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Controversial Heritage and Divided
Memories from the Nineteenth
Through the Twentieth Centuries

What is the role of cultural heritage in multi-ethnic societies, where


cultural memory is often polarized by antagonistic identity traditions?
Is it possible for monuments that are generally considered as a symbol
of national unity to become emblems of the conflictual histories
still undermining divided societies? Taking as a starting point the
cosmopolitanism that blossomed across the Mediterranean in the age of
empires, this book addresses the issue of heritage exploring the concepts
of memory, culture, monuments and their uses, in different case studies
ranging from 19th century Salonica, Port Said, the Palestinian region
under Ottoman rule, Trieste and Rijeka under the Hapsburgs, up to the
recent post-war reconstructions of Beirut and Sarajevo.

Marco Folin is Professor of History of Architecture at the University of


Genoa.

Heleni Porfyriou is Senior Researcher of the National Research Council


of Italy.
Routledge Studies in Cultural History

Russia’s French Connection


A History of the Lasting French Imprint on Russian Culture
Adam Coker

Transatlantic Encounters in History of Education


Translations and Trajectories from a German-American Perspective
Edited by Fanny Isensee, Andreas Oberdorf, and Daniel Töpper

The Humanities in Transition from Postmodernism into the Digital Age


Nigel A. Raab

Negotiating Memory from the Romans to the Twenty-First Century


Damnatio Memoriae
Edited by Øivind Fuglerud, Kjersti Larsen, and Marina
Prusac-Lindhagen

Cultures and Practices of Coexistence from the Thirteenth Through the


Seventeenth Centuries
Multi-Ethnic Cities in the Mediterranean World, Volume 1
Edited by Marco Folin and Antonio Musarra

Controversial Heritage and Divided Memories from the Nineteenth


Through the Twentieth Centuries
Multi-Ethnic Cities in the Mediterranean World, Volume 2
Edited by Marco Folin and Heleni Porfyriou

History as Performance
Political Movements in Galicia Around 1900
Dietlind Hüchtker

For more information about this series, please visit: www.routledge.


com/Routledge-Studies-in-Cultural-History/book-series/SE0367
Controversial Heritage and
Divided Memories from the
Nineteenth Through the
Twentieth Centuries
Multi-Ethnic Cities in the
Mediterranean World, Volume 2

Edited by Marco Folin


and Heleni Porfyriou
First published 2021
by Routledge
52 Vanderbilt Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2021 Taylor & Francis
The right of Marco Folin and Heleni Porfyriou to be identified as
the authors of the editorial material, and of the authors for their
individual chapters, has been asserted in accordance with sections 77
and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or
reproduced or utilised in any form or by any electronic, mechanical,
or other means, now known or hereafter invented, including
photocopying and recording, or in any information storage or
retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks
or registered trademarks, and are used only for identification and
explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Names: Folin, Marco, editor. | Porfyriou, Heleni, 1956– editor.
Title: Multi-ethnic cities in the mediterranean world. Volume 2,
Controversial heritage and divided memories from the nineteenth
through the twentieth centuries / edited by Marco Folin, Heleni
Porfyriou.
Description: New York, NY : Routledge, 2021. | Series: Routledge
studies in cultural history; vol 92 | Includes bibliographical
references and index.
Identifiers: LCCN 2020026029 (print) | LCCN 2020026030 (ebook) |
ISBN 9780367545598 (hardback) | ISBN 9781003089742 (ebook) |
ISBN 9781000175592 (adobe pdf) | ISBN 9781000175622 (mobi) |
ISBN 9781000175653 (epub)
Subjects: LCSH: Cultural pluralism—Mediterranean Region—History. |
Cities and towns—Mediterranean Region—History. | Minorities—
Mediterranean Region—History. | Ethnology—Mediterranean
Region. | Mediterranean Region—History—19th century. |
Mediterranean Region—History—20th century.
Classification: LCC HM1271 .M8317 2021 (print) | LCC HM1271
(ebook) | DDC 305.8009182/2—dc23
LC record available at https://lccn.loc.gov/2020026029
LC ebook record available at https://lccn.loc.gov/2020026030

ISBN: 978-0-367-54559-8 (hbk)


ISBN: 978-1-003-08974-2 (ebk)

Typeset in Sabon
by Apex CoVantage, LLC
Contents

List of Figures vii


List of Tables ix
Foreword x
RO SA TA M B O RRIN O

The Multi-Ethnic Heritage of Mediterranean Cities:


An Introduction 1
M A RC O F O L IN AN D H E L E N I P O RFYRIO U

PART I
Urban Monuments and Divided Memories from the
19th to 20th Centuries 11

1 Urban Monuments in Diverse Cities 13


A N N E B O R D E L E AU

2 Dividing and Ruling a Mediterranean Port-City: The Many


Boundaries Within Late 19th century Port Said 30
L U C I A CA R MIN ATI

3 Middle Eastern Jews and the Urban Ecology of Late


Ottoman Palestine 45
M I C H A L B E N YA’AKOV

4 Ottoman Banal Cosmopolitanism: Salonica at the End


of Ottoman Rule (1908–1912) 63
YA N N I S SY G K E L O S
vi Contents
PART II
Uses of the Past on the Scene of Composite Cities 81

5 Cosmopolitan Practices: Lives, Mercantilism


and Nations in the Growth of Multi-Ethnic Trieste
(18th–20th Centuries) 83
DA N I E L E A N DRE O ZZI

6 The Urban Expansion of Rijeka as a Reflection of the


City’s Multi-Ethnic Society in the Late 18th and Early
19th Centuries 96
P E TA R P U H MAJE R

7 Remembering Sissi’s Escape: Nostalgia Marketing


in the Mediterranean 107
M AU R A H A ME TZ

PART III
Cultural Heritage in Post-War Scenarios 119

8 Cosmopolitan Heritage? Post-War Reconstruction


and Urban Imaginaries in Sarajevo and Beirut 121
G RU I A B ĂD E SCU

9 Symptomatic Architecture: Markings of Presence,


Difference, Fear, and Trauma 139
J O H N N Y A L AM

10 The City [Un]divided: Forms of Urban Organization


in Naba’a District – Bourj Hammoud (Beirut) 151
M A S S I M I L I A N O GIB E RTI

List of Contributors 167


Index 171
Figures

1.1 Photograph of one of Günther Demnig’s Stolperstein


in Venice. 17
1.2 Piper Bernbaum, photographic documentation of Jewish
Eruvin. 20
1.3 Rachel Whiteread, Nameless Library, Vienna. 21
1.4 Giovanni Battista Nolli, Nuova Pianta di Roma,
published in 1748. 23
1.5 Giovanni Battista Piranesi, Ichnographia Campi Martii,
ca. 1753. 24
2.1 Map of Port Said (Baedeker 1878, 425). 33
2.2 “Port Said. Quartier Arabe”, 21 February 1912,
to Monsieur le Lieutenant Volmerange, 5. rég.
d’artillerie, Besançon, Doubs. fonds J.-Y. Empereur. 34
2.3 “Port Said”, from P. & O. Pencillings. (By W. W. Lloyd.)
[Sketches on board a Steamer.] London: Peninsular
and Oriental Steam Navigation Co, [1891]. 36
3.1 Eretz-Israel (Palestine) in the mid-19th century. 46
3.2 Tiberias, late 19th century. Base map: Tiberias, Survey
of Palestine, 1930, 1:1250. 51
3.3 Safed, late 19th century. Base map: Safed, Survey
of Palestine, 1930, 1:1250. 52
3.4 The spatial distribution of Sephardi and Middle Eastern
Jews in Jerusalem, 1916. 55
6.1 Map of Rijeka by Penko with the planned rectangular
blocks of the New Town, 1766. 98
6.2 Phases of Rijeka’s New Town urban development in the
18th and 19th centuries. 99
6.3 Intersection of streets in the east part of the New Town
with narrow housing blocks. 99
6.4 Row of houses and palaces on the Korzo street,
ca. 1900. 100
6.5 Wohinz Palace (1783) on the Korzo street, next to the
Clocktower. 101
viii Figures
6.6 The outlook of Rijeka’s New Town: Jelačić Square
on the Rječina riverfront, drawing by Jakob Alt
and A. C. von Mayr, 1840. 102
7.1 Cesare Dell’Acqua, Arrival of the Empress Elisabeth
in Miramare [oil on canvas], 1865, Trieste, Castello
di Miramare. 108
8.1 Site and situation of Beirut. 124
8.2 Site and quarters of Sarajevo. 125
8.3 Religious buildings for four different faiths lie close
to each other in downtown Sarajevo. 126
9.1 Johnny Alam, A Palimpsest of Crises (2015). 140
10.1 Relationship between Beirut and Bourj Hammoud. 156
10.2 Land occupation: full and empty. 158
10.3 Mobility: road size. 159
10.4 Commercial areas: static and dynamic. 160
10.5 Religion and education. 161
10.6 Dividing elements: macro and micro. 163
Tables

3.1 Jewish population in Late Ottoman Palestine, 1800–1914 47


Foreword
Towards New Developments in
Making Urban History
Rosa Tamborrino

These two volumes address the question of multi-ethnicity in the Medi-


terranean world as a category of interpretation spanning time and space.
Various recent contributions encourage us to reflect on the need to
re-examine our paradigms, and, to this end, the very process of globali-
sation has, in fact, given rise to hypotheses of a new “modus operandi”
not only in research but also in the questions underlying it. An awareness
of a widely diversified urban cultural heritage (both tangible and intan-
gible) has led urban history to reflect on the connections and implications
generated by the study of the past in relation to memory. In the case of
relations among different cultures, cities and ethnic groups within a large
area over a long period, issues and implications can involve various cur-
rent concerns.
In examining the diversity and heritage of the Mediterranean, we encoun-
ter meanings and places in which the complexity of the connections
among diverse cultures has long since emerged as an enrichment of their
individual cultural importance. Nevertheless, beyond the rich long-lasting
exchanges between bordering cultures, which have produced additional
meanings and values resulting in multiculturalism, a new historical per-
spective should also consider the interconnections of this discontinuous
changing network and reflect on the intercultural transmission arising
therefrom. Observing certain aspects which cut across the Mediterranean
world could, in fact, put into focus factors which converge in terms of
the transmission of a collective memory and which may perhaps become
shared cultural heritage.
To this end, established approaches to the recent world of globalisa-
tion may be useful. Particular reference is made to the need observed to
analyse cultural flows across national borders.1 Concepts such as net-
works, adaptive reuse and hybridisations between the global world and
local specificities, or “de-territorialisations and re-territorialisations” due
to the presence of migrants and immigrants – which, in comparison with
the usual study channels, represent complications and incongruities2 –
can also help us to reflect on the past of a world permeated by different,
Foreword xi
yet to some degree comparable processes. Categories of reading of this
type might prove useful in analysing cultural flows in the Mediterranean
world and in drawing up a geography, in space and time, of connections
and cohabitations, which is recognisable in a period of long, and at times
conflicting, interchange and mobility.
Much remains to be explored, however, in terms of cross-transmission
among different cultures. In order to advance this approach, it is nec-
essary to specifically examine the values of transnationality and inter-
culturality which the various cultural and ethnic coexistences have
produced. Such transmission, moreover, barely filters out of the usual
records systems of historical sources for the identification of heritage,
which are controlled at a national level. Last but not least, we must
ask ourselves how we are to successfully document transversal fac-
tors through systems of data storage which, following the practices of
institutional channels, have sedimented according to the specific gov-
ernment entities which define the complex geography of the Mediter-
ranean world. The lack of systematic records of multiple inheritances,
then again, is more than a mere oversight. It is rather the effect of a
structural limitation, incapable of taking into account different points
of view, as demonstrated by projects experimenting with new research
strategies in other contexts.3
Nevertheless, these themes also raise current issues. Certain develop-
ments in urban history show that the Mediterranean world is beginning
to be viewed as an intercultural phenomenon with the spirit of studying
cultures which have represented the foundations of current society.4 An
examination of certain Arab cultural and scientific productions, on the
other hand, would suggest just how marginal such a world is perceived
of in comparison with other interpretations. That is to say, it is disputed
that what is defined as “Mediterranean” by Western culture “exists” in a
strict sense for all those cultures which would contribute to define such
a historical and cultural entity.5 There derives, thus, the need to come to,
first and foremost, a better perception of the other. For all their differ-
ences, the various recent contributions encourage us, above all, to reflect on
the need to re-examine our paradigms. It is necessary, therefore, not only
to continue to study and to broaden the framework of research, but also to
identify new research strategies.
Continuing to explore and recount this world must prompt us to dis-
cuss conditions, meanings and values which the diversity inherent in
multi-ethnicity brings with it. Neither can this approach to history eschew
the significance of the collective memory as a product of a multi-ethnic
city. The complexity enclosed therein leads, rather, to the very concept
of heritage being subjected to further examination on the type of aware-
ness that a multi-ethnic inheritance creates as well as its cultural legacy.
Aside from the sense of inadequacy inspired by our conceptualisation
xii Rosa Tamborrino
of unidirectional cultural flows, the professional path towards aware-
ness in our methods of historical research remains complex. In general, a
need arises to examine the various kinds of historical knowledge and of
analysis which come into play when dealing with such a vast and varied
geographical and cultural area and its values.
In the American context, the theme of the multi-ethnic city has been
addressed in order to verify the factors which, from multi-ethnicity
onwards, have led to the definition of a new identity.6 In the case of the
Mediterranean world, such a plurality has clearly not produced compa-
rable values of unitary collective identity. In Europe, but elsewhere too,
enclaves seem more congenial than integrations. Rather, protracted peri-
ods of coexistence have created peculiar characterizations which belong
to the times and ways in which events occurred and have assumed dif-
ferent morphologies: in every form of government, in every single urban
entity. These undeniably contribute to defining the current urban land-
scape (see the ethnic neighborhoods) and all that is recognised as tangible
and intangible heritage, at least in the European context.
If the Mediterranean world has too had its particular “world cities”,
in short, the presence of multi-ethnic communities seems to have cre-
ated conditions for the establishment of local urban identities, as well
as awareness of common senses of belonging. Moreover, because of the
standardisation to which the global world subjects national identities,
these same local values have recently aroused a new kind of interest,
with implications going beyond cultural meanings. Caught between the
global world and localisms, the glocal tendency seeks equilibriums which
also lead to a reappraisal of ethnic plurality in Western cities. A kind of
“return to ethnicity” – which might even seem like a “fascination” of
sorts – appears to be driven by the establishment of otherness as a value,
inasmuch as it represents that which makes the difference.7
Faced with the difficulties of the current multi-ethnic nature of Euro-
pean cities, to overlook the legacy of such a history would be tantamount
to an opportunity wasted, if not an act of negligence. The foggy memory
of multi-ethnic cities, as the bedrock of the Mediterranean world, consti-
tutes a cultural loss, in the difficulty which arises therefrom to perceive
the intrinsic variety and relations of the underlying life. Still, identifying
ethnic diversity as a value can also have important effects: at an eco-
nomic level, it can represent another heritage resource catering to the
phenomenon of cultural tourism; at a social level, insofar as it can fos-
ter greater social cohesion. Heritage is a cultural notion which requires,
nonetheless, not only extensions and inclusions but also a constantly
updated critical approach. The polyethnic component of multicultural-
ity as a contribution of groups to the historical and cultural identity of
heritage is an element which actually remains to be conceptualized. With
the Namur declaration defining cultural heritage in the 21st century as a
Foreword xiii
contribution to coexistence, the combination of cultural inheritance and
citizenship has assumed the significance of a strategy.8
The multi-ethnic city of the Mediterranean provides valuable scope for
work focused on these developments in the meanings of heritage and its
practices.9 It leads us to consider the significance of the definition of the
places of heritage in both their tangible and intangible components, and
in particular, the significance of the collective construction of memory.
Developments concerning principles and procedures which must, more-
over, take into account the observations of ICOMOS on an area which
has had to take on board multi-ethnicity and conceptual decolonializa-
tions. The II Burra Charter for the conservation of places has highlighted
the multiple nature of tangible and intangible cultural transmissions,
and the multiplicity of cultural meanings, whether these relate to indi-
viduals or groups of people.10
Finally, it seems clear that the acknowledgment of the need to take
cultural and ethnic diversity into account in the processes of heritage
recognition represents a cultural breakthrough. In this intent the Italian
Association of Urban History, AISU, proposed to promote new reflec-
tions on the theme and launched a conference in June 2018 intended to
reexamine the Mediterranean world by fostering links between urban
history and memory. It provoked a collective debate in order to foster a
new focus on the question of the multi-ethnic city in the Mediterranean
world and its history, culture and heritage. In its twenty-year life the asso-
ciation has always been active in academic exchanges and intersectoral
reflections on urban history. It has motivated scholars to increasingly
pursue quantitative and qualitative interests in urban history production
within an international framework. In my role as President, I have always
believed that one of AISU’s duties is to stimulate new research strategies
for urban history by putting sensitive issues regarding the current ten-
sions in civil society under the spotlight. It’s a sort of cultural presidium.
It is undeniable that the Mediterranean today represents a demarcation
line between worlds that view each other with suspicion, which, in turn,
results in unbending one-directional paths, dead-end streets. It is equally
undeniable that the history and cultural inheritance of the Mediterranean
world in the multi-ethnic nature of its cities, can make an important con-
tribution to supporting, through research thereinto, the development of
fairer and more resilient societies.
The phenomena currently occurring in the Mediterranean basin itself,
and their repercussions, call strongly for a purposeful resumption of these
efforts. If generally it is tangible heritage which plays a key role as a
‘bearer’ of the values of intangible heritage, in our case we aim to cre-
ate new understandings and hopes through intangible values of history.
These volumes present new developments in an unfolding open research
project. It will be necessary to push on, to continue to work on hidden
xiv Rosa Tamborrino
histories,11 conflicting memories and policies of remembering, in order to
enter the social stage as actors conscious of the importance which ‘pro-
ducing history’ and cultural heritage can have, even in fostering social
inclusion and a future based on sustainable growth.

Notes
1. Hannerz 1996.
2. Griffin 2019.
3. See Collaborative European Digital Archive Infrastructure CENDARI (www.
cendari.eu/about-us/why-build-cendari, accessed 17 June 2019).The CENDARI
project (2012–2016) pursued the construction of a large database deriving
from archival descriptions from more than 1,000 institutions around the
world. The site contains an observation concerning certain weaknesses of
historical research which the collective approach seeks to overcome: “Much
historical research, and humanities research generally, is characterized by a
process known as chaining – iterative drawing of conclusions verified by the
evidence discovered at the next logical step”.
4. Hathaway and Kim 2012.
5. This question is posed, in particular, with regard to Maghrebi culture in
Hadhri and Mangone 2016.
6. Bartlett 2014.
7. Hall 1996, 625.
8. Council of Europe 2016 (the first draft is dated April 2015).
9. Zeayter and Mansour 2018.
10. See ICOMOS 2010; and The BURRA Charter 2013: in particular, art. 1
points 1.1 and 1.2 and the definition of “places”: “Place means a geographi-
cally defined area. It may include elements, objects, spaces and views. Place
may have tangible and intangible dimensions”.
11. With regard to a such an of approach, see Araujo 2014.

References
Araujo, Ana Lucia, ed. 2014. Politics of Memory. Making Slavery Visible in
the Public Space: Memory, Heritage, and Slavery. New York and London:
Routledge.
Bartlett, James R. 2014. The Irish Way: Becoming American in the Multiethnic
City. London: Penguin Press.
The BURRA Charter. 2013. The Australia ICOMOS Charter for Places of Cul-
tural Significance, Australia ICOMOS Incorporated International Council on
Monuments and Sites. http://openarchive.icomos.org/2145/.
Council of Europe. 2016. Namur Declaration, Cultural Heritage in the 21st Cen-
tury for Living Better Together: Towards a Common Strategy for Europe, 5
December 2016. https://rm.coe.int/CoERMPublicCommonSearchServices/Dis
playDCTMContent?documentId=09000016802f8a59.
Griffin, Michael. 2019. “From Cultural Imperialism to Transnational Commer-
cialization: Shifting Paradigms in International Media Studies,” Global Media
Journal. www.globalmediajournal.com/open-access/from-cultural-imperialism-
to-transnational-commercialization-shifting-paradigms-in-international-
media-studies.php?aid=35062 (accessed 17 June 2019).
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