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Critical Analysis and Current Challenges

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and Tommaso Gravante

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Francisco Sierra Caballero
Tommaso Gravante
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Networks, Movements
and Technopolitics
in Latin America
Critical Analysis and Current Challenges
Editors
Francisco Sierra Caballero Tommaso Gravante
University of Seville Universidad Nacional Autónoma de
Seville, Spain México
Mexico City, Mexico

Global Transformations in Media and Communication Research – A Palgrave


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Foreword—The Era of the Both

It is my pleasure and honor to welcome you, reader of Networks,


Movements & Technopolitics in Latin America to these first pages of
the book. I can only tempt you to continue reading this book, in any
way you deem fit, as I believe that it will be a pleasant and enriching
experience.
I believe this book raises a set of significant questions about our con-
temporary world, and stimulates an in-depth reflection about participa-
tion, activism, social movements and democracy. One issue, I believe,
merits our special attention. This is the paradox of the growing levels
of participation in a variety of societal fields and the decreasing levels of
control over the levers of societal power. Often, this paradox is mediated
and “solved” through a defense (or a critique) of either utopian or dys-
topian perspectives, where this dys/utopianism is sometimes related to
communication technologies, or in other cases to citizen or civil society
powers, or to state or company powers. I believe we need to heed this
paradox much more as a paradox, as a seemingly contradictory statement.
We need to take both components of the paradox serious, acknowledge
that there is a history of coexistence combined with a present-day inten-
sification, and scrutinize how they dynamically and contingently relate to
each other. In other words, we need to gain a better understanding of
how we now live in the era of the both.
If we apply a Longue Durée approach (Braudel 1969) to the establish-
ment and growth of democracy, we can hardly deny that we have come a
long way. Of course, the history of our diverse democratization processes

v
vi Foreword—The Era of the Both

is characterized by continuities and discontinuities, dead-ends, contra-


dictions, and horrible regressions. But what Mouffe (2000: 1–2) called
the “democratic revolution” “led to the disappearance of a power that
was embodied in the person of the prince and tied to a transcendental
authority. A new kind of institution of the social was hereby inaugurated
in which power became ‘an empty place’.” Even if we zoom in on the
twentieth and twenty-first century, it is hard not to see the differences
with the past. It is equally hard to ignore that the history of more than
200 years of democratic revolution has brought us more participation, in
a variety of ways and levels.
Of course, it makes sense to clarify what I mean with (more) partici-
pation, as this is a slippery notion—an empty signifier—given meaning
by two structurally different and competing approaches (see Carpentier
2016, for a more detailed discussion). What I have labeled the socio-
logical approach defines participation as taking part in particular social
processes, which is a very open and broad perspective, that tends to con-
flate interaction and participation. We find this approach, for instance,
in the field of cultural participation, where a museum visit is defined as a
form of participation. The second approach towards participation—the
political studies approach—uses a more restrictive perspective, defining
participation as a process of power-sharing in particular decision-making
processes. Interaction, however socially and politically relevant it is, then
becomes distinguishable from participation, allowing for a more fine-
grained analysis of participation. To return to my museum visit: In the
political studies approach, attending a museum is seen as a form of art
access, allowing for interaction with cultural artefacts and other texts, a
particular cultural institution, and other visitors. But, as the museum visit
does not allow a visitor to co-decide on the creation, or display, of these
cultural artefacts, or on the policies of that cultural institution, it is not a
form of participation. This second approach, which is also the one I pre-
fer, allows us to notice and validate practices that do allow for (arts) par-
ticipation, as they have been, for instance, developed by the community
arts movement (Binns 1991; De Bruyne and Gielen 2011). Somehow,
the work of Boal (1979) also comes to mind…
Even if we take the second approach as our guide, with its more
narrow definition of participation as power-sharing, we still have to
acknowledge that the democratic revolution has brought more par-
ticipation, even though a more qualified and careful analysis becomes
Foreword—The Era of the Both vii

necessary. Here I want to refer to Jenkins’s words: “This is in part why


I see participation more and more in relational rather than absolute
terms—a matter of degree rather than of difference. So yes, all culture
is in some sense participatory, but the more hierarchical a culture is,
the less participatory it becomes. I am today more likely to talk about
a shift towards ‘a more participatory culture’.” (Jenkins in Jenkins, Ito
and boyd 2015: 22) If we look at the histories of media participation
(Ekström, et al. 2011; Carpentier and Dahlgren 2014), we can identify
several key moments where citizens’ communication rights have been
structurally strengthened, discursively (e.g., the development of the con-
cept of communication rights in the first place) and materially (by the
increased availability of communication technologies).
Of course, this evolution towards more participation has not remained
restricted to the media field. Also the relationships between citizens and
their political leaders, between employees and employers, and, more in
general, between ordinary people and the fluid assemblage of societal
elites, has changed over the past decades, sometimes in societal fields that
would not immediately come to mind. Take, for instance, the domain
of health, where patients have become more empowered in the past
decades, with the development of patient rights and other legal frame-
works (e.g., euthanasia laws) as a result. If we aggregate these participa-
tory practices across the many different societal fields in which they are
located, we can find support for the idea that power has become more
decentralized, and that this decentralization is sometimes accepted, and
even institutionalized, and in other cases can be wrestled from societal
elites by a combination of tactics, struggles, resistances, disobediences,
and activisms.
Of course, I do not want to imply that these changes have led to
societies that are characterized by omnipresent power balances and
equalities, where leadership, expertise and ownership have become fully
democratized, where difference is acknowledged and respected, with-
out it resulting in the capacity to dominate others. Full participation,
as Pateman (1970: 71) labeled it, or maximalist participation as I pre-
fer to call it, has not been achieved on a large scale, even though there
are some maximalist participatory Temporary Autonomous Zones (Bey
1985) throughout the world. I also do not want to imply that the pre-
sent state of democracy, with its minimalist levels of participation, has
not been paid dearly, with the pain, blood and tears of the generations
that came before us, and is still costing contemporary generations a lot in
viii Foreword—The Era of the Both

order to maintain the current participatory intensities. And finally, I also


do not want to claim that the democratic revolution is a merely linear
historical process, that will necessarily and unabatingly continue through-
out time, eventually bringing us at the gates of a participatory heaven.
Whatever has been gained, can still be lost. To use Enwezor et al.’s
(2002) words: Democracy is unrealized, it is an horizon that is never
reached, and that serves a crucial purpose as ideological reference point.
But there is also no guarantee that we will continue heading towards this
horizon, as we might have set out on a course towards a much darker
future.
This darker side merits our attention, also because it is not situated
in a distant future. Arguably, the (stronger) presence of minimalist par-
ticipation coexists—in the era of the both—with a series of undemo-
cratic forces, that centralize power. Here we should keep in mind that
war and violence are opposites of democracy. Some of the armed con-
flicts, and the structural violence they encompass, have caused intense
suffering, but also structural disruptions of democratic practices. Armed
conflicts, such as the war in Afghanistan, the civil wars in Iraq and Syria,
and the drug war in Mexico—to mention only the most bloody armed
conflicts of today—create large enclaves where democracy is suspended,
and where participation ceases to be a prime concern, as it is replaced by
mere survival. But these undemocratic forces do not remain contained to
the enclaves that I have just mentioned (and to the many other medium-
intensity conflicts, for instance, on the African continent). Not only are
many countries from the northern hemisphere military involved in these
armed conflicts, these conflicts are also imported and transported to
other parts of the world, where the involved states (in the northern hem-
isphere), their populations, and foreign fighters (often labeled terrorists)
become involved in a downward spiral of discrimination, oppression,
violence, destruction, and death. One component of this process is cap-
tured by Agamben’s (2003) argumentation that we are living in the state
of exception, where civil and human rights are curtailed in the name of
security. Another component is the rise and mainstreaming of antago-
nistic xenophobic, racist, and nationalist ideologies in democratic states,
combined with calls for strong leadership, that pave the way for populist
and authoritarian regimes, for the legitimation of corruption and other
forms of unethical behavior, and for the politics of fear (see, e.g., Wodak
2015).
Foreword—The Era of the Both ix

This also has theoretical consequences for our thinking about par-
ticipation, because it raises questions about the instrumentalization
of participation and the hijacking of participatory techniques by non-
participatory forces. How to handle situations where authoritarian and
intrinsically undemocratic leaders use participatory tools to manufacture
consent—a concept I borrow from Herman and Chomsky (1988)—
or to mobilize populations for undemocratic purposes? What to think
about radical right-wing groups (Caiani and Parenti 2013) that use the
online to live out their nationalist and racist fantasies in ways that make
use of participatory techniques, at least accessible to the members of
these groups, and to those who are ideologically aligned with them? As
argued elsewhere (Carpentier 2017: 96), this brings us to the distinc-
tion between procedural and substantive participation, which is inspired
by the difference between procedural and substantive democracy, or
between “rule-centered and outcome-centered conceptions of democ-
racy” (Shapiro 1996: 123). In parallel with these concepts, we can
distinguish between procedural and substantive participation, where pro-
cedural participation refers to the mere use of participatory techniques,
while substantive participation refers to the necessary embedding of
these participatory techniques in the core values of democracy, especially
those of human rights and (respect for) societal diversity.
If we return to the role of communication technologies in the era of
the both, we have to acknowledge that they are an integrative part of the
two constitutive components of this era of the both. This book, with its
ambition to move beyond the online/offline divide and to avoid the trap
of digital utopianism, which artificially separates the “virtual” from the
“real,” allows us to reflect better about how communication technolo-
gies, more than before, span the both. Surveillance technologies coexist
with sousveillance technologies, black propaganda with dialogical com-
munication, media legitimations of war and violence with pacifist mes-
sages, celebrations of bigotry with respect for diversity, sealed-off media
empires with maximalist participatory media platforms, spirals of silence
with practices of voice, symbolic annihilations with the politics of pres-
ence, media-induced amnesia with deep-rooted historical awareness, the
defense of the status-quo with the loud propagation that another world
is possible.
This leaves us with two final questions: What is the role of the criti-
cal intellectual in the era of the both, and can we avoid the scale being
(further) tipped into (what I consider to be the) wrong direction? The
x Foreword—The Era of the Both

era of the both is characterized by increasing levels of diversity, but this


diversity also includes the uncanny combination of the democratic and
the undemocratic in one glocal assemblage. Which tactics should be
deployed by those actors who are committed to what Mouffe (1988:
42) has called the “deepen[ing of ] the democratic revolution” and what
Giddens (1994: 113) labeled the “democratisation of democracy?”
These are questions that merit more attention than what I accord them
here. But to give a fraction of an answer: I would like to argue that there is
a strong need for the deployment of a double tactic, or better, two sets of
tactics. One set of tactics consists out of the radically critical and radically
contextualized analyses of the current problematic state of representative
liberal democracy—one interesting example is Van Reybrouck’s (2016)
critique of elections, but many others exist, and many more are needed—
and the equally problematic state of the capitalist economies entangled
with our representative liberal democracies. The second set of tactics is
more difficult to put into practice, as it is a more generative approach,
grounded in the critiques that result from the first set of tactics. This sec-
ond set of tactics consists out of the further development of a participa-
tory-democratic ideology. This ideology needs to articulate a participatory
communicational ethics, a strong commitment to agonism—or in other
words, to the democratic taming of conflict without denying it—and clear
articulations of democratic leadership, democratic ownership, and demo-
cratic expertise (see Carpentier 2017), among many other elements.
In an intellectual landscape where critical intellectuals are dispersed
throughout many regions, institutions, academic disciplines, and other
frameworks of intelligibility, collaboration becomes a requirement. For that
reason, I would argue that this double tactic has to be grounded in a global
and multivoiced project that uses the strategy of modularity, where sub-net-
works of intellectuals collaborate within their disciplines and fields, in order
to build ideological modules grounded in their expertise, in combination
with interdisciplinary articulatory practices that connect and integrate these
different modules into one counter-hegemonic participatory-democratic
project (see Carpentier 2014 for a more developed argument). This book,
with its broad geographical span, with its commitment to intercontinental
dialogue and with its search for ways to deepen democracy and to intensify
contemporary participatory levels, is, in my very humble opinion, one of
the contributions towards the establishment of this new republic of letters.

Nico Carpentier
Foreword—The Era of the Both xi

References
Agamben, Giorgio. (2003). State of Exception. Chicago: University of Chicago
Press.
Bey, Hakim. (1985). T.A.Z.: The Temporary Autonomous Zone, Ontological
Anarchy, Poetic Terrorism. Brooklyn: Autonomedia.
Binns, Vivienne (Ed.). (1991). Community and the Arts. History, Theory,
Practice. Australian Perspectives. Leichhardt: Pluto Press Australia.
Boal, Augusto. (1979). The Theatre of the Oppressed. London: Pluto.
Braudel, Fernand. (1969). Écrits sur l’Histoire. Paris: Flammarion.
Caiani, Manuela, Parenti, Linda. (2013). European and American Extreme Right
Groups and the Internet. Farnham: Ashgate.
Carpentier, Nico. (2014). A call to arms. An essay on the role of the intellec-
tual and the need for producing new imaginaries, Javnost–The Public, 21(3),
77–92.
Carpentier, Nico. (2016). Beyond the ladder of participation: An analytical
toolkit for the critical analysis of participatory media processes, Javnost–The
Public, 23(1), 70–88.
Carpentier, Nico. (2017). The discursive-material knot: Cyprus in conflict and
community media participation. New York: Peter Lang.
Carpentier, Nico & Dahlgren, Peter (Eds.). (2014). Histories of media(ted) par-
ticipation, CM, Communication Management Quarterly, 30.
De Bruyne, Paul & Gielen, Pascal (Eds.). (2011). Community art: The politics of
trespassing. Amsterdam: Valiz.
Ekström, Anders, Jülich, Solveig, Lundgren, Frans, Wisselgren, Per (eds.) (2011)
History of participatory media. Politics and publics. New York: Routledge.
Enwezor, Okwui, Basualdo, Carlos, Bauer, Ute Meta, Ghez, Susanne, Maharaj,
Sarat, Nash, Mark, Zaya, Octavio (Eds.). (2002). Democracy unrealized:
Documenta 11_Platform 1. Ostfildern-Ruit: Hatje Cantz.
Giddens, Anthony (1994) Beyond left and right: The future of radical politics.
Cambridge: Polity Press.
Herman, Edward S., Chomsky, Noam. (1988). Manufacturing consent: The polit-
ical economy of the mass media. New York: Pantheon Books.
Jenkins, Henry, Ito, Mizuko, boyd, danah. (2015). Participatory culture in
a networked era: A conversation on youth, learning, commerce, and politics.
Chichester: John Wiley and Sons.
Mouffe, Chantal. (1988). Radical democracy: Modern or postmodern, Andrew
Ross (Ed.). Universal Abandon? The Politics of Postmodernism. Minneapolis:
University of Minnesota Press, pp. 31–45.
Mouffe, Chantal. (2000). The democratic paradox. London: Verso.
Pateman, Carole. (1970). Participation and democratic theory. Cambridge:
Cambridge University Press.
xii Foreword—The Era of the Both

Shapiro, Ian. (1996). Democracy’s place. Ithaca: Cornell University Press.


Van Reybrouck, David. (2016). Against elections: The case for democracy.
London: The Bodley Head.
Wodak, Ruth. (2015). The politics of fear: What right-wing populist dis-
courses mean. London: Sage.

Nico Carpentier is Professor in Media and Communication Studies


at the Department of Informatics and Media of Uppsala University. In
addition, he holds two part-time positions, those of Associate Professor
at the Communication Studies Department of the Vrije Universiteit
Brussel (VUB—Free University of Brussels) and Docent at Charles
University in Prague. Moreover, he is a Research Fellow at the Cyprus
University of Technology and Loughborough University. His most
recent book is The Discursive-Material Knot: Cyprus in Conflict and
Community Media Participation, published by Peter Lang in 2017.
Contents

1 Introduction 1
Francisco Sierra Caballero and Tommaso Gravante

Part I Technopolitics: A Theoretical Framework

2 Digital Media Practices and Social Movements.


A Theoretical Framework from Latin America 17
Francisco Sierra Caballero and Tommaso Gravante

3 Tracing the Roots of Technopolitics: Towards


a North-South Dialogue 43
Emiliano Treré and Alejandro Barranquero Carretero

4 E-Democracy. Ideal vs Real, Exclusion vs Inclusion 65


Andrea Ricci and Jan Servaes

5 Technopolitics in the Age of Big Data 95


Stefania Milan and Miren Gutierrez

xiii
xiv Contents

Part II Dissident Technopolitics Practices in Latin America:


Critical Analysis and Current Challenges

6 The Brazilian Protest Wave and Digital Media: Issues


and Consequences of the “Jornadas de Junho”
and Dilma Rousseff’s Impeachment Process 113
Nina Santos

7 Social Networks, Cyberdemocracy and Social Conflict


in Colombia 133
Elias Said-Hung and David Luquetta-Cediel

8 Communication in Movement and Techno-Political


Media Networks: the case of Mexico 147
César Augusto Rodríguez Cano

9 #CompartirNoEsDelito: Creating Counter-Hegemonic


Spaces Online for Alternative Production and
Dissemination of Scientific Knowledge 177
Jean-Marie Chenou and Rodulfo Armando
Castiblanco Carrasco

10 #OcupaEscola: Media Activism and the Movement


for Public Education in Brazil 199
Ana Lúcia Nunes de Sousa and Marcela Canavarro

Index 221
Editors and Contributors

About the Editors

Francisco Sierra Caballero is Senior Researcher and Professor of


Communication Theory from the Department of Journalism at the
University of Seville, Spain. He is also Director of the Interdisciplinary
Research Group on Communication, Politics and Social Change
(www.compoliticas.org) and Editor of the Journal of Studies for Social
Development of Communication (REDES.COM) (www.revista-redes.
com). He is President of the Latin Union of Political Economy of
Information, Communication and Culture (www.ulepicc.org). He has
written over 20 books and more than 50 scientific articles in journals of
impact. Furthermore, he has been professor at prestigious universities
and research centers in Europe and Latin America.
Tommaso Gravante is Postdoctoral Fellow at the Center for
Interdisciplinary Research in the Sciences and Humanities (CEIICH),
National Autonomous University of Mexico. More generally, his work
explores the role of emotions in social movement and protest, and col-
lective action and social change. Tommaso is author of Cuando la gente
toma la palabra. Medios digitales y cambio social en la insurgencia de
Oaxaca (CIESPAL, 2016).

xv
xvi Editors and Contributors

Contributors

Alejandro Barranquero Carretero is Assistant professor at the


Department of Journalism and Audiovisual Communication in
Universidad Carlos III de Madrid where he teaches research method-
ologies, theory, and history of communication. His research lays at the
intersection of communication, citizenship and social change, includ-
ing insights to communication for social change, community and citi-
zen media, communication strategies by NGOs and social movements,
and critical perspectives on media literacy. He is the president of the
Research Association in Community, Alternative and Participatory
Communication-RICCAP (www.riccap.org) and permanent member
of the research group Dialectic Mediation of Social Communication
(MDCS) at Universidad Complutense de Madrid (www.ucm.es/mdcs).
Marcela Canavarro is Journalist, media-activist and Ph.D. candidate in
Digital Media (University of Porto). She has a Master in Communication
& Culture (UFRJ) with expertise in Technologies of Communication.
She researches information diffusion on social networks for politi-
cal mobilization, with focus on the so-called Journeys of June (Brazil,
2013). In this research, she crosses digital and traditional methods such
as network analysis, computational processing of Facebook data and
questionnaires. She is also part of the research group Communication
Networks & Social Change at the Internet Interdisciplinary Institute
(IN3) at Universitat Obierta de Catalunya (UOC) and collaborates with
Inesc-Tec (U.Porto).
César Augusto Rodríguez Cano is Professor at the Department of
Communication and Design, Universidad Autónoma Metropolitana uni-
dad Cuajimalpa in Mexico City, and holds a Ph.D. in Social and Political
Sciences from the Universidad Nacional Autónoma de México. He was
a Postdoctoral Researcher at Universidad Iberoamericana and a Visiting
Graduate Researcher at University of California Los Angeles. His
research has focussed mainly in studying political culture on social media,
cyberactivism, new media ecology, and digital methods with special inter-
est in Social Network Analysis.
Nico Carpentier is Professor in Media and Communication Studies
at the Department of Informatics and Media of Uppsala University. In
addition, he holds two part-time positions, those of Associate Professor
Editors and Contributors xvii

at the Communication Studies Department of the Vrije Universiteit


Brussel (VUB—Free University of Brussels) and Docent at Charles
University in Prague. Moreover, he is a Research Fellow at the Cyprus
University of Technology and Loughborough University. His most
recent book is The Discursive-Material Knot: Cyprus in Conflict and
Community Media Participation, published by Peter Lang in 2017.
Dr. Rodulfo Armando Castiblanco Carrasco is an independ-
ent researcher and occasional professor at the Social Sciences at the
Universidad Distrital Francisco José de Caldas, Bogotá, Colombia. He
obtained his doctoral degree in social anthropology from University of
los Andes, Bogotá, Colombia. His research interests are in the fields of
digital anthropology, hacktivism, appropriation of technology in global
south, education, and pedagogy.
David Luquetta-Cediel, Ph.D. Anthropologist, Doctor of Social
Sciences. Principal investigator in several projects with regional and
national impact. He is currently a full-time teaching researcher in the
Social Communication—Journalism Programme of the Autonomous
University of the Caribbean and the leader of the communication and
regional research group in the same department.
Dr. Jean-Marie Chenou is an Assistant Professor at the Department of
Political Science at the University of los Andes, Bogotá Colombia and a
member of the Centre for International Studies. He obtained his Ph.D.
in Political Science from the University of Lausanne. He is specializing in
Internet governance and the regulation of digital markets.
Ana Lucia Nunes de Sousa is a Ph.D. student in communication and
journalism at the Autonomous University of Barcelona (Spain)/Federal
University of Rio de Janeiro (Brazil), and is a CAPES (Brazil) scholarship
student. She also has a degree in social communication, a postgraduate
degree in hypermedia and in creative documentary, as well as a Master’s in
communication and culture. Her research and professional experience focus
on community media, audio-visual, the Internet and social movements.
Miren Gutierrez (@gutierrezmiren) is a Professor of Communication
and Director of the postgraduate program “Data Analysis, Research
and Communication” at the University of Deusto, Spain. She is also a
Research Associate at the Overseas Development Institute of London,
where she develops data-based research projects around development
xviii Editors and Contributors

issues, and at DATACTIVE of Amsterdam. She is also a trainer at the


Thomson Reuters Foundation. Her work explores how people take
action, mobilize and organize via software and data. She holds a Ph.D. in
Communication Sciences of the University of Deusto.
Stefania Milan (stefaniamilan.net) is Associate Professor of New
Media at the University of Amsterdam, and Associate Professor (II) of
Media Innovation at the University of Oslo. She is also the Principal
Investigator of the DATACTIVE project (StG-2014_639379), explor-
ing the evolution of citizenship and participation vis-à-vis datafication
and massive data collection (data-activism.net). More generally, her work
explores the intersection of digital technology, governance and activ-
ism. She holds a Ph.D. in political and social sciences of the European
University Institute. Stefania is the author of Social Movements and
Their Technologies: Wiring Social Change (Palgrave Macmillan, 2013),
and coauthor of Media/Society (Sage, 2011).
Andrea Ricci holds a Master’s degrees in European Studies from the
College of Europe and a Ph.D. on Information and Communication
Sciences from ULB in Brussels. His professional and academic interests are
related to the role of communication and (open and secret source) intel-
ligence in fields like crisis management, conflict analysis, risk analysis, early
warning, scenario analysis, political mobilization, terrorism, and propaganda.
Elias Said-Hung, Ph.D. Researcher, consultant and Scrum Master
Consultant with over 10 years professional experience in social media,
digital media and ICT in education. Currently a Lecturer in the
Education Faculty of the International University and a consultant at
Con-Tacto Humano.
Nina Santos is a Ph.D. candidate in Communication at Université
Panthéon-Assas. She has a Master in Communication and Contemporary
Cultures, at Universidade Federal da Bahia (Brazil) and a Specialization
in Communication and Politics, at the same university. Also has been
working and researching in the field of political communication,
e-democracy, political campaigns, social media marketing, social media
monitoring since 2008.
Jan Servaes, Ph.D. is Editor-in-Chief of the Elsevier journal “Telematics
and Informatics: An Interdisciplinary Journal on the Social Impacts
of New Technologies” (http://www.elsevier.com/locate/tele), and
Editor of the Lexington Book Series “Communication, Globalization
Editors and Contributors xix

and Cultural Identity” (https://rowman.com/Action/SERIES/LEX/


LEXCGC), and the Springer Book Series “Communication, Culture
and Change in Asia” (http://www.springer.com/series/13565). Servaes
has taught International Communication and Communication for
Social Change in Australia, Belgium, China, Hong Kong, the USA, The
Netherlands, and Thailand, in addition to several teaching stints at about
120 universities in 55 countries. Servaes has undertaken research, devel-
opment, and advisory work around the world and is the author of jour-
nal articles and books on such topics as international and development
communication; ICT and media policies; intercultural communication;
participation and social change; and human rights and conflict manage-
ment. He is known for his “multiplicity paradigm” in “Communication
for Development. One World, Multiple Cultures” (1999).
Emiliano Treré is Lecturer at Cardiff’s School of Journalism, Media
and Cultural Studies (UK), and Research Fellow at the Center of Social
Movements Studies of the Scuola Normale Superiore (Italy). He has
published extensively on the challenges and the myths of media tech-
nologies for social movements and political parties. He is coeditor of
“Social Media and Protest Identities” (Information, Communication &
Society, 2015), “Latin American Struggles & Digital Media Resistance”
(International Journal of Communication, 2015), and “From
Global Justice to Occupy and Podemos: Mapping Three Stages of
Contemporary Activism” (tripleC, 2017). His book is forthcoming with
the Routledge Studies in Radical History and Politics.
List of Figures

Fig. 8.1 Occupy Wall St. Page Like Network, elaborated


by the author 156
Fig. 8.2 #YoSoy132 Page Like Network, elaborated
by the author 157
Fig. 8.3 Spanish Revolution Page Like Network, elaborated
by the author 158
Fig. 8.4 Mídia Ninja Page Like Network, elaborated by the author 159
Fig. 8.5 #YoSoy132 Sample Mega-Network, elaborated by author 161
Fig. 8.6 #YoSoy132 Mega-Network, elaborated by author 163
Fig. 8.7 Centro Prodh Mega-Network, elaborated by author 164
Fig. 8.8 #YoSoy132 Mega-Network by Category, elaborated
by the author 166
Fig. 8.9 Centro Prodh Mega-Network by Category, elaborated
by the author 167
Fig. 9.1 Media coverage of Diego’s case, created by the authors 178
Fig. 9.2 Comparison of sentencing for different crimes.
This example compares sentencing for smuggling with
the sharing of knowledge on the internet, created
by authors 185
Fig. 9.3 Comparison of sentencing for different crimes.
This example compares sentencing for smuggling with
the sharing of knowledge on the internet, created
by authors 185
Fig. 9.4 Snapshot of the Twitter hashtag #CompartirNoEsDelito
(August 2016) and identification of some key players,
created by authors 186

xxi
xxii List of Figures

Fig. 9.5 The important role of the Electronic Frontier Foundation


in the global campaign (Visualisation of English language
web pages mentioning Diego’s case that link to the EFF.),
created by authors 188
Fig. 9.6 Comparison between the EFF and FK campaigns, created
by authors 189
Fig. 10.1 1—WUNC display on Hub pages’ top-50 videos 211
Fig. 10.2 2—WUNC display on Satellite pages’ top-50 videos 211
Fig. 10.3 Hub pages show high indegree. This graph considers
the 112 nodes that constitute the giant component
of the 1-degree network. That means 68.7% of the total
network (nodes size = indegree; nodes colors
manually = hub pages in black and others pages in gray) 213
Fig. 10.4 Connectedness and Unity: hub pages play a relevant role
in linking nodes at the 2-degree network’s giant component,
which gathers 476 nodes (93.5% of the total network).
Graph: directed network; gephi layout = Force Atlas 2;
size nodes = indegree; nodes colors = strongly-connected
ID (black represents the most connected nodes while
lighter grey indicates the least connected nodes in the giant
component). Data collected in October, 21, 2016 214
Fig. 10.5 Giant component’s most cohesive core (2-degree network).
Network cohesiveness: some of the hub pages appear
amongst the 51 nodes (10% of the total network) left
in the giant component, when the highest k-core possible
before the network completely disappears is applied
(k-core = 9). Data collected in October, 21, 2016 216
Fig. 10.6 O Mal Educado’s 3-degree ego sub-network (103 nodes)
gathers 63.2% of the total 1-degree network (103 nodes)
and 87% of all links, showing its relevance for information
diffusion 217
List of Tables

Table 8.1 #YoSoy132 Mega-Network pages, elaborated by author 162


Table 8.2 Centro Prodh Mega-Network’s communities and topics,
elaborated by the author 168
Table 10.1 Satellite pages’ and Hub pages’ videos on Facebook
(summary) 202
Table 10.2 Data sets attributes/Facebook public pages data retrieved
with Netvizz 203

xxiii
CHAPTER 1

Introduction

Francisco Sierra Caballero and Tommaso Gravante

All knowledge is traversed by social construction and mediation.


Research agendas, together with the basic methods and epistemologies
that shape knowledge regarding society and nature, are as a rule condi-
tioned by the potential awareness and historical development of produc-
tive forces. Yet, in some cases, these conditioning factors are relative, as
can be observed for instance in communicology. Two illustrative exam-
ples of this logic are the Internet galaxy and technopolitics. Although
despite living in the era of intelligent multitudes, studies in this regard
are still rather thin on the ground.
Scientific project funding policies that sideline studies based on a critical
vision of the social appropriation and use of digital networks, from the point
of view of their impact on processes of social empowerment and change,

F. Sierra Caballero
Departament of Journalism I, Universidad de Sevilla, Office D7, Americo
Vespucio s/n Isla de la Cartuja, 41092 Seville, Andalusia, Spain
e-mail: [email protected]
T. Gravante (*)
Center for Interdisciplinary Research in the Sciences and Humanities
(CEIICH), National Autonomous University of Mexico, Torre II de
Humanidades, 6º piso, Circuito Interior, Ciudad Universitaria, Delegación
Coyoacan, 4510 Ciudad de México, Ciudad de México, Mexico
e-mail: [email protected]

© The Author(s) 2018 1


F.S. Caballero and T. Gravante (eds.), Networks, Movements and Technopolitics in
Latin America, Global Transformations in Media and Communication Research -
A Palgrave and IAMCR Series, https://doi.org/10.1007/978-3-319-65560-4_1
2 F. SIERRA CABALLERO AND T. GRAVANTE

set a research agenda that is paradoxically unproductive or, at the very least,
lacking in sociological imagination. This is especially the case when rethink-
ing the mediations that those using the digital ecosystem experience nowa-
days, at a moment when, as in the case of Latin America, many political
experiences and processes are taking place.
However, there is a memory of the practices and a theory and
research responsive to those experiences of cultural subversion and
resistance which, in due course, would fuel the paradigm of the phi-
losophy of liberation. To give just one example from a critical his-
torical approach, it is worth recalling the dialogue and innovation
that Latin America experienced throughout the 1960s and 1970s
with alternative communication, which recognizes the diversity of
voices and actors, gives voice to the normally voiceless and, thanks
to its praxeological vision, respects mediation as a constituted and
constituent process of popular cultures. The inspiration of new per-
spectives and productive knowhow on the leading edge of knowledge
regarding the appropriation and use of new technologies for local
development, fostered by the pioneers in Latin American communi-
cation research, articulated—in line with the demands of subaltern
collectives and ancestral wisdom in the development of communitar-
ian and democratic forms of inserting cultural representation systems
and devices—transformation processes that nowadays, of course, have
persisted in the contemporary forms of intervention and social revi-
talization of the so-called “technopolitics”. Although the aim of this
introduction is not to offer a history of participatory communication
that illustrates and gives meaning to modern-day cyberactivism, it is
nonetheless worth noting the importance that heterodox and creative
interpretations, which endeavored to follow other paths and courses
denied, by omission or will to power, by communication as domina-
tion, have had in Latin America.
From this viewpoint, community communication is the autonomous
field of production that articulates voices for an emancipatory purpose
as a counter-hegemonic opportunity for social change, in resistance to
the antagonistic critique based on group or collective organization, unity
and empowerment. By the same token, technopolitics should be under-
stood—in the logical framework of this book—as a transformative and
decentralizing mediation grounded in the democracy of the code as a
pooled construction of possible reality on the basis of digital culture and
collective co-creation.
1 INTRODUCTION 3

Understanding Technopolitical Ecologies: Main


Perspectives and Key Lessons
The digital revolution has modified and redesigned conceptually the
conventional media system by shaping new forms of production and
organization of information mediation. The mutations that introduce the
“Internet galaxy” into the new social morphology are particularly visible
in the perturbations and interruptions of social activity which affect cul-
ture. These reticular and centrifugal transformations of the new cultural
ecology go a long way to enabling the political subject of post-modernity
to permeate reality itself, customize the world, appropriate possible and
real worlds of interaction with his or her imagination, and design new
rationales of local participation and development.
The basis of participatory democracy harnessing new information
technologies now recognizes the existence of a new information eco-
system that articulates what Oskar Negt calls the “oppositional pub-
lic space” (Negt 2007). In the new media culture, the communication
process has broken free from the time/space coordinates described by
Descartes at the dawn of modernity, with broadened forms of experi-
ence that transcend the local horizon of events. Furthermore, the spa-
tialization of time in the Web anticipates a new conceptualization of the
“local”. In this regard, Castells talks about a new spatial logic based on
information flows versus the logic of social organization rooted in the
history of immediate localities and territories. The new model of urban
development, the space of immaterial flows of the organization of social
practices, disassociates the experience of the physical space by making
both virtual simultaneousness and fragmented timeless space possible.
Such transformations become particularly evident in, and have an espe-
cially strong impact on, urban planning and particularly citizen participa-
tion and political deliberation.
The cyberspace introduces new habits and relationships as regards the
conventional forms of social ties, in addition to modern practices and
symbolic representations. As Echevarría has rightly pointed out, although
the technical issues relating to the access to information on the Internet,
as well as to its circulation and safe and rapid transmission, are impor-
tant, reflecting on the Web as a new civic space is a far more pressing
matter. The shaping of a new telepolis is, in this respect, the main chal-
lenge that the communication research agenda should meet. The breach
of internal and external limits of cities and territories, the integration
4 F. SIERRA CABALLERO AND T. GRAVANTE

and confusion of the public and private spheres, traditionally conceived


individually in discourse and in modern political communication, not
only promotes new cultural trends of organization and human sociality,
but also the creation of a new space of identity and political participa-
tion through different electronic forms of interaction and information
exchange.
The culture of surfing, of communication crisis, of migrations and
hybrid and decentralized cultural mediations, both polyvalent and
diverse, has transgressed the cultural laws of proxemics, of territory
and frontiers, of the ways of identifying the self and the other, of the
cosmopolitan and of the local, to establish gradually, and once and for
all, a transversal and constructive logic—autonomous, if you will—of
the production of cultural differences. And this transgression has come
about in terms of a new form of space/time organization of experience,
of feeling and of meaning, which has necessarily taken interculturality—
namely, acknowledgement of the other, of otherness as identity—and
the assumption of a culture of dialogue as its guiding principles. This
involves, of course, an unprecedented cultural shift that highlights col-
lective memory. Nowadays, the Web is becoming the space or environ-
ment/memory of popular culture. But, as Héctor Schmucler cautioned,
the escape velocity poses a problem between memory and communica-
tion insofar as they are characterized by contrasting elements: instan-
taneousness, simultaneousness and on the brink, the timelessness of
communication versus the duration, persistence and slowness of memory.
To dwell upon the contribution made by NTIC to memory and
democracy requires, first and foremost, modifying analytic strategies,
questioning research methods and techniques, integrating disciplines
and study prospects, and shifting the perspective in a productive and
ecological sense. The complex contexts of cyberspace and technological
networks call for reflexive critical research and a new theoretical frame-
work capable of describing and understanding the technical conditions
of the post-modern electronic world through an endogenous and gen-
erative approach to the complex technoworld of the new media, since
only a second-order observation will allow us to design new mediation
processes.
In this context, more than a play on words, the metaphor of the web
describes an imaginary process that attempts to convert social actors
into dream weavers, architects of the material, symbolic and sociopo-
litical processes of the city. Hence the relevance, as has already been
1 INTRODUCTION 5

reasoned, of deploying a generative research culture that contributes to


develop collective appropriation processes of communication technolo-
gies and knowledge, thus broadening information culture by means of
a dialogic, emancipating and productive communication conception of
cyberculture.
Along these lines, the media activism propounded by the new tech-
nopolitics with cyberspace culture shares a complex idea of communica-
tion, according to which the scope of telematic networks, the promotion
of autonomous intervention groups and the design of community pro-
jects on the basis of the language of links constitute the pillars of pro-
ductive cooperation of the new social contract, as well as a platform for
constructing democratic local communication by multiplying three dis-
tinctive strategies of alternative communication: firstly, a collective and
liberating reflection on communication practices; secondly, a dialogic
culture of consensus-building; and lastly recognizing multiplicity and
difference.
Conceived as a strategic dimension for rebuilding cities and revitaliz-
ing citizenship and governability, the application of new technologies to
the participatory democracy implicit in the processes of collective mobili-
zation and action of contemporary technopolitics opens up new spaces of
coexistence. These are created by social networks in city neighborhoods
and districts in order to define a new framework of social relations which,
from an ecological perspective, makes an oppositional public space pos-
sible as a complex participatory context pluralistically built in recogni-
tion of the multiples voices and actors comprising it. This would make it
possible to recover the word, the communication practices established by
the citizens themselves, so as to define a new development model based
on their self-assurance to express their opinions, put forward proposals
and reach agreements; in short, to transform their participation in politi-
cal life through a commitment to the community and social harmony.
According to this philosophy, the innovation and social creativity poli-
cies relating to the new media underscore the relevance of participatory
action research as a program of autonomous projects in which commu-
nication is directly and transversally linked to local development in all its
phases, endeavoring at all times to identify the possibilities for co-deter-
mination, for outreach and social change and for defining and stating
the desire for a policy of self-governance, of autonomy in the global net-
work. This can be seen in the Mexican, Brazilian and Colombian prac-
tices and processes presented in this book.
6 F. SIERRA CABALLERO AND T. GRAVANTE

In Latin America, the processes of cultural hybridization and of reor-


ganizing the symbolic universe, the product of a market whose globaliz-
ing progression is relentless, has generated out of necessity new forms
of establishing cultural identities by fragmenting group discourses in the
intersection between the massive, the cultured, and the popular. Hence,
the need to understand the meaning of that space, or world of life, in
which new social movements perceive that there is a need to take action
against forms of social control deriving from an exacerbated techno-
logical rationalization, above all taking into account that cultural iden-
tity is a crucial factor for understanding and cognitively controlling the
environment.
In this sense, participatory communication in mobilization processes
can, on the one hand, help social movements to build identity and gener-
ate differences and symbolic integration. On the other, dialogically speak-
ing, technopolitics can also enable networks to generate shared dialogues
and meaning between competing groups, since in this theoretical frame-
work social movements assume the configuration of the area, or social
network, in which a collective identity is built, negotiated or recomposed.
Accordingly, the new social movements can be defined as networks for
shaping meaning, generators of public spaces of management, of presen-
tation and recognition, and as self-made movements whose “significant
practices are imbued with affective values and can be expressed regardless
of the formal structure of society” (Ramírez 1996, p. 33).
In Latin America, the technopolitics of social movements strives to
guarantee the democratization of the social media in order to create a
space where subjects can exercise their rights and obligations, instead
of reward system between transmitters and audiences based on com-
mercial logic. Here, to participate means placing the main actors in the
communication circuit on an equal footing. Communication is under-
stood as the real relationship established between two or more people,
by virtue of which one involves the other or both participate together.
Communication presupposes participation, joint possession, sharing
with the other, making subjects a stakeholder in something. As Redondo
points out, “Communication cannot be defined without resorting to
the concept of participation which implies extending something to
another, all of which forms an integral part of communication. At the
risk of sounding idealistic, the term “participation” expresses a synthesis
of unity and duality in the communication process” (Redondo 1999, p.
185).
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