a forum for
practitioners, patients, and activists. We attended a number of regional
health fairs, conventions, and meetings sponsored by the NHF and
talked to the president of the local chapter. At the first conference we
attended, there was much discussion about the head of the federation,
Dr. Jonathan Wright, and his harassment by the Federal Food and Drug
Administration (FDA). His clinic was raided, files were taken, and his
practice was closed down for several months. Discussions around this
incident led to the venting of considerable anger at the government
and fear about the future of alternative health. Concerns were also
expressed about government attempts to regulate vitamins in a fashion
analogous to the way prescription drugs are regulated.
A local television station features guests from the Christian alter-
native health community and emphasizes the compatibility of
Christianity and alternative health. Maureen Solomon is a popular and
frequent guest who also has a regular show where she offers health
advice and interviews alternative health practitioners. Solomon is a
nationally known figure whose books are widely distributed in health
food stores along with her health products. A chiropractor, Martin
Gallagher, along with his wife, also has a show, which parallels the
form and content of Solomon’s show. There is also a radio station that
regularly broadcasts a number of programs on alternative health and is
loosely associated with some of the founders of the CFC.
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op.23, m Antonin Dvo¥dk, revision: Frantidek Barto’ & Jan HanuS.
Prague. Miniature score. (Kapesni partitury, €.126) NM: critical ed. ©
Stdtni Nakl. Krdsné Literatury, Hudby & Uméni, N.P.; 19Dec58; EFO-
65427. KLEINE BAROCK-MUSIK; ftir Klavier und Orchester, m Fried
Walter. Ausg. flr zwei Klaviere. Berlin. Score. © Ahn & Simrock;
30Nov58; EFO-62667. CURRENT REGISTRATIONS EINE KLEINE CHA
CHA CHA. English w & m Joe Darion & Lou Singer. © Helena Music
Corp. & Sequence Music, Inc.; 6Mar59; EU565690. DAS KLEINE
DORF IM GRUNEN TAL; Walzer, Text: Hans Werner und Peter
Christian, pseud. of Johann Michel, Musik: Gerhard Altstedt, pseud.-
of Otto Kollmann, Klav. Bearb.: Joe Burgner. (In Soeben erschienen.
Frankfurt/Main. XIII/58, p.14-15) © Melodie der Welt, J. Michel KG.;
28Nov58; EFO-65525. KLEINE LILI. SEE HELLO, MY LIEBCHEN. DER
KLEINE MANN AUS PANAMA; Calypso, Text: Kurt Feltz, Musik: Heinz
Gietz. K6ln, © Edition Rialto Hans Gerig KGs 17Nov58; EFO-63614,
KLEINE NACHTMUSIK, SEE ALLEGRO AND ROMANZE, MENUETTO
AND RONDO. KLEINE RUMANISCHE VOLKSTANZSUITE. Little suite
of Roumanian folk dances, piano solo, m Sabin V. Dragoi. Hamburg
& London. (EliteEdition, 3053) © N. Simrock; 5Nov58; EFO-63148.
KLEINE SCHWARZE PASSION. Little Negro Passion. Nach geistlichen
Negerliedern fiir gemischten Chor a cappella, m Ernst Koster. Partitur.
Mainz. Score. (Edition Schott, 4858) © B. Schott's Séhne; 20Nov58;
EFO-62718. KLEINE SERENADE; ftir Violine (auch chorisch) und
Klavier (Cembalo), m Fritz Goller. K6ln. Score. (Neue Reihe, Blatter
fur Spielmusik, 23) © Musikverlag Hans Gerig; 16Dec58; EFO-
63112. KLEINE STUCKE. SEE VIER KLEINE STUCKE, KLEINE SUITE;
fiir Blechblaser (3 Trompeten, 2 Posaunen) oder andere Instrumente
ad lib., m Eberhard Werdin. Mainz. Score & parts. (Der Blaserkreis.
Reihe C: Originalmusik fiir Blaser, Nr.6) © B. Schott's Sdhne;
15Dec58; EFO-64346, KLEINE SUITE; flr Blockfldten und Stabspiele,
m Gerhart Schdfer. Partitur. Kdln. Score. (Neue Reithe, Werke ftir
Jugend, Schule und Haus) © Musikverlag Hans Gerig; 31Dec58;
EFO-65053. KLEINE SUITE; ftir Streicher, einige Blaser und
Schlagwerk, m Stephan Cosacchi. K6ln. Score. (Neue Reihe, Werke
ftir Jugend, Schule und Haus) © Musikverlag Hans Gerig; 210ct58;
EFO-63589. KLEINE SUITE; ftir Streichorchester und Blaser, ad lib.,
m Werner Fussan, 1958. Partitur. Wiesbaden. Score. (Collegium
musicae novae, 38. Breitkopf & Hartels Partitur-Bibliothek, Nr.3841)
© Breitkopf & Hartel; 13Apr59; EFO-65250. KLEINE SUITE I; flr
Klavier, m Josef Friedrich Doppelbauer. Wien. © Ludwig Doblinger
(Bernhard Herzmansky) K.G.; 15Dec58; EFO-64154. KLEINE SUITE
FUR KINDERORCHESTER; 2 Sopranfloten, Violine I, Violine II
(Altfléte), Cello ad 1ib., Glockenspiel, Triangel und Klavier, m Willy
Schneider. Wilhelmshaven, Ger. Score & parts. © Otto Heinrich
Noetzel; 16Feb59; EFO-65478. 277 KLEINER BIMBO: Die Geschichte
vom kleinen Esel, Medium-Fox und Lied, Text und Musik: Georg
Betz, Germany. (With Komm nach Hawaii) © Musik-Edition
Europaton Peter Schaeffers; 143an59; EFO-63164, KLEINER MANN
WAS NUN? Medium-Bounce, Text: Erich Schultz, Musik: Otto
Fréhlich. Ausg. fur Gesang und Klavier, (In Schlager-Briefkasten.
Berlin. Nr.7, p.6-7) © Edition Musik-Post; 4Dec58; EFO-63035.
KLEINER WALZER FUR RUTH; Musik: Robbey, pseud. of Robert
Beyer, Arrangement: Helmut Ritter. Orchester. K6ln. Piano-conductor
score, violin-conductor score & parts. (Das Unterhaltungs-Konzert,
27) © Edition Melodia Hans Gerig; 100ct58; EFO-63610. KLEINES
KINDELEIN. SEE TO US A LITTLE CHILD IS BORN, KLEINES
MOSAIK. Twenty fingers, Klavier zu vier Hunden, m Lutz Harteck,.
Zlirich. © Edition Eulenburg GMBH; 3Jan57; EF24569. KLIMPER-
BALLADE; Musik: Gerhard Jussenhoven. Klavier-Akkordeon Ausg.
Kéln. © Edition Capella Hans Gerig KG.; 18Mar59; EFO-65045, KLIP-
KLIP, KLAP-KLAP; slow-fox z repertuaru Marii Koterbskiej, muzyka:
Adam Markiewicz, siowa: Andrzej Tylcezynski. Poland. (Blekitna
seria, 5) © Polskie Wydawn. Muzyczne; 220ct58; EFO-63654. KLIPP
UND KLAR; Polka, Musik: Ferry Muhr, Akkordeon-Bearbeitung:
Ludwig Kletsch. Berlin. (Metropol Accordeon-Ausgabe ) © Edition
Metropol (M. Czichon); 1Sep58; EFO-62410. KLIPSY; fokstrot,
muzyka: Hanna Skalska, sxowa: Kazimierz Szemioth. Poland.
(Brekitna seria, 15) © Polskie Wydawn. Muzyezne; 24Dec58; EFO-
66065. KLIPSY; fokstrot, sowa K. Szemioth, muz. H. Skalska, instr. A.
Pradella. Poland. Piano-conductor score, violin- or accordion-
conductor score & parts. (Biblioteka orkiestr tanecznych, Nr 107)
(With Hallo, hallo, hallo, hallo) © Polskie Wydawn. Muzyezne;
30Dec58; EFO-66089. KNEE DEEP IN HEAVEN; w & m Mildred L.
Raiborn, arr. Charles Wilson. © Mildred L. Raiborn; 3Feb59;
EU560767. KNEEL DOWN, AGRA, BESIDE ME; w &m Queeny Gilson.
© Queeny Gilson; 19Mar59; EU567863. KNEEL TO HIM, BEND TO
HIM; w & m Bill Anson, Frank LaVere & Al Jason, © Loop Music Pub.
Co.; 30Mar59; EU569400. THE KNEELING CAMEL; w Anna Temple,
m John Olvera. © John Olvera; 29Jun59; EU583099. DIE KNEIPE AM
MOOR; m & w Klaus Prigge. (In Knurrhahn. Hamburg. p.104-105) €
Musikverlag Hans Sikorski; 17Apr52; EF24642,
KNETSEKOLSEMARIEE; tekst: Herman van Harmelen, pseud. of Elias
Asser, muziek: Harry de Groot (Hendrik Jacobus de Groot), bew.:
Wim de Reght, pseud. of Johannes Portengen. (In Successen van
Les Editions Internationales Basart N.V. Amsterdam. bd. no.12) ©
Editions Internationales Basart N.V.; 9Dec58; EFO-63454.
 278 KNIGHT IN SHINING ARMOR. SEE BAKER'S INSTANT,
NO.1: KNIGHT IN SHINING ARMOR. THE KNIGHT-ROCKER; m John
Brubaker & Lloyd A. Painter. © Lloyd Allen Painter & John Brubaker;
6Mar59; EU565726. THE KNIGHTS; m Aniello Voccia. © Aniello
Vocecia; 20May59; EU577707. KNIGHTSBRIDGE MARCH. SEE
FREEDOM MARCH. KNOBEL-RUMBA; Musik: H. C. Alden, pseud. of
Theo Knobel. Berlin. (Melodische Rhythmen) © Tauentzien
Musikverlag; 1Dec58; EFO-65081. KNOCK AGAIN, TRUE LOVE; w &
m Wayne Walker. © Cedarwood Pub. Co., Inc.; 7May59; EU577743.
KNOCK AND HE WILL ANSWER; w Jane D. Wiley, m Sheldon N.
Kowadlo. © Jane Dale Wiley & Sheldon N. Kowadlo; 14Apr59;
EU571981. KNOCK KNOCK; w & m Carol Fran & J. West, ©
Excellorec Music Co.; 15Apr59; EU572306. KNOCK, KNOCK, KNOCK;
w & m John G. Impagliazzo. © John G. ImpagliazZo; 25Mar59;
EU568809. KNOCK, KNOCK, LOVE; w & m Robert Sanders, arr. Don
Hosek (Donald Hosek) © Robert A. Sanders; 4May59; EU574886.
KNOCK ME A LITTLE SUGAR, BABE; w & m Billy Winslow, © Billy
Winslow; 20Jan59; EU558842. KNOCK OFF THE ROCK; w & m Jack
Spinosa. © Jack Spinosa; 2Jan59; EU556252. KNOCKIN' THE BLUES;
w & m Donald King. © Donald King; 4May59; EU574922.
KNOCKING; w Katherine Boston, m Larry Allen. © Katherine Boston;
16Jan59; EU558182. KNOLD OG TOT; musik: Edvard Brink, arr.:
Arvid Olsson. Denmark. Piano-conductor score & parts. (WH Piccolo,
supp1.594) (With Salzburger-polka © Wilhelm Hansen; 24Jan59 (in
notice: 1958); EFO-63479 KNOTT'S BERRY FARM BOYSENBERRY
JUICE TV JINGLE NO.1; w & m Les Weinrott. © Arthur Meyerhoff
Associates, Inc. & California Frozen Juice Co.; 16Jun59; EU581199.
KNOW MY JESUS; w & arr. Else Wold Enstad, m & arr. Howard
Kvamme. © Howard Kvamme & Else Wold Enstad; 26Mar59;
EU568957. KNOW THE REAL JOY OF GOOD LIVING. SEE THE JOY
OF LIVING. KNOWHOW; w Herb Hendler, m Barclay Allen. © Valley
Entertainment Enterprises, Inc.; 9Mar59; EU565924. KNOWING; w &
m David H. Conway. © David H. Conway; 23Jun59; EU582364.
KNOWING; w & m William A. Hales. © William Alfred Hales; 3Mar59;
EU565166. KNOWING RIGHT FROM WRONG; w Norman Anthis, m
Donald J. Carter. © Donald J. Carter & Norman P. Anthis; l4Apr59;
EU571837. KNOXVILLE GIRL; with w, m arr. Charlie Louvin & Ira
Louvin. ©cé«tl Publishers, Inc.; 19Jan59; BU558545.
KNUCKLEHEAD; w & m Joyce Sanderson, © Joyce Sanderson;
15Jun59; EU580967. MUSIC KNURRHAHN. SEE HEIN KUMM KITTEL
MI. HEUT' GEHT ES AN BORD. ICK BUNN EEN SEEMANN. DIE
KNEIPE AM MOOR. DAS LEED VON GROG. MIEN SCHEUNE BLAUE
SEE. ST. LIEDERLICH. SUDSEELIED. UND DENN SEGELT WIE SO
LANGSAM RUND KAP HORN. KNUSPERHAUSCHEN; Charaxtersttick
von Max Husi, ftir Diaton. u. Chrom, Handharm.,. Solo-, u.
Begleitstimme, Basel, Switzerland, M. Husi Musikverlag. © Max Husi;
12Jan59; EFO-62696. KO KASAMT LI YAKIRATI. You have charmed
me, English waltz, m Pinhassi Ariel. Tel Aviv, Israel Publishers
Agency. Score. (IPA manuscript series, no.188) © Edition Gil-Ron;
150ct58; EFO-63520. LES KOALAS; paroles de Andre Truffert,
musique de Christiane Verger. Paris, Editions R. Breton. © France
Music Co.; 23Dec58; EF24549. KOHLERBUBENBALL; Zusatzstimme
1. u. 2. in B zur Piano/Gesang-Ausg., Text und Musik: Erich Storz
und Karl Golowsky, arr. Charles Nowa. Osterode Harz), Ger. Part.
(Mini-Vox-Serie, 1. Edition Storz, 1001 B) [Without the words] (With
Es zogen auf sonnigen Wegen & Du schéne Zeit) NM: arr. ©
Marianne Storz Musikverlag (in notice: Musikverlag Storz KG.);
10ct58; EFO-63669. KOHLERBUBENBALL; Zusatzstimme l. u. 2. in
Estzur Plano/Gesang-Ausg., Text und Musik: Erich Storz und Karl
Golowsky, arr. Charles Nowa. Osterode Harz), Ger. Part. (Mini-Vox-
Serie, 1. Edition Storz, 1001 Es) [Without the words] (With Es zogen
auf sonnigen Wegen & Du schdéne Zeit) NM: arr. © Marianne Storz
Musikverlag (in notice: Musikverlag Storz KG.); 10ct58; EFO-63670.
DER KONIG VON WIEN; Wiener Valsette, a.d. Musical Ein Wiener
aus Amerika, Worte: Peter Wehle u. Rolf Olsen, pseud. of Rudolf
Knoblich, Musik: Peter Wehle. (In Ein Wiener aus Amerika. Wien.
p.5-7) © Weltmusik; 12Dec58; EFO-65111. KONNYU KI§ ELOADAST
DARAB. SEE HUSZONNEGY KONNYU KIS ELOADASI DARAB. KOHALA
MARCH; m Bob Carter. © Brightwater Music Corp.; 30Apr59;
EU575188. KOKO HEAD; m & arr. Milt Raskin (Milton Raskin) © Palm
Springs Music Co.; 23Mar59; EU569288. KOKOWA JIGOKUDA. This is
a living hell! Japanese w Hideo Nakajima, English w Frances Roots
Hadden, m Paul Kang. © Moral Re-Armament, Ine.; 31Dec58;
EU556906. KOLEM DOKOLA; foxtrot, m Ladislav Bezubka, Prague.
Piano-conductor score & parts. (Tane&ni orchestr, 115) (With Kdy%
hraji blues) © Stdtni Nakl. Krdasné Literatury, Hudby & Um&énf,
N.P.; 16Feb59; EFO-65963. KOLOROWE MELODIE; na chor mieszany
1 orkiestre symfoniczng, sZowa ludowe, m & arr, Jan Ekier. Partytura.
Poland. Score. NM: arr. © Polskie Wydawn. Muzyezne; 220ct57;
EF24603. (See also Kolorowe melodie; 5Sep57; EF24602 ) Jan.—
June » KOLOROWE MELODIE; na chdér mieszany i orkiestr@
symfoniczna, sZowa ludowe, m & w Jan Ekier. Partytura. Poland.
Score. © Polskie Wydawn. Muzyczne; 5Sep57; EF24602. (See also
Kolorowe melodie; 220ct57; EF24603) KOZYSANKA; z III aktu op.
Livia Quintilla, sYova: LudomiY German, m Zygmunt Noskowski.
Poland. (Arie z oper polskich, 11) © Polskie Wydawn. Muzyezne;
220ct58; EFO-63650. KOMIK. SEE, SENTIMENTALNE KLAVER. TANEC
NAD PROPASTI. KOMM NACH HAWAII; Hawaiian-Fow [sic], Text und
Musik: Georg Betz. Germany. (With Kleiner Bimbo) © Musik-Edition
Europaton Peter Schaeffers; 14Jan59 (in notice: 1958); EFO-63165.
KOMPOSITION IN 4 TEILEN; op.11, m Hans Ulrich Engelmann.
Partitur. Miniature score. © Ahn & Simrock; 15Jan59; EFO-64357.
KONA; w & m Wayne M. Davison. © Wayne Marshall Davison;
18May59; EU577077. KONA TIDE; m Johnny Spencer, © Post Music,
Inc.; 12Jun59; EU581717. KONCERT FOR TROMBONE OG
ORKESTER; m Launy Grgndahl, 1924. Partitur. Copenhagen. Score.
(3. serie, Nr.124) © Samfundet til Udgivelse af Dansk Musik;
260ct55 (in notice: 1954); EF24490. KONCERT SKRZYPCOWY; m
Zbigniew Turski, 1951. Partytura. Poland. Score. © Polskie Wydawn.
Muzyezne; 220ct58; EFO-63653. KONCERT UCZNIOWSKI G-MOLL;
op.12, nr 3, na skrzypce i fortepian, m Fryderyk Seitz, opracowanie i
wstep metodyczny Emila Gérskiego. Poland. Score & part. © Polskie
Wydawn. Muzyezne; 16Dec58; EF24760. KONCERTNI ETUDA. Studio
concertante, m Frantigek Vrdna. (In Musica Boemica per organo.
Praha. {v.] III, p.65-76) © Std&tnfi Naki. Krdsné Literatury, Hudby &
Uménf, N.P.; 15Dec58; EFO-64065. KONNA SUBARASHI KOTOGA
ARU! Wonderful to be free! Japanese w Hideo Nakajima, English w
Frances Roots Hadden, m Paul Kang. © Moral Re-Armament, Ine.;
31Dec58; EU556905. KONRAD WALLENROD. SEE ARIA HALBANA.
KONTUREN; fiinf Stticke fur Streichorchester, m Robert Schollum,
Op.59b. Partitur. Wiesbaden. Score. (Collegium musicae novae, 39.
Breitkopf & Hirtels PartiturBibliothek, Nr.3844) © Breitkopf & Hirtel;
17Mar59; EFO-65249, KONVALJENS AVSKED; vals, m Otto Lindwall,
arrangemang: Gunnar Lundgren. Orch. Stockholm. Parts. ©
Nordiska Musikftrlaget; 1Dec46; EF24597. KONZERT; ftir Gitarre und
Streichorchester, m John Baston, nach einem Concerto fiir Fléte,
Violine und Generalbass, frei bearb. von Siegfried Behrend. Berlin.
Score & parts. (Guitarre-Bibliothek, Nr.51. Reihe V, Gitarre mit
Orchester) NM: arr. & editing. © Bote & Bock; 30Dec58; EFO-66144.
KONZERT; ftir Klavier und Orchester, Werk 35, m Hermann
Schroeder. Klavierauszug. Kdln. Score. 2 pianos] © Musikverlag Hans
Gerig;. 20Dec58; EFO-65040. [For Berlin. .
 1959 CURRENT REGISTRATIONS 279 : ALBUM 1- SEE
KONZERT; (Violin-Konzert), 1777, ftir KOO-KOO THE KANGAROO; w
& m Les Kangas. KRAUTGARTNER KLAVIRNI Meas Orchester, m
Joseph © Les Kangas Music Pub. Co.; 7May59; pare eee MI
POHADKY. Kraus, Erstveréffentlichung revidiert EP130078. sO aa
GRBRT Se ata und mit Kadenzen versehen von None KOOKIE KLUB.
SEE RENA . Lebermann, Klavierauszug von Ulrich : aks, Haverkampf.
Violine und Klavier. DIGEAY [US MTS LS01OGE2 LSROe V SEDMEM
NEBI« Wiesbaden. Score & part. (Edition KOOKIE, KOOKIE, LEND
ME YOUR COMB; from KRAZY-K; m Bill Doggett. © Bill Breitkopf,
Nr.6287) © Breitkopf & the Warner Bros. TV show 77 Sunset
Doggett; 12Mar59; EU566821. Hartel; 11Dec58; EFO-62748. Strip, w
& m Irving Taylor. © M. ee a a ree we es pe ees: concerto in B flat.
KOOKIE, KOOKIE, LEND ME YOUR COMB; w & Fiore; 12Mar59;
EU566739. r 3 Oboen, 3 Violinen und Basso 2 m Irving Taylor. © M.
Witmark & continuo, m Georg Philipp Telemann, . BR . RUS5710
KRAZY KITTEN; m Charles Wagener pee ce De vO Heanne ToGus
Sone eee Pues © Charles Francis Wagener; 2/Feb59; eher.
Erstverdffentlichung. EU563822. Hamburg. Score & parts. "(Bai tion
KOOKIE'S CAPER; from 77 Sunset Strip, Sikorski, Nr.494) ©
Musikverlag m Howard Jackson. 3 M. Witmark & KREUZ DES
SUDENS; Text: Arno Koch, Hans Sikorski; 5Dec58; EFO-62151. Sons;
2lApr59; EU573801. pseud. of Bully Buhlan, Musik: Heinz ke
Buchholz, pseud. of Werner Miller. KONZERT B-DUR FUR
KLARINETTE; (Klari- KOOL JINGLE; w & m Mary Hatcher (iniecora
serien! genie crams netten-Konzert B-dur), [from] Stoller. © Mary
Hatcher Stoller; tenburg. [no.] 85, p.8-9) © MuKonzerte fur
Klarinette und Or- ts Nay593 BUSTCGAO: sik-Edition Europaton Peter
Schaefchester, m Franz Xaver Pokorny, fers; 10Jul58; EFO-62297.
hrsg. und mit Kadenz versehen von KOOL KAR; w Sue Taylor, w & m
Joyce a i Heinz Becker, Klavierauszug von Fairchild. © Joyce Fairchild
& KRIDLA SNU; slowfox, slova Ivo RoZek, Dietrich Manicke. Ausg. flr
Sue Taylor; 6Feb59; EU561461. hudba Jiff E1iag. In Rytmus a
Klarinette und Klavier. Wiesbaden. melodie. Prague. v.] 12, p.12-13)
Score & part. (Edition Breitkopf, KOOL KOOL KAT, w, m & arr. H.
Madigan. © Statni Nakl. Krdsné Literatury, Nr.6308) © Breitkopf &
Hirtel; Appl. states prev. reg. as Kool Hudby & Uménf, N.P.;
15Dec58; 4Nov58; EFO-62057. kool kitty. NM: cheeer & ws EFO-
65796. © Hylda Naomi Madigan; Jan59; A KONZERT DER BREMER
STADMUSTKANTEN; EUSSBEHS. RT BES, Gace ee oly w Lucie
Gassinger, m Hans Coenen. D Pepercia: KSI. "Score. (Neue KOOL
KOOL KITTY. SEE Pee prombetva maa seeeeReihe, Werke fiir
Jugend, Schule und KOOL KOOL KAT. issimo S.AR.L.; 1May59; EFO-
65597. He ona oa ese ems KOPF HOCH, HENRY; Foxtrot-Intermezzo,
KRIS KRINGLE RIDES AGAIN; a merry Z x : Gietz. Klavier-Akkor-
Christmas in 2 acts & 12 songs, m KONZERT E-MOLL FUR FLOTE,
STREICH- HeoH Abaca ne: Kéln. © Edition Daniel Jason, pseud. of
Jay Gorney, ORCHESTER UND BASSO CONTINUO; m Rialto Hans
Gerig K.G.; 17Apr59; libretto by James Austen, pseud. of Franz
Xaver Richter, ftir Flote und EFO-65211. Bene Gee = Agta ya 5 SU
59; Klavier, eingerichtet und mit Ka- KORNMOD; w Jeppe Aakjaer, m
& arr. marie usic Co., Inc.; yoo; denzen versehen von Ingo
Gronefeld. Marius Thor, © Marius Thor; : WIRECROR. Seone ©
weston | (URNS: 28Jan59; EU559819. KRISS KRINGLE IS SAINT
NICK AND SANTAMusik ftir verschiedene Instrumente. CLAUS; w &
mR. Lee, pseud, of RodLeuckartiana, Nr .20) OF. E. C.
KORYCANSKA; polka, m Karel Vacek. ney Lee Pickett. © Rodney Lee
Leuckart; 1Nov58; EFO-62500. Praha. Piano-conductor score &
Pickett; 20Mar59; EBU568068. KONZERT F-DUR; flr Klavier oder
parts. (Zdbavnf orchestr, 54) Cembalo und Streicher, 2 HSrner ad
(With Tichou dédinou) © Stétni Bn ONCS anen Pe ne Herr ls ager
bul le AG ha soko 3 Nakl. Krdsné literatury, Hudby & eye Music Inc.;
14Apr59; EU571938. 9 ph Haydn, Hoboken Umén’, N.P.:; 10N 58;
EFO-63804 XVIII: 3, hrsg. von Ewald Lassen, » N.P.5 ov55; -03094.
KU KU BA, English w& mE, S, Burregen eu dis tnz Bee TG en KOTA
MARCH; m Henry Coffey, Bob Harvey, roughs. © Asset Music Corp.;
Sete HZisth PSOTE). one Crs pseud. of Eddie Ballantine, & Ber-
30Apr59; EU575268. tino, Werke fiir Schul- und Laien- ad yure ©
Carl Klein & Lillian orchester, Edition Schott, 4958) dads aaerte ;
KUEN z Ringquist, d.b.a. Will Rossiter; NEI; (Kunei), m Bob Carter.
Pane ae ee a® ‘Sohnes, Dees; 127un59; BU580845 © Brightwater
Music Corp.; 30Apr59; EFO-64666. ee) : EUS79779. KONZERT FUR
TROMPETE UND KAMMERORCHES- KOTCHA VOLLI DONNI; English
w & m TER; (Konzert G-Dur; Trompetenkon- George Weiss & Aaron
Schroeder. KUBLA KHAN; poem by S. T. popraaee? zert. Concerto in
G major) Musik: © Korwin Music, Inc.; 24Apr59; m John Veale. For
baritone solo, Dieter Schénbach, nach Domenico EU573700. chorus
& orchestra. Vocal Bae Scarlatti. Klavierauszug. Heidel- E London.
Piano-vocal EO ri berg. Score. © Willy Miller, KOU KINO MAMBO; w
& mS. Kaapuni. fred Lengnick & Co., Ltd.; 23Jan59; Siiddeutscher
Musikverlag; 21Jan59; © Sam Kaapuni; 23Mar59; EU568370. EFO-
63039. OTE KOUKOL V OBIL1; pochodovd pise%, hudba KUBLA
KHAN; w Joe Blake, pseud. of KONZERT FUR VIOLONCELLO UND
ORCHESTER, Karel Valdauf, slova Ladislav Jacura. Joe Block, & Vic
Keiser, m Sil Concerto for violoncello and orches- Prague, Piano-
conductor score & Sedores, pseud. of Sylvia White tra. Op.29, m
Giselher Klebe. parts. (Zdbavni orchestr, 73) (With Eisenberg. ©
Sylvia White EisenKlavierauszug. Berlin. Score & Veterni zpovéd) ©
Stdatni Nakl. berg, Joe Block & Vic Keiser; part. © Bote & Bock;
6Nov58; Krdsné Literatury, Hudby & Uménf, 25Mar59; EU568843.
EFO-63622. N.P.; 18Apr59; EFO-65959. MIRED NEG ONTO, GER
KONZERT G-DUR. SEE TICKLE ME. KONZERT FUR TROMPETE UND
KAMMERORCHES- KOWLOON TO LONDON EXPRESS; m Warren =
ae TER. Barker. © M. Witmark & Sons; KUSSE, DIE TOTEN. SEE 5
18Jun59; EU581698. TAKE IT EASY, CHER AMI} KONZERT G-DUR
FUR SOLO-MANDOLINE; 2 i Violinen und Generalbass, m Johann
KRAFT FAND ZU FORM; w Josef Weinheber, fesroiiaeies
EeAavonehestee Soe Adolf Hasse, bearb. von Konrad Wé1ki. m Paul
Hindemith, 1958. Nr.11 [from] Straus, m & arr. Erwin strates Partitur.
K&ln. Score. (Neue ZwOlf Madrigale. Germany. Score. Wien, Piano-
conductor score & parts Reihe, Werke ftir Jugend, Schule und
(Schott's Chorblatter, 351) © Ludwig Doblinger (Bernhard HerzHaus)
© Musikverlag Hans Gerig; © B. Schott's S8hne; 18Dec58; mansky)
K.G.; 170ct58; EP127387 30Dec58; EFO-65042. EP129011. st wre : :
KOMENONTE SEK UM BRASH wD, FRMROKART; n resian ay, totana,
ESE TER AGEN Rosen, STREICHORCHESTER. Music for viola Piano-
conductor score & parts. DiSUNAGhteene Hee pace eae Hone and
string-orchestra, m Helmut (P.W.P, manuscript series, nr.98) H Aer
TAC Westermann, Op.34. Viola & piano. © Przedstawicielstwo
Wydawnictw (In Di ae Be ses ae eo eae : Hamburg & London. Score
& part. Polskich; 220ct58; EFO-63652. Neanpeche ce ae pe4-5) : ee
atone at Cy asa mmocke: KRASNY UTOtNIK; piseM a foxtrot, ©
Melodie der Welt, J. Michel K.G@.; C583 -65416. hudba: Eduard
Parma, slova: Jaromir 15Apr59; EFO-64744, KONZERTE FCR
KLARINETTE UND ORCHESTER. Ho¥ec. (In Smich v podndéjmu.
KUJAWIAK; m Kazimierz Zada, opracowat SEE a Eeabar/ | belog! 3)
ayo) Banton; J. Dastych. Poland. (Estrada KONZERT B-DUR FUR
KLARINETTE. 22Nov58; EFO-62999, akordeonisty) © Polskie
WyceHn. Muzyezne; 24Dec58; EFO-66064.
 280 KUKAVE MAMBO; trumpetovaé seren&da z filmu Paté
kolo u vozu, hudba: Julius Kala3, slova: B. Bobek, klavfrnf Gprava: L.
Korba¥. Praha. (Hudba pro dva) © Panton; 200ct58; EFO-62957.
KUKIE; m Milton DeLugg, George Brackman & Dick Hyman. ©
Rosemeadow Pub. Corp.; 15Apr59; EU573094. KULTURAMT DER
STADT LINZ. SEE SONATE. KUMBAYA; w & arr. m Lee Hays, Fred
Hellerman, Erik Darling & Ronnie Gilbert. © Sanga Music Inc.;
28Apr59; EU573720. KUNEI. SEE KU NEI. DIE KUNST DES
BLOCKFLOTENSPIELS; eine Anleitung zum Erlernen der
Soloblockfldte f', m Hans-Martin Linde. Mainz. (Edition Schott, 4677)
© B. Schott's S8hne; 220ct58; EFO-62207. KUNSTLAUFER-WALZER;
Musik: Franz Funk, Akk.-Bearbeitung: Gerhard Gerlach. Berlin.
(Metropol Accordeon-Ausgabe ) © Edition Metropol (M. Czichon);
1Sep58; EFO-62411. KURZ BELICHTET; Musik: Edmund Kotscher,
Arr.: Richard Etlinger. Ausg. ftir Klavier und Akkordeon. Berlin. ©
Risi-Ton-Verlag; 9Mar59; EFO-65311. KURZ BERICHTET; Musik:
Edmund Kotscher, Arr.: Richard Etlinger. Ausg. ftir Klavier und
Akkordeon. Berlin. © Risi-Ton-Verlag; 9Mar59; EFO-65312 KUU
NANI. SEE E KUU NANI. v KVETY JARA; valtfk, m Rudolf Urbanec.
Prague. Piano-conductor score & parts. (ZAbavnf orchestr, 70) ©
Statni’ Nakl. KrAsn@ Literatury, Hudby & Umén¥, N.P.; 31Mar59;
EFO-65707. KWARTET SMYCZKOWY. SEE DRUGI KWARTET
SMYCZKOWY. PIATY KWARTET SMYCZKOWY. KWELA KONG; m Todd
T. Matshikiza. © Gallo (Africa) Ltd.; 11Feb59; EU562560. KYRA,
FROM VENUS; w & m L. Boren. © Lawrence Milton Boren; 8Jun59;
EU580166. KYRIE. With w, m John Stark Evans. © Merle Evans;
27Feb59; EU564023. KYRIE ELEISON. Lord, our God, have mercy,
English text adapted by W. E. B., m Albert Kranz, edited by Walter E,
Buszin. Score. (Concordia choral series, 98-1457) © Concordia Pub.
House; 22Dec58; EP126135. ETH Ov REEER TOME SEE NECEKEJ,
NECEKEJ« KYTICE HYACINT. The hyacinth waltz, m Emil Stole. (In
Populdrnf valé{ky. Prague. [v.] 1, p.7-1l. (Harmonikovy repertoir,
shy) © St4tni Nakl. Kr4sné Literatury, Hudby & Uménf, N.P.; 2Apr59;
EFO-65793. KYTICE ROZI; waltz, slova Miroslav Zik&n, hudba
Leopold Korba®. (In Rytmus a melodie. Praha. [v.] 10, p.18-19) ©
St&tni Nakl, Krasné Literatury, Hudby & Uméni, N.P.3 10Nov58; EFO-
63911. MUSIC L L. B. BLUES; m Adolph Doug Cook. © nee ape
Doug Cook; 19Mar59; EU567843. LA DA DE DE DA; w & m Gene
Timmons. © Gene Quinton Timmons; 31Dec58; EU556393. LA-LA
CHA CHA; m D. L. Miller. © P.M.R. Music Co.; 25May59; EU578394.
LA LA LA; m Carl Severinsen & Carmen Mastren. © Welzheim Music
Pub. Corp.; 28May59; EU578890. DIE LAATSTE ROOS; tekst en
muziek: Bobbejaan Schoepen, arrgt: Glen Powell. Brussels. © World
Music Co.; 15Feb59; EFO-63243. LABORAVI IN GEMITU MEO.
S.S.A.A.T.B., unacc., w: Psalm 6, v6, m Thomas Morley, transcribed &
edited by David Brown. London. Score. [Latin & English words] NM:
transcription & editing. © Oxford University Press; 15Jan59; EFO-
64845, LABRADOR; w & m Arthur William Little. Nordyke. © Arthur
William Little; 27Jan59; EP127478. LE LAC DE COME; 6. nocturne,
op.24, m Galos, nouvelle ed. revue par A. Gregh. Paris. NM: revision.
© Alphonse Leduc & Cie; 5Dec58; EFO-63281. LACKADAISICAL ME;
w & m Al Jeane Beach. © Al Jeane Beach; 7May59; EU5757T+.
LADDER OF LOVE; w & m Chuck De Canto. © Chuck De Canto;
29Apr59; EU574496. LADDIE-0; w Bill Olofson, m Mark. McIntyre. ©
Lansdowne Music Publishers; 26May59; EU578418. LADIES'
CHOICE; w & m Betty Daret & Patty Saturday. © Kincord Music
Corp.; 24Dec58; EP127073. LADIES* CHOICE; w & m Malcolm E.
Oliver, Jr. © Malcolm E. Oliver, Jr.3 6May59; EU575663. LADIES,
FAREWELL; a part song for tenor solo & male voices, unacc., w
James Howard, from The English Monsieur, m Adrian Cruft. Op.17,
no.12,. London. Score. (Sing for pleasure series. Williams edition. St.
Cecilia series 28, no.12) © Joseph Williams Léd.; 3Jun59; EFO-
65586. LADY, BE TRUE; w & m Esther Miller (Esther Miller Freeman)
© Esther Freeman; 22May59; EU577936. LADY BEWARE; w Norma
Bielow, pseud. of Norma Bielowicz, m Trudy Knysz, pseud. of
Gertrude P. Halanski. © Trudy Knysz & Norma Bielow; 19Mar59;
EU567944, A LADY BY THE NAME OF LOUISE; w & m C. Everett
Smith. © Clyde Everett Smith; 20Mar59; EU568052. THE LADY DIGS
JAZZ; w Jack Wilson (Jacques B. Wilson), m Fred Katz. © Fred Katz
& Jack Wilson; 24Apr59; EU574773. THE LADY DRESSED IN
STARLIGHT; w, m & arr. Sara Frances Hughes. © Sara Frances
Hughes; 19Jan59; EU558561. LADY DUNCAN; w George Shimick, m
Jan Qa. Storn. © Jan G@. Storm & George Shimick; 26Mar59;
EU569041. LADY DYNAMITE; w & m Elsie M. Miller. © Elsie M.
Miller; 22May59; EU577962. Jan.—June LADY E; m & arr. Eric
Dolphy. © Eric Dolphy; 25May59; EU578217. THE LADY FROM
HAITL, m Eddie White & Mack Wolfson. Appl, author: Famous Music
Corp., employer for hire. © Famous Music Corp.; 5May59;
EU575206. THE LADY FROM NEW ORLEANS; w & m Leo H. Swart.
© Leo H. Swart; 12Jan59; EU557431. LADY IN BLUE; w & m Joseph
Little. © Joseph Little; l0Apr59; EP129052. LADY IN DISGUISE; w &
m Donna Gibbs, m Terry Gibbs. © Gibbs Music, Inc.; 2Mar59;
EU564859. LADY IN THE MOON; w R. C. Harrison, m Gladys
Cottoms. © Gladys Cottoms; 8Jan59; EU557052. LADY IN WAITING;
from the musical production Goldilocks, w Walter & Jean Kerr & Joan
Ford, m Leroy Anderson. Ankerford Music Corp. © Leroy Anderson,
Walter Kerr, Jean Kerr & Joan Ford; 19Dec58; EP126572. THE LADY
IS A SQUARE; from the WilcoxNeagle production The lady is a
square, w & m Raymond Dutch & Johnny Franz. London. © Robbins
Music Corp., Ltd.; 27Jan59; EFO-64469. THE LADY IS LATE; w Roy
Cohen, m Tommy Moers (Thomas S. Moers) © Thomas S. Moers &
Roy Cohen; 3Feb59; EU560780. THE LADY KILLER; w & m Sid
Tepper & Roy C. Bennett. © Leeds Music Corp.; 8Jun59; EU582425.
LADY LIBERTY; w & m Ruth L. Thompson. © Ruth L. Thompson;
7Jan59; EU556978. LADY OF SPAIN; w Erell Reaves, m Tolchard
Evans, arr. for accordion by the Oahu staff, Betty B. Glynn, contains
these arrangements: modified accordion solo, modified accordion
duet, advanced accordion solo. Appl. author: Sam Fox Pub. Co., Inc.,
employer for hire of Betty B. Glynn. NM: arr. © Sam Fox Pub. Co.,
Inc.; 29Dec58; EP127584. LADY OF THE AIRWAYS; w & m Mary
Downey. Appl. states prev. reg. as Bye baby, bye. NM: new w. ©
Mary F. Downey; 18Mar59; EU567706. LADY OF THE BORDER; w &
m Clarke Morgan. © Grover Clarke Morgan; 29Apr59; EU574488.
LADY OF THE SEA; w & m Clyde A. Wallace, © The Moods;
19May59; EU578626. THE LADY OR THE TIGER; w Rhoda Roberts,
m Kenny Jacobson. © Planetary Music Pub. Corp.; 6Apr59;
EU571094. LADY THAT I LOVE; w & m Morton Ginsberg: © Morton
Ginsberg; 30Mar59; EU569491. LADY WAS A BLACKSMITH. SEE THE
BLACKSMIVH WAS a LADY. THE LADY WHO WALKS ALONE; w Jack
Lawrence, m Johnny Green. © Whale Music Corp.; 30Mar59;
EU569624. LADY WITH DOG. SEE DAME MIT HUND,. LAECHELN
SCHOENER FRAU'Ne SEE 'a RESATELLA. LAEREBOG I
MELODILAESNING; af Igrgen Jersild. [Vol.] 1. Kgbenhavn. (Wilhelm
Hansen edition) © Wilhelm Hansen; 12Mar59; EFO-64651.
 1959 LAETATUS SUM. Concerto a 9, canto, alto, tenore,
basso, 2 violini, 2 clarini e basso pro organo, m Grzegorz Gerwazy
Gorezycki. WedZug rekopisu z 1730 r. przygotowaZ do wydania
Wendelin Swierczek, bas cyfrewany opracowaJ Feliks Raczkowski.
[Editing]: Hieronim Feicht. Poland. Score. (Wydawnictwo dawnej
muzyki polskiej, zesz.37) [Latin words with Polish translation] ©
Polskie Wydawn. Muzyczne; 29Dec58; EFO-66061. LAETENTUR
COELI. For SATB voices & organ, m & arr. Sister M. Gilana, O.S.F.
Score. (McLaughlin & Reilly Co., edition no.2194) Appl. author:
McLaughlin & Reilly Co., employer for hire, Appl. states prev. reg.
26Nov52. NM: arr. © McLaughlin & Reilly Co.; 240ct58; EP128154.
LAFAYETTE; m Jay Miller. © Jat Music Co.; 30Jan59; EU560136.
LAFFING ORGAN; m & arr. Lawrence Stutto. © Lawrence Stutto;
29Apr59; EU574530. LAFITTE; w & m Johnny Green (John W.
Green) Appl. author: Desilu Productions Inc., employer for hire. ©
Desilu Productions Inc.; 29Jun59; EU583089. LAGO AZUL; w & m
Mary Clare Priebe. © Mary C. Priebe; 13May59; EU576607.
LAGONDA; m John Murtagh (John Murtaugh) © Arthur Music Co.;
6Apr59; EU570578. UNA LAGRIMA; w & m Juto Nieves. © Juto
Nieves; 17Feb59; EU563018. LAGRIMAS DEL ALMA; bolero, w&m
Bonny Villasenor, orquestacion de Antonio Nunez M., orquestacion
para cancionera. Mexico. Condensed Score, piano-conductor score &
parts. © Ediciones Compas S.A.; 22Sep58; EFO-62684. LAGUNA; m
Bill Doggett. © Bill Doggett; 15Jan59; EU560305. LAH-DEE-DAH-
DEE; w & m Roy Brown. © Lois Pub. Co.; 19Feb59; EP127672. LAL,
LAI, LAI. SEE LES COEURS SOUS LA PIERRE. EL LAIL; m Ahmad H.
Abdul-Malik. © Ahmad H. Abdul-Malik; 16Apr59; EU572335.
LAISSEZ-MOI REVER! Paroles et musique de Germaine Dugas.
Montreal. © Ed. Archambault, Inc.; 11Dec58; EFO-62414, THE LAKE
GENEVA STORY; w & m Leo Terry. © Leo Terry; 2Feb59; EU560396.
LAKE OF LOVE; w & m Jim, pseud. of James CC, Steadman, &
Marilyn, pseud. of Marilyn S. Lund. © James C. Steadman & Marilyn
S. Lund; 25Jun59; EU582758. A LAKE OF TEARS; w Lorin Jones, m
Gene Brooks. © Lorin Jones; 21Jan59; EU560209. LALO KANG
GUMAGANDA. You are always in my heart, w Diana Moncado, m
Pastor de Jesus. © Diana T. Moncado & Pastor de Jesus; 8Jan59;
EU558309. LAMB OF GOD; cantata for Lent or Holy Week, for
S.,A.T.B. with soprano & baritone solos, the text selected by the
composer, m David H. Williams. Score. © H. W. Gray Co., Inc.;
6Jan59; EP126066, CURRENT REGISTRATIONS LAMB OF GOD.
Domine, non est exaltatum cor meum. Anthem for mixed voices,
optional a cappella, S.A.T.B., Psalm 131, translation by J. Rey m
Heinrich Schuetz from Cantiones sacrae, 1625, arr. & edited by
Johannes Riedel. Score. (Musica divina. Music of Heinrich Schuetz,
no.1402) © on musical arr. & translation of w; Schmitt, Hall &
McCreary Co.; 13Feb59; EP127773. LAMB OF GOD; for four-part
chorus of mixed voices a cappella, [by] Hans Leo Hassler, edited &
arr. by Lloyd Pfautsch. Score. (Lloyd Pfautsch choral series, oct.
no.800) © Lawson-Gould Music Publishers, Inc.; 16Mar59;
EP128572. LAMBDA TAU DELTA HOMAGE TO FOUNDERS; w & m
Dorothy Berryman Boyd. © Dorothy Berryman Boyd; 27Feb59;
EU564553. LAMENT; m Marjory Sterling. © Marjory S. Sterling;
29Jan59; EU560051. LAMENT; w & m Eddie Hawkins (Kanoi © Eddie
Hawkins; 19May59; EU577505. LAMENT FOR ANY GENERATION;
from Monday suite, m Ray Mace (Raymond A. Mace) © Ray Mace;
15Jun59; EU580936. LAMENT FOR LOVE; English w Jimmy Kennedy,
m Ferreira & Antonio. Appl. states prev. version: Lamento. NM:
English w. © Fermata Do Brasil; 10Jun59; EU582424, LAMENT FOR
MEROPE, THE LOST PLEIAD; w W. G. Simms, w, m & arr. Ruth
Sterne Kelly. © Ruth Sterne Kelly; 24Feb59; EU563616. LAMENT OF
A WANDERER; w Donald Elroy Price, m Robert Hill 2d. © Donald
Elroy Price & Robert Hill 2d; 13Feb59; EU562306. LAMENT OF THE
ORACLES; m Fred Katz. © Champion Music Corp.; 6Feb59;
EU561128. THE LAMENTATION AND GLORIA OF DAVID; w&mW.
Francis McBeth. © William Francis McBeth; 12Mar59; EU566705.
LAMENTO; samba, w & m Djalma Ferreira e Luiz Antonio. Sao Paulo.
© Fermata do Brasil; 20Mar59; EFO-65984. LAMENTO, SEE LAMENT
FOR LOVE, LAMENTO D'AMOUR; m Robert Chauvigny. © Music
Maestros Pub.; 7May59; EU576057. LAMENTO MARIMBA; from Latin
American suite, m Jimmy Namaro (James Namaro) © BMI Canada
Ltd.; 24Jun59; EU582607. U LAMENTU CHI TI CERCHA, Paroles de
Bruno Bacara, musique de Roger Lucchesi. France. © Editions Max
Eschig; 30Nov57; EF24628. THE LAMP THAT LIGHTS MY WAY; w, m
& arr, Morris F. Rector. © Morris F. Rector; 22Jun59; EU582112.
LAMPIAO DE GAS; valsa, letra e musica de Zica Bergami (Elisa
Bergami) Sao Paulo. © Irmaos Vitale Industria & Comercio Ltda.;
21Mar58; EF24589, LANA-LANA. Moderato-Fox, Text und Musik:
Kampfert, Lach, pseud. of Bruno Gerlach, & Schuricke. Hamburg.
[German words] (With Chanson d'amour & others) © Aberbach
(Hambur, G.M.B.H.; 15Jan59 (in notice: 1958); EFO-65005. 281
LAND DER BREITEN ACKERERDE, MECKLENBURG, DU
BAUERNLAND. SEE MECKLENBURGER LIED. THE LAND OF
COUNTERPANE; for unison chorus or optional S.A., text by Robert
Louis Stevenson, m Joseph Roff. Score. (The Witmark choral library,
W3570) ©M. Witmark & Sons; 11May59; EP130055. LAND OF
ENCHANTMENT; B flat cornet or trumpet solo with piano acc., m
Clair W. Johnson. Score & part. (Belwin solo series for wind
instruments, Bel. W.I. no.301) © Belwin, Inc.; 16Feb59; EP127613.
LAND OF HEART'S DESIRE; w & m Frances Jones. © Frances Jones;
17Jun59; EU581297. LAND OF I TOLD YOU SO; w Ralph Robert
Wilkins, m Annabelle Wagstaff Stone. © Annabelle Wagstaff Stone &
Ralph Robert Wilkins; 4May59; EU575098. A LAND OF MY OWN; w &
m Joseph H. Hammel, © Joseph H. Hammel; 20Apr59; EU572870.
THE LAND OF THE BROKEN MOON; w Jon Shepodd, m Carmino
Ravosa,. © Carmino Ravosa & Jon Shepodd; 6Apr59; EU570517.
LAND OF THE FREE; w & m Dorothy L. Cusey & Neva Carroll. ©
Dorothy L. Cusey & Neva Carroll; 9Mar59; EU565778. LAND OF THE
LATIN; m, w & arr. David Bennett, S.,A.T.B. & optional rhythm
instruments. Score & part. (E.M.S. vocal series, V-510) ©
Educational Music Service, Ine.; 15Nov58; EP125966. THE LAND OF
THE MIDNIGHT SUN; w, m & arr. E. D. Bruce. © E. D. Bruce;
1Apr59; EU569818. THE LAND OF TRUE LOVE; w & m Emil
Zimmerman. © Emil Zimmerman; 3Mar59; EU565157. LANDSCAPE;
m Ron Goodwin. © Sydney Bron Music Co.; 14May59; EU577608.
LANDSKAB; w J. P. Jacobsen, m & arr, Marius Thor. © Marius Thor;
28Jan59; EU559817. LANDSLIDE; m & arr. Bob Hickey (Robert P.
Hickey) & Bob Harris (Robert C. Harris) © Robert C. Harris & Robert
P. Hickey; 23Mar59; EU568218. LANDSLIDE ON THE MOUNTAIN OF
LOVE; w Florence Malott, m Gene Brooks. © Florence Malott;
1Jun59; EU579269. LANE OF LOVE; w & m Ruth Tone. © Ruth
Turner Tone; 13Feb59; EU562411. LANGUAGE LUBBER; w & m Ruth
M, Pearson, © Ruth Pearson; 10Mar59; EU566123. LANGUAGE OF
BELLS; w Hope Stoddard, pseud. of Hope Elizabeth Johns, m Matt
Mattlin (N. Matthew Mattlin) © N. Matthew Mattlin, d.b.a. Shore
Music Co.; 20Feb59; EP127658. THE LANGUAGE OF FLOWERS; w &
m Ray Nell Raven. Nordyke. © Ray Nell Raven; 23Apr59; EP130071.
THE LANGUAGE OF LOVE; w & m Arthur Low, © Arthur Low;
29Jan59; EU559965. LANIKAI; m & arr, Milt Raskin. © Palm Springs
Music Co.; 21Apr59; EU573819.
 282 LARGA AUSENCIA; bolero. Spanish w & m Puchi
Balseiro, piano arr. Horace Diaz, © Peer International Corp. of
Puerto Rico; 19Dec58; EP126023. LARGHETTO; for clarinet in B flat
& piano, m Franz Danzi, arr. Joan Rimmer. London. Score & part.
NM: arr. © Oxford University Press; 20Nov58; EFO-62742. LARGO,
SEE HANDEL. LARGO AL FACTOTUM. From Barber of Seville, m
Rossini, arr. Carmen Dragon. © Carmen Dragon; 23Jan59;
EU559225. LARIFARI-POLKA; Musik u. Arr.: Rolf Schneebiegl. Parts.
(In So klingt's bei uns im Schwarzwald. Frankfurt a. M. 2. Folge) ©
Musikverlag Josef Weinberger GMBH; 9Feb59 (in notice: 1958); EFO-
64395. LARRY; w & m Ralph F. Nuzzo, Howard Olenik & Walter King.
© Howard Olenik Music Co., Nicholas H. Olejnik, owner; 7May59;
EP130079. LARRY WON'T LEAVE ME ALONE; w Leo J. De John &
Frank H. Rapp, pseud. of Frank Rapagnani, m Julie De John & Dux
De John. © Julie De John & Dux De John; 24Apr59; EU574816.
LASCIA LA PORTA APERTA; tango-canzone, parole di Renzo Rullini,
pseud. of Arturo Casadei, musica di P. Stival, pseud. of Giovanni
Casadei. Padova (appl. states: Firenze) Pianoconductor score &
parts. (Serie tanghi) (With Bocca a bocca) © Edizioni Musicali Edera;
21Dec58; EFO-62767. LASKA, ACH LASKA; foxtrot z musicalu Hal6,
Asko, slova: J. M. Bourek a D. Ma¥{k, hudba: Bed®ich Nikodem,
upravil Zdenék Krotil. Pianoconductor score & parts. (In Maly taneénf
soubor. Praha. p.20-21) © Statn{ Nakl. Kr&sné Literatury, Hudby &
Uménf, N.P.; 8Nov58; EFO-63867. Pa LASKA NEHNEVANA; waltz,
slova J. Korda & M. Jaro’, hudba Karel Vacek, klavirnf Uprava Josef
Mellan. In Oblfbend valt{ky. Prague. [v.] 2, p.4-5) © St&tni Nakl.
Kr&sné Literatury, Hudby & Uménf, N.P.; 10Feb59; EO-65710, LASS
DAS MAL DEN VATER MACHEN; Walzerlied, unter Verwendung der
Melodie O wie wohl, Text und Musik: Dietmar Kivel und Paul
Guntermann, Arrang.: Edy Mertens. Koln. © Edition Melodia Hans
Gerig; 5Nov58; EFO-63591. LASS! DIE LEUTE REDEN; Foxtrot, Text
und Musik: Bob Rei, pseud. of Tobby Ltith, Bert Juni, pseud. of Kurt
Lindenau & Joe Homsen, pseud. of Joe Menke, Klav. Arr.: Werner
Lang & Charles Nowa, pseud. of Charles Nowak. Hamburg. ©
Cineton-Verlag GMBH.; 8May59; EFO-65315. LASS' DIE LIEBE NIE
ZU ENDE GEH'N; Slow-Fox, Text und Musik: Stanke & Neumann,
Klav.-Bearb.: Wolfgang Mader. (In Accord Serie.
BerlinCharlottenburg. [no.] 85, p.4-5) © Peter Schaeffers
HelblingProduktion; 10Ju158; EFO-62295. LASS MICH NIE, NIE, NIE
MEHR ALLEIN; Slow-Rock, aus dem Kurt Ulrich-Film Schlag auf
Schlag, Text: Kurt Feltz, Musik: Heinz Gietz. K6ln. © Edition Rialto
Hans Gerig KG; 18Mar59; EFO-65065. MUSIC LASSA PUR CHE EL
MOND EL DISA; canzone valzer, parole di Alfredo Bracchi, musica di
Giovanni D'Anzi. (In Canzoni milanesi di Bracchi e D'Anzi. Milano.
p.6-7) © Edizioni Curci; 12Dec58; EFO-62478. LASSEN MADRIGAL;
w & m Donna Cotten. © Donna Cotten; 6Apr59; EU570368. LASSO
A STAR; w & m Joan H. Dismuke. © Joan H. Dismuke; 5Feb59;
EU560885. LASSO MY HEART; w & m Mac Embelle Southward. ©
Mac Embelle Southward; 27May59; EU578660. LASSUS TROMBONE;
m arr. Henry Beau & Red Nichols. © Criterion Music Corp., Henry
Beau Division; 29Dec58; EU556159. THE LAST BELL; w & m Anthony
DeJon, pseud. of Anthony DiGiandomenico. © Anthony DeJons
25Mar59; EU568772. LAST CHANCE; w & m James Anthony Sullivan.
© James Anthony Sullivan; 25May59; EU578258. THE LAST DANCE;
w Sammy Cahn, m James Van Heusen. © Maraville Music Corp.;
16Feb59; EP127425. LAST DANCE, SEE IT'S HOW YOU END UP
THAT COUNTS. LAST DATE; w & m Lynn Rowe. © Wilks Music Co.;
31Dec58; EU556396. THE LAST INVOCATION; [no.] 1, from Carols
of death, S.A.T.B., a cappella, text by Walt Whitman, m William
Schuman, Score. (Choral music by William Schuman, 342-40011) ©
Merion Music, Inc.; 7Jan59; EP126012, THE LAST KISS; w Olivia
Walston, m Ronald Buck, © Olivia Walston; 20May59; EU577680.
LAST LETTER; w Don Pope, m J. Chas. McNeil. © Don Pope;
30Mar59; EU569127. THE LAST MILE; w Jim Cherney, m Lew Tobin.
© Jim Cherney; 6Apr59; EU570365. LAST NIGHT; m Bob Laine. ©
Moonlight Music, Inc.; 26Mar59; EU569006. LAST NIGHT; w & m
Allan Copeland & Bill Norvas. © Skyview Music Corp.; 1Jun59;
EU579226. LAST NIGHT; w Archie Odell, m Larry Allen. © Archie
Odell; 28Apr59; EU574219. LAST NIGHT; w Charles E, Gerlitzki, Jr.,;
m Larry Allen. © Charles E, Gerlitzki, Jr.; 26Feb59; EUS64476. LAST
NIGHT; w George Smythe, m Lorraine Jackson, m & arr. Jimmie
Halpharo (James Robert Halpharo) © James Robert Halpharo &
George Smythe; 16Mar59; EU567 338. LAST NIGHT; w, m & arr.
Charles Champagne. © Charles Champagne; 4Feb59; EU560941.
LAST NIGHT. SEE LAST NITE. LAST NIGHT ABOUT THIS TIME; w &
m Marty Robbins, pseud. of Martin D. Robinson. © Marty's Music
Inc.; 14May59; EP130159. LAST NIGHT AT A PARTY; w & m Faron
Young & Roger Miller. © Lancaster Music Publications, Inc. & Tree
Music Publications, Inc.; 11Dec58; EP126993. LAST NIGHT BY THE
FIRESIDE; w&m J. T. Holt. © J. T. Holt; 1Jun59; EU578899. Jan.—
June LAST NIGHT, IT WAS HEAVENLY; w Gertrude Caveness, m Lew
Tobin. © Gertrude Caveness; lApr59; EU569805. LAST NIGHT YOU
WERE A STRANGER; w & m Rosetta Gibbon. © Work Music Pub,
Co.; 20May58 (in notice: 1959); EP127589. LAST NIGHT'S DREAM;
w & m Lottie E. Elliott. © Lottie E. Elliott; 5Jan59; EU556704. LAST
NITE; (Last night), m John Argyropoulos,. © John Argyropoulos;
2Apr59; EU569987. THE LAST OF FIVE THOUSAND; w & m William
J, May. © William J. May; 27Jan59; EU560931. LAST PAYDAY AT
COAL CREEK; w & m Pete Steele, arr. John A. Lomax & Alan Lomax.
NM:"'edited with new matter." © Ludlow Music, Inc.; 22Jun59;
EU582462, THE LAST RIDE; w & m Ronnie Hunter, pseud. of Karl
Foster Poland. © Karl Foster Poland; 19May59; EU577488. LAST
RIDE; w Robert Halcomb, m Ted Daffan. © Silver Star Music Pub.
Co.yInc.; 25Jun59; EU582760. LAST SAT'DAY NIGHT; w & m Albert
J. Murray. © Albert J. Murray; 14Jan593; EU557842. LAST
SATURDAY NIGHT; w & m Tom Kelleher, © EMC Music Pub. Co.;
26Jan59; EU560918. LAST SPRING; m Andres Wheatley. © Andres
Wheatley; 2Mar59; EU564101. LAST STAGE OUT; w & m Billy Ward
(Math R. Ward) & Dore Fairchild. © Math R. Ward; 21May59;
EU577848. THE LAST STAR OF EVENING; w Carl Sigman, m Victor
Young. © Victor Young Publications Inc.; 9Jan59; EU557148. LAST
SUMMER; w, m & arr. Marion Benoit. © Marion L. Benoit; 18Feb59;
EU563115. THE LAST SUPPER; m Benj. Francisco Jaime, op.19,
composed April 1959. For the celebration of Holy Communion. Score.
[English words] © Benj. Francisco Jaime; 8May59; EP130215. THE
LAST SUPPER; w & m Dean Thayer Wilton. © Dean Thayer Wilton;
10Feb59; EP127705. THE LAST THING I'D WANT TO KNOW; w & m
Roy Wiggins, George Morgan & Vic McAlpin. © Acuff-Rose
Publications; 14May59; EP130256. THE LAST THOUGHT; w Frank
Hocevar, Jr., m Lew Tobin. © Frank Hocevar, Ir.; 18Jun59;
EU58145e2. THE LAST TIME I SAW CHICAGO; m Pee Wee Russell.
© Vernon Music Corp.; 2lJan59; EU558213. THE LAST TIME I SAW
YOU; w Carole Gertz, m Hal Smotkin (Harold Jay Smotkin) © Carole
Robin Gertz & Harold Jay Smotkin; 25Feb59; EU564166. THE LAST
TRAIN FROM GUN HILL; from The last train from gun hill, w Paul
Francis Webster, m Dimitri Tiomkin. Appl. author: Paramount
Pictures Corp., Hal B. Wallis & Joseph H. Hazen, a joint venture,
employer for hire. © Paramount Pictures Corp., Hal B. Wallis &
Joseph H. Hazen, a joint venture; 3Feb59; EU560717.
 1959 LAST TRAIN TO NOWHERE; w & m Maceo Jackson, ©
Maceo Jackson; 13Apr59; EU571761. LAST WALTZ WITH YOU; w
Mrs. A. Wekman, m Lew Tobin. © Mrs. A. Wekman; l4mMay59;
EU576824, LAST WEEKEND; w, m & arr. Gladys V. Mattingly. ©
Gladys V. Mattingly; 8Jan59; EU557089. LAST WILL AND
TESTAMENT; w & m William B. White. © William B. White; 9Jan59;
EU557207. LASTING LOVE; w & m Tom Kulwicki (Thomas Kulwicki)
© Thomas Kulwicki; lApr59; EU570892. LASTING LOVE; w Betty Ann
Graham, m Gene Brooks. © Betty Ann Graham; 6Apr59; EU570366.
LASTING LOVE; w F. J. Buchanan, m Gene Brooks. © F. J.
Buchanan; 23Jun59; EU582399. LASTING LOVE; w Ruth Gimbel
(Ruth Gimbel Loewengart), m Lew Rosen, pseud. of Ludwig
Rosenberg. wig Rosenberg & Ruth Loewengart; 2Jun59; EU579349.
THE LAS VEGAS PUNK; w & m George Kasparian. © George
Kasparian; 30Apr59; EU574596. LATAWICA; opracowanie, na 2
klarnety, 2 waltornie i wiolbas, m S. Niewiadomski, instr. Tadeusz
Machl. KrakK6éw. Score & parts. (Biblioteka popularnych zespoY6w
kameralnych, 13 © Polskie Wydawn. Muzyczne; 1Nov55; EF24606.
THE LATCH; w Perry Lee DeLoach, m Larry Allen. © Perry Lee
DeLoach; 223un59; EU582151. LATE; w Howard Liebling, m Marvin
Hamlisch, © Advanced Music Corp.; 7May59; EP130062. LATE AT
NIGHT; from Scandinavian suite no.1, Sweden, m Gene Di Novi. ©
Hayton-Horne Music Co.; 28Apr59; EU574298. LATE DATE; w Jerry
O. Bowman, m Gene Brooks, © Jerry O. Bowman; 25Feb59;
EU564509. LATE FOR A DATE; m Gary Hughes. Lead sheet. London.
© Chappell & Co. Ltd.; 30Jan59; EFO-64231. LATE FOR LOVE. SEE
DON'T BE LATE FOR LOVE. LATE IN SEPTEMBER; m Roy Lanham, ©
Sage & Sand Music Publishers; 6May59; EP131509. LATE IN THE
EVENING; w & m Zeno Goss. © Zeno Goss Music Co.; 22Apr5g9;
EU573291. A LATE LARK; part-song for S.A.T.B., w William Ernest
Henley, m J. T. Horne. England, Score. (Choral library, no.350) ©
Stainer & Bell Ltd.; 1Mar59; EFO-64681. LATE LATE BLUES; m
Jimmy Namaro (James © BMI Canada Ltd.; 8Jun59; Namaro )
EU580100. LATE, LATE, LATE TO SCHOOL AGAIN; lyric by Fred
Tobias, m & arr. John Gluck, Jr. Appl. states unpub. version prev. reg.
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