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THE Psychomachia OF Prudentius
Text, Commentary, and Glossary
Aaron Pelttari
Text, Commentary, and Glossaryext, Commentary, and Glossary
the Psychomachia of Prudentius
series editor
Ellen Greene, University of Oklahoma
advisory board
Ronnie Ancona, Hunter College and CUNY Graduate Center
Carolyn J. Dewald, Bard College
Nancy Felson, University of Georgia
Helene P. Foley, Barnard College
Thomas R. Martin, College of the Holy Cross
John F. Miller, University of Virginia
Richard F. Thomas, Harvard University
the Psychomachia of Prudentius
Text, Commentary, and Glossary
Aaron Pelttari
The paper in this book meets the guidelines for permanence and durability of the
Committee on Production Guidelines for Book Longevity of the Council on Library
Resources, Inc. ∞
All rights reserved. No part of this publication may be reproduced, stored in a retrieval
system, or transmitted, in any form or by any means, electronic, mechanical, photo-
copying, recording, or otherwise—except as permitted under Section 107 or 108 of the
United States Copyright Act—without the prior written permission of the University of
Oklahoma Press. To request permission to reproduce selections from this book, write to
Permissions, University of Oklahoma Press, 2800 Venture Drive, Norman, OK 73069, or
email [email protected].
For David and Lucas
CONTENTS
List of Illustrations | ix
List of Abbreviations | xi
Preface | xiii
Introduction | 3
Text of Psychomachia | 41
Commentary | 75
Bibliography | 235
Glossary | 249
ILLUSTR ATIONS
FIGURES
1. The poet in his study | 8
2. L
ines 707–21, with illustrations of Discordia being pierced
and her scattered parts | 20
5. From pr. 62 to line 14, with the running head along the
top of the page | 28
ix
x Illustrations
9. S
tatue of Victory, Museo Archeologico Nazionale
(Naples) | 143
10. L
ines 880–89, with image of Prudentius praying before a
shrine and marginal caption (“gratias agit deo”) | 217
MAP
The western Mediterranean around 400 c.e. | 38–39
ABBREVIATIONS
For commonly known ancient authors and texts, I follow the abbreviations
of the Oxford Classical Dictionary (4th ed.). For books of the Bible, I used
the short abbreviations from the Chicago Manual of Style (17th ed.). Authors
and texts that are less commonly known have not been abbreviated. Other
abbreviations are as follows:
CIL
Corpus Inscriptionum Latinarum
xi
xii Abbreviations
MS(S) manuscript(s)
SC Sources chrétiennes
xiii
xiv Preface
which a word or phrase was used. I have been selective with parallels that
are cited and even more selective with those that are quoted. I assume that
readers can use a website such as the currently available Musisque deoque
(http://mizar.unive.it/mqdq/public/) to access intertexts in verse. For
example, if you want to know which Latin poets use tonans in reference
to Jupiter (see the note on line 640), you can use the search function on
Musisque deoque to search for tonans and tonant* across essentially all
extant Latin poetry. Being selective in this way allowed me to keep the
notes to a sensible length. When I cite multiple parallels with little or no
interpretation, this means that I could not find any very plausible reason to
interpret one of them as a meaningful intertext. Most often, when I cite such
parallels, it is to demonstrate the tone or ordinary context of a given word
or phrase—for example, if it occurs primarily in prose, poetry, Christian
writings, or in some other linguistic register. Thus, in the note on line 279,
I suggest that the phrase ultor gladius sounds legal or religious and cite the
parallel texts that lead me to such a conclusion. Of course, I might be wrong
about this or many other points; but in such cases the evidence cited should
be enough to suggest the kind of argument that could be drawn out. For
reasons of economy, I do not cite imprecise intertexts or other parallels that
seemed irrelevant for understanding the poem. Surely I have missed some
highly interpretable intertexts in this way, although I think that most readers
will be thankful that the commentary is not cluttered with the detritus of
earlier indices of imitations.
In citations of ancient texts, I name a particular edition only when the
passage in question is more difficult to locate or modern editors use different
systems of reference (for example, Paulinus of Nola). Citations of the Bible
are complicated. All English translations are from the Revised Standard
Version. For the Latin, I have consulted the editions of the Vetus latina
(Beuron) where possible or the Vetus latina database produced by Brepols
where those editions are not yet available. Wherever there is a good reason
to think that one of the pre-Vulgate translations is closest to that used by
Prudentius, I cite it using the sigla of the Beuron editions. Where there is
no relevant difference in extant Latin translations, I quote from the Vulgate
version, on the grounds that it is more readily accessible. In the commentary,
xvi Preface
1. W
e arrive at the year 404 by counting inclusively and by assuming that the phrase
“annum cardo rotat” (Praef. 2–3) means that he is writing before his fifty-seventh
birthday, which will come before the end of the consular year in question. On the life
of Prudentius, see Coşkun 2008; and O’Daly 2012, 1–5. Introductions to the study of
Prudentius include Bastiaensen 1993a (in English) and Rivero García 1996 (in Spanish).
3
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