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Studies in Computational Intelligence 961

Ivan Georgiev
Hristo Kostadinov
Elena Lilkova Editors

Advanced
Computing
in Industrial
Mathematics
13th Annual Meeting of the Bulgarian
Section of SIAM, December 18–20, 2018,
Sofia, Bulgaria, Revised Selected Papers
Studies in Computational Intelligence

Volume 961

Series Editor
Janusz Kacprzyk, Polish Academy of Sciences, Warsaw, Poland
The series “Studies in Computational Intelligence” (SCI) publishes new develop-
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Ivan Georgiev Hristo Kostadinov
• •

Elena Lilkova
Editors

Advanced Computing
in Industrial Mathematics
13th Annual Meeting of the Bulgarian
Section of SIAM, December 18–20, 2018,
Sofia, Bulgaria, Revised Selected Papers

123
Editors
Ivan Georgiev Hristo Kostadinov
Institute of Information and Communication Institute of Mathematics and Informatics
Technologies and Institute of Mathematics Bulgarian Academy of Science
and Informatics Sofia, Bulgaria
Bulgarian Academy of Sciences
Sofia, Bulgaria

Elena Lilkova
Institute of Information
and Communication Technologies
Bulgarian Academy of Science
Sofia, Bulgaria

ISSN 1860-949X ISSN 1860-9503 (electronic)

Studies in Computational Intelligence
ISBN 978-3-030-71615-8 ISBN 978-3-030-71616-5 (eBook)
https://doi.org/10.1007/978-3-030-71616-5
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Preface

The 13th Annual Meeting of the Bulgarian Section of the Society for Industrial and
Applied Mathematics (BGSIAM) was held in Sofia, December 18–20, 2018. The
section was formed in 2007 with the purpose to promote and support the application
of mathematics to science, engineering, and technology in Bulgaria.
The goals of BGSIAM follow and creatively develop the general goals of SIAM
as follows:
• To advance the application of mathematics and computational science to
engineering, industry, science, and society;
• To promote research that will lead to effective new mathematical and compu-
tational methods and techniques for science, engineering, industry, and society;
• To provide media for the exchange of information and ideas among mathe-
maticians, engineers, and scientists.
During the BGSIAM’18 conference, a wide range of problems concerning recent
achievements in the field of industrial and applied mathematics were presented and
discussed. The meeting provided a forum for exchange of ideas between scientists,
who develop and study mathematical methods and algorithms, and researchers, who
apply them for solving real-life problems.
Among the topics of interest are mathematical physics, numerical analysis,
high-performance computing, optimization and control, mathematical biology
stochastic modeling, machine learning, digitization and imaging, big data, and
advanced computing in environmental, biomedical, and engineering applications.
The invited speakers were:
• Owe Axelsson (Czech Academy of Sciences), An inner-product free iteration
method for an equation of motion and a bound-constrained optimal control PDE
problem
• Mauro Ballicchia (Polytechnic University of Marche, Italy), Recent advances in
the Wigner signed particles: theory and applications
• Vesselin Iossifov (University of Applied Sciences Berlin, Germany),
Programming Techniques for Energy-efficient Software

v
vi Preface

• Raytcho Lazarov (Texas A&M University, USA), Recent advances in numerical

methods for fractional differential equations with non-smooth data: a concise
overview
• Blagovest Sendov (Bulgarian Academy of Sciences), Algorithmic problems in
the geometry of polynomials
We would like to thank all the referees for the constructive remarks and criti-
cism, which furthered considerable improvements of the quality of the papers in this
book.
Contents

Design of a Multi-objective Optimization Model for Wireless

Sensor Networks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Alexander Alexandrov and Vladimir Monov
Cross-Validated Sequentially Constructed Multiple Regression
with Centered Predictors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Slav Angelov and Eugenia Stoimenova
Non-local Nonlinear Perturbation Analysis for a Nonlinear Matrix
Equation Arising in Tree-Like Stochastic Processes . . . . . . . . . . . . . . . . 16
Vera Angelova
One Parameter Family of Elliptic Curves and the Equation
x4 þ y4 þ kx2 y2 ¼ z2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Stoyan Apostolov, Miroslav Stoenchev, and Venelin Todorov
An Inner Product Free Solution Method for an Equation of Motion
with Indefinite Matrices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Owe Axelsson
Simulation Model for Investigation of the Behaviour of an Artificial
Immune Algorithm for Generation of S-Boxes with Good
Cryptographic Properties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Tsonka Baicheva, Violeta Andreeva, and Nikolay Nikolov
Self-consistent Monte Carlo Solution of Wigner and Poisson
Equations Using an Efficient Multigrid Approach . . . . . . . . . . . . . . . . . 60
Majid Benam, Maciej Wołoszyn, and Siegfried Selberherr
Modelled Versus Satellite Retrieved Estimation of the Direct Normal
Irradiance and the Sunshine Duration over Bulgaria . . . . . . . . . . . . . . . 68
Hristo Chervenkov and Kiril Slavov

vii
viii Contents

Numerical Identification of the Time Dependent Vertical Diffusion

Coefficient in a Model of Air Pollution . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Ivan T. Dimov, Juri D. Kandilarov, and Lubin G. Vulkov
Generalized Net Model for Flying Ant Colony Optimization . . . . . . . . . 90
Stefka Fidanova and Krassimir Atanassov
Numerical Determination of Time-Dependent Implied Volatility
by a Point Observation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Slavi G. Georgiev and Lubin G. Vulkov
Homotopy Analysis Method to Solve Volterra-Fredholm Fuzzy
Integral Equations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Atanaska Georgieva, Albena Pavlova, and Lozanka Trenkova
Spectral Fractional Laplacian with Inhomogeneous Dirichlet Data:
Questions, Problems, Solutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
S. Harizanov, S. Margenov, and N. Popivanov
Spike Timing Neural Model of Eye Movement Motor Response
with Reinforcement Learning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Petia Koprinkova-Hristova and Nadejda Bocheva
Programming Techniques for Energy-Efficient Software . . . . . . . . . . . . 154
Vesselin Iossifov
Modelling Human Biometeorological Conditions Using
Meteorological Data from Reanalysis and Objective
Analysis—Preliminary Results . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Vladimir Ivanov and Hristo Chervenkov
The Braided Group of a Square-Free Solution of the Yang-Baxter
Equation and Its Group Algebra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Tatiana Gateva-Ivanova
Exploring Applicability of the InterCriteria Analysis to Evaluate
the Performance of MOE and GOLD Scoring Functions . . . . . . . . . . . . 198
Dessislava Jereva, Tania Pencheva, Ivanka Tsakovska, Petko Alov,
and Ilza Pajeva
Multiobjective Approach for Solving Engineering Robust
Design Problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Leoneed Kirilov and Petar Georgiev
Iterative Implicit Schemes for Compaction-Driven Darcy Flow
of Magma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Miglena N. Koleva and Lubin G. Vulkov
Finite Time Blow up of the Solutions to Double Dispersive
Equations with Linear Restoring Force and High Energy . . . . . . . . . . . 233
N. Kolkovska, M. Dimova, and N. Kutev
Contents ix

Coupled Thermo-Hydro-Mechanical Finite Element Simulation

of Loess Slope Under Atmospheric Boundary Conditions . . . . . . . . . . . 244
Lingyun Li, Maria Datcheva, and Wiebke Baille
Molecular Dynamics Simulations of His6 -FLAG-hIFNc
Fusion Glycoproteins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
E. Lilkova, N. Ilieva, P. Petkov, E. Krachmarova, G. Nacheva,
and L. Litov
Several Results Concerning the Barnes G-function, a Cosecant
Integral, and Some Other Special Functions . . . . . . . . . . . . . . . . . . . . . 268
Lubomir Markov
Influence of the Temperature on Simulated Annealing Method
for Metal Nanoparticle Structures Optimization . . . . . . . . . . . . . . . . . . 278
Rossen Mikhov, Vladimir Myasnichenko, Stefka Fidanova,
Leoneed Kirilov, and Nickolay Sdobnyakov
Blood Flow Instabilities Related to Elasticity and Asymmetry
of an Abdominal Aorta Aneurysm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
N. Nikolov, S. Tabakova, and St. Radev
Rank Data Clustering Based on Lee Distance . . . . . . . . . . . . . . . . . . . . 303
Nikolay I. Nikolov and Eugenia Stoimenova
Analysis of Swing Oscillatory Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Svetoslav G. Nikolov, Vassil M. Vassilev, and Daniela T. Zaharieva
Non-linear Waves of Interacting Populations
with Density-Dependent Diffusion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Elena V. Nikolova, Denislav Z. Serbezov, Ivan P. Jordanov,
and Nikolay K. Vitanov
Performance Analysis of Hierarchical Semi-separable Compression
Solver for Fractional Diffusion Problems . . . . . . . . . . . . . . . . . . . . . . . . 333
D. Slavchev
On the Spectral Properties of Lax Operators Related to BD.I
Symmetric Spaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Alina Streche-Pauna, Aurelia Daniela Florian, and Vladimir S. Gerdjikov
Mechanical Properties Assessments for Materials of High Porosity
and Light Alloys with Predominant Embedded Phases . . . . . . . . . . . . . 359
Ludmila Parashkevova, Ludmil Drenchev, and Pedro Egizabal
Symmetries and Conservation Laws of a System of Timoshenko
Beam Type Equations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
Svilen I. Popov and Vassil M. Vassilev
x Contents

InterCriteria Analysis of the Human Factor Assessment

in a Mobile Company . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381
Velichka Traneva and Stoyan Tranev
Using DLT in Software Lifecycle Management . . . . . . . . . . . . . . . . . . . 393
Biser Tsvetkov and Hristo Kostadinov
Study of a Flow of Reacting Substances in a Channel of Network . . . . . 405
Nikolay K. Vitanov, Kaloyan N. Vitanov, and Zlatinka I. Dimitrova
A Symplectic Numerical Method for the Sixth Order
Boussinesq Equation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417
Veselina Vucheva and Natalia Kolkovska

Author Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429

 Design of a Multi-objective Optimization
Model for Wireless Sensor Networks

Alexander Alexandrov(B) and Vladimir Monov

Institute of Information and Communication Technologies,

Bulgarian Academy of Sciences, Acad. G. Bonchev bl. 2, Sofia, Bulgaria
{akalexandrov,vmonov}@iit.bas.bg

Abstract. Wireless sensor networks (WSNs) have a worldwide influ-

ence during the latest years in the area of environmental monitoring.
This work addresses actual multi-objective optimization problems of the
wireless sensor networks used in this area. A new mathematical model
and multicriteria optimization approaches are presented in the paper
by taking into account different performance and shelf life objectives.
The proposed model is aimed at developing an energy-efficient commu-
nication between sensor nodes and the cluster heads (CH) in the wireless
sensor networks. We consider a few types of constraints concerning multi-
objective optimization of WSN with fixed place sensor nodes.

1 Introduction

Wireless sensor networks (WSNs) have had worldwide attention in the last years,
especially with the development of smart sensors and IoT technology. The new
smart sensors are small, and require less processing and computing resources,
and are relatively inexpensive. The smart sensors grouped in clusters can sense,
measure, integrate the measured data and transmit the sensed data to the con-
trol center. The trend towards wireless communication and IoT technology is
increasingly changing electronic devices in every aspect of life [1,3,19]. A WSN
is a special type of wireless network composed of a number of nodes that are
equipped with different sensors. This network type has been supported by tech-
nological advances in low-power wireless communications. A WSN is built by
distributed autonomous sensors that cooperatively monitor the environmental
conditions. To reduce the WSN design cost very offten are used modeling tools
as Generalized Nets (GN) [20] or industrial modelers as OPNET. In addition to
one or more sensors, each node in a sensor network is equipped with a micro-
controller, program logic, radio transceiver or other wireless communications
devices, and an energy source, usually based on battery. The size of the sensor
nodes results in corresponding resources such as energy, memory, computational
speed, and bandwidth [2]. In general, a WSN is composed of hundreds or even
thousands of small, low cost, low power wireless sensor nodes. These nodes are
deployed to register physical phenomena and usually communicate with each

c The Author(s), under exclusive license to Springer Nature Switzerland AG 2021

I. Georgiev et al. (Eds.): BGSIAM 2018, SCI 961, pp. 1–9, 2021.
https://doi.org/10.1007/978-3-030-71616-5_1
2 A. Alexandrov and V. Monov

other through wireless communication channels. The design of the most wireless
sensor networks is based mainly on star or cluster topology [4] that organizes
and maintains a group of wireless sensors with local integration data capability.
In the current research is considered a cluster based topology of WSN. Although
the existing wireless network technologies are capable of constructing of large
sensor networks, the design and use of sensor networks to monitor stationary or
mobile objects such as buildings, cars, and even personal hand-held devices can
be further simplified to reduce power consumption and to increase the device’s
shelf life. The simplest approach for communication in wireless sensor networks
is the direct transmission, in which each node transmits its own data directly to
the control center or to the cluster head. If the base station is far away, the cost
of sending data directly to that station will become too large, and the nodes will
consume their energy resources quickly. WSNs are now used in many industrial
and civilian application areas, including industrial process monitoring and con-
trol, machine health monitoring, environment, and habitat monitoring, health-
care applications, home automation, traffic control, and scientific exploration in
dangerous environments [10,16]. In all cases, however, the communication effi-
ciency and energy saving are one of the most important issues in the network.
The communication protocol specifies how wireless sensor nodes communicate
with each other, disseminating information that enables them to select the appro-
priate communication route between any two nodes in the WSN [17]. The choice
of route is executed via routing algorithms. Each router has a priori knowledge
of only the networks that are directly attached to it. A routing protocol shares
this information first with its immediate neighbors and then throughout the
network [18]. In this way, the routers can gain knowledge of the topology of the
network. Routing protocols designed for data transfer in traditional ad hoc net-
works cannot be used with sensor networks. This is because sensor nodes have
limited battery power and because data transmission or reception consumes more
power consumption than sensor nodes do sensing and computation operations.
Therefore, it is desirable to conserve the energy of the nodes in the network while
routing query responses back to the sink node.

2 Related Works

Due to the specific problems in multihop based WSN, the design of the com-
munication protocols poses many new challenges, and a lot of work has been
done in this area. During the last years, several papers have proposed more
and more efficient algorithms for wireless sensor based communication proto-
cols [5–7]. For example [6] proposes an adaptive routing protocol for fixed place
applications, using their IP addressing scheme in WSNs. The research of [7] pro-
poses an analytical model for a reliable real-time degree in multihop WSNs. The
real-time degree represents the amount of data that can be transmitted from
any source node to its destination node. The research of Al-Karaki [9] presents a
 Design of a Multi-objective Optimization Model 3

cluster-based algorithm addressing the communication problem under network

aggregation without reducing the data quality in WSNs. The paper is focused
on the problem of data exchange with data aggregation and maximizing the
sensor nodes lifetime via data encapsulation and different processing techniques.
The paper of Y.H.Zhua [14] proposes an approximation method for quality of
service (QoS) in WSN. The method uses Markov chains for two-dimensional
space merging. An algorithm using a virtual node infrastructure of WSNs is
presented in [11]. A probabilistic vector machine-based method in WSNs is pre-
sented in the research of Samadian [12]. An energy coverage control in WSNs
based on multi-objective genetic algorithm is presented in [15]. A mathemati-
cal model for energy efficient routing in WSN’s is presented in [13]. The paper
proposes a solution for the shortest path problem (SPP) and presents a model
with resource restrictions. At the same time, the proposed model is very general
and attempts to minimize only the sum of total WSN nodes energy by the end
of all transmission periods without considering the network topology and link
quality. Nevertheless, the considerations on this paper have potential as a basis
and initial point for further researches in the area of development of new commu-
nication protocols with integrated multi-objective optimization. The main focus
is adding new constraints and parameters related to network topology, adaptive
transmission periods related to inter-node communications and energy efficient
routing algorithms which do not use the existing SPP solution.

3 WSN Modeling

We consider wireless sensor networks with cluster-based topology which is illus-

trated in Fig. 1.
The development of energy-efficient and reliable communication protocols
is very important. Depending on the case, a WSN may consist of hundreds or
thousands of sensor nodes. Each wireless sensor node uses the protocol stack to
communicate with other nodes and the control center or the cluster head (CH).
In [13] a couple of algorithms are presented for self-organizing wireless sensor
networks. They derived an optimization problem to satisfy sensor scheduling
with the joint detection probability. The minimum energy routing problem tries
to optimize the performance of a single user (an end-to-end connection) by min-
imizing its energy consumption. The typical way to solve this problem is to use
the shortest path algorithm for wired networks. However, there is a difference
between the WSN design problem in this study and the existing WSN design
problem. The existing WSN design problem finds the shortest path in the given
graph, whereas the aim of this study is to find the shortest path between nodes
and the energy. In what follows, we present a mathematical model for the WSN
design problem that includes only distance and energy restrictions. Thus we have
developed the mathematical model for WSN with cluster topology under energy
and time resource restrictions. More specifically, we consider the maximum dis-
tance between the linking nodes and the energy of the nodes, keeping in mind
that sensors have limited available energy. A sensor transmits radio signals in
4 A. Alexandrov and V. Monov

order to connect to other nodes or to the CH. However, physically the radio
signal cannot reach long distances because of energy and frequency limitations.
Because the wireless sensors are battery powered, they also have energy limita-
tions. Therefore, each sensor is on standby in the sleep mode, which makes it
possible to minimize energy consumption. When a communication event occurs,
the sensor enters the wake-up mode and receives or transmits information. Then,
it searches for CH with the aim of sending information to the control center.
The sensor node must reach the CH. In view of the above working characteris-
tics of the network, we have developed our model of WSN under the following
assumptions:

– The location of the CH does not change during the process of collecting data
from the sensor nodes in the cluster.
– The sensor nodes GPS coordinates are fixed.
– Each sensor node has energy limitations.
– The Cluster Head (CH) has not any energy limitations.
– Every sensor node as part of the cluster has a direct connection with CH.

Fig. 1. WSN modeling with cluster topology

In Fig. 2, we schematize the notation used in mathematical modeling.

 Design of a Multi-objective Optimization Model 5

Fig. 2. Mathematical modeling notation

3.1 A Mathematical Model of WSN with Resource Restrictions

The presented WSN model is also characterized by the following requirements.

There are several sensor nodes and a cluster head node (CH) who redirect the
sensor data to other cluster head nodes or directly to the control center. The
current WSN design modeling is similar to the shortest path problem. However,
the presented model is used to find the shortest path between the sensor nodes,
CH and the control center when a cluster topology is given. A sensor consumes
energy at a fixed time period when it connects with other sensors. Therefore,
we consider only the energy used in the active mode and in the transmission
mode. The energy consumed by the sensor node in sleep mode is at a very low
level compared to the energy in active mode and in the presented model we
do not consider it. We assume that all of the sensors energy levels are initially
the same and that the transmission energy used is in direct proportion to the
distance between the sensors. In the presented model, we consider a few types of
resource limitations, those on distance, period and energy use. The model aims
to avoid severance in a single period. The objective is to minimize the sum of
the amounts of energy used.
The WSN Model for multi-objective optimization is formulated as follows:
 
M IN Ei−begin − Ei−current (1)
i∈N,i=n i∈N,i=n

 
M AX W Ti−begin − W Ti−current (2)
i∈N,i=n i∈N,i=n
6 A. Alexandrov and V. Monov

where:
Ei−begin - initial amount of energy of node i, for all i ∈ N ;
Ei−current - current energy of node for all i ∈ N ;
W Ti−begin - initial amount of work time of node i, for all i, j ∈ N ;
W Ti−current - current work time capacity of node for all i N ;
The combined objective function consisting of Eq. (1) and (2) is based of a
multi-objective optimization by looking for a minimum between the sum of the
amounts of energy used by the nodes and the sum of amounts of work time of
every sensor node (his shelf life). The restriction (3)

djn ≤ dCH , all i, n ∈ N, i = n (3)

can be replaced with the Eq. (4) if the node energy is below specified limit. In
this case, the node j will route the data through the neighbor node i instead of
direct connection to the CH.

dij + din ≥ dCH , all i, j, ∈ N (4)

Ecurrent−it ≥ 0, all i ∈ N, t ∈ T (5)

 
Ei−begin − (Ecurrent−it + Ei−active + din .Ei−send ) = 0 (6)
i∈N,i=n i∈N,i=n

 
W Tbegin − (W Tcurrent−it + Ti−active + din .Ti−send ) = 0 (7)
i∈N,i=n i∈N,i=n

Constraint (3) indicates that there must be flow from node i and into CH
node n. Constraint (3) illustrates the limit on the transmission distance and can
be replaced with (4) if the amount of current energy Ei−current is below the
limit. Constraint (5) defines the remaining energy of the nodes. The remaining
energy of a node is equal to the initial energy minus the active state (eactive
) energy and the transmission energy tsend associated with the nodes in the
cluster. The remaining shelf life of a node is equal to the initial time resource
of the node minus the active and transmission periods. The objective function
of the equations is almost linear and depend on the amount of the transmission
energy and the amount of node transmission periods as part of all the active
energy and active periods.
The notation is as follows:
i, j, k - indices of node (i, j, k = 1, 2, 3, ........, N )
N - the number of all the nodes (i, j, k ∈ N )
n - cluster head (CH) node index (n ∈ N )
t - index of periods (t ∈ T )
T - set of transmission periods (t ∈ T )
din - distance from node i to CHn ;
 Design of a Multi-objective Optimization Model 7

dij - distance from node i to node j;

dCH - the maximum communication distance between a sensor node and the
CH;
Ecurrent−it - the amount of the energy of node i, in moment t for all i ∈
N (t ∈ T );
Ei−active - the amount of energy consumed by sensor node i during the sensor
active period;
Ei−send - the amount of energy consumed by sensor node i during the trans-
mission period;
W Tcurrent−it - the amount of time work capacity of node i in moment t for
all i ∈ N (t ∈ T );
Ti−active - the amount of time when the sensor i is active;
Ti−send - the amount of time of the sensor i transmission ( Ti−send ≤
Ti−active );

3.2 Results from the Simulation Experiment

The simulation of the proposed multi-objective simulation model was realized by

the industrial OPNET 14.0 network modeler. For the simulation purposes was
used the embedded in the modeler real ZigBee based network protocol, identical
to the protocol Zigbee Smart Energy V2.0 used in real sensor devices for cluster
based networks. The simulated WSN was based on one cluster, consisting of
10 wireless network nodes in a star topology with one cluster head (CH). The
transmission period Ti−send vary between 50 ms and 150 ms. The active period
of every sensor Ti−active was fixed by 200 ms.
The Table 1 below shows the result of average cluster transmission energy
consumption Ei−send , the cluster work capacity in hours and the transmission
period Ti−send . As is shown on the diagram there is an optimum between average
node energy consumption and calculated work time capacity at an approximately
119 ms time period when the node distance is between 20–50 m and another
optimum at 111 ms when the node distance is between 50–100 m.

Table 1. Experimental data generated by OPNET 14

8 A. Alexandrov and V. Monov

Fig. 3. Optimization results based on the simulation by industrial modeler OPNET 14

4 Conclusions
This paper considered a wireless sensor network mathematical design under
resource restrictions. We developed an improved mathematical model for multi-
objective optimization of a wireless sensor network with cluster topology by
simultaneously considering different size node transmission periods and energy
limits of the sensor nodes. The proposed model can be used in real situations in
designing of battery-powered wireless sensor networks. The developed model can
also be used in other sensor networks design under various resource restrictions.
Even though the current mathematical model does not require significant compu-
tation time, much more time may be needed for large-scale WSNs. The further
research will be focused on some related simulation studies of the model and
development of other multi-objective optimization techniques including addi-
tional restrictions, related to QoS and the existing adaptive routing algorithms
as SLTP protocol implemented in real WSN.

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approach for energy efficient routing in two-tiered sensor networks. Ad Hoc Netw.
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scheduling for target monitoring in wireless sensor networks. ETRI J. 33(6), 857863
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its routing algorithm for a large-scale wireless sensor network. EURASIP J. Wirel.
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 Cross-Validated Sequentially Constructed
Multiple Regression with Centered Predictors

Slav Angelov1(B) and Eugenia Stoimenova2

1 Department of Informatics, New Bulgarian University, 21 Montevideo Street, Sofia, Bulgaria
slav [email protected]
2 Institute of Mathematics and Informatics, Bulgarian Academy of Sciences (BAS), Acad. G.

Bontchev Street, Bl. 8, Sofia, Bulgaria

[email protected]

Abstract. In this paper, we observe a centered version of a technique that we

have called Cross-validated sequentially constructed multiple regression. It cross-
validates the estimates of the coefficients in a multiple regression model while
merging some of the predictors into components. The Centered cross-validated
sequentially constructed multiple regression is designed to do the same, but for
a multiple regression with centered predictors. The problem is that the proposed
technique is much heavier to estimate while with centered right side. We prove a
theorem that directly links the solutions of the centered and non-centered versions
of the technique. This helps us to estimate the centered version as fast as the non-
centered one. Additionally, we give some important remarks while using cross-
validation techniques for centered data.

1 Introduction

In this paper, we observe a centered version of a technique that we call Cross-validated

sequentially constructed multiple regression (Angelov and Stoimenova 2019). It cross-
validates the estimates of the coefficients in a multiple regression model while merging
some of the predictors into components. The algorithm behind the technique handles
multicollinearity problems (see, Alin 2010, Lin 2008, Paul 2006), and is useful when
we have small datasets - it tends to reduce overfitting (see, Steyerberg 2009, Clark 2004)
because of the nature of cross-validation (Browne 2000, Picard 1984).
The centering means that all of the independent variables in the regression model are
centered by their means. There are at least two reasons to use centering of the predictors
in a regression model. First, the interpretation of the intercept term. In the non-centered
version, the value of the intercept is interpret as the output of the model if all of the
independent variables are set to 0, but some variables may not become zero. Thus, the
interpretation value of the model is increased if we center it. In this case, the value of
the intercept is the output of the model if all of the predictors are set to their mean
values. Second, the centering of the independent variables can reduce multicollinearity.
This holds when there are some added interaction terms, i.e. in the polynomial regres-
sion case where we have the predictors along with other predictors that are powers of
them. The highest-order terms are not affected, but the centering may greatly affect the
coefficients of the lower-order terms, see (Aiken and West 1991). Additionally, there
c The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
I. Georgiev et al. (Eds.): BGSIAM 2018, SCI 961, pp. 10–15, 2021.
https://doi.org/10.1007/978-3-030-71616-5_2
 Cross-Validated Sequentially Constructed Multiple Regression 11

are some more specific cases where centering can be useful, e.g. the intercept has no
effect on the collinearity of the other variables if the independent variables are centered
(Belsley 1980). If you want to know more about the effects of centering, see (Dalal and
Zickar 2012, Robinson and Schumaker 2009, Jaccard 1990). All that we mention about
centering induces the need to investigate what is happening when we center the inde-
pendent variables before applying the Cross-validated sequentially constructed multiple
regression.

2 Centered Cross-Validated Sequentially Constructed Multiple

Regression
We have a multiple regression model:
Y = α0 + α1 .X1 + α2 .X2 + · · · + αk .Xk + ξ , (1)
where Y is the predicted variable, αi is the coefficient in front of predictor Xi for i =
1, . . . , k, α0 is the model intercept term, and ξ is the error term.
We interpret the value of the intercept term from Model 1 as the value of the model
if all predictors are set to zero. However, in some cases the predictors cannot take such
values which makes the interpretation of the intercept term inadequate. To solve this
issue, we can center the right side of Model 1. We define the centered model as:
Y = α0 + α1 .X1c + α2 .X2c + · · · + αk .Xkc + ξ  , (2)
where Y is the predicted variable, αi is the coefficient in front of the centered predictor
Xic = Xi − μi for i = 1, . . . , k, α0 is the model intercept term, ξ  is the error term, and μi is
the sample mean of Xi . For Model 2, the intercept ξ  can be interpret as the value of the
model when all predictors are set at their mean values. Such an interpretation is always
adequate. This makes the centered model the preferred model in a lot of problems.
In our previous paper, we have presented a technique that estimates Model 1 in a step
by step procedure that minimizes the RMSECV error - Cross-Validated Sequentially
Constructed Multiple Regression (CVSCMR). Root mean squared error after cross-
validation (RMSECV) measure:

∑ni=1 εi2
RMSECV = , (3)
n
where n is the number of the observations in the primary data set, εi is the error for the i-
th observation which is obtained from the regression model estimated over the primary
data set without the i-th observation. RMSECV consists of out of sample errors which
makes it more realistic measure for the model fit (Hawkins 2003).
Let present a brief overview of the CVSCMR technique:
1. We estimate Model 1;
2. We choose the model variable which has the worst estimate based on its absolute t-
value, let say Xi with a coefficient αi . Then we find the most correlated with it model
variable X j with a coefficient α j , and we combine them into one component by the
following way Zi, j = Xi + k ∗ X j if |αi | > |α j |, or Zi, j (k) = X j + k ∗ Xi ;
12 S. Angelov and E. Stoimenova

3. We find k while minimizing the RMSECV (k) for Model 1 with Zi, j (k) that replaces
Xi and X j (we explain in more details further in the paper);
4. Back to Step 1.
The procedure ends when we have achieved absolute t-values over a chosen threshold
for all of the derived model variables or when the model variables are reduced to a
predefined percentage from their initial number. Many other criteria are possible.
We can note that on each iteration of the algorithm the variables are reduced by 1,
and this reduction is obtained by the optimization of the RMSECV applied on Step 3.
By cross-validating some of the estimates we aim to achieve estimates that are better
estimated, and will improve the performance of the model for out-of-sample observa-
tions. Once the model is estimated, if we want, we can express the model by the initial
predictors from the obtained components.
About the procedures in Step 3, for each two chosen predictors (or already obtained
components) Xi and X j , we construct component Z(k) = Xi + k ∗ X j (assuming |αi | >
|α j |). Then we are minimizing:

∑ni=1 εi2 (k) a j + τσ j a j − τσ j
min RMSECV (k) = min , k∈( , ),
k k n ai − τσi ai + τσi
τ > 0, ai = ±τσi , (4)

where τ > 0 is a number between 1 and 6, lets say 4; n is the number of obser-
vations; α j , αi are estimated coefficients from Model 1; σi and σ j are the stan-
dard errors of αi and α j ; εi (k) = Y (i) − fi (k) is the error from the i-th observation
from the model fi (k). fi (k) is the multiple regression model with input variables
Z(k), X1 , X2 , . . . , Xi−1 , Xi+1 , . . . , X j−1 , X j+1 , . . . , Xn (we replace the predictors with the
constructed components) estimated with the whole data set except the i-th observation.
To find the optimum k, we should use a branch-and-bound algorithm (see Jiao 2013,
α
Norkin 1998, Clark and Wood 1966) to search around k0 = αij in the defined interval
(if we choose k0 we will obtain the same result as if we have used the estimates from
the multiple regression). The problem is that no matter how efficient is the implemented
algorithm on each iteration, i.e. for any chosen k, we must calculate m regressions fi (k),
m is the number of observations, in order to calculate RMSECV (k). The good thing is
that we can avoid all of the estimates of fi (k) because it is known that the out-of-
sample residuals εi , i = 1, . . . , n used in the RMSECV measure can be computed by the
following formula:
ξ̂i
εi = , i = 1, . . . , m, (5)
1 − hi
where ξ̂i is the error of the i-th observation for model Y (k) = α0 + α ∗ Z(k) + α1 ∗ X1 +
α2 ∗ X2 + . . . + αi−1 ∗ Xi−1 + αi+1 ∗ Xi+1 + . . . + α j−1 ∗ X j−1 + α j+1 ∗ X j+1 + . . . + αn Xn ,
m is the number of observations, and hi,i is the i-th element from the diagonal of the hat
matrix H = X(X t X)−1 X t , where X is the design matrix, X t is its transposed matrix.
The aim of this work is to investigate what will be the difference if we apply the
proposed algorithm for the centered model from (2). On a first glance, there will be no
difference, we just center the predictors and applied the model. The problem is that if
 Cross-Validated Sequentially Constructed Multiple Regression 13

we do this, it will cause the cross-validation procedure to be invalid one. While cross-
validating, we assume that we do not know anything about the out-of-sample obser-
vations. Thus, each time when we choose an out-of sample observation, we should
recenter the predictors using the corresponding means that are estimated without this
observation. As a consequence, we cannot use (5) to compute RMSECV (k) fast. If we
use it anyway, it will be equivalent to centering the predictors once, and ignoring any
recentering.
The centered version of the Cross-validated sequentially constructed multiple
regression follows the same algorithm as the non-centered one. The difference is in
the complication around the procedure for finding the optimal k for a chosen compo-
nent Z c (k) = Xic + k ∗ X jc . For simplicity, we assume that this is the first component that
we are obtaining from the algorithm. We search for the optimal k while minimizing:

∑ni=1 (εic (k))2 aj + τσ j aj − τσ j
min RMSECVc (k) = min , k∈( , ),
k k n ai − τσi ai + τσi
τ > 0, ai = ±τσi , (6)

where α j , αi , and their corresponding σ j , σi are from Model 2, and εic (k) = Y (i)− fic (k)
is the error from the i-th observation from the model fic (k). The functions fic (k) have
the following form:

fic (k) = αi,0 + αi ∗ Zic (k) + αi,1 ∗ (X1 − μi,1 ) + αi,2 ∗ (X2 − μi,2 ) + . . .
+ αi,i−1 ∗ (Xi−1 − μi,i−1 ) + αi,i+1 ∗ (Xi+1 − μi,i+1 ) + . . . + αi, j−1 ∗ (X j−1 − μi, j−1 )+
+ αi, j+1 ∗ (X j+1 − μi, j+1 ) + . . . + αi,n ∗ (Xn − μi,n ),

where Zic (k) is Z c (k) centered without taking into account the i-th observation, μi, j , i −
f ixed, j = 1, . . . , n are the corresponding sample means estimated without the i-th obser-
vation. Now, we note that not only we cannot use the formula from (5) for a fast com-
putation of RMSECV (k) in (6), but there are additional computations while compared
with the non-centered method if we do not use that formula.

Theorem 1. If we apply the the Cross-validated sequentially constructed multiple

regression method for the regression from Eq. 1 and for the centered regression from
Eq. 2 then the obtained sets of components from the two models will be derived by
the same functional relation ships, i.e., the difference will be that the components for
the Eq. 1 will use X1 , . . . , Xk as input arguments while the components for the centered
model will use the centered versions of X1 , . . . , Xk .

Proof. We will start with the fact that the regression model from Eq. 1 and its centered
version with centered X1 , . . . , Xk are identical in the sense that their model residuals are
the same. Moreover, their model coefficients are the same. The only difference is in the
intercept term. This fact is known from the regression analysis theory, a proof can be
seen in (Sen and Srivastava 1990, pp. 42–43).
We have the multiple regression problem from Eq. 1. We start the procedure for
obtaining components for the both models. Let us consider for simplicity that we have
chosen to combine variables X1 and X2 into a component Z(k) = X1 + k.X2 . While
14 S. Angelov and E. Stoimenova

centering the variables X1 , . . . , Xk the correlations between them will not be changed.
Thus, we will choose again X1 and X2 as building block for the first component for the
centered model case. If the centered version of X1 and X2 are X1c and X2c then from the
way we define the functional form of a component and the fact that the centered model
has the same coefficients as the non-centered one, we conclude that the component
Z c (kc ) from X1c and X2c has the same form as Z(k), i.e., Zc (k) = X1c + kc .X2c . Moreover,
the starting point k0 for the estimation of k is the same for the two components Z(k) and
Zc (k). We will define with k∗ the optimum k which will participate as the coefficient
in the formula for Z(k), and we will define with kc∗ the optimum kc in the formula for
Zc (kc ). Now, if we prove that k∗ and kc∗ coincide then Z(k∗ ) and Zc (kc∗ ) will be formed
by the same formula.
To find the optimum k for Z(k) we need to minimize RMSECV (k), to find the opti-
mum kc for Zc (kc ) we need to minimize RMSECVc (kc ). Both of this functions consist of
out-of-sample model errors. Let us observe one of these errors ε fi,k from RMSECV (k)
and its corresponding one ε fi,k c from RMSECVc (kc ). These two errors are obtained from
c
the i-th observation using models fi,k and fi,k c . The regression f has model variables
c i,k
Z(k), X3 , . . . , Xk , the regression fi,kc has model variables Zc (k), X3c , . . . , Xkc . We start the
c

optimization procedures for k and kc from one and the same point k0 , so we will observe
k and kc like one variable k. For each k and for each i fi,k c is the centered model of f
i,k
c c
because X3 , . . . , Xk are the centered versions of X3 , . . . , Xk (centered without considering
the i-th observation) and Zc (k) is the centered version of Z(k). As a consequence, for
a fixed k and i the out-of-sample i-th model error will be the same for the both mod-
els. Then for each k RMSECV (k) = RMSECVc (k). This means that the minimum of
RMSECV (k) will be reached in the same point k∗ like the minimum of RMSECVc (kc ).
Then the derived components are Z = X1 + k∗ .X2 and Zc (kc ) = X1c + k∗ .X2c , i.e., they
have the same functional form.
Following the same logic we can continue to derive components for the centered
and non-centered models and they will have the same functional form. 


Corollary 1. If we have the components for variables X1 , . . . , Xk , and we want to obtain

the components for the centered model, we will use the same components, but with the
centered X1 , . . . , Xk as building blocks. Thus, we can estimate the centered version of the
Cross-validated sequentially constructed multiple regression as fast as the non-centered
one.

3 Summary

We presented in this paper the centered version of the Cross-validated sequentially

constructed multiple regression. We stressed and showed two things. First, it is not
correct to apply the Cross-validated sequentially constructed multiple regression on
centered (or normalized) once data. This holds for any manipulation of the data that
is performed by using a statistic which is estimated from the whole dataset. Second,
it is possible to directly estimate the centered version of the technique from the non-
centered one. This saves n-times slower computation speed, where n is the number of
observations.
 Cross-Validated Sequentially Constructed Multiple Regression 15

Acknowledgements. The work of E.S. was supported by the National Science Fund of Bulgaria
under Grant KP-06-N32/8.

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© 21Ju143; EP115782. Paterson's Publications, Ltd. (PWH);
11Sep70; R490900. See MADELON; fox trot, by Camille Robert, arr.
Remick Music Corp., employer for hire of Jimmy Dale. NM: arr. for
small orchestra. © 8Dec43; EP118694. Warner Bros., Inc. (PWH of
Jimmy Dale); 9Dec70; R496735. MAGIC CARPET; (song) , women's
3-pt. voices, w Elizabeth Evelyn Moore, m Gustav Klemm. ©
120ct43; EP117683. Elizabeth E. Moore (A); 120ct70; R492831.
MAGIC CARPET; (song), women's voices, three-part, m Gustav
Klemm, w Elizabeth Evelyn Moore. © 120ct43; EP117683. Gustav
Klemm & Elizabeth Evelyn Moore (A); 21Dec70; R497144. MAGIC
CARPET. COPA CABANA. See MAID IN MILWAUKEE; w Clarence
Stout, m Wendell W. Hall. © 50ct43; EUS49371. Wendell W. Hall, Jr.
& Lowell M. Hall (C); 4Dec70; R496275. MAIN THEME; from picture
Tomorrow we live, m Leo Erdody. © 7Augh3; EUSUL860. Bess Wald
(W); 7Aue70; R489367 . MAIN TITLE; from Universal picture Men of
Texas, by Edward Ward. Conductor. © 3Feb43; EUS25978. Universal
Music Corp. (PWH); 4Feb70; R478680. (See also Main title; 16Ju170;
R488079) MAIN TITLE; from Universal picture -Men of Texas, by
Edward Ward. © 3Feb43; EU323978. Universal Music Corp. (PWH);
16Ju170; R488079. (See also Main title; 4reb70; R478680) MAIN
TITLE; from Lassie, m Daniele Amfitheatrof. © 31Ju143; EU541958.
Metro-Goldwyn-Mayer, Inc. (PWH); 260ct70; R493715. MAIN TITLE;
[from] Man from down under, m composed &/or arr. Dave Snell. ©
10Aug43; EUS45230. Metro-GoldwynMayer, Inc. (PWH); 14Dec70;
R496661. MAIN TITLE; from Girl crazy, by George Bassman. ©
9Augh3; EU3435112. Metro-Goldwyn-Mayer, Inc. (PWH); 14Dec70;
R496695. MAIRZY DOATS AND DOZY DOATS; (Mares eats oats and
does eat oats), w&m Milton Drake, Al Hoffman & Jerry Livingston. ©
19Nov43; HU356865. vingston (A); 20Nov70; MAIRZY DOATS AND
DOZY DOATS; eats oats and does eat oats) Milton Drake, Al Hoffman
& J Livingston. © 19Nov43; EU3 Nancy Hoffman Propas (W); 2 Ru
5399. MAIRZY DOATS AND DOZY DOATS; (Mares eat oats and does
eat oats), w & m Milton Drake, Al Hoffman & Jerry Livingston. ©
10Dec43; EP118783. Jerry Livingston (A); 14Dec70; R496843.
MUSIC MAIRZY DOATS AND DOZY DOATS; (Mares eat oats and does
eat oats), w & m Milton Drake, Al Hoffman & Jerry Livingston. ©
10Dec43; EP118783. Nee as ne Propas (W); 14Dec70; R496844.
MAKE BELIEVE; a symphonic paraphrase from Show boat, m Jerome
Kern, arr. Erik Leidzen. Conductor's condensed score & parts. NM:
arr. for concert band. © 13Sep43; EP116601. Erik Leidzen (A);
18Sep70; R49152a4. MAKE BELIEVE; m Jerome Kern, arr. d. Louis
Merkur. WM: arr. for piano four hands. © 180ct43; EP117540. J.
Louis Merkur (A); 300ct70; R49Q4085. MAKE ME KNOW IT; fox-trot,
m composed & arr. Sy Oliver. (For orchestra) © 15Sep43; EP116572.
Sy Oliver (A); 17Sep70; R491544. MAKE YOUR APPOINTMENT
TODAY; w & m Wallace Fowler. © 17Jul43; BUS40654. Wallace
Fowler (A); 20Aug70; R490560. MAKE YOUR APPOINTMENT TODAY;
w & m Wallace Fowler. (In Miss Billie Walker's selected songs and
original poems) © 160ct43; EP118719. Wallace Fowler (A); 300ct70;
R493476. MALINCONIA D'AMORE; serenatella triste, m & w Giovanni
d'Anzi. Voice & piano ed. © 31Dec42; EF24324. Giovanni d'Anzi (A);
23Nov70; R495484 . MAMA GAVE UP HER GIRDLE; w & m Jack
Ewing Wilson. © 21Jul42; HU505064. Jack Ewing Wilson (A);
16Ju170; R488120. MAMA, IT'S SATURDAY NIGHT; from The new
Meet the people, w Henry Myers & Edward Eliscu, m Jay Gorney, arr.
Chas. Miller. © 30Dec43; EP119687. Edward Eliscu (A); 30Dec70;
R497720. MAMA, IT'S SATURDAY NIGHT; from The new Meet the
people, w Henry Myers & Edward Eliscu, m Jay Gorney, arr. Chas.
Miller. © 30Dec43; &P119687. Jay Gorney (A); 30Dec70; R497721.
MAMA, PUT YOUR BRITCHES ON; w & m Irene Higginbotham. ©
1Nov43; EP117743. Irene Higginbotham (A); 20Nov70; R495611.
MAMA'S PAJAMAS; (Put on your pink pajamas) (Les pyjamas de
maman) Belgian polka, w Richard Howard, m Therese Gravelle &
Bert Reisfeld. (In International polka song folio) © 24sepl5;
EP117564. Richard Howard (A); 270ct70; R493748. MAN ABOUT
TOWN. METROPOLITONES. See MAN BRAUCHT WAS FURS HERZ! m
Frank Fux, w Hanns Schachner. © 220ct42; EF34408. Inge Fux (W)
& Hanns Schachner (A); 24Sep70; R492067. MAN FROM DOWN
UNDER. END TITLE. FOSTER SISTER. MAIN TITLE. MAN FROM
MUSIC MOUNTAIN. See SMILES ARE MADE OUT OF THE SUNSHINE.
See THE MAN I LOVES m George Gershwin, arr. I Inc., employer for
hire of moer. NM: arr. for vocal ation, key of E flat. 3; EP118502,
New World Music Corp. (PWH); 4Dec70; R496197. THE MAN I
WON'T FORGET; m Malcolm Lee (Byron Brooks, pseud.), w Mrs.
Michael Jurbale. © 18Nov42; £U315705. Mrs. Michael Jurbala (A);
6Ju170; R487750. July—Dec. MAN OF MY HEART; fr. Arc de
Triomphe, w Christopher Hassall, m Ivor Novello. © 6Dec43;
EF69033. Frederick Walter Allen, Dorothea Marie Sims, Archibald Ian
Todman (E of Ivor Novello), Evelyn Helen Hassall (W) & Nicholas
Hassall (C); 7Dec70; R496536. THE MAN OF SORROWS; w Charles
Frederick Weigle, m Gladys Blanchard Muller. (In I sing of Thee) ©
18Jun43; EP115343. Gladys Blanchard Muller (A); 16Sep70; RLO17
15. MAN ON THE FLYING TRAPEZE; arr. Hugo Frey. © on arr. for
voice & piano; 22Sep43; EP117674. Samuel Gradstein (E); 290ct70;
R492950. MANCHAS DE COLOR; (piano), by Hector Melo Gort
eoyiias © 30Nov43; ERI50353. ector Melo Gorigoytia (A); 3Dec70:
R4ug6115. ( Ne 3 7 > MANOLETE; super pasodoble torero, piano
with words, w Jose Maria Legaza Puchol, m Jeronimo Cruz
Salmeron,. © 15Ju143; EF23047. Jose Maria Legaza Puchol &
Jeronimo Cruz Salmeron (A); 22Ju170; R488570. THE MANTLEPIECE
MINUET; w Val Guest, m Manning Sherwin. © 1ldun43; EFQOH1, Val
Guest & Manning Sherwin (A); 190ct70; R4934901. MARACAS Y
CLAVES; (cancion ritmica), letra y musica de G. Navarreté, Sr. ©
29Nov43; EF68915. Peer International Corp. (PWH); 2Dec70;
R496141. MARCH FOR THE NEW INFANTRY; w Tom Adair, m Dick
Uhl (Richard R. Uhl) © 6Ju143; EP114818. Tom Adair & Dick Uhl
(Richard R.) (A); 4 R487885 . Auene ) (A)3 7Iul7o; MARCH NUMBER
1; m Herman J. Goette. © 17Nov42; EU515564. Joan Ward (C);
6Nov70; R495028. MARCH NUMBER 2; m Herman J. Goette. ©
17Nov42; EU315565. Joan Ward (C); 6Nov70; Ri95029. MARCH
NO.4, POMP AND CIRCUMSTANCE. SONG OF LIBERTY. See MARCH
OF DOOM; w Lora Hackler Cox, m Lora Hackler Cox & Roma Virginia
Ruth Cox. © 5Augh2; EUZ0L777. Lora Hackler Cox (A); 293u170;
R488573. MARCH OF THE A.R.R.; by E Jade, of Germaine Schmitz.
© 8Mar43; EP112744. Ely 25 aa of Germaine Schmitz A); 13Aug70;
R48997 8. : : pseud. MARCH OF THE CADETS; for piano, m Oscar
Rasbach. © 90ct45; EP117394. Oscar Rasbach (A); 9Dec70;
R496625. MARCH OF THE DOAGIES; from The Harvey girls, w
Johnny Mercer, m Harry Warren. © 22Nov43; EUS54877. Harry
Warren (A); 23Nov70; R49Q5425. MARCH OF THE JUNIOR VICTORY
SCOUTS; w Wag Wagner, m Percy Faith. © 20May43; EP113946.
Percy Faith (A); 6Ju170; R487740. MARCH OF THE TOYS; from
Babes in Toyland, m Victor Herbert, w John Alan Haughton, arr. M.
Witmark & Sons, employer for hire of Douglas MacLean. NM: arr. for
S.A.B. voices. © 87u143; EP114965. Warner Bros., Inc. (PWH of
Douglas MacLean); 13Ju170; R488208. MARCH ON TO VICTORY.
See ARMY & NAVY STOCK TITLE NO.10 (MARCH ON TO VICTORY)
These entries alone may not reflect the complete Copyright Office
record pertaining to a particular work. Contact the U.S. Copyright
Office for information about any additional records that may exist.
 1970 MARCH TO VICTORY; w & melody: Anne Block
Stegman. (Piano & voice) © 22Jan433 EUS21504. Anne Block
Stegman (A); 5Nov70; R494509. MARCHING FOR UNCLE SAM; w &
m Michael Flagg. © 80ct42; EU311289. Michael Flage (A); 19Aug70;
R490311. THE MARCHING YANKEES; w & m Herbert Westbrook
Smith. NM: piano arr. & changed lyrics. © 19May43; EuUS34741.
Helen Rogers Smith (W); 17Aug70; R4.90233. MARES EATS OATS
AND DOES EAT OATS. MATRZY DOATS AND DOZY DOATS. See
MARIA; w J. Matthews, m T. Shand. © 8Deck3; EUS56703. Terry
Alister Shand (A}; 9Dec70; R496482. THE MARINES' HYMN; From
the halls of Montezuma to the shores of Tripoli, arr. David Bennett.
NM: arr. for band. © 30Aug43; EP116373. Carl Fischer, Inc. (PWH);
20Nov70; R494736. MARIONETTE; polka, m Dave Zattas & Harold
Grant. Melody. © 24Nov42; EUS16336. Dave Zattas & Harold Grant
(A)3 loONov70; R494801. MARK TWAIN; (The call of the river), w
Ray Evans (Raymond B. Evans), m Jay Harold Livingston. ©
23Dec43; EU358206. Raymond B. Evans (A); 28Dec70; R497589.
MARK TWAIN; w Ray Evans (Raymond B. Evans), m Jay Harold
Livingston. © 25Dec43; EUZ58206. Jay Livingston (A); 28Dec70;
R497590. MARRIED MAN'S BLUES; by Ernest Tubb. (In Ernest Tubb
song folio of sensational successes. v.35) © 9Dec3; EP169226.
Ernest Tubb (A); 14Dec70; R4.96966 . MARY AND NIPPER PRAY; m
Dave Snell. © 10Aug43; EUS45231. Metro-GoldwynMayer, Inc.
(PWH); 14Dec70; R496662. MARY CONFUSED; m Dave Snell. ©
10Aug43; EUS45232. Metro-Goldwyn-Mayer, Inc. (PWH); 14Dec70;
R496663. MARY, THE PRETTY CHORINE, IS GOING TO BE A
MARINE; w & m William Benson Richter. © 8Jul43; EUS59624.
William B. Richter (A); 29Ju170; R489271. MARY'S HEARTBREAK; m
Dave Snell. © 10Aug43; EUZ45255. Metro-GoldwynMayer, Inc.
(PWH); 14Dec70; R496664. MASONIC EPILOGUE; unison & men's
voices, by Douglas Howie, arr. C. Armstrong Gibbs. © on arr. for
unison or 4 part singing; 27Jul43; EF6848L. Elizabeth Ann Rust (C of
C. Armstrong Gibbs); 29Ju170; R488657. MASS IN HONOR OF OUR
LADY OF VICTORY; unison choir, organ acc., w: universal prayer of
church, m J. P. Connor. © 20Apr45; EP113191. Alice A. Connor, Mary
Connor & Thomas Connor (NK); 14Dec70; R496855. A MASTER
SELECTION OF COMPOSITIONS FOR ORGAN; edited & arr. Roland
Diggle, compiler. (Everybody's favorite series, no.54) WM: editing,
arrangements & compilation. © 9Ju145; EP1I49048. Amsco Music
Pub. Co. (PWH) >; 27Aug70; R490721. MATINEES MUSICALES; 2d
suite of 5 movements from Rossini, arr. Benjamin Britten. For
orchestra. Score. These entries alone may not reflect the complete
Copyright Office record pertaining to a particular work. RENEWAL
REGISTRATIONS © on arr.; 27Jul45; EF6B8492. Benjamin Britten
(A); 29Ju1705 RUBBEES MATTINATA FIORENTINA; tango, dalla
rivista E bello qualche volta andare a piedi, m Giovanni d'Anzi, w
Michele Galdieri. © 27Novi2; EF31863. Giovanni d'Anzi (A) &
Eugenio Galdieri (C); 18Nov70; R495482. MAXIMILLIAN THE MOTH;
w & m Johnny Lange & Bert Lawrence. © 50cth3; EUS49380.
Johnny Lange (A); 190ct70; R493518. MAYBE; song, w John J.
Mellein, m & arr. Milan Emil Roder. © 27Sep43; Bus48442. Josephine
Marie Roder (W); 28Ssep70; R492450. ME DESPIDO DE I; (carcion-
bdolero), letra: Jose ODE Za Musica: Nene Noriega. © 29Nov43;
EFG8914. Peer International Corp. (PWH); 2Dec70; R496140. ME
DICEN QUE; guaracha, letra y musica de Miguel Matamoros. ©
20Aug43; EF68606. Peer International Corp. (PWH); 8Sep70;
R490995. ME FOR YOU, FOREVER; from We've never been licked, w
Paul Francis Webster, m Harry Revel. © 290ct43; EU352064. Reni
Revel Schulman & Sam Revel (NK); 300ct70; RUOMHOT. ME GUSTAS
MUCHO; cancion bolero, letra y musica de Miguel Angel Pazos. ©
27Augh43; EF68601. Miguel Angel Pazos (A); 7Oct70; RyOIDS DENS
MEADOWLAND; Cavalry of the Steppes, lyric by Victor Gussev, m Lev
Knipper, English w Harold J. Rome, pf. transcription by Albert Sirmay.
NM: English words & transcription. © 16Sep43; EP117014. Harold
Rome (A), Emanuel Alexandre & Madeline Barta (E of Albert
Sirmay); 16Sep70; R491530. MEAN MAMA BLUES; by Ernest Tubb.
(in Ernest Tubb song folio of sensational successes. v.35) ©
9Dech43; EP169226. Ernest Tubb (A); 14Dec70; R496965. MEAN OL'
BED BUG BLUES; by Ernest Tubb. (In Ernest Tubb song folio of
sensational successes. v.3) © 9Dec43; EP169226. Ernest Tubb (A);
14Dec70; R496964 . MECHANICAL MEN; for piano solo, by Mark
Nevin. © 16Apr43; EP113168. Schroeder & Gunther, Inc., a division
of Associated Music Publishers, Inc. (PWH); 24Sep70; R492121.
MEDLEY OF OLD TIME SONES. POTPOURRI SONES. MEDORA; lyrics
& m Ellen EBay (Ellen Elizabeth Axelson) © 9Dech2; EU317607.
Ellen E. Axelson (A); 25Sep70; R492091. See MEET ME IN ST.
LOUIS. BOY NEXT DOOR. CLANG, CLANG, CLANG WENT THE
TROLLEY. HAVE YOURSELF A MERRY LITTLE CHRISTMAS. SKIP TO
MY LOU. MEET THE PEOPLE. CRISPUS ATTUCKS. FOUR FREEDOMS.
HE WAS ALL RIGHT HERE (HE'LL BE ALL RIGHT THERE) IT'S SMART
TO BE PEOPLE. JUAREZ AND LINCOLN. MAMA, IT'S SATURDAY
NIGHT. OLD SAD EYES. SHICKLEGRUBER . YOU'RE GOOD FOR MY
MORALE. See See X(SEE PLSO ME Gusras IS Wey 7), B MUCHO 5 R
SO7LSY ) 2547 MEETING PALMER; m Daniele Amfitheatror. ©
31dul45; EUS41928. Metro-GoldwynMayer, Inc. (PWH); 260ct70;
R495685. MEINE NICHTE SUSANNE; drei Chansons aus der
gleichnamigen Burleske, ftir Gesang u. Klavier, w & m Alexander
Steinbrecher. © 15Jun435; EF12312. Alexander Steinbrecher (A);
13Jul70; R488312. DIE MEISTERSINGER; by Richard Wagner, arr. for
string bass: Merle J. Isaac. NM: arr. © 28Sep43; EP117150. Carl
Fischer, Inc. (PWH of Merle J. Isaac); 20Nov70; R494735. MELODIA
QUE TENIA. (The song I won't forget), yaravi, arr. Irma Labastille.
(In Recuerdo latino-americano. p.14) © on arr. of piano acc.;
260ct43; EP117714. Irma Labastille (A); 260ct70; R493891.
MELODIOUS STUDIES. See FOUR AND TWENTY MELODIOUS
STUDIES. MELODY FOR WINDS; Six concert etudes for orchestra,
no.l, by Anis Fuleihan. Conductor's full score. © 63u143; &P117270.
Anis Fuleihan (A); 4Sep70; R490493. MELODY FROM PIANO
CONCERTO IN B FLAT MINOR; featured in the picture The great lie,
by Tschaikowsky [Peter Tlyitch Tchaikovsky], arr. Ernest Haywood.
NM: arr. for piano solo. © 4Augh2; EF67248. Keith Prowse Music
Pub. Co., Ltd. (PWH); 13Ju170; R487586. MELODY ON A SPREE;
theme & variations for 3 oboes, flutes, violins, trumpets, clarinets, or
recorders, m Ernest Lubin. © 24Dech2; EP112670. Ernest Lubin (A);
7Dec70; R496028. MELROSE OFFICIAL UNIVERSITY SONG BOOK;
compiled & edited by Harry A. Smith. © 83ul43; EP115219. Harry A.
Smith (A); 103u170; R488048. MEMORTES; m Egbert Van Alstyne,
arr. Remick Music Corp., employer for hire of Elmer Schoebel. NM:
arr. for vocal orchestration, key of F. © 16Nov43; EP118181. Warner
Bros., Inc. (PWH); 23Nov70; R49Q5740. MEMORIES OF EASTER
MORN; Easter choir Cantata, text arr. & m based on familiar Easter
hymns: Ellen Jane Lorenz. © on abridgement & arr. SAB chorus from
SATB. © l16Jan43; EP112533. Lorenz Pub. Co. (PWH); 13Nov70;
R494772. for MEN OF AMERICA; w & m Jay Deyo. © 9Sep42;
EP107640. Chappell & Co., Inc. (PWH); 6Ju170; R487858. MEN OF
TEXAS. See THE BARBER SHOP. MAIN TITLE. MRS. HOUSTON.
MEOU OW MEOU OW MEOU OW; w & m Ann L. Dolan (Anna L.
Dolan) © 120ct43; Z BUS50503. Anna L. Dolan (A); 120ct70;
R492838. THE MERRY MONTH OF MAY; mixed voices, w Stephen
Foster, m Alexandre Gretchaninoff. NM: music. © 120ct43;
EP117681. Sam Fox Pub. Co., Inc. (PWH); 21Dec70; R497143.
MERRY SPRINGTIME; based on the Bourree in D major by J. S.
Bach, text & arr. Margaret Bronson. © on text & arr. for three-pt.
chorus of women's voices with piano acc.; 153u145; EP115104.°
Margaret Bronson (A); 3Dec70; R496219. Contact the U.S. Copyright
Office for information about any additional records that may exist.
 2548 no.]1l: Harlem meander METROPOLITONES ; ©
8Mar43; (piano), by Ulric Cole. EP112400. Ulric Cole (A); 18Dec70;
R497329. METROPOLITONES; [no.]2: Lullaby in the Ulric Cole. park
(piano), b Ulric Cole (A); © 8Mar43; EP112401. 18Dec70; R497330.
no.]3: Man about town METROPOLITONES ; © 8Marh3; (piano), by
Ulric Cole. EP112402. Ulric Cole (A); 18Dec70; R4Q7331. MEXICAN
HAND CLAPPING SONG. See CHIAPANECAS, MEXICAN HAT DANCE.
See LAS CHIAPANECAS. MEXICAN HAYRIDE. See GOOD-WILL
MOVEMENT. I LOVE YOU. IT MUST BE FUN TO BE YOU. MEXICAN
HEAVEN; Mexican polka, w Elmer S. Hughes (a.k.a. Elliott Shapiro) &
John Graeson (a.k.a. John eee adapted to m by Jarabe Oficial.
(Voice, piano & guitar) (In International polka song folio) NM:
adaptation & word change. © 24Sepl3; EP117566. Shapiro,
Bernstein & Co., Inc. (PWH of Elltott.Shapiro) & Jesse S. Sunshine (E
of John Klenner); 28Sep70; R492190. MEXICAN HEAVEN; polka, w
Elmer S. Hughes (pseud. of Elliott Shapiro) & John Graeson (pseud.
of John Klenner), adapted to m: Jarabe oficial. (Voice, piano &
guitar) (In International polka song folio © on changed words;
24Sep43; EP117566. Jesse S. Sunshine (EZ of John Klenner);
290ct70; R495 055. MEXICAN MUCHACHA; w & m Clive Richardson
& June Trevor. © 16Aug43; BF68632. Clive Richardson & June Trevor
(A); 17Aug70; R490008. MEXICO CITY; w Mort Greene, m Walter
Donaldson, arr. Lou Halmy. © 22Nov45 ; EP118236. Ellen Bernice
Donaldson & Sheila Lynn Donaldson (C); 23Nov70; R495427 .
MEXICO JOE; w Johnny Lange, m Leon Rene. © 2J3u143;
EU339272. Leon Rene (A); 19Aug70; R490312. MEXICO JOE (THAT
ROLY POLY CABALLERO) ; w Johnny Lange, m Leon Rene. ©
2Ju143; EU339272. Johnny Lange & Leon Rene (A); 7Jul70; 48796 5
MEXICO JOE (THAT ROLY POLY CABALLERO) ; w Johnny Lange, m
Leon Rene. © 2Augh3; EP116952. Johnny Lange & Leon Rene (A);
160ct70; R493412. MEXICO JOE (THE JUMPIN', JIVIN' CABALLERO);
w Johnny Lange, m Leon Rene. © 10Jun43; EU336729. Johnny
Lange (A); 190ct70; R493515. MI BOLERO; letra }. musica de
Ernesto Garces. © 1Sep43; EP116215. Ernesto Garces (A); 70ct70;
R492763. MI CANCION; cancion bolero, letra y musica de Maria
Grever. © on rev. lyric & new piano arr.; 15Ju143; EP115054.
Charles E. Grever (C); 16Ju170; R488186. MI CANCION; bolero, letra
y m Maria Grever. © on piano arr. & rev. words; 15Jul43; EP115054.
Charles Grever (C); 17Ju170; R488461. MUSIC MI ESPERA;
(cancion-bolero), letra y musica de Rene de la Maza. © l4DecH3;
EF68957. Peer International Corp. (PWH); 28Dec70; R497262. MI
GALLO COLORA; letra y musica: Ramon Cabrera. © 80ct43;
EF68744. Ramon Cabrera (A); 190ct70; R493451. MI NATA; no.2
[from] Two Costa Rican dances, by Jose Quesada, arr. Angel Del
Busto. For symphonic band. © 10Sep42; EP107516. Templeton Pub.
Co., Inc. (PWH); 8Sep70; R490959. MI PERDIDO AMOR; w & m
Mario Fernandez Porta. © 23Dec42; EF35025. Mario Fernandez
Porta (A); 260ct70; R493770. MI SERENATA CUBANA. (My Cuban
serenade), tango, m Lester Pease, Jr. & Martin Beirne. (Melody with
piano acc.) © 63u143; EuUs40942. Martin Beirne (A); 8Sep70;
R491082. MI SUENO AZUL. See THANKS FOR THE DREAM.
MIDNIGHT FLYER; w & m Fred Rose & Hy (i.e. Walter Henry) Heath.
© 110ct43; EP117490. Lorene Harman Rose (W); 120ct70;
R492833. MIDNIGHT FLYER; w & m Fred Rose & Hy (4.e. Walter
Henry) Heath. © 110ct43; ae eae Rose Heath (W); 120ct70;
R4Q2834. MIDNIGHT FREIGHT; m Billy Hayes (pseud. of W. Symon)
& Harry Dupree, a.k.a. Harry Dapeer. © 24Augh3; BUBUU578. Harry
(Dupree) Dapeer (A); 18Sep70; R491116. MIDNIGHT JUMP; w & m
Mack David, Al Hoffman & Jerry Livingston. © 10Sep43; EP116306.
Mack David (A); 11Sep70; R491405. MIDNIGHT JUMP; w & m Mack
David, Al Hoffman & Jerry Livingston. © 10Sep43; EP116306. Jerry
Livingston (A); 11Sep70; R491406. MIDNIGHT JUMP; w & m Mack
David, Al Hoffman & Jerry Livingston. © 10Sep43; EP116306. Nancy
Hoffman Propas (W); 11Sep70; R491407. MIDNIGHT MATINEE; by
Charley Hathaway. © 25Augh3; EP116051. Melba Hathaway (W);
23Sep70; R491137. Justin Stone. dustin Stone MIDNIGHT
NOCTURNE; b © 270ct43; §£US51828. (A); 290ct70; R495850.
MILLS POPULAR STANDARD SOLOS FOR CLARINET; with piano acc.,
arrangements for clarinet & piano: George Van Leaman. NM:
arrangements. © 29DecH2; EP112725. Mills Music, Inc. (PWH);
17Dec70; R496911. MILONGA QUE PEINA CANAS; w & m Alberto
Gomez. © 7Dec42; EF352501. Alberto Gomez (A); 25Nov70;
R495734. MILONGA QUE PEINA CANAS; milonga turfistica, letra Y,
musica de Alberto Gomez. © 31Dec42; EF68212. Alberto Gomez
(A); 25Nov70; R495735. MIMI WITH THE DARK BROWN EYES; w &
m Terry Parker. © 4Nov42; EU314160. Terry Parker (A); 3Nov70;
R494471. MINIATURAS. See TRES MINIATURAS. (R) MINIATURE;
from Due piccoli pezzi per organetto portativo by Michaelangelo July
—Dec. Rossi, transcribed for organ by Sigfrid Karg-Elert. © on
transcription; 1Sep43; EP116323. A. P. Schmidt Co. (PPW of Sigfrid
Karg-Elert); 260ct70; R4937 89. MINNESOTA, MARCH ON! Lyric by
Gwen Sweet, m Milo Sweet. © 31Mar43; EUS28917. Milo Sweet &
Gwen Sweet (A); 6May70; R489532. MINNESOTA WALTZ; m Bob
Ross. Orchestra. © 30Ju143; EP117457. Vitak-Elsnic Co. (PWH);
12Nov70; R494581. MINNIE'S IN THE MONEY; (from Twentieth
Century Fox film The gang's all here), w Leo Robin, m Harry Warren.
© 80ct43; EP117277. Twentieth Century Music Corp. (PWH);
120ct70; R492062. MINOR GOES MUGGIN'; fox-trot, m composed &
arr. Sy Oliver. (For orchestra) © 15Sep43; EP116571. Sy Oliver (A);
17Sep70; R491543. MINUET FROM L'ARLESIENNE SUITE NO.23; by
Georges Bizet, arr. Gerado Tasilli. © on arr. for band; 3Aug43;
EP117269. G. Schirmer, Inc. (PWH of Gerado Tasilli); 8Sep70;
R491339. MINUET IN BOOGIE; from picture Higher and higher, w
Harold Adamson, m adapted from Paderewski's Minuet by Jimmy
McHugh. © on lyrics & adaptation as a song; 28Sep43; EUS49543.
Harold Adamson (A); 29Sep70; R492H70. MINUET IN BOOGIE;
adapted from Paderewski's Minuet, from Higher and higher, w Harold
Adamson, m Jimmy McHugh. NM: lyric & arr. for voice & piano. ©
12Nov43; ee Harold Adamson (A); 13Nov70; R494622. MINUET IN
BOOGIE; adapted from Paderewski's Minuet, from picture Higher
and higher, m Jimmy McHugh, lyric: Harold Baeueors © 12Nov43;
EP118728. ames McHugh, Jr. (C); 20Nov70; R455 05. 3 ( )E V7 >
MINUET IN BOOGIE; adapted from Paderewski's Minuet, from
picture Higher and higher, m Jimmy McHugh, lyric: Harold Adamson.
NM: lyrics & adaptation. © 28Sep43; EUS49543. James McHugh, Jr.
(C); 20Nov70; R495511. MIRANDA; arr. for chorus of men's voices,
m Richard Hageman, choral version by Harvey Enders, w Hilaire
Belloc. © on arr.; 5Sep41; BP97388. Ruth Enders (W); i8apr69;
R460149. MISS BILLIE WALKER'S SELECTED SONGS AND ORIGINAL
POEMS. See HEAR ME WHEN I PRAY. LITTLE PINTO. MAKE YOUR
APPOINTMENT TODAY. A NEW BORN SOUL. OUR MANY FRIENDS.
PERFECT JOY. THAT WILL BE A HAPPY MEETING. THERE'S A
HEAVEN FOR MY SOUL. VICTORY THROUGH JESUS ONLY. MISS
JEMIMA WALKS BY; from Dixie, w Johnny Burke (John F. Burke), m
Jimmy Van Heusen. © 6Aug43; EP115635. Mary Burke March (W),
Rory Burke, Regan Regan & Timolin Burke (C of John F. Burke);
7Aug70; R489791. MISS JEMIMA WALKS BY; from Dixie, w Johnny
Burke (John F. Burke), m Jimmy Van Heusen. © 6Aug43; EP115635.
Jimmy Van Heusen (A); 7Aug70; R489792. These entries alone may
not reflect the complete Copyright Office record pertaining to a
particular work. Contact the U.S. Copyright Office for information
about any additional records that may exist.
 1970 RENEWAL REGISTRATIONS MISS JEMIMA WALKS BY;
from Dixie, w Johnny Burke, m Jimmy Van Heusen, © 6Aug43;
EP115635. Mary Burke March (W), Kevin Burke, Regan Burke Regan,
Rory Burke Stanley & Timolin Anthony Burke (C); 3Sep70; R492141.
MISS LULU FROM LOUISVILLE; from picture Coney Island, lyric by
Leo Robin, m Ralph Rainger. © 23Jul43; EP115277. Twentieth
Century Music Corp. (PWH); 260ct70; R49Z8S4. MISSION TO
MOSCOW; composed & arr. for orchestra: Mel Powell. NM: arr. ©
15Nov45; EP118464. Mel Powell (A)3 21Dec70; R497182.
MISSISSIPPI DREAM BOAT; from Swing fever, w Lew Brown & Ralph
Freed, m Sammy Fain. © 16Dec43; EP119057. Sammy Fain (A);
l7Dec70; R497321. MISSISSIPPI DREAM BOAT; from Swing fever, w
Lew Brown & Ralph Freed, m Sammy Fain. © 16Dec43; EP119057.
June Brown (W), Naomi Brown Greif & Arlyne Mulligan (C of Lew
Brown); 17Dec70; R497322. MR. BIG. See THE BOOGIE WOOGIE
SANDMAN. THIS MUST BE A DREAM. MISTER FIVE BY FIVE; from
picture Behind the eight ball, by Don Raye & Gene De Paul, special
arr. Vic Schoen. © on arr. for large orchestra; 210ct42; EP108672.
MCA Music, a division of MCA, Inc. (PWH of Vic Schoen); 6Jul170;
R488032. MISTER FIVE BY FIVE; fox trot, by Don Raye & Gene De
Paul, arr. Vic Schoen. © on arr. for small orchestra; 120ct42;
EP109349. MCA Music, a division of MCA, Inc. (PWH of Vic Schoen);
6Ju170; R488037. MISTER FIVE BY FIVE; fox trot, from picture
Behind the eight ball, by Don Raye & Gene De Paul, arr. Vic Schoen.
Orchestra with words. © on arr.; 10Dec42; EP109865. MCA Music, a
division of MCA, Inc. (PWH of Vic Schoen); 17Aug70; R490750.
MISTER FIVE BY FIVE; from picture Behind the eight ball, by Don
Raye & Gene de Paul, arr. Paul Yoder. © on arr. for band; 28Dec42;
EP110296. MCA Music, a division of MCA, Inc. (PWH of Paul Yoder);
17Aug70; R490751. MISTER LUCKY ME; w & m Chummy MacGregor
© 4Aug43; EP115455. (J. C. MacGregor) J. C. MacGregor, a.k.a.
Chummy MacGregor (A); 7Ang70; R489430. MISTER MOON; w & m
Bobby Swann (Margaret Bobby Swann Jacobsen) © 8Nov43;
EU554387. Margaret Swann (A); 12Nov70; R494560. MISTER
POLLYANNA; in picture True to life, w Johnny Mercer, m Hoagy
Garmichael. © 30Aug43; EP116151. Famous Music Corp. (PWH);
2Sep70; R490897 . MR. WU HAS GONE AND JOINED THE ARMY; w
& m Jack Cottrell, ukulele arr. R. S. Stoddon. © 290ct42; EF67589.
Dorothy Cottrell (W); 220ct70; R492531. MRS. HOUSTON;
(continued), from UniverSal picture Men of Texas, by Edward Ward.
Conductor. Universal Music Corp. (PWH); 4Feb70; R478683. ( also
Mrs. Houston; 16Ju170; R462089) These entries alone may not
reflect the complete Copyright Office record pertaining to a particular
work. © 3Feb43; EUZ25981. MRS. HOUSTON; (con't. ), from
Universal picture Men of Texas, by Edward Ward. © 3Feb43;
BUZ23981. Universal Music Corp. (PWH); 16Ju170; R488080. See
also Mrs. Houston; 4Feb70; R478683. MITZI; serenade, m Leslie
Bridgmont, arr. Clive Richardson. For full orchestra. © on arr.;
23Sep42; EF67512. Clive Richardson (A); 17Aug70; R495195.
MITZI; serenade, piano solo, composed by Leslie Bridgmont,
transcription by Fred Hartley. © on transcription; 24Sep42; EF67510.
Fred Hartley (A); 17Aug70; R495196. MIX UP; fox-trot, composed &
arr. Sy Oliver. © oon arr. for orchestra; 15Sep43; EP116878. Sy
Oliver (A); 17Sep70; R491546. MLADI VOJAKI MARCH; piano
accordion, by V. Parma, arr. Joseph P. Elsnic. © on arr.; 26May43;
EP117469. VitakElsnic Co. (PWH of Joseph P. Elsnic); 12Nov70;
R494593. MOBILE BAY; by Rex Stewart & Duke Ellington. Pf. treble.
© 25Feb43; EU325253. Helena S. Ashby, Regina Stewart & Rex
Stewart III (C); 10ct70; R492515. MODERN HOT CLARINET SOLOS;
no.2, arr. Woody Herman. © on arr. with piano ace.; 90ct37 (in
notice in CCE: 1943); EP117478. Woody Herman (A); 12Nov70;
R495476. MODERN PIANO MOODS. See FIVE MODERN PIANO
MOODS. THE MOMENT I FOUND YOU; w & m Jonnnie Lee. (Words
& melody) © 30Nov42; BU316800. Johnnie Lee (A); Z0Nov70;
R495816. MOMENTI MUSICALI. See CINQUE MOMENTI MUSICALI,.
MOMENTS. (Momentos eee by pinay Lands (James E. Sussdorff) ©
28dul43; EP115587. James E. Sussdorff (A) 31du170; R489699. 2
MOMMY, PLEASE STAY HOME WITH ME; by John Wallace Fowler & J.
Graydon Hall. © 17du143; EU340656. John Wallace Fowler & J.
Graydon Hall (A); 27Ju170; R488389. MONTAGE; by George
Bassman. © 9QAug3; BUZ43113. Metro-Goldwyn-Mayer, Inc.
(PWH); 14Dec70; R496696. MONTES DE MI QUEGUAY; (canto y
quinteto), letra: Luis Alberto Fernandez, musica: Vicente Ascone. ©
15Dec42; EF25800. Vicente Ascone (A); 300ct70; R494184. MOON
DREAM LANE; w & m Louis Herscher & Andy Iona. © 17Nov43;
EUS54349. Louis Herscher (A); 18Nov70; R494970. MOON DREAMS;
w Johnny Mercer, m Ch MacGregor (J. C. MacGregor) © 300ct43;
EUS53463. Johnny Mercer & J, C. MacGregor (A); 2Nov70; R494267.
MOON TIDE; w & m Willard Robison. sheet. © 24Jun43; EUS38467.
Robison (C); 22Ju170; R488537. Lead Joline MOONLIGHT HOLIDAY;
w Del Porter, m Maurice de Packh. Piano with guitar arr. 2) 80ct43;
EP125660. Paramount Music Corp. (PWH); 120ct70; R493031. 2549
A MOONLIGHT MELODY; serenade, by K. L. King. (For band) ©
alisep4s; EP116864, Karl L. King (A); 220ct70; R493597 . THE
MOOSE; m Ralph Burns. © 30NovA3; —U355857. (A); 14Dec70;
R496865. For piano. Ralph Burns MORAVO! (Moravia) (Moravian folk
song), English adaptation by Olga Paul, arr. H. A. Schimmerling.
(English & Czechoslovakian text) © on English words & arr. for
SATB; 22Jun43; EP114629. Edward B. Marks Music Corp. (PWH);
6Ju170; R487746. MORE THE MERRTER. See DAMN THE
TORPEDOS, FULL SPEED AHEAD. MORENA MIA; letra & m.: Jesus
Guzman Arce. © 22Ju143; BUZ43549. Jesus Guzman Arce (A);
l4Aug70; R490228. MORNING PRAYER. See GOD'S GOT HIS EYES
ON YOU & A MORNING PRAYER. MORRIS MAYFAIR SONG FOLIO
NO.1; w&m various authors & composers, compiler: Charles Hansen.
© 13Sep43; EP117202. Mayfair Music Corp. (PWH of Charles
Hansen); 70ct70; R492631. MORTON DOWNEY'S COLLECTION OF
FAVORITE IRISH SONGS. See DOWNEY'S (MORTON) COLLECTION
OF FAVORITE IRISH SONGS. THE MOSQUITO; [from] Two concert
etudes for the piano, by Frederick Loewe. © 8Mar43; EP112404.
Frederick Loewe (A); 20Jdu170; R488480. MOTHER EARTH; w Jack
Allen, m Leone Perry Allen, a.k.a. Toni Beaulieu. © 24Nov43;
EUZ55177. Toni Beaulieu (A); 25Nov70; R495752. MOTHER, I
THANK YOU (FOR THE BIBLE YOU GAVE}; by C. V. Clark (pseud.:
Clarke Van Ness Lead sheet only with lyrics. © 3Sep43; EUS45832.
C. V. Clark (pn.: Clarke Van Ness) (A); 21Sep70: R492020. MOTHER,
MOTHER, MOTHER, IS IT GOOD OR IS IT BAD? w & m Charlie
Tobias (Charles Tobias) © 2Aug43; EP115496. Edna Tobias (W),
Jerome N. Tobias & Frederick K. Tobias (C); 27Aug70; R490650.
MOTHER OF MINE (I LOVE YOU); w & m Ida Kay O'Brien, arr.
William S. Jenckes. © 6Sep43; EUS46147. Ida Kay O'Brien (A);
18Sep70; R491753. MT. CARMEL POLKA; piano accordion, m
Thomas J. Waldron. © 19Jan43; BU321165. Thomas J. Waldron (A);
12Nov70; R494564. MOVE IN WITH US (MOTHER-IN-LAW); pf.
treble with w, w & m Johmny Tucker (John A. Tucker) © 24Augh3;
EUS49704. John A. Tucker (A); 24Aug70; R490607. MOVE UP! w
Charles Frederick Weigle, m Gladys Blanchard Muller. (in I sing of
Thee) © 18Jun43; EP115340. Gladys Blanchard Muller (A);
16Sep70; R491713~ MUJER MEXICANA; paso-doble, letra de
Fernando Sainz de Aja, musica y arreglo de Rafael Oropesa.
Orchestra. © 8Dec42; EF67845. Promotora Hispano Americana de
Musica, S.A. (PWH); 14Sep70; R491377. Contact the U.S. Copyright
Office for information about any additional records that may exist.
 2550 LA MULATA CALLEJERA. (The flirtatious mulatta),
guaracha, arr. Irma Labastille. (In Recuerdo latinoamericano. p.19)
© on arr. of piano ace.; 260ct43; EP117716. Irma Labastille (A);
260ct70; R493893. MUMMER'S CAROL. See AS JOSEPH WAS A-
WALKING & MUMMER'S CAROL. MUSIC BY THE MOON (WORDS BY
YOU AND ME); lyric by Winston Tharp & Woody Herman, m Joe
Bishop. © 10Jun43; EU336891. Charling Music Corp. (PWH of Joe
Bishop); 29Jun70; R487660. MUSIC FOR THE PLEDGE OF
ALLEGIANCE; m Kennedy Nelson (a.k.a. Kenneth F. Nelson) ©
50ct42; EUZ11002. Kennedy Nelson (a.k.a. Kenneth F. Nelson) (A);
14du170; R488152. MUSIC IN THE AIR. See THE SONG IS YOU.
MUSIC OF CHOPIN; for piano, Samuel Spivak, compiler. (World's
best music series, no.24) NM: compilation & arrangements for piano.
© 15Sep43; EP117028. Amsco Music Pub. Co. (PWH); 17Sep70;
R491547. MUSIC OF OUR TIME. See PAGES FROM NEGRO HISTORY.
MUSIC OF THE SPHERES; [no.]7-9, w & m Lotus Ray King, pseud. of
Edna W. Ballard, arr. Frederick Landwehr. © 20ct43; EP118136. Saint
Germain Press, Inc. (PWH); 160ct70; R493352. MUSIC STOPPED;
from picture Higher and higher, w Harold Adamson, m Ji McHugh. ©
28Sep43; Eus48662. Harold Adamson (A); 29Sep70; R492468.
MUSIC STOPPED; from Higher and higher, w Harold Adamson, m
Jimmy McHugh. © 12Nov43; EP118740 Harold Adamson (A);
135Nov70; R494626. THE MUSIC STOPPED; from RKO picture
Higher and higher, m Jimny MeRUEHs lyric: Harold Adamson. ©
12Nov43; EP118740. James McHugh, Jr. (C); 20Nov70; R495508.
THE MUSIC STOPPED; from picture Higher and higher, m Jimmy
McHugh, lyric: Harold Adamson. © 28Sep43; EU548662. James
McHugh, Jr. (C); 20Nov70; R495510. MUSIC TO A POEM; for piano,
m Florence F. Wronikowski. © 31Augh2; EU30761. Florence F.
Wronikowski (A); 133u170; R488139. MUSICA 1941; (piano) by H. J.
Koellreutter. © 8Dec42; EFI5038. H. J. Koellreutter (A); 70ct70;
R491949. MUSICAL HUMORESQUE. See PERPETUUM MOBILE.
MUSICANA FOLIO; a folio of popular song hits, compiler: R. B.
Gilmore. WM: compilation. © 150ct43; EP117802. Peer International
Corp. (PWH); 260ct70; R493764. FUR STREICHORCHESTER; by
Harald Genzmer. Partitur. © 10Sep43 ;_ 6. Harald Genzmer (A);
260ct70; MUSIK MUST I DREAM? m Norman Edward Conine w Ruth
R. Conine. © 7Augh3; BU34 2881. Norman Conine & Ruth Conine
(A); 2Sep70; R490332. m Laura G. Lemon, arr. for 8S by Doris
Arnold. © on MUSIC arr.; 28Dec43; EF68947. Harry S. Pepper (Wr of
Doris Arnold); 31Dec70; R497632. MY AMERICA; w & m Joe Singer
{foseph Singer) © 29Mar43; EU528596. Joseph Singer (A); 50ct70;
R492713. MY BIG BROTHER; w & m Mack David. © 2Augh};
EUS42589. Mack David (A); 4Aug70; R489521,. MY BUDDY; fox trot,
w Gus Kahn, m Walter Donaldson, arr. Remick Music Corp., employer
for hire of Jimmy Dale. NM: arr. for small orchestra (8 pieces) ©
3Nov43; EP117889. Warner Bros., Inc. (PWH of Jimmy Dale);
9Nov70; R4946901. MY CUBAN SERENADE, See MI SERENATA
CUBANA. MY DAMAGED HEART. See CORAZON HERTDO. MY
DARLING CORINNE; w & m Nat Vincent & Zeke Manners. © 3Dec42;
EP113486. Nat Vincent (A); 3Dec70; R496114. MY DARLING
CORINNE; w & m Nat Vincent & Zeke Manners. © 3Dec42;
EP113486. Zeke Manners (A); 3Dec70; R496115. MY DARLING,
TODAY YOU'RE MINE! Voice & piano, w & m Romeo Emilio Guaraldi.
© 200ct43; EU351097. Romeo Emilio Guaraldi (A); 4Nov70;
R495362. MY DEAR PUBLIC. See THIS IS OUR PRIVATE LOVE SONG.
MY DOG RAGS; w & m Milly Bowers Feighner (now known as Milly
Herman) © 6Jul42; EUZ01397. Milly Herman (A); 29Jun70;
R487773. MY DREAM; lyrics by Pat Valenti, m Robert Gerber. ©
230ct42; EU516000. Robert Gerber (A); 31Aug70; R490662. MY
DREAM. See EL SUENO. MY DREAM BOOK OF MEMORIES; (from the
U.S. Army Air Forces play Winged victory), w x m David Rose. ©
8Dec43; EP118756. Bregman, Vocco & Conn, Ine. (PWH); 10Dec70;
R496524. MY FIRST LOVE; w Mack David, m Ruth Lowe. © 150ct43;
EP117580. Mack David (A); 160ct70; R495340. MY FIRST LOVE; w
Mack David, m Ruth Lowe. © 150ct43; EP117580. Mack David &
Ruth Lowe (A); 2Nov70; R4Q4S41. MY GARDEN IN KALUA; w & m
louis Herscher & Andy Iona. © 17Nov43; EU354356. Louis Herscher
(A); 18Nov70; R494976. MY GIRL IN THE U.S.A.; song, w John J.
Mellein, m & arr. Milan Emil Roder. © 27Sep43; BU348453. -
Josephine Marie Roder (W); 28Sep70; R492461. MY GIRL IS A
REGULAR GIRL; m Milton Lustig, w Milton Adair (Hamilton A.
Gordon) © 6Aug43; EP115648. Consolidated Music Publishers, Inc.
(PWH of Hamilton A. Gordon); 7Oct70; R492559. MY HEAD SAYS
YES, BUT MY HEART SAYS NO; w & m Harry Dial. © 220ct43;
EU351282. Harry Dial (A); 260ct70; R493869. MY HEART CROSSED
THE OCEAN; foxtrot, by Cliff Sundin (Clifford Emanuel Sundin) )
13Dec43; EU361082. Clifford Emanuel Sundin (A); 15Dec70;
R497653. July—Dec. MY HEART IS YEARNING; w Mae Hippler, m Leo
& Hector Richard. © 8May43; EUS33216. Mae Hippler (A); 210ct70;
R4Q3551. MY HEART TELLS ME; (Should I believe my heart?) (from
Sweet Rosie O'Grady), 7 w Mack Gordon, m Harry Warren. ©
2Sep43; EP116250. Harry Warren (A); 3Sep70; R490854. ‘ ' { . MY
HEART TELLS ME; (Should I believe ] my heart?) (from the 20th
Century Fox film Sweet Rosie O'Grady), w Mack Gordon, m Harry
Warren, © 2Sep43; EP116250. Twentieth Century Music Corp.
(PWH); 4Sep70; R495499. MY HEART'S DESIRE; w & m C. Austin
Miles. (In Good news in song. no.121) © 2Sep43; EP117936.
Rodeheaver Co. (PWH); 8Sep70; R490950. MY HERO; from The
chocolate soldier, m Oscar Straus, arr. M. Witmark & Sons, employer
for hire of William Teague. NM: arr. for cornet & piano. © 1Dec43;
EP118504. Warner Bros., Inc. (PWH) ; 4Dec70; R496199. MY HOME
TOWN; w Deke Moffitt (Delo: White Moffitt), mA. M, ee © 20Marh5;
UGE eee (A); 223u170; R488536. MY HOPELESS LOVE; w & melody
by Joseph Thomas Abbas. © 24Sep42; EUs11411. Joseph T. Abbas
(A); 22Sep70; R492895. MY HUNGER FOR YOU; w Mrs. Ted E.
Leider (Frances E. Leider), m Lew Tobin. | Piano. © 2eMay45;
EU334980. Frances © . Hague. Albert Hague E. Leider (A);
17Aug70; R490254, MY INTUITION; from The Harvey girls, w
Johnny Mercer, m Harry Warren. © 22Nov43; EUS54878. Harry
Warren (A); 23Nov70; R495424. MY JESUS, I LOVE THEE; m A. J.
Gordon, wW: anonymous, B. D. Ackley, arranger. of m. (In Sacred
trios for sopranos and altos) © on arr.; 3May43; EP114925. Gertrude
Ackley Dye (C); 6Aug70; R489555. ; MY JOE; fr. Carmen Jones, w
Oscar Hammerstein 2d, m Georges Bizet, arr. Robert Russell
Bennett. © on words & arr.; 180ct43; EP117539. Dorothy
Hammerstein (W), Alice Hammerstein Mathias, William
Hammerstein, James Hammerstein (C) & Robert Russell Bennett (A);
190ct70; R495485. — MY JOE; from Carmen Jones, w Oscar
Hammerstein 2d, m Georges Bizet, arr. Russell Bennett. NM: words
& | arr. © 180ct43; EP117539. Dorothy B. Hammerstein (W), Alice
H. Mathias, William Hammerstein & James B. Hammerstein (C);
190ct70; R493504. MY KINGDOM OF DREAMS; w Arnold McGuire, a
Leo Se © 7Augh3; EUS44859. ess Wald (W of Leo Erdody); 7Aug70;
R489566. 1S (Se MY LAST LOVE; fr. What's up? w Alan Jay Lerner, m
Frederick Loewe. © 17Dech3; EP119177. Alan Jay Lerner ~ &
Frederick Loewe (A); 18Dec70; R496921. MY LIFE'S BEEN A
PLEASURE; w & m Jesse Ashlock. © 16Aug43; EP116303. Jesse
Ashlock (A); l7Aug70; R490148. MY LITTLE DARLING; w & m Ollie
Knudsen. © 8Apr43; EP113126. Evan Georgeoff Music Pub. Co.
(PWH); 130ct70; R492881. MY LITTLE HEN. See LA POLLITA. These
entries alone may not reflect the complete Copyright Office record
pertaining to a particular work. Contact the U.S. Copyright Office for
information about any additional records that may exist.
 1970 MY LITTLE JENNY WREN; w&m J. P, Long. ©
29Dec43; EF9280. Ethel M. Blair (C); 31Dec70; R497753. MY LITTLE
FOLLY'S A PEACH; w & m Geo. M. Conan, arr. of plano acc.: H. 0.
Henneman. NM: arr. © 29Apr3; EP113557. Edward B. Marks Music
Corp. (PVH of H. O. Henneman); 21Aug70; R49Q0277. MY LITTLE
PRAIRIE FLOWER; w Al Stillman, m Irving Miller. © 2Sep43;
HU345859. Al Stillman & Irving Miller (A); 4Sep70; R491069. MY
LITTLE SATLOR MAN; w & m Hugh Charles & Don Pelosi. ©
30Sep43; EF68772. Hugh Charles (A) & Mathilda Pelosi (W);
6Nov70; R495816. MY LOVE GOES WITH YOU; song, m Maurice
Besly, w Aubrey Dowden, pseud. of Maurice Besly. © 24Sep45;
EF68658. Marguerite Besly (W); 28Sep70; R492132. MY LOVELY
LENORE. (Negra Leono) English lyric by Sunny Skylar, m Antonio
Fernandez. NM: English lyric. © 10Sep43; EP116557. Sunny Skylar
(A); 28Sep70; R492201. MY MEDITATION; w & m Jack Keller (John
N. Keller) & A. Keller. © 27May43; EU336510. John N. Keller (A);
15Ju170; R488326. MY MOTHER TOLD ME; m Jimmy McHugh, w
Ralph Freed. © 8Sep43; EUS46523. James McHugh, Jr. (C);
160ct70; R493384. MY, MY, AIN'T THAT SOMETHIN’; from Stormy
weather, w & m Pinky Tomlin & Harry Tobias, arr. Lou Halmy. ©
143u143; EP115231. Harry Tobias (A); 15du170; R488527. MY
NATIVE LAND; lyric: Lewis Allan (pseud. of Abel Meeropol), m
George Kleinsinger. © 22Mar43; EP112911. Lewis Allan (pseud. of
Abel Meeropol) & George Kleinsinger (A); 21Aug70; R490275. MY
OWN SOLDIER BOY; w & m Frona Osborne (Fannie Sophronia
Faulkner Osborne Lowe) © 30Sep43; BUS48791. Fannie Bopnronte
Faulkner Lowe (A); 6Nov70; R493592. MY PAL--CIGARETTE; song, w
H. R. Kuehner, m George Johnson. © 280ct42; EP109018. J. George
Johnson (A); 20ct70; R492700. MY PIN UP GIRL; fr. w & m Harold
Rome. © 50ct43; EP117169. 7Oct70; R492553. Stars and gripes,
Key of F. Harold Rome (A); MY PIPE DREAMS; m Tommy Reynolds.
© 30Nov42; EUS16692. Tommy Reynolds (A); 20du170; R488250.
MY PRINCE; lyrics & m Ellen Eay (Ellen Elizabeth Axelson) © 9Dec2;
EU317605. Ellen E. Axelson (A); 25Sep70; R492089. MY PSALM;
text: John Whittier, m F. Melius Christiansen. (St. Olaf Choir series,
v.11, no.212) © ZAyg43; EP115624. Olaf C. Christiansen (C);
4Dec70; R495945. MY RADIO'S DIALED (TO HEAVEN ON HIGH); w
&m Roy Acuff. © 15Feb43; EP111761. Roy Acuff (A); 2Nov70;
R494245, MY REDEEMER; B. D. Ackley, arranger of mM, m James
McGranahan, w P. P. Bliss. (In Sacred trios for sopranos and These
entries alone may not reflect the complete Copyright Office record
pertaining to a particular work. RENEWAL REGISTRATIONS Bieee ge
arr.; 3Ma pee EP114928. ertrude Ackley Dye (C); 6A 03 R489358.
yes Hie MY ROSE OF WAIKIKT; w & m Louis Herscher & Andy Iona.
© 17Nov43;~ EUS54354. Louis Herscher (A); 14dec70; R4Q6444.
MY SAFE HARBOR; lyrics & m Ellen Ea (Ellen Elizabeth Axelson) ©
5Aug42; EUS04845. Ellen E. Axelson (A); 6Ju170; R487756. MY
SAM; from Sweet Rosie O'Grady, w Mack Gordon, m Harry Warren.
© 2Sep43; EP116249. Harry Warren (A); 3Sep70; R490853. MY
SAM; (from the 20th Century Fox film Sweet Rosie O'Grady), w Mack
Gordon, m Harry Warren. © 2Sep43; EP116249. Twentieth Century
Music Corp. (PWH); 4Sep70; R495498. MY SAVIOUR SPEAKS TO ME;
w Elsie Duncan Yale, Clarence Kohlmann, arranger of m from
Viennese melody. (In Sacred trios for sopranos and altos) © on
words & arr.; 3May43; EP114923. Rodeheaver Co. (PWH); 6Aug70;
R489353. MY SAVIOUR'S FACE; w & m A (In Homer Rodeheaver's
tion for low voice. pb EP118253. Alice Clare A 220ct70; R495738. MY
SHINING HOUR; from picture The sky's the limit, lyric by Johnny
Mercer, m Harold Arlen. © 23u143; EP114840. Harold Arlen (A);
160ct70; R493454. MY SOUL IS SATISFIED; w & m Cleavant
Derricks. © 14Ju143; EP130254. Hill & Range Songs, Inc. (PWH);
273u170; R488390. MY VICTORY SWEETHEART; m Byron Brooks, w
Leroy R. Kerns. © 160ct42; HU312212. Leroy R. Kerns (A); 8Sep70;
R490334. MY WORLD OF TOMORROW; w & m A. Clawson &
Toussaint Pope. lp. © 25Sep43; EU348327. Toussaint L. Pope (A);
28Sep70; R4gekLO, N NA PREJ MARCH; Slovenian, piano accordion,
by Louis Vitak, arr. Joseph P. Elsnic. Vitak-Elsnic Co. (PWH of Joseph
P. Elsnic); 12Nov70; R494592. NA TEJ NASI PORCI. (On our porch),
polka, by Henry Jungman. Orchestra. © 2Aug43; EP119800. Vitak-
Elsnic Co. (PWH); 12Nov70; R4O46O1. NA TEJ NASI PORCE. (On our
porch), polka, by Henry Jungman, arr. Joseph P. Elsnic. Piano with
words. © on arr.; 220ct45; EP120952. VitakElsniec Co. (PWH of
Joseph P. Elsnic); 12Nov70; R4Q4614. i NA TEJ NASI PORCI. See ON
OUR PORCH. NADIA'S SONG; four part, S.A.T.B., a cappella or with
acc., w H. Rowland Quentin, m & arr. Domenico Savino. © 13Aug43;
EP115789. H. Rowland Quentin & Dofhenico Savino (A); W4Dec70;
R496704. NAILA. See PAS DES FLEURS. © on arr.; 26May43;
EP117468. 2551 NANCY AND HARRY JAMES; m Lennie Hayton. ©
6Ju145; BUS39551. Metro-GoldwynMayer, Inc. (PWH); 6Ju170;
R488070. NANCY AND HELEN; m Lennie Hayton. © 63ul43;
EUZ59550. Metro-GoldwynMayer, Ine. (PWH); 6du1l70; R488069.
NANCY'S ARRIVAL; m Lennie Hayton. © 6Ju143; EUS59529._ Metro-
GoldwynMayer, Inc. (PWH); 6Jul70; R488068. NANT LOA; w & m
Louis Herscher & Andy Iona. © 17Nov43; HUS54559. Louis Herscher
(A); 18Nov70; R494979. NAO NAO NAO. See NO! NO! NO.
NARCISKA POLKA; piano accordion, arr. Joseph P. Elsnic. © on arr.;
5Jul143; EP117462. Vitak-Elsnic Co. (PWH); 12Nov70; R494586.
NAUGHTY MARIETTA. See ITALIAN STREET SONG. THE NAVY
HYMN; (Eternal Father, strong to save), by John B. Dykes, William
Whiting & M. C. D. Hamilton, arr. Tom Scott. (Fred Waring mixed
chorus series, WMC-114) © on arr. for S.A.T.B. voices with mezzo
soprano solo; 3Sep43; EP116507. Shawnee Press, Inc. (PWH of Tom
Scott); 8Sep70; R490967. THE NAVY HYMN; (Eternal Father, strong
to save), by John B. Dykes, William Whiting & M. C. D. Hamilton, arr.
Tom Scott. S.S.A. with mezzo soprano solo. (Fred Waring giris choir
series, WGC-111) © on arr.; 3Sep43; EP116906. Shawnee Press,
Inc. (PWH of Tom Scott); 8Sep70; R490968. THE NAVY HYMN;
(Eternal Father, strong to save), by John B. Dykes, William Whiting &
M. C. D. Hamilton, arr. Tom Scott. (Fred Waring glee club series) ©
oon arr. for T.T.B.B. with incidental baritone solo; 31Aug43;
EP123353. Shawnee Press, Inc. (PWH of Tom Scott); 8Sep70;
RiL90971. NEAPOLITAN LOVE SONG; from The Princess Pat, m
Victor Herbert, w Henry Blossom, arr. M. Witmark & Sons, employer
for hire of Douglas MacLean. (English & Italian text) NM: arr. for
three-part S.S.A. voices. © 8Jul143; EP114964. Warner Bros., Inc.
(PWH of Douglas MacLean); 13Ju170; R488207. LA NEGRA
CONCEPCION; bolero-son, w & m Cuates Castilla, pseud. of Jose &
Miguel Castilla. © 30Aug43; EF68597. Jose & Miguel Castilla (Cuates
Castilla) (A); 8Sep70; R490989. NEGRA LEONO. See MY LOVELY
LENORE. A NEGRO ONCE SANG OF GOOD FRIDAY; based on a
Negro spiritual Were you there?, by Harvey Gaul. (For organ) ©
19Feb43; EP112215. Harriet Gaul (W); 18Aug70; R490O44. NEVER
SAY GOODBYE; fr. The Lisbon story, w Harold Purcell, m Harry Parr
Davies. © 1gul43; ER68624. Harold Purcell (A) & Midland Bank
Executor & Trustee Co., Ltd. (E of Harry Parr Davies); 2Ju170;
R487538. A NEW BORN SOUL; w & m Wallace Fowler. © 1730143;
EUS40655. Wallace Fowler (A); 20Aug70; R490561. Contact the U.S.
Copyright Office for information about any additional records that
may exist.
 2552 A NEW BORN SOUL; w & m Wallace Fowler. (In Miss
Billie Walker's selected songs and original poems) © 160ct43;
EP118716. Wallace Fowler (A); 200ct70; R4Q93B474. NEW MEET
THE PEOPLE. CRISPUS ATTUCKS. DAMN THE TORPEDOS, FULL
SPEED AHEAD. FOUR FREEDOMS. HE WAS ALL RIGHT HERE (HE'LL
BE ALL RIGHT THERE) JUAREZ AND LINCOLN. oS MAMA, IT'S
SATURDAY NIGHT. YOU'RE GOOD FOR MY MORALE. NEW SONGS
THE SOVIETS SING. See TEN NEW SONGS THE SOVIETS SING. See
A. NEW TRAIL IN THE SKY; (fox-trot), by Eddie Stone, Berkeley
Graham & Dewey Bergman, arr. Paul Weirick. Orchestra (with words)
© on arr.; 21Jul43; Bee pee ee Bernstein & Co., ne. WH O aul
Weirick); 23Ju170; R488404. Needle NEW YORK; w Nathan
Goodman, m Irene Shannon. © 5dun43; BUS 5565. Nathan
Goodman (A); 280ct70; R494163. NEW YORK; lyric by Nathan
Goodman, m Irene Shannon. © cera EP116276. Nathan Goodman
(A); 24Nov70; R495465. NEXT MORNING; m Daniele Amfitheatrof.
© 31du143; BUZ41921. Metro-GoldwynMayer, Inc. (PWH); 260ct70;
R493677. NI UNA MAS; (bolero), letra y musica de Guillermo
Rodriguez Fiffe. © l4Dec43; EF68962. Peer International Corp.
(PWH); 28Dec70; R497267. NIGHT. See HORAS DEL AYER. NIGHT
IN A GARDEN OF DREAMS; piano solo, m Reginald Foort. ©
120ct43; EF68797. Reginald Foort (A); 120ct70; R492967. NIGHT IS
ENDING. See THE SUN WILL SHINE AGAIN. NIGHT IS GONE; w & m
Henly Jerome & Sidney Cooper. © 30Jul143; EP115497. Henry
Jerome & Sidney Cooper (A); 260ct70; R493668. THE NIGHT IS
YOUNG (AND YOU'RE SO BEAUTIFUL); lyric by Billy Rose & Irving
Kahal, m Dana Suesse, arr. Tom Scott. © on Fred Waring mixed
chorus arr.; 1Mar43; EP113817. Shawnee Press, Inc. (PWH of Tom
Scott); 13Aug70; R490101. THE NIGHT IS YOUNG (AND YOU'RE SO
BEAUTIFUL); lyric by Billy Rose & Irving Kahal, m Dana Suesse, arr.
Tom Scott. (Fred Waring mixed chorus series) © on arr. for S.A.T.B.
voices with incidental solo for soprano or tenor; 20Feb43; EP122649.
Shawnee Press, Inc. (PWH of Tom Scott); 13Aug70; R490114. THE
NIGHT IS YOUNG (AND YOU'RE SO BEAUTIFUL); lyric by Billy Rose
& Irving Kahal, m Dana Suesse, arr. Tom Scott. (Fred Waring girls
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