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                Swnford
               Univmity
Pms
                Stanford
              Californui
                   2002
ON PLATO'S STATESMAN
Cornelius Castoriadis
Assistance for the translation was provided by the French
Ministry of Culture.
Stanford UniversicyPrcs.s
Stanford, California
Castoriadis, Corncliw.
  [Sur Le politique de Platon. English]
  On Plato's Statesman I by Corncliw Castoriaclis ; edited and
  translated by David Ames Cunis.
     p. cm
  Includes bibliographical references and index.
  ISBN 0--8047-4144-1 (alk. papcr)-ISBN o--80-47-4141-.1.
     (pbk. , uk. P'P">
       I. Plato. Statesman I. Cunis, David Ames. II. Tide
JC71.P314.C37 1001
,10·.01---de11
         Plato's Statesman
       I. Date and Situation of the Stat~sman             11
        Question                                         48
Missing page
                                Contmts                           ix
Questions 147
Questions 168
CR      The GutoruzdU &adrr, ed. David Ames Curtis (Oxford, UK, and
        Malden, Mass., Blackwell, 1997).
115     The fm4gi,wry Institution ofSo&ty (1975), trans. Kathleen Blarney
        (Cambridge, Mass.: MIT Press and Cambridge, UK: Policy Press,
        1987; cor. paperback edition, Cambridge, UK: Polity Press, 1997
        and Cambridge, Mass., MIT Picss, 1998).
PPA     PhiUnophy. Politics, Autonomy, ed. David Ames Curtis (New York:
        Oxford University Press, 1991).
PSW1    Politic11J and SocuJ Writingr, vol.   1,   1946--1955: From the Critiq~ of
        B"""UcrtUJ to tM Positiw Conknt ofSoCUlfum, trans. and ed. David
        Ames Curtis (Minneapolis: University of Minnesota Press, 1988).
PSW2    Political and SocUll Writin,rr, vol.       2,   1955-1960: From the Workt'rl
        StrUggk Ag11inst Bu~llUcrtUJ to Rrvo/ution in thr Age ofModern Cap-
        i'41itm, trans. and ed. David Ames Cunis (Minneapolis: Universiry
        ofMinncsora Press, 1988).
PSW3    Politi"t/ t1Ni Socutl Writingr, vol. J, 196I-1979: Rr(ommrncing the
        Rrvolurion: From Soci4fum to UN AMto,wmous Society, trans. and ed.
        David Ames Cunis (Minneapolis: University of Minnesota Press,
        1993).
xii                            Abbrroiations
PIERRE V!DAL-NAQUET
     This small book has a history that makes a lovely story. h started out as
   a Ca.noriadis seminar on one of Plato's most difficult dialogues, the Staks-
   m4n, recorded on audiotape week after week between February 19 and
   April 30, 1986, before an audience of studencs from the t.cole des Hautes
   ~tudcs en Sciences Sodales.
     A first raw draft of the transcription was made by Pase.a.I Vernay, with
   the collaboration of three of his friends, in 1991, and submitted to Cor-
   nelius, whom we called Corneille. He was at once surprised ("I didn't
   know that I had written a nc:w book"), delighted, and severe, as he was to-
    ward himself. Since that time, the text has been reworked, filled in, and
    clarified on a few poincs of detail. Thw was born, while Corneille was still
    alive, a ream whose collaboration continues afccr his death and chat pro-
    poses to publish in their entirety, and with the requisite rigor, chc semi-
    nars led by Cornelius Cascoriad.is. An encyclopedic task if there ever was
    one.
       Vernay tells us the basics in his lntroduction. Of his work, I can say what
    he could not say: how remarkable it is, and in what way it is so. Plato is an
    author who condemned writing, a perverse gift of the Egyptian god Thoth,
    in the Phaedrw and also, as a matter of faa, in the Sl4tm714n. The written
    law c.annot hold its own vis-a-vis science as embodied in che philosopher
    in power. The poets arc co be chased from the city of the Rrpublii:; and
    writing is only a deutrros plow, a second best, a lesser ~ii in relation to liv-
    ing speech and memory. Between impossible speech and theoretical writ-
    ing, Plato chose a sublime compromise: the dialogue. The dialogue is to
>,. speech what myth is to truch. The transcription of Castoriadis's seminar
    we owe to Vernay is the result of a similar compromise; it is certainly
xiv                             Foreword
closer co the spoken word than the Platonic dialogue is, but it is pur-
posely situated between the oral and the written. There have been, for
certain famous seminars, transcribers who, while claiming to be perfectly
faithful, have sown confusion and sometimes ended up looking ridicu-
lous. Such is not the case with the seminar on the Statesman.
   When I presented Cornelius Castoriadis's candidacy at the &ole des
Hautes f.tudes en Sciences Sociales twenty years ago, I recalled a dialogue
rhac had taken place at Perney apropos of Voltaire. "It's only in Roman
law that I find him a bit weak," said a famous professor ... of Roman
law. "And as for me," replied d'Alembert, .. that's my opinion, too, con-
cerning mathematics." I was trying co explain to my colleagues that, as a
specia1ist in ancient Greek culture, I did not find Castoriadis at all "a bit
weak" in this sector and that, quite the contrary, I had much to learn
from him. And I have indeed learned much from him. It happens that it
was apropos of Athenian democracy that, during the winter of 1963-64, I
 had my first dia1ogue with Castoriadis. Since the time of another winrer,
 that of 1956-57, I had been acquainted with Sodalimu ou Barbarit, the
 review he ran with Claude Lefort, and by the end of 1958, I had made a
first fleeting contact with the group, but I knew the man only very little
and very superficially.
   With Lefort and a few ochers, Corneille panicipared in a circle of
 thinkers, with Saint-Just chosen as "patron saint. " 1 Fran~ois Ch.itcler,
Jean-Pierre Vernant, and myself were asked co cake up the cause of Greek
democracy and present it before chis group. In 1961, Vernam had pub-
lished le, OrigintJ d, la prml< gr,cqu, (Th< Origins ofGrt<k Thought), in
which he explained that Greek thought was the daughter of the city and
was modeled upon the political sphere {/,t politiqw]. 2 Chitder had writ-
ten La NaiHana de /'hiJtoir~ (The Birch of History), a book in which he
showed that history, coo-as a discipline founded by Hecaraew,
Herodotw, and Thucydides-was closely connected with the civic struc-
ture. 1 For my part, with Pierre UvCque, I had just finished Clisthfflt
l'Athlnien (Ckisthents the Athenittn), a book on Cleisthenes, the
founder-after Solon, bur in a more radical way than Solon--of rhe
Athenian democracy."
   I was young a.nd, to tell the truth, a bit full of myself, proud beyond
reason of my new knowledge. How had democracy been born~ At Chios,
perhaps-although few srill believe that-rhen at Athens. I saw ic as hav-
ing been instituted around two experiences-tyranny, which was ere.a.rive
                                  Fomuord                                    xv
Hi.s duties were pwdy rcligiow. Hi.s wife, the "queen," wed Dionysw. At
Sparta, the two "kings" were an archaeological curiosity. Their duties were
basically military. The greatest of the Spanan generals during rhe Pelo-
poonc:sian War, Lysander, belonged to a royal line, but he was never
"king."
   The Athenians can be heard to say without any complex, via a charac-
ter from Aristophanes' Wasps (around 422 a.c.E.), that their power "yields
to no kingship" (line 149), and before that, via Pericles and via Cleon,
that they cx.crcisc something like a ..tyranny"' over rhe allied cities-that
is to say, that they are to Mytilene and to Samos whac Oedipw is in ap-
pearance to Thebc:s-ruler not by right of birth but by the fortune (rue/,,)
of history. h for the real kings, they were located on the outer edges of
the Greek world: in Epirw, on Cyprw, and especially in Macedonia.
   It remains the case that, beside the King par excellence, who reigned
over the Persian empire, the royal personage    w;as   an imponant and even
capital figure in fourrh-centuty Greek political thought. Plato was not
alone in this. Even though it pwports to be the story of rhe education of
the founder of the Achaemenid dynasty, Xmophon's Cyropa,d;a, which is
nearly contemporary with Plato's Rrp"l,I~. is a treatise on how Greek
cities can make good we of the providential man. The same goes for
 Isocratcs' EVAtoras, a eulogy for a Cypriot king. Plaro, Xenophon, and
lsocrates herald a time that became one of kings, after Philip and <Spe-
cially Alexander, who corresponds rather well to the panbasikw evoked
by Aristotle in the third book of hi.s Poutics-, indeed, Ari.stode was the ed-
ucator of Alaander after having been Plato's disciple.
    X.nophon, Plato, and lsocratcs became the prophets of the Hdlenis,ic
world. Needless to say, the city did nor disappear. le was Still an c:sscntial
fram~ork for life in the age of che first Roman emperors, but in the
Mcditc-rrancan world and even in the Greek world, ic ceased to be a pre-
ponderant factor. The greatest town of the Hellenistic world, Alexandria,
which was "near Egypt" and not ·in" Egypt, was in fact a tow11 more than
a cicy. The Greeks there were citizens, but they had no pan in the gov-
ernment of their town. It was in vain that Clcomencs, a revolutionary
king cxikd from Sparta, attempted at the end of the third centuty, under
Ptolemy IV, to incite them to frcc-dom. Alexandria was not an au-
tonomous decision-making center. It is in this sense that it can be said of
P~w. as Casroriadi.s docs, chat he played a "considerable role in ... rbe
dc:srruaion of the Greek world." One can go even further than this and
sta.te rhac in the Luer Roman F.mpirt', ~tarting with Diocletian, we find
xviii                            Foreword
PASCAL VERNAY
  It was during the winter of 1992. that Corncliw Casroriadis read the
present transcription of these seven seminars hdd at the &olc des Hauccs
~tudes en Sciences Socialcs (EHESS) in 1986. His notes, corrections, and
additions have, of course, been integrated into the text you arc about to
read. The judgment he gave was a bit contra.diaory. Amwcd, at first: "I
didn't know I had written a new book"; then gcncrow: it's ..an excellent
job"; finally, reserved, bee.awe "some of the point.s aren't ripe enough" to
envisage publication. Yee here we have these scminan published, and,
what is more, i.n an unauthorized form. Why, then, have we not respected
his wish not to sec them in print?
    First of all, and this is the most circumstantial reason, because in early
1991 Corneille was busy preparing che fourth and fifth volumes of che
 Carrefour, du i,J,yrind,, (Cro.ssroads in the Labyrinch) series and above all
preoccupied wich putting togcchcr [a planned multivolume work to be
entitled] Lz Crlation hum4iru (Human Creation). 1 Planned, thought out,
and daborated for almost twenty years, .. La Creation humaine" W3.S to be
found-albeit in raw form-in the transcriptions of the more than 200
seminars held at the EHESS since 1980. The rewriting of a history of phi·
losophy commentary-co speak too quickly, and even chough chis com-
mentary had ics place in the overall publication of his great work--d.id
not figure at that rime among his priorities: he wished to begin with
"heavy" philosophy, ontology, therefore, and co get co Greece and to pol-
itics only si.J: or seven volumes later. Alluding to the relative "greenness" of
this work on Plato was therefore also Castoriadis's way of telling us: I've
got someffiing else co do at the moment.
xx                             b,troductlo ,-,
one, or vice versa, transforming some of the acunuscs into notes, setting
back into their place within the ow,rall commcntaty some developments
that, u Castoriadis himself had pointed out, had been forgotten, and, 6-
nally, indicating. surely in a bit too heavy-handed and fottnal a manner,
the articulations of the argument, of the exposition, either because he had
neglected to insist upon them or because they had been drowned out, lost
in the over.all exposition. As. for words and phrases in Greek, we have cho-
sen to tnnslitcratc according to the system Castoriadis himsdf used: a
Latin chasactct (or two) for a Greek letter, wing che wual accents to in-
dicate the length of v..-ls (chw, I !Americanized in this translation to i'}
for eta, 6 (Americanized to iii for omega, t for epsilon, etc.). Nonetheless,
in the case of longer quotations integral to the play of the questions and
answers, we give the Gtcek text-that of Augwtc Di~ (Paris: Les Belles
Lcttrcs, 1960, 1975).
    A few rudimentary thematic points, it seems ro us, might be wcful
here in order to place these seven seminars in the context of Casroriadis's
sixteen ynrs of teaching at the EHESS. Herc is a very rough summary.
The years from 1980 to 1986 were basially devoted to Grcccc, to chc cre-
ation of philosophy and democracy-with more precise and spcci6c
analyses here and chctc of Anaximandcr, Heraclitw, che tragedians, Peri-
cles' Funeral Oration, Plato's St,zfnmAn, and so on. Then, from 1987 un-
til 1991, Castoriadis took up anew the great problems of philosophy, con-
fronting his "parent ideas" [idlt, mms] with the analyses of the "four
greats" from the histoty of philosophy: Plato, Aristotle, Kant, and Hegel.
Finally, the ycats 1993, 1994, and 1995 dealt almost cxclwivcly with the
human psyche, swting from, with, and sometimes against Freud.
   To situate chis commentaty on the St,zfnmAn within his overall labor
during the 1985---416 school year, here, 6nally, is the summary Castoriadis
himself wrote for EHESS's annual report, under me tide "Institution of
Society and Historical Creation: Democracy and Philosophy in Ancient
Grcccc":
  The 198s-86 seminar endeavored ro bring out first the differences and oppo-
  sirions bmr,,ccn chc Grttk political imaginary and the modern political imag-
  inary.' As opposed 10 direct panicipation in power and sdf-govcmrncm in
  the democratic cities and to the absence there of Ule State, of •ideology, .. of
  an arnsociaJ basis for the instinnion, and of constitutional iUwions, there
  att in modem times rhe imaginary of ..rcprcscnration,• the omnipresence and
xxii                               lntroductiv•!
arn:mdy rich dialogu, in ia own right. But it is above all a dialogu, whose ap-
paRnt and real quirks (!WO definitions, neither or which truly comes off, th ...
major dign:s,ions, and eight less long dign:s,iom ot incidental poinu) make it,
or all Plato's writing>--411d perhaps °""n or all philosophical writing-the
one in which can best be xen living thought at work.
         On che Translation
   Once again, the ma.in challenge of the present translation has been co
translate Casroriad.is while endeavoring co be faithful to his own distinc-
tive translations from ancient Greek. 1 As Castoriad.is himself noted in
"The Disc.ovcry of the Imagination": "The translations of passages ... arc
my own. Ohcn they diverge considerably (and sometimes on 'dcmcmary'
points of meaning) from existing translations. I have worried little about
elegance" ( WIF, p. 116). In hi., Suu,muzn seminars, Castor~dis makes use
of Auguste Dies's standard Guillaume Bud~ French uanslation. But he de-
paned therefrom when he felt he himself could better translate Plato's text
and elucidate its meaning. Translations of Plato differ rather substantially,
if not wildly, within any one modem language, let alone between two or
more. There would have been no way of capturing the specificity of the
terminology, phrasing, and Aavor of Casroriadis's renditions through di-
rect use of existing English translations for the Stllta'1Uln. (The same goes
for other Platonic dialogues he quotes and funhcr ancient Greek authors
he cites, remarkably wdl. from memory.) I have therefore again opted ro
render the distinctivcness of these French rranslacions, whether DiCs's,
Castoriadis's own, or a combination thereof, dirccdy in English myself.
This has often required consultation of the Greek original, Dies's French,
and an English translation (Hamilton and Ca.irns's Plato: Th, Co/1,md
Diaiopn), and I have incorporated nuances of all three into the final Eng-
lish version given here.
   The French original of these seven Ca.scoriadis seminars prepared by
Pascal Vcrnay and reviewed by the speaker himself offers a good running
guide to the general locations in the Sutmn4n where Castor~dis offers
xxvi                        ·1.., the Tmnsl:tion
ity, it being a short stmch from thc: extant English adjective with Kantian
connotations. ("Sensory makeup" might have given too exclusively pas-
sive an idea of Castoriadis's conception thereof.) The 1951 coinage of an-
other French word Castoriadis uscs---dlmi¥,xi<--is attributed to Andr~
Malraux. This neologism comes from the Greek dnni,uzi,,, meaning cre-
ative activiry, workmanship, handicraft. I have merely rendered the word
into "English"---dnniu,iia-thus availing myself of a minor prerogative
contained in the creative aaiviry of the translator.
   Following standard editorial practice, 6m names have been supplied
for all but the most obvious persons mentioned. Herc again. any errors
arc my own. I have consulted the Oxford Clmsic,J Dictionary for spellings
of classical names and places. "Sophist" appears in uppercase when refer-
ring to those spcci6cally undcntood 10 fall into that category, but in low-
ercase when meant (u far as I could tcU) more generally.
    Nonsexist language is employed throughout: unspecified persons arc
arbitrarily designated as "she" or "he.• This practice, already employed
previously, was developed in consultation with Castoriadis.
    One nuance of the French ,ex, has not been rendered into English.
Plato's S14tesm11n concerns knowledge, in panicular the tpistimi of the
"statcsman." Both 111110ir and conll4issd1"t may be translated as "knowl-
edge"; bu, the former has a more formal connotation, while the latter of-
ten implies rather a familiarity, as in knowing (S4voir) that one knows
(con,wlt). Shott of indicating each specific appearance, it is impossible 10
reflect this disrinaion in the translation.
    Finally, we come to the tide itself of Plato's dialogue. In Greek, it is
                       u
Politiltt,r, in French, Polilifw. The English translation, the Sl4tn,,,.n,
is rather unforrunatc, Castoriadis himself noted. 5 Had these seminars
been delivered by him directly in English, one could imagine him prefac-
ing his remarlu with something like the following:
  Now, the English tick, the 5'41U11Nln, is panicularly intolerable. I've said on
  many occasions that the Greek term polis is not ro be cranslarcd as cilJ-SIIIU,
  for the Greeks didn'r have a sq,ararc scate appantw. To call die person who
  was ro be occupied with che running of the polis a ,,.,,,,,,.n is, even in Plato's
  perverse construction concerning the so-called royal man, totally unaccept-
  able. Yet hert ~ have 1he term enshrined in tradition as the common trans-
  lation of Plato's dialogue. W£ an not pmend lhar this reality doesn't exist and
  so mun we this wholly unsuitable term; lei us simply k«p in mind its inad-
  missibility each. rime we employ it.
xxviii                     On the Tr-anslation
Likewise, when talking about the art of this "statesman" we refer to his
"'statesmanship," whereas che Greek original speaks of politiki, which in
French is /a politique and in English usually is translated as politics.
   I would add to this imaginary aside the fact that, as opposed: to la poli-
tique (politics/statesmanship), k politique can mean not only the states·
man but also "the political" (or "the political sphere"), a relatively rccenc
term derived from Carl Schmitt's das Politische, which Castoriadis did not
eschew.(, I have endeavored each time to choose the correct term in Eng·
lish-statesman or the political, politics or statesmanshi~according to
context. The reader may now judge for herself whether I have successfully
sorted out the nuances and ambiguities, or whether alternative readings
might be called fut.
ON PLATO'S STATESMAN
Seminar of February 19, 1986
   I was telling you the last time chat Plato played quire a considerable role
in what can be called the destruction of the Greek world. In the eyes of
history, he transformed a de facto destruccion into an apparently de jurc
destruction. Thar is co say, if chc Athenian democracy collapstd in che
end, it was ultimately in the order of things-not in the sense in which
Herodotus says, "All that is great mwt become small," and vice versa, but
because it was fundamentally rotten, a regime dominated by the ignorant
crowd, the impassioned and passionate crowd, and not by chc wise man
or by wisdom, the jwc man or justice. Thw, rather than being a hiswrical
tragedy, the fall of Athenian democracy becomes a ~ of immanent
philosophical justice.
   This he did, in one respect, if I may phrase it thus, "positively'": he ad-
vanced che idea that there can and should be an ,pistbni' of policies [/a
po/itiqu,), a sure and ccnain knowledge enabling one co be guided in the
political domain; that, in chc end, chis 9istimi of statesmanship [/a poli-
tiqw] rdies upon a transcendenc knowledge; and even that i1 relics upon
uanscendencc itself. h is in this sense, ultimardy, that the regime de-
scribed in che Laws can and should be considered-co speak hastily and
facilely-co be much more moderate chan char of che Rrpublic. Plato, as
one says, watered down his wine as he aged. That doesn't happen co every-
one. but it happened to him.
   Yee, even though it is more moderate, che regime of the Laws remains
all the same basicalJy a throcratic regime. And it is this regime char, in a
sense, opens the way nor only to the critique of rhe democratic regime but
also co tM quite ambiguous critique of th, law as such. I shouldn't say
ambip,ows. moreover, but wry cle11.r, when this critique is read in the
                           Ou Plato', Statesman
Stat~ma.n (294,a--c) and when it allows Plato to jwtify his claims to be go-
ing beyond written_law in the name of a higher form of knowledge.
   And it's indeed Plato who completely overturns the Greek conception
of justice as a question that remains constantly open within the city: Who
is to give what, and who is to have what? This question constantly poses
the problem of distribution among the citizens and at the same time thw
opens the way to further questioning (une inte"ogation]. He therefore
overturns this definition and makes of justice what could be called and
has, moreover, been called in modern times a holist, or holistic, property,
a property of the whole. For Plaro--chis is the conception from the Re-
public, this is the conception from rhe law.f-justice is che fact that the
ciry as a whole is well divided, well articulated, and chat, within this
whole of the city, each has his place and doesn't cry to obtain another one.
According to the famow phrase from the &public, juscice consists in to
alltoU npcittEtv ,::a\ µ:fl no>..unpayµovE'iv (Republic 433a), minding your
own business, doing what's yours, what belongs to you, what is your own,
what corresponds to your place, without trying to busy yourself with
everything, co be a busybody-this English word being, moreover, the
 best translation of polupragmonein.
    But at the same time, it's in Plato that for the first time we have an at-
 tempt to ground, in right and in reason, a hierarchy within the city. In
 the Greek city, the existence of freemen and slaves or of the rich and the
poor is a fact. W~lat_C:, _c~i~ -~~pposedly becomes a right-that is,
something that rests upon the different natures-Oftlieindividuals of
wh!c~ _!he ~is compose~ To do this, I said, Plato engaged throughout
his workln an immense operation that rums anything to good account
and thac manifests a strange inconsistency, which I have even qualified as
perversity-I stand by chis word. Plato constantly rebukes the rhetori-
cians, yet he himself proceeds rhetorically in an immense number of in-
stances. He tries to garner one's conviction, and he succeeds in doing
so-the proof? we're still talking about him-by playing upon the plau-
sible, the probable, che likely, by playing even upon the wellsprings of
shame, respectability, and modesty.4fe does so by working on the soul of
che listener, and not only on his reason, in order to try to show him chat
there is good and evil, chat a decent man can only be on the side of the
good/rhose who are evil blwh in the dialogues, like Thrasymachw at rhe
end of the first book of the &publir. "Thrasymachus agreed co all
that ... but reluctantly and with great difficulty ... and then I saw some-
thing I had never seen before: Thrasymachw blushing" (350d).
                        s,,,,;,,,,, ofFd,"""l 19, 1966
   It's the same thing as regard. the Sophists. Plato rebukes them, bur he'
is himself an incomparable sophist. One cannor count the number of in-
r,ntional sophisms and paruogisms that are there in the dialogues. The
&public icsdf is one huge articulated sophism, a multi-leveled and multi-
staged sophism.
   The two preceding considerations show that what Plato says against
rhc demagogues can be turned around against him~xccpr char, in his
case, ir isn't an everyday, physically present dhnos that he's stirring up, that
he's churning up, and that he's trying co carry off in a c.cnain direction. It
is the dimos of the lcru:rcd. men and women of history, of the work's read-
ers over the centuries. And for the same reasons, moreover, he, too, is an
~idol.opoios, a manufacrurcr of simulacra-what he accuses the Sophists of
 being-in, for example, everything he recounts about the differing na-
tures of human beings, which goes to justify their division into classes in
 the &public, or the conscious, impudent lies proffered in the third book-..
of chc Laws conc.crning the history of Athens, and so on.
    And at the same cime, chis is someone who, if one goes deeper, is, one:
could say, lacking in modesty. He has, char is, an immodesty of the mind,
the: immodesty of an ugumentative person. To prove this, I need only
cite the accusation lodged in the Go,ritu l515dff.l against the politicians
of Athens and, notably, againsc Pericles, where: ic is sa.id thac if chose peo-
 ple were cruly, as rcponed, so jusc, so incdligenc, they would have raised
 [auraimt /In,/] their sons in corresponding fashion. And this is said by
someone who was himself a pupil [//n,,) of Socrates, the disciples of
whom included, on the one hand, Alcibiades and, on the other, a dozen
of those who later became the Thiny Tyrants! Thac's the: rcsuh of whac
Socrates taught, according to Plato's logid And, secondly, this is said by
someone who raised no son of his own, nc:ichc:r good nor bad, ncicher in
the direccion of juscic:c nor in chc d.ircccion of injwcicc:. He's got a loc of
check, as is said in common pulance, or, in a more noble language, the
immodesty of someone who is a philosophical arguer.
   Comparing Alcibiades and Placo, one could say thac in a scnse-
chough, co suppon the comparison, co pwh ic funhcr, one would have co
read chc Sympo1ium in detail, which we cannoc do hcrc-Placo is a son of
inverted Alcibiades. Considerably younger than Alcibiades, undoubtedly
chiny years his junior, Plato sublimates this passion for power chac Alcib-
iades couldn'r master and that led him to do what he did in the history of
Achcns; Placo cr:rnsposcs ic onto another level, chc level of wricing. of
schooling.. of counsel given to the powerful and to cyrancs. That is what
h~ did. it Sttms. in Sicilv with Dionysim and then with Dion.
     But at the same time, there's a son of indifference on his part to the
  city that raised him. Again, this contrasts him with Socrates. For Alcibi-
  ades, Athens is p~ly and simply the inscrument of his own might.
  When the Athenians recalled him from Sicily, 1 he passed over to the side
  of Spana and then came back to Athens. Likewise, Plato is completely
  cold toward Athens; he rebukes it, and not just the democracy. He docs
  retain a kind of racial pride, so to speak, which is to be found again at the
  end of the Laws {969c~}, when the l..accdaemonian and the Cretan agree
  among themselves that they could nt'Ver have succeeded in resolving the
  problem of the good ciry without the Athenian who accompanies them
  during this long philosophical march-a march both literal and figura-
  tive. Plato therefore retains this one point of honor; bur as for the content
  and substance of Athens, of the Athenian historical creation, he detests it.
  In any case, he simply uses his situation as an Athenian citizen to profit
  from what he has learned, to profit from Socrates, who is a son of the ciry,
  to profit from the paifkja {education} screaming out from Athens, and to
  profit from his own position. And he uses it finally co found his own
  school in the gardens of Academus, ~rofiting from the liberalism, from
/ the love of liberty, of the Achenians7lwho, once again, allowed someone
  to open a public-education establishment that rebukes their city, instead
  of putting him to death right away, as the ephors would have done in his
   beloved Sparta.
      To this dimension would have to be added the concern with the aes-
   thetic appearance of one's life, a concern chat, unless I am mistaken, ap-
   pears for the first time in antiquity with Alcibiades, thus dissoci.1ted.
  Plato himself undoubtedly cultivated-and cultivated until the end-the
  aesthetic appearance of his life and made swe chat his followers, his
  pupils, the entire Academy, constantly contributed to the fabrication of
  cl--is myth of Plato, which passes by way of many things-including,
  probably, the fabricuion of letcers, about which I'll say a word in jwc a
  moment.
      From all these standpoints, we can reAcct upon these two children,
  these two pupils, who were by far the two most brilliant Socrates had: A1-
  cibiades and Plato. Undoubtedly, too, at chis time (at the end of the fifth
  century and the beginning of the fourth; thw, after the tragic poets a.nd
  after Thucydides), they were the two most brilliant Athenians in quite
  different domains--but both of them were already perverse and did not
  love their poUJ.
     Why this influence of Plato's? I shall come back to this question at th('
  end. In this inffucncc must be $CC11, on the one hand, what is due to Plato
  himself, which we have already seen: a wh.ole series of operations, the
  strategy be puts into effect. But there is also what is due to later times.
  Hm,, things ar< rdativcly simpl<. I won't talk about Karl Popp<r, who
  created a kind of countcrprtjudicc. One cannot call Plato toul.itarian or
  make him into the father of totalitarianism. But on account of his hatred
  of democracy and on account of what constantly shines through from
  ,!>im as a desire to 6x the things in the city imo place, co put a halt to the
./ evolution of history, to stop sclf-instirution, co suppress sdf-institucion-
   on this account, Plato obviously becomes, in a certain way, the inspirer of
   and arsenal for everything in history char will represent this attitude. To
   put it simplistically: of everything reactionary and pro-establishment;
    everything opposed ro the democratic movement. This is found again
    among the Romans, among the first Christians, during the Middle Ages,
    and in modern rimes. I won't and I can't-it would be an immense
    task-truly go through th, history of all that.
       Finally, one mwt, of course, keep in mind the enormous demem of
    authentic crcacion that exists in Plaro, creation of an inconccscably uans-
    historicaJ value that is attached ro his work, that is also another kernel of
    his work, or th< other pole. I don't like to speak too much of a poi,, b,,.
    c.ausc ir isn't in opposition; the relations between Place's philosophical and 1
    lircrary-anistlC--<rcation and what that creation carries along with it,
    ,that it bears with.in ir, in the way of a political and, of course, philo-
 ../sophic.al imaginary arc quire strange. There is this other elemcnc, Plato's 1
    creation, his incomparable geniw linking at once philosophic.al depth, i
   Jogical-dialcctical power, literary anistry, and a savoir faire in the politics
/ of idcos of which I spok< a moment ago. This has played a big rol< in th<
    influence he has had; the result is that, while we arc discussing Plato here
    and wh,n w< discuss the S,,,i,sman, th, &public, and th, Laws, w< shall
    not be able ro speak of him as if he were simply some ... ideological" au-
    chor with regard ro whom it would suffic.c to point out his sophisms. Ar
    each seep, one runs up againsr~nc becomes enraptured [on 1txt.t.ru') be-
   e.awe one discovcrs--somc philosophical nugget or other; one discovers,
    in the end, yet another of the roots of whar we think today, of our modes
  of thought.
                               On PlatoS J[atbman
      Before getting to the positive points, it muse be added that with Plato,
  and for the first rime, we have what later on was called~he partisan spirit
  in philosophy. It is sumined by his rhetoric and his staging. Before Plato,
  and even afterward, the philosophers expound their opinions. Rarely, as
  with Heraclitus, do they have some disdainful remark to make regarding
  other philosophers. Starting with Plato, they discuss the ideas of their ad-
  versaries, as Aristotle also did later o~]Placo, however, is the first and per-
  haps the last philosopher to transfo~m this discussion into a,yeritable
  combat-and in this sense, he comes close to reminding us of Marx; or,
   ~er, Marx reminds us of him. Plato really wants to polariz.e his readers,
   co summon them to choose between chem and us, between the bad guys
   and the good guys. The bad guys are those who are mistaken [se trompmt]
   and who want to deceive [trompt'T] the world; and the rest of us are those
   who are in the truth and in the good, in jwtice. Or he sometimes, in ex-
   treme cases, stops arguing altogether in order simply to heap ridicule on
   chem.
      Bue Plato doesn't limit himself to that. As Aristotle would also later do,
   he doesn't limit himself to these attacks against them and these refuta-
   tions. He is also the first one-and here again we see the ambiguity of his
   creation-who used the weapon Paul Riccrur later called swpicion, which
x, has indeed loomed so large in modern times, with Marx, Nicasche, and
   Freud. He doesn't say: What you are saying is false and I am going to
   prove it to you. He asks, r.ather: Why arc you saying what you're saying?
   And the Why refers not to logical reasons but to subjective reasons in the
   largest sense: You are saying it because it suits you to do so; you are mak-
   ing up sophisms because you're a Sophist. And that isn't a tautology. You
   are a Sophi.st means: You are a merchant of falsehoods, a trader in fallacies,
   a kapilos, and it is your ontological and social position as a Sophist that
   makes you say what you are saying. Logical refutation is complemented
~ by, if I may put it thus, O_!!.~O!Qg.ita.l. social, and political assignment: You
   are saying what you are saying because you arc an enemy of the proletariat
   (Marx). You are saying what you are saying becawe your neurosis leads
   you to say it (Freud). You are saying what you arc saying because truth is
   a poison for the weak and becawe you cannot bear it (Nietzsche).
· - In Plato, it goes as follows: You arc saying what you are saying because
   you make a living off of lies. And you are making a living not only in the
   ~ense chaf you are gcuing pa.id for your lessons-a point Plato insists
   upon a gre.i.c dca.1-but because you make a living in this way ontologi-
                       5nn;,.., ofFd,,.,,,,ry 19, 1,S6
                                                         o'
cally/2i.c b<ing of the Sopbist is a b<ing that relics upon no1-b<ing. 'This
is because there is no1-b<ing and the possibility of making no1-b<ing pass
for b<ing and b<ing for no1-b<in~which leads 10 the famous ontologi-
cal rr:vision made in the Sophist, to the murder of the father, of Par-
menidcs. It is therefore because one can mix one with the other, being
and not -bdng. And th.at mans, in a ccnain fashion, that being is noc and
that nor-being is. And moreover, chis quali6cation ;,, a cert11in fmhion is
100 much. ~ Plato him,df says in ,he SophiJt {259b}. "Ten thousand
times ten thousand, being is nm ... and not-being is." And it's because
there is this ontological connection that you, the Sophists, can exist.
  And ir is. moreover, from this scandpoint that one can ma.kc the dis-
tinction-even if that's nor our principal intcrcst-bcrwccn two groups
of Platonic dialogues. On the one hand, there arc the basically staged and
polemical dialogues, which arc designM to refute one or rwo Sophiscs:
the Eut/,ydnnus, the Mmamus, the Go,xias, with the series Polus, Calli-
clcs, and Gorgias. These dialogues take place before an audience, a pub-
lic, which is like a chorus that prevents the Sophist from persisting in his
sophisms by using a kind of silent disapproval that mobilizes an ultimate
residue of shame. Even a Sophist, even Thrasymachw, h2.s some of that
in his soul.
   And then there arc the dialogues involving real research, the zctctic di-
alogues, for which no public is necessary and from which rhc public is in
fact cntirdy absent. Thus, in the Parmnri.drr some very profoundly out-
rageous things arc said there, but there is no public. One is among people
of good faith-Young Socrates, Parmcnidcs-and one has no need for a
chorus, for a silent and reproachful judge.
   As for the properly philosophical creation, one muse simply recall acer-
tain numb<r of points. And already, fim of all, there's the fm that Plato
is the crcalOr of the interpretation of the positions taken and not only of
the refutation thereof. It's the fact chat he is constandy rcswning his re-
search. Plato is the first person to have cried to 6.x in place the apotias.
and perhaps the ways out of these aporias, that for us surround the ques-
tion of know!~ and truth. And also the limits of rationality in this
world. This is basically the theme of the limtUW, and i, comes back all
the rime. He's the fim to aruck vigorously rhc problem that still today
remains the po,u .,;non,m of philosophy and logic: on the one hand, the
                              On Plato's Statesman
      relationship berween the universal and the singular (among other texts,
      this is found in che p.,.,,,tnieks)-to what extent we can say that there is
      one dog and chat there is one society and that there is one God and chat
      there is one French language and that there is one number one. In what
  f sense all that is one, and what the relationship of this Form or Idea or
 \ eidos of the one is with, on the other hand, the concrete realities (as we
  , , shall say as Moderns, as post·Kantians), which we c.an chink only with the
      aid of--or more exactly, by means of-this category of the one. Can we
      chink by means of this category of the one only, as Kant says, because
      such is the structure of our mind? Because we cannor think otherwise,
      and char, allegedly, is something that could be demonstrated? Or is it that
      we cannot think wirhout the caregory of the one becawc there is rhe one?
      There is the one, ifl may say so, but where? And we still haven't exited
      from all chat bee.awe, obviously, the form of the one couldn't be imposed
      upon the phenomena or upon objccu if something didn't lend itself
'> thereto, if something therein didn't permit the propping up [lttayageJ
     1and insrrumencation of our categories. Therefore, we cannot simply
      affirm chat the one is a category. But on the other hand, the idea chat the
      bne belongs to the things, or chat cawalicy belongs to the things, appears,
      indeed, co be completely enigmatic and seems to open a gulf about what
      that can really mean. In a sense, we have hardly advanced since these in-
      vestigations [interrogations} were laid down and worked out the way they
      were in the Parmrnieks, in the Theaetetus, or, in another fashion, in the
      PhikbUJ and in certain passages from the Republic. We shall sec some
      examples of chis while speaking about the S14tesman.
Plato's Statesman
  our work this year. Given our object in this seminar, we cannot make an
  in-depth and detailed analy,is of all the texts that intcrcsr us. During rhe
  put rwo years, we did this work around a phrase from Anaximandcr, a
  chorus Ii-om Antigon,. one or rwo spc:,chcs in Thucydides, bur this year
  ir's impoosible ro make a genuine analysis of the &public, of the Staus-
  man, and of the Ulws, then of Aristotle's Politics and of rhc other texts
  that come afterward. And on the other hand, I want w to do some work
  rogcthcr thar, though far from cxhawrive, will be an in-depth work upon
  a determinate text. Let's grapple with a text to sec what it means ro work
  genuinely on a tat. And the only one available from the standpoint of
   size is the Statmnan. The Republic is too long. The LAws, like Aristotle's
   Politics, is huge.
      The second reason is that chc St4trsman belongs to what I shall in a
   minute be calling Plato's fourth and lase period. It's a ten in which, in a
   sense, and without being roo Hegelian abouc it, the results of his cncirc
   prior development arc implicitly found sed.imenrcd. And there's nae
   much more to come. From this standpoim, che Siaumwn virtu.ally con-
   tains Placo's philosophical trajectory-the problrmacic, the aporias, and
   the anrinomies of this trajectory. They can be drawn out of the Siaumum
   and out of what appear to be the incoherencies in chis dialogue and its
  strange goings-on (lmlngltis]. This impression of incoherency and
/nrangcness [lmr"f&'] comes in a second moment. In the first moment,
  one rclls oneself while reading through this dialogue that things arc going
  quite wdl, chat ir's just Plato or Plato's idiosyncrasies. In the second place,
  things don't go at all. And then, i.n a third place, a sort of struaure is sal-
  vaged. And, ac a fourth level, one gets a glimpse thar this scructurc itself
  contains some very deep faults and chat these faults arc no accident; these
  arc the faults of Placo·s though,, and perhaps of all though,.
      A third rason: this fourth period of Plato's is embodied and mani-
  fested in the Siaumt1tn via a basic change relating co a point rhac in ap-
  peuance is minor but chat goes very far, because, here again, given the
  magmatic scrucrure of thought, one can cake off from ic co find nearly
  everything. The change thar is ,here in rhe Swnman is the change rela-
  tive to chc definition of he who is suitable [proprr] co govern, chat is co
  say, the srarcsman [I, politiqu,], the political man, or the royal man. In
  rhe Rrp"bli<'s definition, he who is suitable to govern is identified with
  the philosopher, once he has undergone adequate cra.ining. In the Siau1-
  ""'"· no direct mention is made of him, but the royal man-co whom we
  shall return lam on-appears not as a shepherd [b,,;gerJ-that's the 6m
,o                         On Plato's ::>catcsman
1. a few words about the dace and historical situation of the Statesman in
Plaro's oeuvre, then about its general problematic;
2. the StateJmani structure as such and its scrangencs.s, this jumble
[enchroitn'mentJ of definitions, incidental poims, and digressions;
3. the two definitions;
4. the eight incidental points;
5. the three digressions;
6. the problem of composition: Is there or is there not a strucnuc hidden
bc:hind what appears to be an entirely baroque edifice, with two main
cowers, three adjoining cowers, and eight secondary buildings?
And, finally, if we have the time, we shall take the opportunity to make a
                       Sn,,;,,,,, •fF,lmuuy ,,. 19'6                      ll
pretend., and rben quasi tyrant; sec FinlcyP and Callippw (the assassin).
Thrrc att so many unpleasant things in the affair that it would be very
convenient to cover them over with the great figure of Plato, who, him-
self, mad, a try, risked his lik for his ideas, and then came back.
   However, what stands in the way of the 4tbdisis, as the philologists say,
of the refusal to accept the authenticity of the Uttm, is, however, the
quality of the Snnith Lmn, which is quire beautiful and very profound.
From the outstt, the jusrific.ation for Plato's no longer getting mixed up
in politics after Socrates' conviction is entirely convincing. Then there's
the extraordinary passage about language's relationship with ordinary
knowledge, with the knowledge of the thing., themselves and of the Ideas,
and with the much tallccd-abour r.cAiph,,b. It's here char he says that all
the othrr forms of knowledge are preparatory for true knowledge. One
mwt be cra.incd in those forms, but they aren't what bring uuc knowl-
edge. They arc like the prdiminary "rubbing" that eventually, at an inde-
terminate and unexpected-surprising (euiphnir. suddcn)-momcnt,
m2kcs the ffame shoot up, the ffasne that lights up at once the object and
thC' subject and thac permits one to see. That's what all logic, all d.iscw·
sion, all mathematics, all dialectics serve to foster. h is preparatory. And
this recalls what mystics said later on abouc the fact that myscic.al a.scni·
cism is there to prepare for a moment of clairvoyance that cannot be
forced or wrung out. Knowledge-true knowledge, ultimate knowl-
edge-is described in this Snnith l..rtkr. And this description corre-
sponds well enough to what is said in the Symposi"m, in the Phaedrw,
and in the &p,,J,li, iudf about the soul's relationship with knowledge to
dunk that, if this Sn,n,d, ~ is not authentic in the literal sense-is
not authentic for the facts of the third voyage-it is authentic for the
philosophical treatment ir provides on the question of knowledge's rela·
tionship with its object.
   Anyhow, the Sta""""n can be catalogued as having been written only
aher the dare of the alleged second voyage. And if there were second and
third voyages, it would perhaps be between those two, perhaps aher the
third. If you've read the Sutaman, you may recall that it comes in the
wake of the Sophist, which is supposed to come aher the Tlmuutw. And
at the same time, there's the promise of a fourth dialogue, which wasn't
written and which would have been th, Philosopkr.
   The rhrcc existing dialogues and the fourth, the promi>cd dialogue, the
~ . are linked by a sort of round of dw-acters, a circular dance of
                            On PLuo's Statesman
the protagonists. In the Theaetetus, ir's Socrates who asks the questions
and it's the young Theactetus who answers. In the second dialogue, the
Sophist, it's still Theaetetw who answers, but the questioner is rhe Stranger
from Elea, the xenoJ. A remark: in Greek, xenos doesn't mean only stranger,
foreigner, bur also and especially he who receives the treatment reserved
 for foreigners, that is to say, hospitality. There is a Zeus Xenios, protector
of foreigners; and xenia is hospitality. XenoJ ekatis is therefore both the
stranger as well as che guest, the invited visitor from Elca. Nevertheless,
 we shall say the Stranger from Eka--<Ven though the Ekatic friend would
 be more faithful-since that's how he is known and since the Moderns
 adopt it because it's chic: he's a stranger who enters into the game.
    In the third dialogue, the StateJman, the Stranger from Elea remains
 che questioner. That's the point that remains fixed with regard to the
 Sophist. And this is foretold explicirly: the person being questioned is
 Young Socrates, a young Athenian at the end of his adolescence, like
 Theaetetus, who happens to have the name of Socrates-at one point,
 moreover, Socrates plays on this, saying chat Theaeretus looks like him,
 that he is ugly like Socrates, and that Young Socrates has his name. One
 can assume that the latter, like Theaetetw, is very intclligem. In the
 promised but never written fourth dialogue, the PhiloJOpher, the person
 questioned would again have been, for reasons of symmetry, Young
 Socrates, and the questioner should have been Socrates.
    If we belonged co the structuralo-deconscructionisr school, we could
 ramble on about the fact that Theaetecus, like Socrates, is very intelligent
 and very ugly; that in the end, when it comes to defining the true
 philosopher, we'll have the true philosopher questioning Young Socrates;
 we'll have a return of logoJ into its identity, including from the scandpoim
 of rhe speakers [des inonciateun) and not only from that of their utter·
 ances [de1 lnoncb]; and chat, as by chance this fourth dialogue was not
 written, it lies within the margin of the Platonic text. Under this form, all
 rhat stuff doesn't interest us. What interests us is the content and the de-
 velopmental process of Platonic thought.
    This tetralogy with a pare missing-the Theaetetus, the Sophist, the
 Sta~sman, and the Philosopher (which wasn't written)-is arti6cial, in my
 opinion, as a tetralogy. The three existing dialogues really do belong to
 what I am calling the fourth period, but the TheaetetuJ is nevertheless
 rather different from the other two. Its object is as follows: What is called
 knowledge or knowing? h is an essentially aporetic dialogue: it doesn't ar-
                       SnniMr •fFtbrwzry 19, 1986                           15
rive anywhere [nizboutit p,u), and that, too, is the genius of Plato. The
 Th~utmu is an enormow, extraordinarily rich dialogue that asks what
knowledge is and ends up admitting: For the moment, we don't know!_ :'[ ·
~·u sec each other again tomorrow. What daring! The Modems don't do ,·
things lik, that! When they do, it's a bit rotten.
    The Th,-,,,, proacd.s dialogically. And as in most of the Platonic di-
alogues, the dialogic form is both false and true. Bue in the end the dia·
loguing form isn't supcrfluow, whereas it is entirely so in the Sophist and
the Suztmnan. There, chc dialogue is a pure artifice, which irritates ado-
laccnts who come across these dialogues in high school and can't help
but ask themselves what these goings on [proddis) arc all about.• Above
 all. the logical insrrumcncation of the Sophist and the Statrsman isn't in
 the form of a dialogue bur is to be found, rather, in ics diacrctic tool, in
logical division and those interminable divisions the much talked-about
Strang,r from Elca deploys both in the S,pl,i,1---Plato deploys six levels
of division in order to try to capture the sophist, who always escapes,
never letting himself be caught within a division-and in the Statnman,
where there are two consecutive definitions, which, as we shall s«, don't
in fact succeed [ndboutissmt pm] in capturing the statesman.
   From th.is standpoint, then, then: is no dear unity bctwccn the Tillar~·
tw, on the one hand, and the Sophist and the Statemum, on the other,
whcrt2S the latter two dialogues an: acrually all in one piece. This is so not
only because of the presence of the Suang,r from Elca but also because of
the devices [procidls] he employs. For, this xmo,, this guest-friend, has in
dramatically quite correct and c.onvincing fashion an identical scyic of dis·
cussion in the cwo dialogues: his mania for diaeresis, his obsession wi,h
division, an obsession successfully handled in both dialogues.
   And they arc all in one piece also because of their conccm. For-and
here again, one could amuse oneself by doing some stf~curalo-dccon·
suuctionism-chcre's a link and an opposition in the contcn(; there's a
joinc aniculation. The Sophi.JI talks about falsehood and not·bcing; ir
calk.s about the corruption of the philosopher that che sophist is; it (al.ks
about the fabrication of falsehood; and it doesn't talk, or talks only very
incidentally, about the philosopher, which is understandable since there
should have been a founh dialogue, the Pl,il,,,oph,,-. And the Stat,,man
ralk.s abour the true statesman and talks only incidentally about the false
statesman. Well, suucturalism being basically a mncmotechnicaJ procc·
dun:, this gives us the following diagram,
 16                           On Plato$ ~tatcsman
solu« but the miud, the real, the approximate, chc ,dative. On the po-
litical plane, this is aprcsscd through what in the Sta~1man is called the
s«ond uvig11.tion. dnan-os plow. There's a first navigation, char of the Rr-
publi., wruch yield. the true truth and the good city. Only, WC can't claim
to be realizing this idea; or dsc, such a realization could only be chc result
of chance. We therefore have to be content with a second choice, which is
dcsctibcd later on, in the u,w, (739<), where it is also said that chis city, in
tclation to the city of the Republic, is, according to the tcading of the
manuscripts, either ,,,u, tkuln'Os, second according to the deep-seated in-
ternal unity, or timUI UUUTOs, second in dignity. Timia dnttniJs is Otto
Apclt's correction, I bdi~c, but I am in agreement with Pierre Vid.a.J-Na-
quct in saying that mUI tkuUTos would be the righc reading.~ h is really
much more profound as an expression to say that the city of the Laws is
second in unity, in the intensity of the articulations of its parts, in rela-
tion to the city of the Repubuc.
   If, chcrcforc, conuavcni.ng all the most respected conccmporary rules,
we address ourselves to the content of the dialogues and co chc evolution
of Plato's philosophical thought in order to group the dialogucs--this is a
general digression, but an indispensable one if one wants to talk about
 Plato--wc sec that, in adopting the right criteria--whlch I am going (0
explain-this grouping pretty much coincides, on the one hand, with rhe
classifications made according to so-called cnernal criteria---darcs, refer-
ences to charaaers present or mentioned in the dialogues-and, on the
other hand, with the much talked-about stylomctric analysis, that is to
say, the chtonological layout of the dialogues according to indices of srylc,
statistics relating to partidcs and expressions Plato wcs. There arc, then,
four groups of dialogues:
   t. First, the Socmic dialogues, which ate his youthful dialogues. Wich-
out wanting to enter into the much raikcd-about and insoluble prob-
lcm--Who is the true Socrates? Who is the crue Plato? Where docs
Socrates end and where docs Plaro bcgin?-we have some dialogues chat
quite ccnainly continue, perhaps in giving a more thorough look to it,
the Socratic reaching: th< Apology, Crito, the first Akibiad,,, Eutl,yphro,
ucl,a, Ly,u, Cham,ilk,, the tw0 HippiaJ, and Ion.
   1. Then we have a second phase, which hasn'r until now been separated
out as a phase, but I think that ir mwr be .separated out. It is a transi-
tion.al pb.asc and a phase of anadts against th< Sophists. During this pe-
riod, we have some dialogues chat ar(' in a sense purely polemical, con-
18                         On Plato's Statesman
trary co chose of the last period, which arc interrogatory without great
polemics. These as well as chose of rhc third period arc among the most
beautiful: chis is Plato's mature phase, when he was in full possession of
his poetic powers. Herc we have che ProtagoraJ, the Euthydnnu.s, the
Mrnrxmw, the GorgiaJ, and the first book of the Republic-which is of-
ten called ThrasymachUJ after rhc Sophist who is Socrates' principal intcr-
locucor there.
   It is obvious chat the Protagoras, the Euthydmius (the dialogue that
ridicules the Sophists the most), and the Gorgias thoroughly attack the
Sophists. The "Thrasymachu.s," too. The Mmexmus plays a bit the role of
 the piece that could furnish the material for illustrating the empty box
 here, because, with its parody of the Athenian funeral oration, it's a kind
 of charge lodged against the politicians or the demagogues (in Plato's
 sense) who go around celling stories. What they were recounting, as pre-
 sented in the Menexenus, is so improbable that, for serious readers, it can
 only backfire against the orator.
    3. The rhird phase involves the discovery, affirmation, and deployment
 of the theory ofldeas. One can begin this phase with the Mmo, and it in-
 cludes the four great "idealist" dialogues: the Phaed.o, the Phaednn, the
 Sympo,;um, and the bulk of the &public.
    4. Finally, there's the fourch phase, which extends from the height of
 Plato's maturity to his old age, and which I begin with the Cratylw, a
 deeply aporetic dialogue. Ir is absurd to say, as many commentators do,
 that Plato upholds the theory that some words are naturally correct
 Uusw] and that others arc not so. The Cratylw is absolutely aporetic and
 ,ows enormous confusion, because it investigates our relationship to lan-
 guage and language's relationship to things and poses the question: Since
 what we state as truth goes by way oflanguage (to formulate it in modern
,terms), how must language be in order that we might be abll" to state a
 truth? It's taken hold of at one end, the correspondl"nce of the terms of
 language with things, but that's the problem chat is being taken up.
    Therl" arc, then, the Cratylw, the Theutetus, the ParmniilUs, three
 highly aporccic dialogues, and the results of this apori11 and aporbis,
 which arc given in the Sophist, the Stawm11n, the Ti1n11ew plus the
 Critias, and the Phil.ebw-and the laws in quite coherent fashion come
 at the end. And it's in these lase dialogues chat the theory of the mixed is
 posited and expounded upon ro the furchest extent possible:
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