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Blanchot and The Outside of Literature 1st Edition William S. Allen Available Any Format

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Blanchot and
the Outside of
Literature

i
ii
Blanchot and
the Outside of
Literature
William S. Allen

iii
BLOOMSBURY ACADEMIC
Bloomsbury Publishing Inc
1385 Broadway, New York, NY 10018, USA
50 Bedford Square, London, WC1B 3DP, UK

BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of


Bloomsbury Publishing Plc

First published in the United States of America 2019

Copyright © William S. Allen, 2019

For legal purposes the Acknowledgements on p. ix constitute an extension of this


copyright page.

Cover design: Eleanor Rose


Cover image: Photograph of Gordon Matta-Clark’s Conical Intersect (1975) © Estate of
Gordon Matta-Clark / Artists Rights Society (ARS), New York, DACS London 2018

All rights reserved. No part of this publication may be reproduced or transmitted


in any form or by any means, electronic or mechanical, including photocopying,
recording, or any information storage or retrieval system, without prior permission
in writing from the publishers.

Bloomsbury Publishing Inc does not have any control over, or responsibility for,
any third-party websites referred to or in this book. All internet addresses given in this
book were correct at the time of going to press. The author and publisher regret any
inconvenience caused if addresses have changed or sites have ceased to exist,
but can accept no responsibility for any such changes.

A catalog record for this book is available from the Library of Congress.

ISBN : HB : 978-1-5013-4524-1
ePDF : 978-1-5013-4526-5
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and sign up for our newsletters.

iv
In a sense, and to express myself very simply, that which
has made ‘me’ write is the thought (and the anxiety) of
impossible death, the silent clash of death as finitude,
as power, and the infinity of dying, the eternity of
that through which time risks abolishing itself.
Maurice Blanchot to Pierre Madaule, 2 March 1981

v
vi
CONTENTS

Acknowledgements ix
Abbreviations xi

Introduction: The two slopes 1

PART ONE: Contingency and contagion


1 Black water 23

2 Sickness in words 47

3 The right to death 71

PART TWO: The aporetic imperative


4 The absolute milieu 95

5 Unmade in its image 123

6 White noise 143

7 To articulate the void 159

Afterword 177

Notes 189
Index 215

vii
viii
ACKNOWLEDGEMENTS

Some of these chapters have appeared elsewhere in earlier forms: Chapter 4


appeared as ‘The Absolute Milieu: Blanchot’s Aesthetics of Melancholy’,
Research in Phenomenology 45.1 (2015): 53–86; Chapter 5 appeared as
‘Unmade in its Image: The Spacing of the Sentence and the Exposure of
Thought in Blanchot’, Textual Practice (2016); Chapter 6 appeared as
‘White Noise, Écriture Blanche’, Angelaki (2018), special issue on Sonic
Encounters with Blanchot; and Chapter 7 appeared as ‘To Articulate the
Void by a Void: Aporetic Writing and Thinking in L’Attente l’oubli’, Word
and Text 5 (2015): 52–67, special issue on Blanchot’s Spaces. My thanks to
Brill and the Taylor and Francis Group for permission to reprint them here.
I must also express my profound gratitude to the staff at Bloomsbury,
especially Haaris Naqvi and Katherine De Chant, for their exemplary work
in bringing this book to print.

ix
x
ABBREVIATIONS

Where double page references have been used they refer to the French or
German text, and then the English versions, as translations have been
modified throughout.

A Maurice Blanchot, L’Amitié (Paris: Gallimard, 1971); tr. Elizabeth


Rottenberg as Friendship (Stanford: Stanford University Press,
1997).
AO Blanchot, L’Attente l’oubli (Paris: Gallimard, 1962); tr. John Gregg
as Awaiting Oblivion (Lincoln: University of Nebraska Press,
1997).
CQ Blanchot, Celui qui ne m’accompagnait pas (Paris: Gallimard,
1953); tr. Lydia Davis as ‘The One Who Was Standing Apart
From Me’, in The Station Hill Blanchot Reader: Fiction and
Literary Essays, ed. George Quasha (Barrytown, NY:
Station Hill, 1999).
DH Blanchot, Le Dernier Homme (Paris: Gallimard, 1957); tr. Lydia
Davis as The Last Man (New York: Columbia University Press,
1987).
ED Blanchot, L’Écriture du désastre (Paris: Gallimard, 1980); tr. Ann
Smock as The Writing of the Disaster (Lincoln: University of
Nebraska Press, 1986).
EI Blanchot, L’Entretien infini (Paris: Gallimard, 1969); tr. Susan
Hanson as The Infinite Conversation (Minneapolis: University of
Minnesota Press, 1993).
EL Blanchot, L’Espace littéraire (Paris: Gallimard, 1955); tr. Ann
Smock as The Space of Literature (Lincoln: University of
Nebraska Press, 1982).
FP Blanchot, Faux pas (Paris: Gallimard, 1943); tr. Charlotte Mandell
as Faux Pas (Stanford: Stanford University Press, 2001).
K Theodor W. Adorno, Kierkegaard. Konstruktion des Ästhetischen,
ed. Rolf Tiedemann (Frankfurt am Main: Suhrkamp, 1979); tr.

xi
xii ABBREVIATIONS

Robert Hullot-Kentor as Kierkegaard: Construction of the


Aesthetic (Minneapolis: University of Minnesota Press, 1989).
LV Blanchot, Le Livre à venir (Paris: Gallimard, 1959); tr. Charlotte
Mandell as The Book to Come (Stanford: Stanford University
Press, 2003).
MS Albert Camus, Le Mythe de Sisyphe, essai sur l’absurde (Paris:
Gallimard, 1942); tr. Justin O’Brien as The Myth of Sisyphus
(London: Penguin, 1955).
ND Adorno, Negative Dialektik, ed. Rolf Tiedemann (Frankfurt am
Main: Suhrkamp, 1972); tr. E. B. Ashton as Negative Dialectics
(New York: Seabury Press, 1973).
PD Michel Foucault, ‘La pensée du dehors’, in Dits et écrits 1954–
1988: I, 1954–1969, eds Daniel Defert, François Ewald, and
Jacques Lagrange (Paris: Gallimard, 1994); tr. Brian Massumi as
‘The Thought of the Outside’, in Aesthetics, Method, and
Epistemology, ed. James D. Faubion (London: Penguin, 1998).
PF Blanchot, La Part du feu (Paris: Gallimard, 1949); tr. Charlotte
Mandell as The Work of Fire (Stanford: Stanford University Press,
1995).
PG G. W. F. Hegel, Phänomenologie des Geistes, eds Wolfgang
Bonsiepen and Reinhard Heede (Hamburg: Felix Meiner, 1980); tr.
A. V. Miller as Phenomenology of Spirit (Oxford: Oxford
University Press, 1977).
PP Maurice Merleau-Ponty, Phénoménologie de la perception (Paris:
Gallimard, 1945); tr. Donald A. Landes as Phenomenology of
Perception (London: Routledge, 2012).
SZ Martin Heidegger, Sein und Zeit, ed. F.-W. von Herrmann
(Frankfurt am Main: Vittorio Klostermann, 1977); tr. Dennis
Schmidt and Joan Stambaugh as Being and Time (Albany: SUNY
Press, 2010).
TA Emmanuel Levinas, ‘Le temps et l’autre’, in Le Choix, le monde,
l’existence (Grenoble: Arthaud, 1947); tr. Richard A. Cohen as
Time and the Other (Pittsburgh: Duquesne University Press,
1987).
TH Blanchot, Le Très-Haut (Paris: Gallimard, 1948); tr. Allan Stoekl
as The Most High (Lincoln: University of Nebraska Press, 1996).
TO Blanchot, Thomas l’Obscur, nouvelle version (Paris: Gallimard,
1992); tr. Robert Lamberton as ‘Thomas the Obscure’, in The
ABBREVIATIONS xiii

Station Hill Blanchot Reader: Fiction and Literary Essays, ed.


George Quasha (Barrytown, NY: Station Hill, 1999).
UDT Walter Benjamin, Ursprung des deutschen Trauerspiels, in
Gesammelte Schriften I, eds Rolf Tiedemann and Hermann
Schweppenhäuser (Frankfurt am Main: Suhrkamp, 1974); tr. John
Osborne as The Origin of German Tragic Drama (London: Verso,
1977).
xiv
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