Underwater Photography A Step by Step Guide to
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Underwater Photography A Step by Step Guide to Taking
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Contents
Foreword
Introduction
Chapter 1: Introduction to Underwater Photography
1.1 Essentials of a Good Underwater Photographer
1.2 The Effects of Light Underwater
1.3 Choosing a Compact Camera for Underwater Use
1.4 How Many Megapixels Do I Need?
1.5 Essential Accessories for Your Compact
1.6 Travelling With Your Compact Camera
1.7 Caring for Your Equipment Before and After a Dive
Chapter 2: Understanding Your Camera’s Main Settings
2.1 Getting Started - Choosing The Correct Set-Up Options
2.2 Automatic Underwater Mode
2.3 Programme Mode
2.4 Understanding Aperture Settings
2.5 Understanding Shutter Speed Settings
2.6 Understanding Manual Mode
Chapter 3: Exploring Your Camera’s Menu Settings
3.1 Autofocus -v- Manual Focus
3.2 Continuous Shooting
3.3 Custom Settings
3.4 Dynamic Range
3.5 Exposure Bracketing
3.6 Film Speed / ISO
3.7 Flash Exposure Compensation
3.8 Image Stabilisation Mode
3.9 Infinity Mode
3.10 Metering Modes
3.11 Noise
3.12 Optical Zoom -v- Digital Zoom
3.13 RAW -v- JPEG
3.14 Rear Curtain Synchronisation or Slow Sync Speed
3.15 Shooting with Colour Options
3.16 Understanding the Exposure Compensation Tool (EV+/EV−)
3.17 Using the Built-In Flash With Your Camera
3.18 Using the LCD Screen -v- the Viewfinder
3.19 Using the Video Mode Underwater
3.20 Using Your Camera’s White Balance Settings Underwater
Chapter 4: Choosing Different Accessories for Your Compact
4.1 Choosing a Lens
4.2 Using a Close-Up Lens
4.3 Wide-Angle Lenses
4.4 Using a Fisheye Lens
4.5 Filters for Fabulous Underwater Colours
4.6 Using a Focus or Modelling Light
Chapter 5: Lighting Your Subject Underwater
5.1 Introduction to Underwater Lighting
5.2 Considerations When Buying a Strobe
5.3 Arms and Trays for Your Strobe
5.4 Tricks and Tips Before Using Your Strobe
5.5 What is Backscatter?
5.6 One Strobe or Two
5.7 Using a Strobe to Capture Macro Subjects
5.8 Strobes for Wide-Angle Scenes
Chapter 6: Natural Light Photography – Ideal for Snorkelling
6.1 Natural Light Photography – Ideal for Snorkelling
Chapter 7: Underwater Photography in Temperate Waters
7.1 Underwater Photography in Temperate Waters
Chapter 8: Composing a Great Underwater Photograph
8.1 Abstracts
8.2 Camouflage
8.3 Caves
8.4 Close-Focus Wide-Angle Photographs
8.5 Contrasting Colours Underwater
8.6 Photographing Divers
8.7 Eye-to-Eye Contact
8.8 Fast Moving Subjects
8.9 Fish Behaviour and Interaction
8.10 Fish Portraits
8.11 Landscape or Portrait Shots
8.12 Leading/Diagonal Lines
8.13 Which Way Should Your Subject Go?
8.14 Looking Up or Down on a Subject?
8.15 Photographing Macro Subjects
8.16 Night Dives
8.17 Reflections
8.18 Rule of Thirds
8.19 Same Photo, Different Idea
8.20 Schooling Fish
8.21 Shapes
8.22 Sharks
8.23 Silhouettes
8.24 Split-Level Shots
8.25 Wide-Angle Reef Scenes
8.26 Photographing Wreck Scenes
Chapter 9: Downloading and Storing Your Images
9.1 Downloading and Storing Your Images
Chapter 10: Practise, Practise, Practise
10.1 Practise, Practise, Practise
Chapter 11: Guest Gallery
11.1 Guest Gallery
Notes
Resources
About the Author
Acknowledgements
Glossary
Index
This edition first published 2012
© 2012 Maria Munn
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Library of Congress Cataloging-in-Publication Data
Munn, Maria.
Underwater photography for compact camera users : a step-by-step
guide to taking professional quality photos with a point-and-shoot
camera / Maria Munn.
pages cm
Includes bibliographical references and index.
ISBN 978-1-118-34555-9 (pbk.)
1. Underwater photography. I. Title.
TR800.M86 2012
778.7’3—dc23
2012009801
A catalogue record for this book is available from the British
Library.
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Foreword
In the old days of underwater photography, when camera systems
were expensive and bulky, taking pictures underwater was a
privilege enjoyed by a small number of dedicated enthusiasts who
would go to great lengths to travel to a suitable site, shoot a
maximum of 36 exposures and have to wait until the film was
processed to know whether any images would be usable.
Since the birth of compact cameras, it has become very
difficult to keep track of the leaps and bounds in technology.
Current compact systems can truly now give award-winning results
which rival the most sophisticated dSLR set-ups at a fraction of
the price and bulkiness.
Nowadays, regardless of their level of experience, a vast
majority of divers carry a camera to record their aquatic
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