Wales History and Britishness
Wales History and Britishness
At the 2005 British Social Attitudes survey the proportion of people in England who said
that British was the ‘best or only’ way to describe their national identity stood at 48
percent. In 1992 the figure was 63 percent.1 One explanation for this apparent decline in
Britishness is the rise of Englishness as people’s first loyalty, the most obvious
manifestation of which appears to be the multitude of St George’s crosses that now appear
around England during major football tournaments. Given that England and Britain were
traditionally synonymous for many English people, a rise in Englishness since Welsh and
Scottish devolution was perhaps inevitable and it has led many to ponder the fate of
Historians have been closely involved in that process, scanning the past to either
support or refute the end of Britain. But these debates have had narrow horizons. They
have been too shaped by the perspectives of the present rather than the past and have paid
insufficient attention to Wales. Welsh historians themselves have made little contribution
to the debates over what happened to Britishness after the Second World War. By instead
concentrating on the peculiarly Welsh dimensions to Wales’s past, Welsh historians have
perhaps even become unwitting accomplices in the idea that modern Britain is no different
from modern England. This article thus addresses the issue of Britishness in Wales and
Welsh history. First, it gives an overview of what historians have said about the decline of
Britishness since the Second World War. It then explores Wales’s minimal contribution to
that debate. Finally, it argues that by shifting our gaze from the political sphere and into
the realm of everyday life, a different picture emerges, one where Britishness is neither
synonymous with England nor dead. Instead, Britishness is alive, maybe not kicking but
still at the base of a shared experience that extends across the border with England. The
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article is neither an empirical account nor a comprehensive survey of every source of this
shared experience. Instead, it is a call for a more nuanced understanding of recent British
history.
The 1950s and 1960s saw the idea of British national decline become popular currency in
the UK as the country lost its global role and influence. Nonetheless, relative economic
prosperity was more than compensation and the changes Britain was experiencing were
widely regarded as inevitable in the new post-war climate. In the 1970s, however,
economic crises, party political instabilities, the suffocating power of the unions and the
rise of nationalist parties in Scotland and Wales all took their toll on people’s faith in the
British State and nation. In 1977, Tom Nairn, a Scottish nationalist and Marxist, published
an influential book called The Break-Up of Britain.2 That same year, the Queen’s silver
jubilee did provide an opportunity to celebrate Britain but it was not just the Sex Pistols
that scorned the Royalist waving of the Union Jack. The 1980s and early 1990s were not
much better, for the British State at least. Whilst advocating a populist British patriotism,
Thatcherism reeled back the frontiers of the State, selling off its assets and emphasizing
private enterprise over public assistance. Though the Tory administrations won significant
support across all sectors of British society, the longer they remained in power the more
with the existing British state of affairs. In Scotland, demand for devolution became both
widespread and populist. In Wales and the north of England, the Labour party regrouped
and clawed back popular support after the debacles and internal divisions of the early
1980s. The development of the European Union, meanwhile, presented a new threat to the
British State and the Maastricht treaty turned us all into European citizens in 1993. But it
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was in Northern Ireland that the most fundamental challenge to the British State emerged;
bloody and violent insurrection was not the hallmark of a stable nation state. If in Wales
and Scotland there were murmurings of the end of Britain, in Northern Ireland the whole
thing seemed in danger of literally being blown apart. When New Labour swept to power
in 1997, there was a renewed sense of optimism for the future. The new government set
about redefining and rebranding Britishness but at the same time it began to unravel the
1999 Tom Nairn wrote another book that encapsulated, in title at least, what many were
Paul Ward has argued that it was the ‘apparent stability of the United Kingdom
across much of the twentieth century’ that made this ‘“crisis” of Britishness appear
profound’.4 But the changes Britain underwent from the 1970s also led historians to
question the stability, unity and base of past Britishness. To demonstrate that the
contemporary shift away from a single British identity was nothing new, histories emerged
that tried to move beyond an Anglocentricism and stress the plurality and diversity of the
British experience.5 The Scots, Welsh and Irish were brought back from the obscurity of
their own national histories and into the mainstream history of the UK. While some
criticized such accounts for suggesting an integrity to Britain that was stronger than
anything that had existed in reality and for downplaying England’s dominance of the UK,6
others began to draw connections between this plural British past and the dilemmas of
Britain in the late twentieth century. Some wrote and read into such histories the idea that
because Britain had survived in the past with multiple internal identities it could thus do so
in the future too.7 In contrast, and more common, was the idea that because the UK had
been constructed in specific historical conditions with specific forces underpinning it, once
those forces were gone then disintegration would become inevitable. The end of Empire
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and Commonwealth immigration were generally deemed to be the central causes of a crisis
other national identities within the UK all also came under scrutiny as likely causes of a
British crisis.8 Others went further. Britishness was not only in decline, it had only had a
Within the pluralist accounts of the UK there was a tendency was to portray
Britishness as a political identity based on the State, rather than as a popular and cultural
sentiment. The emphasis was on Britishness as the interaction between different peoples
rather than on the common bonds that bound them.10 Thus for some British national
identity was not a national identity at all but a state identity imposed by the colonial
English on the rest of Britain.11 Colls’ Identity of England also argued that there was no
real collective British identity and regarded a future crisis as the inevitable outcome of
Robbins, meanwhile, has criticized McLean and McMillan’s book on unionism for not
mentioning Britishness at all.13 Within the historiography, the Second World War is
conceded as a moment of genuine British sympathies but one that took place under the
temporary conditions of an external and evil threat and the fully-mobilized powers of a
state that controlled nearly all aspects of people’s lives and bombarded them with
unconsciously.15 For the post-1939 period, historians have either sidestepped the issue of
Britishness outside England or stressed the otherness of Wales and Scotland, portraying
Britishness there as conditional and economic.16 Thus the whole concept of what
Britishness meant beyond the realms of the State after 1939 is fumbled with or just
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ignored. Sociologists criticize the lack of theory applied to the idea by historians but, even
for those who shudder at the straightjacket sociological theory can place on the diversity of
the past, too much British history has little conception of what Britishness meant beyond
The problems of this literature are evident in Richard Weight’s Patriots: National
Identity in Britain, 1940-2000. Weight quite rightly looks beyond the State for a sense of
Britishness and into the realms of popular culture and the economy. He paints a picture of
a Britishness based on economic need, a common Protestantism and the prestige of the
British Empire. Once these pillars began to subside, the whole British project was in
danger of collapsing. The problem with this argument, as Ward points out, is that it
assumes that Britishness was imposed from the outside, whereas ‘Celtic’ identities were
more organic and real. The populism of Britishness and the connections between Welsh
and Scottish identities and the pillars of Britishness - capitalism, Protestantism and empire
- are thus overlooked.17 McCrone, meanwhile, sees the book as lacking a clear idea of
what Britishness is, and calls it ‘England-plus. The non-English get walk on parts as and
when they are deemed to matter to the core’.18 In other words, Weight says what made and
unmade Britain but he does not get to grips with what Britishness actually was outside
England. For all the book’s focus on popular culture, its role in creating a popular sense of
Britishness is overlooked.
Such problems are unsurprising given the vagueness of the British identity and its
conflation with Englishness. Even official definitions remain unclear. British citizenship
was an invention of the 1948 British Nationality Act (and included colonial British
subjects) and there have been no subsequent attempts to offer an official definition. Cohen
has thus suggested that there is no ‘essential Britishness’. Instead, there is what he calls
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its popular appeal or strength and, at one level, all identities are vague in the sense that
they lack a universally agreed upon set of core values or criteria of belonging. Paul Ward
thus suggests that Britishness is simply ‘what people mean when they identify themselves
individually and collectively as ‘being British’. This identification relates to the political,
economic, social, cultural and personal surroundings they find themselves in at the time
they choose to think about their Britishness.’20 Such interpretations are very loose and, to
social-science eyes, untheoretical and simplistic, but they allow for the different, shifting
and competing meanings and conceptions of Britishness that people in Britain have
Britishness. He accepts tensions within Britishness, but points to its continuing but
shifting influence on political figures and ordinary people. For Ward, Britishness was one
of a multitude of identities people possessed and its meaning varied from person to person.
He argues that rather than being something imposed on the masses, ordinary people have
been involved in the construction of Britishness. The identity’s ability to co-exist with
other identities and to change with conditions has made it resilient. The vagueness of
Britishness was thus not a crisis of identity but simply the outcome of its complex and
diverse history. Ward concludes, ‘between the 1870s and the beginning of the twenty-first
century the majority of people in the United Kingdom came through such discussions of
their national identities with a belief that they shared more in common, as Britons, than
they had differences. Certainly the nature of Britishness had changed and in many ways
had been weakened, but Britishness was alive and well.’21 Of course, proving such
assertions is very difficult but they suggest a more nuanced thesis than a picture of simple
decline.
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Britain and Wales
None of these accounts of the shifting nature of Britishness have been written by either a
Welsh person or from a Welsh perspective. This is not to argue that they have ignored
Wales -although in most of the sociology on Britishness Wales is relegated to the odd side
comment22 - but there has been a very narrow investigation of the Welsh dimension. Plaid
Cymru, the language and the (lack of) support for devolution are all noted but the popular
culture and identities of the English-speaking Welsh are marginalized or merged into the
English experience. If a plural identity like Britishness is to be fully understood then it has
to be studied from all its peripheries and not just the core and the most obvious margins.
Wales was qualitatively different from Scotland and Ireland and cannot simply be
consistently relegated to the ‘and to a lesser extent Wales’ comments that characterize
writing on devolution and the sociology of identities.23 Legally and administratively Wales
was closer to England than Northern Ireland or Scotland. Politically it had much in
common with the north of England. It thus offers a different dimension to Britishness, a
place different to England but similar, the kind of place where if Britishness was in decline
Welsh academics writing about modern Wales have taken different approaches to
Wales’s Britishness. Some have followed the colonial route, seeing Wales’ British past in
terms of English exploitation and domination. This has even led to talk of post-devolution
Wales as a post-colonial nation.24 Such ideas have encouraged Tanner to argue that too
much Welsh history has been ‘the history of a nation in the making and the makers of a
nation’. Wales’ ties with Britain and Britishness are marginalized and it ‘is a remarkably
historians stress Wales’s role in British ventures from industrialization to empire to war.26
In particular, Dai Smith points to how the ties of class bound the Welsh and English.27
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Such accounts have not always made comfortable reading for contemporary Wales but
they form an integral part of Welsh history. Gwyn Alf Williams was one historian who
clear, from even a cursory survey of our broken-backed history, is that the tiny Welsh
people, for we were always very thin on the ground, have survived by being British.
Welsh identity has constantly renewed itself by anchoring itself in variant forms of
Britishness.’28 His analysis is based on a close reading of how the Welsh made and remade
Wales over the centuries. Their nationality survived precisely because they allied it to
rather than against the might of the British state. Only the most vehement nationalists
would disagree but the picture becomes much less clear once we turn our eyes to the years
after 1945.
Writing about the post-war history of Wales has been dominated by the domestic
political sphere. This has inevitably put debates regarding political identity, the rise of
Plaid Cymru and the stuttering march towards devolution at the fore. Tanner, for example,
argues for the need for Wales to be examined within a British context, highlighting, for
response to the rise of nationalist parties.29 Others meanwhile stress Labour’s historic
the campaigning of Cymdeithas yr Iaith Gymraeg and the history of Plaid Cymru and its
leading figures.31 Thus the emphasis in both the Labour and nationalist historical traditions
is on political struggles for the welfare of the working class or the Welsh nation, whereas
virtually nothing has been said, for example, about political apathy, anti-nuclear
campaigns or support for the Conservatives. This is not to argue that the existing work is
misguided in its analysis; rather what it is significant is the topics chosen for analysis.
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Beyond the political sphere, post-1945 Welsh history is even more underdeveloped and is
firmly skewed away from ordinary life. Morgan discusses small-circulation intellectual
Welsh language publications but not the mass audiences received in Wales by popular
English romances.32 Too often, where attention has been turned to the popularity of the
London media, it has been to decry its lack of attention to Welsh issues or its impact on a
limited Welsh civil society rather than analyse its role in people’s lives. The ordinary but
important aspects of post-1945 Welsh life - things that were no different to elsewhere in
the UK such as the taste for a Hollywood movie, an English soap opera, a comfortable
pub, an Indian takeaway and a cheery Beatles tune – await their historical champion.
With a limited base of published research to draw on, academic’s views of national
identity itself in post-1945 Welsh history are complex and shaped by their own politics and
where they stand in time. Kenneth Morgan’s British history has stressed how the majority
of Welsh people, and socialists in particular, were committed to Britain and the British
Wales as stronger than ever because of the multitude of Welsh institutions that now existed
and the book does not emphasize Wales’s Britishness in the way his political history
does.34 John Davies’s more implicitly nationalist A History of Wales (1993), also ends on a
positive note, sensing signs of a rebirth of Wales and that the ‘the nation in its fullness is
yet to be’ and he sidesteps any direct consideration of Britishness and its relationship with
Welshness.35 R. Merfyn Jones’s influential 1992 essay on Welsh identity noted the crisis
in Wales caused by economic and social changes since the Second World War but also
ended on a high note, sensing that the emerging proto-state and, most importantly, a
Europe of the Regions, offered an opportunity for a Wales based on shared citizenship
rather political and cultural causes.36 Others were less optimistic. Gwyn Alf Williams’
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When Was Wales? ends in an apocalyptic tone, forecasting the end of Wales as its people
remained wedded to the British state. In making this judgement on the period he was
writing in, he seems to be overlooking the rest of his work which argued that the Welsh
Since 1997 devolution has encouraged different perspectives. There is now a sense
in Wales, amongst the minority who think about these things at least, that a nation state is
being constructed. Graham Day’s Making Sense of Wales (2002), an impressive survey of
the sociology of Wales, virtually ignores the issue of Britishness in its chapter on national
identity.38 The 2007 edition of Davies’ History of Wales ends by expressing satisfaction
that the 1993 edition’s prediction that Wales was coming into its fullness was correct.39
Similar sentiments in Scotland have led to the writing of more Scottish-centred histories,40
and Geraint H. Jenkins has recently called for less British-centred histories of Wales.41
Suddenly, Welsh commentators (though still not historians) are beginning to address the
explicitly the question of the decline of Britain. Although only one in four of the
electorate voted for devolution in 1997, the number of ‘yes’ votes was still double what it
had been in 1979 and a decline in Britishness is being employed as an explanation. The
change, argues that between the 1970s and the 1990s the Welsh ‘became palpably and self-
confidently, indeed patriotically, more Welsh. They were still British, though this was felt
less strongly.’ Like Scottish commentators, in explanation he points to the death of British
institutions like British Rail, British Steel and the National Coal Board and the decline in
respect for the British monarchy and the BBC. In a further parallel of explanations of the
Scottish vote, he maintains that Europe began to offer a framework that could replace the
British state and support a small country like Wales in uncertain economic times. Osmond
argues that in post-devolution Wales, the ‘key reference point’ for national identity is the
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National Assembly of Wales. He maintains ‘Britain has changed and continues to change.
It no longer provides the essential lens through which Wales and what it means to be
At one level this is all very appealing and it fits in with much of the wider received
historical wisdom. But it requires probing. In the wake of the decline of some British
institutions, Osmond noted that Westminster, the armed forces, and the BBC ‘may be the
only public sector bodies holding Britain together – alongside, perhaps, the monarchy’.43
Even if that’s true, it is still a very substantial ‘only’. But it also overlooks the social
security system, which though diminished is still British and its payments keep thousands
of Welsh men, women and children alive. And then there’s education and the NHS.
Despite control shifting from London to Cardiff, bringing with it a beginning in policy
attending a school, university or hospital in Wales and doing the same in England. The
origin and values. Different governance structures, weekly lessons in Welsh, an absence
of league tables and small university grants have done very little to make the Welsh lived
experience different. Furthermore, there is the legal system, the courts and the prisons.
Even the political institutions that many argue are now defining Welshness offer a
less than convincing account of a dying Britain. The EU might offer a political and
economic framework that could replace the British State but for that to impact on how
people think of themselves then it needs to have popular relevancy. The popular attitude
to the EU in Wales is highly ambiguous and more likely to be indifference than anything.
Even on the continent, the reactions to the European constitution suggests that people are
unenthusiastic about the notion that the EU might supersede the political power of the
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traditional nation state. The turnout in Wales at the 2004 European election was 41.4
percent which hardly suggests a popular European identity. Similarly, the problem with
emphasizing the Welsh citizenship that the Assembly bestows is that most people are not
particularly interested or knowledgeable about it. The 2007 Assembly election saw a
turnout of just 43.7 percent (compared to a 62.4 percent turnout in Wales at the 2005 UK
general election). Surveys suggest general support for the principle of devolution but
significant ignorance about how it works and a strong sense that the Assembly does look
after the whole of Wales equally.44 Nor does the Assembly shape the lives of Welsh
people outside Wales or account for those ‘citizens’ of Wales who do not think of
themselves as Welsh.
Scottish sociology has benefited from significant survey research into how people
conceive their own national identity. These surveys show that the majority of Scots
prioritize their Scottishness but half the population still also regard themselves as British.45
This British figure maybe falling but decline is not the same as death and, most
importantly, these surveys do not tell us what people mean by Britishness. In Wales the
survey evidence is even muddier. When forced to choose between Britishness and
Welshness, 33 percent of people chose Britain as their primary identity in a 1979 survey
and 27 percent did so in a 2003 survey. Wales thus clearly has primacy but the figures are
perhaps more remarkable for their relative continuity than any significant change.46 When
people are allowed a more sophisticated choice over their national identity the largest
group seems to be those who see themselves as equally Welsh and British.
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Thus hard evidence from across the UK suggests a different view of Britishness to the
picture of decline painted by some historians and sociologists. Surveys might suggest that
people are less proud of their Britishness but they also clearly indicate that Britishness still
exists.48 At the 1999 Welsh election survey a mere 17 percent of the electorate rejected
their Britishness in favour of Welshness and 23 percent of this group still voted ‘No’ in the
referendum. Thus, even if Britishness has declined, this will not necessarily have
only on the change rather than the continuity in Britishness is to misrepresent how the
Welsh see themselves. The growth of a Welsh state has taken the academic gaze away
from this continuity. To refocus it we need to look beyond the political realm and into the
popular.
which people make use of in their everyday lives, rather than simply a matter of sentiment
or social values.’50 Thus where the real insights into national identities in Wales will come
from is not the political but the ordinary. Cohen suggests, ‘the fuzzy edges of an identity
are where the action is and where the answers lie’ and it is in the popular that the
differences between Wales and Britain are most fuzzy.51 Here there is difference and
sameness, making it an ideal location to question the fortunes of Britishness. The key
theorist of national identity and the everyday is Michael Billig. He argued that national
identity should be understood in terms of common-sense assumptions and the way people
talk about their nationhood. Their self-perceptions are affirmed in the daily iconography
of life, where nationality is continually ‘flagged’ through stories, symbols, signs and
language. This reminding and flagging, he maintains, ‘is so familiar, so continual, that it is
not consciously registered as reminding. The metonymic image of banal nationalism is not
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a flag which is being consciously waved with fervent passion; it is the flag hanging
unnoticed on the public building.’ Thus, for Billig, nationalism is not about political
movements but the ‘habits of social life’. It is constructed by and contained by the media,
by sport, by our social relations, by our experiences and understanding of everyday life. It
Exploring what Billig calls banal nationalism shows that national identities in
Wales have always been complex and interrelated. If we extend our view of Welsh culture
continuity across the post-war period, a continuity of the co-existence of Welsh and British
identities. The rest of this paper explores how a consideration of banal nationalism
challenges current conceptions of both Welsh and British national identities in other
realms of Welsh life. In doing so, it draws upon a selective range of illustrative examples
from popular culture and everyday life and argues that there is a complex but continuing
The Second World War is the one event in recent Welsh history where Britishness is
stressed. As John Davies puts it, the war ‘did much to strengthen Britishness. At the same
time, it seemed to be a death blow to Welshness’.53 This Britishness did not just end in
1945. The memories of the horrors and deprivations lived on with individuals and were
passed on to younger men and women via word of mouth, national service, war films and
Dad’s Army. But a step into the everyday flagging of nationality during the war shows a
more complex picture. On 26 June 1944 two separate notices in The Times, that bastion of
Englishness, remembering Welshmen killed in action ended with the words ‘Cymru am
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Byth’ (Wales forever). Red dragons were hung alongside Union Jacks, the Stars and
Stripes and the Hammer and Sickle on VE Day, while the Western Mail celebrated the
victory by publishing a page that looked proudly at the Welsh contribution to the victory at
home and abroad. To readers, it was evident that the Welsh had fought, worked and died
for a greater cause, and many had sung while doing it.54 A north Wales housewife wrote in
her local paper, ‘I was proud of our small Welsh nation too. The B.B.C. do not always
give us full credit, but yesterday and the previous day, Wales came forward in its true
colours. What was more befitting for the Welshman than to sing the hymns of his
forefathers in his days of exultation and rejoicing.’55 One reporter at the Western Mail
claimed he must have sung the national anthem Hen Wlad fy Nhadau a hundred times over
the VE holidays.56 The flags of Wales and Britain were flown at memorial services and
prayers said in both languages. Megan Lloyd George, in an echo of her father in the
previous world war, told the Anglesey Eisteddfod that the Welshmen who had fought in
the war were ‘worthy successors of the heroes of Wales, such as Llewelyn and Owain
Glyndwr, and others who fought not only for the independence of Wales, but of other
nations as well’.57 When she drove to the first Welsh Day at the House of Commons in
1944, itself the result of Labour demands for a Welsh Secretary of State, she had three
flags on her car: two Union Jacks on either side of a Welsh dragon. Intentional or not, this
was symbolic; Britishness was predominant but Welshness remained central to how people
shows, the Britishness extolled and demanded by the state was not detrimental to the
continuation of other identities. As Angus Calder suggests, when the media spoke of ‘us’
or ‘the people’, the people themselves conjured up different images.58 The ‘People’s War’
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Eight years after the end of the war, Britain came together again, this time to
celebrate the coronation of Elizabeth II. In Caernarfon most shops displayed special
coronation displays in their windows and nearly every street had a children’s party. There
was also a 21 gun salute, open air dances, fireworks and a public bonfire in the town. The
council ran a competition for the best decorated street and gave out souvenir mugs and
bibles to children, who were allowed to choose which language they wanted to theirs to be
in. There were special services in churches and chapels and the town vicar gave a public
address saying that Caernarfon had always been loyal and was tied to the Royal House by
kinship and history. Families with televisions held parties and invited the neighbours in to
watch. A television was installed in the local drill hall for pensioners. If Britishness was
simply a matter of economic expediency, pulling together in the face of external threats or
a byproduct of class solidarity and the security of the welfare state, then such popular
But this was not just an uncomplicated demonstration of Britishness. It was also an
event where Wales celebrated its own identity. Two letter writers complained to the
Caernarvon and Denbigh Herald that there was no Welsh emblem on their coronation
mugs. The editorial of that paper gushed, ‘Wales has ever been loyal to those who have
ascended to the throne, and has contributed to its majestic greatness since the ascension of
the Tudors and the first Elizabethan era, and has during this festive week joined with as
much enthusiasm as any other nation in the Commonwealth’. In other words celebrating
the Coronation no more diminished Welsh nationhood than it did Canadian or Australian
nationhood. In case people did not realize how important the British nation was, one
correspondent on the paper who was bemoaning the fact that many of the Union Jacks in
Caernarfon had been flown upside down, told his readers that this was no less insulting
than flying the Red Dragon the wrong way up.59 Just as Welshness existed and was
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celebrated in daily life within the context of a popular Britishness, the reverse was true too.
In the popular imagination Britishness and Welshness sat alongside each other, entwined
and inseparable.
Thus even a short but close reading of events from the height of Britishness shows
that that identity was interwoven with Welshness. Similarly, if we jump forward to the
period when Britishness was supposed to have declined we also see that the confident
Welshness that many noted in Wales was both misleading and entwined with Britishness.
One early symbol of a resurgent Welshness was the 1998 Catatonia song International
Velvet whose chorus proclaimed ‘Everyday when I wake up I thank the Lord I’m Welsh’.
The song was at the heart of a popular mood that the media perceived in Welsh culture and
consequently christened ‘Cool Cymru’. The song was quoted by academics, heralded by
the media and used by the BBC in patriotic sports broadcasts but few noticed the rest of
the lyrics which reveal a different picture. The song’s verse bemoans (in Welsh) ‘Wake up
sleepy Wales, land of song, deep is the weakness, tiny is the flame’.60 This was hardly a
confident statement of nationality and the chorus’ sense of irony was simply lost on many
who wished to champion Wales. Too much of youth culture is read literally and employed
as an example for overly simplistic ideas. Even nationalist movements like Cymdeithas yr
Iaith Gymraeg (the Welsh Language Society) were not just about the political cause.
illustrated in John Williams’ novel Cardiff Dead, where a valleys boy chooses to live in
Cardiff because of the girls there and decides to supports the IRA hunger strikers and
Welsh nationalism in order to boost his sex life.61 That same character also shows how
popular culture is not always interpreted the way it might read on the surface. Here is his
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The next couple of hours Mazz just couldn’t stop laughing, watching this absurdist
panoply of Welsh cultural life unfolding in front of him. Tom Jones of course.
Well, at least big Tom knows he’s funny these days. But still, ‘The Green, Green,
Grass of Home’ – if the sight of Wales welcoming the brave new world to the
sound of ‘Green, Green Grass’ didn’t make you laugh, your kitsch bullshit detector
had to be well out of order. And the rest of stuff – well, it was hard to choose
between the ghastly reading of Under Milk Wood by some terrible old ham and the
bunch of, ahem, hip Welsh actors making complete tits of themselves doing some
kind of rock poetry, until the outright winner came along in the shape of the bloke
with the big hair from the Alarm doing some kind of cod folk song with a male-
voice backing choir him. And then came the grand finale, the whole bloody lot of
them singing ‘Every day I Thank the Lord I’m Welsh’, which Mazz had kind of
assumed was meant to be funny more or less but was here being done in deadly
earnest.
Welsh then?’62
Such was ‘Cool Cymru’: deeply patriotic for some, quite the opposite for others.
Exploring and emphasising youth culture shows devolved Wales to be still firmly
part of a wider British, even global cultural experience. It provides young people with a
cultural experience and identity that look beyond the borders of Wales and perhaps even
makes Wales seem parochial, something evident in the most famous recent Welsh films
which are about escaping Wales rather than celebrating it.63 It is no surprise then that the
most popular televisions shows in Wales are those that are British or American, not Welsh.
Similarly, only 15 percent of the morning newspapers sold in Wales are produced there.64
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The media is probably the key player in sustaining a popular Britishness. Television
assumes and develops a common identity; it speaks to the audience as fellow Britons and
situates them within a national calendar, even if those on the margins of mainstream
culture can sometimes feel left out of the narratives.65 It helps generate shared hopes and
fears, interests and outlooks. Thus the media flags up and sustains Wales’s place in a
culture beyond Wales. When the BBC promoted EastEnders with the tagline
‘Everybody’s Talking about it’, the Welsh were told that they were part of a wider
‘everybody’. When Radio Wales gave extensive coverage of England’s progress in the
2006 World Cup, it was a flagging a relationship between Wales and England. John
Corner called television a ‘national cultural stage’,66 but that national stage has many
different faces, like the British nation itself. As well as Britishness, the BBC’s
programming also helps sustain regional identities in England and national identities in
Wales and Scotland. This is not just the assumption of a Welsh community in the
language and style employed in Welsh broadcasting but also the promotion of a Welsh
identity to an English audience. From the authority of Huw Edwards as a newsreader, the
half hot mum, to Welsh being spoken on Big Brother 2006, television has reminded the
Of course, just because the media flags the existence of a British nation does not
mean that audiences receive it that way. Roger Chartier talks of ‘appropriation’, the power
of audiences to receive messages in their own way.67 An audience might reject the notion
of belonging to the ‘we’ assumed in television’s dialogue but still watch for entertainment
or information. What Billig calls the flagging of a nation thus does not necessarily create
the straightforward sense of nationhood that he claimed but it does create a shared
experience that can connect individuals with a wider community. This becomes clear
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when looking at the farming community of Wales, a community overwhelmingly
concentrated in parts of Wales where the Welsh language dominates. The language
creates a sense of difference to England but the wider shared experience creates a common
bond. Welsh farmers have been hit by British crises like Foot and Mouth and the EU ban
on British beef. The National Farmers Union Cymru takes part in ‘Buy British’
campaigns. Despite the different traditions and language of rural Wales, the British crises
flag up to Welsh farmers that they belong to wider community and there is a clear sense of
being part of a British farming and rural movement. In 2006 the Western Mail reported
with foxes in the wake of the hunting ban. One observer told the paper, ‘there’s a feeling
that it doesn’t matter where you are from, we are in this together’.68
Thus, in youth culture, in farming and in the media, the sense of being part of a
wider British culture and experience has not diminished Welshness, just as it has not
identity Dave Russell suggests that British identity is ‘something constructed in and
experienced through the locality’. The north, he suggests, was ‘far better sensed through
argues that national identity is ‘scaled’; it is experienced and located at the local, even
domestic level.70 Britishness and Welshness are interwoven precisely because in everyday
life the local experience is part of both. Welshness and Britishness are simultaneously
flagged in our experiences of work, play, family, the media, the shops. Some of these
British flaggings – say paying tax – might be connected to the political sphere but their
impact is felt and experienced in the domestic. It is this localized everyday experience that
makes us feel we belong to two nations, it reminds us of that fact, and constructs that fact.
It creates the situation described by novelist John Williams as: ‘to come from Wales is to
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be at once part of the mainstream British culture and yet at the same time significantly
other’.71 This subtle dichotomy is at once crucial but fleeting. Looking in from the
outside, blink and you could miss it. But from the inside, it is so ingrained that we do not
register it but we still know it is there. It is the difference between Tesco in Merthyr Tydfil
and Tesco in Milton Keynes. They are essentially the same, but the different accents of
staff and shoppers and the bilingual signages make Merthyr symbolically and
Because the experience of daily life in Britain is diverse then Britishness itself
different meanings to Britishness for different groups and different individuals. British
clearly true of Welsh identity too – but Britain, as a multinational state, is a more diverse
country than most. Disentangling the meanings of the British national and more localized
identities is impossible because the two are intimately related. Which identity comes to
the fore depends on context and personal circumstances, but even then it can be a
confusing issue as this extract from an interview conducted for a 2002 study of Welsh
I’m Welsh-Scottish. Half and half blood, born in Wales, I’m Welsh. Yeah it’s, you
know, to fill in forms or anything, nationality, I usually, British. Yeah British I’d
say first. I see all of us as British not just separate, but saying that, British, but if I
go to Spain or somewhere, and usually you know they say, ‘You’re English’, and I
say, ‘No, I’m not English, I’m Welsh’. Yeah. They just see everyone from Britain
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Britishness thus consists of a parallel sense of unity and diversity. It is highly pluralized
and highly localized, with no uniform expression. Throughout modern history, localized
identities - rural and urban, ‘Celtic’ and English - have been integral to what Britishness
meant.73 Even the British Empire aligned Welsh and Scottish identities to a British identity
rather than replaced them. As Weight has suggested of England, though he should have
said of Britain, regional cultures became ‘an exemplar of national culture and not an
Conclusion
While Welsh historians of the post-1945 period have marginalized the issue of Britishness
have been talking of the decline or even end of Britain. Their arguments have
have contended that by looking at popular culture and daily life we can discern that
Britishness lives on Wales in two ways: in terms of a shared and common experience that
unites the different parts of the British peoples and through the routine flagging of a British
nation, notably in the media. Furthermore, the picture of a simple decline of Britishness is
undermined by the way that dimensions that have been used to argue for the earlier
prevalence of Britishness, such as war and royalty, actually show a far more pluralistic
This is not to argue that Britishness has not changed or declined but simply that to
declare its death is premature. Like the Welsh, the British have continually made remade
Britain and it still has popular resonances. Contrary to what McCrone claims, Britishness
is not simply ‘a political identity, roughly equated with citizenship’.76 The surveys of
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Scots that McCrone bases this assertion on only tell us what people see as their national
identity. They do not penetrate what people think that identity means. But what those
surveys do show is that in Scotland and to a lesser extent in Wales people are increasingly
giving primacy to their Welsh and Scottish identities over their Britishness. In
contemplating the significance of this we run into a fundamental question about the nature
of history and the past: what matters most, material and structural realities or the
discourses that people formulate and articulate? In other words, does it matter that Wales
and England are structurally very similar, that the experience of life in both nations has
much in common, when people increasingly articulate those nations differently? Is the
nation material fact or is it discourse? Postmodernists would argue that what matters is
how people conceive themselves. Not all would agree. Dai Smith has argued that Gwyn
Alf Williams’ arguments that the Welsh make and remake Wales if they want to has been
used ‘as if only the agency mattered, and to hell with the context. The great historian
would never have been so naïve as to believe … that you could ‘invent Wales’, any old
Wales it seems, whenever and wherever you wished.’77 In this light, as long as a common
British experience persists, as it does at both a cultural and political level, then Britishness
will remain integral to understanding Wales, no matter how the Welsh try to define
today. This is not to deny or dismiss in any way the power, emotion and depth of people’s
Welsh identities; nor is it to suggest that Wales is simply another English region. Instead,
it is to maintain that culture is ordinary, it is everyday life, and, apart from the important
issue of language, there is little that distinguishes everyday life in Wales from everyday
life in England beyond the feeling that it is different. Once this is acknowledged the
survival of a popular Welsh identity actually becomes more not less significant.78
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If historians and sociologist are to understand the decline of Britain they need to
look beyond England and Scotland. If Welsh history is to come closer to the realities of
the lives of its subjects it needs to look not just at the world of political parties and
institutions but at more mundane topics too. Twentieth-century Welsh history needs the
kind of people-centred accounts that Russell Davies has given Welsh history of the
eighteenth and nineteenth centuries.79 Such a history needs to address the diversity of the
Welsh people, to acknowledge the English immigrants, the Tory voters, the racists. It
needs to look at events like the end of Empire or the atomic bomb that had no specifically
Welsh dimensions but impacted on Wales nonetheless; it needs to explore the Welsh
reception of great canons of Britishness from the armed forces to Coronation Street. If we
start to look at such issues then we will find that Britishness in Wales is everywhere but
reflected upon. Welshness exists within a British state and a British culture, making
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