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FFRENCH
Author of the ‘obscene’ narrative Story of the Eye and LEGENDA is a joint imprint of
of works of heretical philosophy such as Inner the Modern Humanities
Experience, Georges Bataille (1897–1962) is one of the Research Association and
Routledge.Titles range from
most powerful and secretly influential French thinkers medieval texts to
of the last century. His work is driven by a compulsion contemporary cinema and
to communicate an experience which exceeds the form a widely comparative
AFTER BATAILLE
limits of communicative exchange, and also consti- view of the modern
tutes a sustained focus on the nature of this demand. humanities.
After Bataille takes this sense of compulsion as its
motive and traces it across different figures in Bataille’s
thought, from an obsession with the thematics and
the event of sacrifice, through the exposure of being
and of the subject, to the necessary relation to others
in friendship and in community. In each of these
instances After Bataille is distinctive in staging a series
After Bataille
of encounters between Bataille, his contemporaries,
and critics and theorists who extend or engage with
his legacy. It thus offers a vital account of the place of Sacrifice, Exposure, Community
Bataille in contemporary thought.
Routledge is a global publisher of academic books, journals and online resources in the
humanities and social sciences. Founded in 1836, it has published many of the greatest
thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper,
Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is
one of the world’s leading academic publishers in the Humanities and Social
Sciences. It publishes thousands of books and journals each year, serving scholars,
instructors, and professional communities worldwide.
www.routledge.com
Managing Editor
Dr Graham Nelson
41 Wellington Square, Oxford ox1 2jf, UK
[email protected]
www.legenda.mhra.org.uk
Patrick ffrench
Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,
or transmitted in any form or by any means, electronic, mechanical, including photocopying,
recordings, fax or otherwise, without the prior written permission of the copyright owner and the
publisher.
Product or corporate names may be trademarks or registered trademarks, and are used only for
identification and explanation without intent to infringe.
Acknowledgements ix
Abbreviations x
Introduction 1
1 Affectivity Without a Subject 11
2 The Subject and Writing as Sacrifice 63
3 Authority, Friendship, Community 107
4 Nudity, Femininity, Eroticism 151
Conclusion 188
Bibliography 193
Index 201
I completed the final version of this book during research leave funded by King’s
College London and by the Arts and Humanities Research Council (UK). I would
also like to thank the libraries of the University of Sussex, the Cité Universitaire
Internationale de Paris and the Ecole de la Cause Freudienne for the use of their
facilities. Professor Michel Maffesoli of the Université de Paris I and Director of the
Centre d’Etudes sur l’Actuel et le Quotidien generously sanctioned my residence
in Paris where the book was completed. Parts of the book originated as papers at
conferences and seminars organized by Andrew Hussey, in Barcelona, by Carolyn
Gill, in London, by Martin Crowley, in Cambridge, by David Lomas, in Manchester,
and by Ian Maclachlan, in Aberdeen. Parts of Chapter 2 are revised from my article
‘Donner à voir: Bataille, Poetry and Sacrifice’ in Forum for Modern Language Studies,
42: 2 (April 2006), pp. 126–38.Two points of contact with the legacy of Georges Bataille
were occasioned by meetings with the late Jean Piel and with Marcelin Pleynet, in
Paris. The intellectual example of Annette Lavers has always been and continues to be
essential. Simon Gaunt has been an invaluable interlocutor throughout the gestation
of the book and particularly on the question of sacrifice and the eaten heart. I am
especially grateful to Simon Gaunt, to Martin Crowley and to Legenda’s anonymous
reviewer for their generous suggestions about the revision of the manuscript. I would
like to thank Graham Nelson of Legenda and Richard Correll for their invaluable
help in the preparation of this book. The book bears the trace of encounters and
conversations with a multitude of colleagues and friends: in particular I would like
to acknowledge the presence in this book of Andrew Asibong, Bruno Sibona, Céline
Surprenant, Dominique Rabaté, Hector Kollias, Jean, Pierre and Emile Demerliac, Jo
Malt, Martin Crowley, Micky Sheringham, Paul Hammond, Peter Hallward, Simon
Gaunt, Suzanne Guerlac, Tim Mathews, Tom Baldwin, and the late and very much
missed Burhan Tufail. Finally, I would like to thank Anita Phillips for her resilience
and for making the book as so many other things possible.
Unless otherwise indicated all quotations from Bataille will be from the Œuvres
complètes, 12 vols (Paris: Gallimard, 1970–88). Reference to volume I will be to
the revised edition of 1973. Volume and page numbers for direct references to the
Œuvres complètes will be in brackets following quotations in the body of the text,
giving the volume number followed by the page number, for example: (I, 12). Other
abbreviations are as follows:
All translations are my own unless otherwise indicated. Publication details for
translations into English of Bataille’s works may be found in the bibliography.
This book has two broad aims, one historical and one theoretical. Historically,
the book maps French intellectual history in the twentieth century through
an interpretative engagement with the thought and legacy of Georges Bataille
(1897–1962). If we were to adopt, for a moment, an approach to this history which
privileges the role of the individual thinker and casts him or her in the role of a
hero, in the context of the antagonistic conf lict of ideas, Bataille would appear
both exceptional and contradictory. He was the author of the obscene récit Histoire
de l’œil and of works of ‘political economy’ or of historical anthropology. He was
at the same time the scandalous habitué of Parisian brothels and an archivist at the
prestigious and sober Ecole des Chartes (from 1920–23). He is known both for his
political engagements on the extreme left in the 1930s and as the director of the
Department of Coins and Medals at the Bibliothèque Nationale, or the founder
of the now highly respected scholarly review Critique. Unsurprisingly the image
of Bataille which dominates is that of the transgressor, in both life and thought.
Bataille thus seems to lend himself to an approach to the history of thought which
emphasizes the struggle of the intellectual hero with their own thought and life,
and construes the movement of ideas as a form of transgression, breaking through
or crossing boundaries in a relentless movement forward towards the new.
Another approach to intellectual history might focus less on the thinker and
more on the movement and structure of ideas. Broadly, this mode of doing
intellectual history draws its inspiration from Foucault’s notions of the epistème
and of discourse, which involve seeing a period in terms of the kinds of statements
that it produces and the way they position concepts such as ‘man’, or ‘the subject’.
From this perspective also, Bataille is a paradoxical figure; until the 1960s it is
unlikely that he would have featured prominently, if at all, in any retrospective
account of the history of French thought in the century. Now, however, any such
account would perhaps place as much weight on Bataille and the ideas mobilized
in his writing as on Bergson, Sartre or Merleau-Ponty. The explosion of what is
now called ‘theory’ in the mid-1960s in France and from the 1980s onwards in the
anglophone intellectual and academic world has led to a re-evaluation of Bataille
among other figures of the same generation, such as Maurice Blanchot, Emmanuel
Lévinas or Alexandre Kojève. A critical engagement with Bataille’s thought appears
at symptomatic moments in the work of the proponents of structuralist and post-
structuralist thought such as Roland Barthes, Michel Foucault, Jacques Derrida or
Julia Kristeva. These thinkers sought to re-evaluate the thought of Bataille and to
use it in order to drive a wedge into the conceptual frameworks of their time. A less
explicit but arguably equally powerful inf luence is at work throughout the writings
of Jacques Lacan, René Girard or Jean Baudrillard. Key concepts associated with
Bataille — transgression, expenditure [dépense], heterogeneity, the association of
eroticism and death, of literature and evil — have generated many of the theoretical
debates of the recent period and offer multiple theoretical tools to students of
literature and culture.
The context of ‘theory’, however, tends to efface the historicity of these ideas
and concepts. As theories are pedagogically packaged, both in seminars and in
publications, their historical provenance is degraded in favour, let’s say, of their use-
value. One of the aims of this book is to counter this tendency and to map out an
intellectual history of France in the twentieth century around the place of Bataille
within this history.
This intention, however, does not necessarily mean I am going to adopt the
biographical ‘life and work’ approach. One of the axiomatic principles of this
book is that intellectual history, the history of ideas, does not consist of the heroic
trajectories of individual thinkers, but operates through connection, confrontations
of ideas, encounters between individuals or with books, a network of interconnected
lines that begins to form something that might look like a map.
A map is an arrangement of lines and points in space, which can be more or less
‘to scale’. In A Universal History of Infamy Jorge Luis Borges invents the parable of a
map that would cover the entire territory, that would be ‘to scale’ to the extent
that it could be laid exactly over the surface it mapped.1 Such a map is of course
impossible both for reasons of extension and of detail. One can conceive, however,
of a mapping that would engage with its terrain at different levels of intensity and
detail, and in fragments. The ultimate horizon of a map that would be co-extensive
with its terrain remains, yet the necessarily partial nature of the map is acknowledged.
Such a map would differ from a representation of the terrain. If this book offers
a map of intellectual history, it acknowledges this partiality and fragmentation. It
limits itself, moreover, to the terrain of ‘French thought’, although this does not
necessarily mean a limitation within the geographical borders of France. It enters
into the activity of mapping through a focus on the figure of Bataille; Bataille offers
a ‘way in’ to the map, which will also necessarily be incomplete and to be extended
by the readers of the book and others.
This way of doing things has been loosely inspired by the concept of the map
discussed by Gilles Deleuze and Félix Guattari in their book Mille plateaux. They
contrast the idea of the map to that of the tracing, which offers a representation of
what it traces. If this history is a map it is because mapping is, they propose: ‘tout
entière tournée vers une expérimentation en prise sur le réel’ [entirely oriented
towards an experimentation in contact with the real], because: ‘elle concourt
à la connexion des champs’ [it fosters connections between fields], because: ‘la
carte est ouverte, elle est connectable dans toutes ses dimensions, démontable,
renversable, susceptible de recevoir constamment des modifications’ [the map is
open and connectable in all of its dimensions; it is detachable, reversible, susceptible
to constant modification].2 The emphasis in this book will be on encounters,
connections, relations. If chronology and context are privileged it is because they
are ways of drawing and re-drawing a map. The book will propose a chronology
of specific contexts which work through the writings of Bataille and others,
a chronology which emphasizes the encounter as the movement which drives
thought. It will propose contextualizations of encounters, where context is the
first moment of the drawing of the map and its redrawing. Deleuze and Guattari
also state that a map has multiple entryways, so there are any number of ways of
drawing a map, of writing this history. That the writing and thought of Bataille
is privileged as an entry-way implies that the book also superimposes a ‘tracing’
[calque] on the map, which makes prominent a certain figure, highlighting the
inf luence of Bataille and the movement of the concept of sacrifice through his
work and in its wake. Deleuze and Guattari also state that the tracing should be put
back on the map. The tracing, which privileges the nodal points of encounter and
of structuration, is a way of entering into the map, if the tracing is not definitive,
not fully structured. The Book, which appears as a definitive structure, necessarily
opens into other possibilities of mapping, other lines of possibility. The image of
the thought of Bataille and its movement proposed here is intended therefore as
non-definitive, experimental, ongoing.
This account of intellectual history via the thought and the legacies of Bataille is
important for a number of reasons. Firstly, because the engagements with Bataille
on the part of a number of the central figures of the period that I have referred
to elsewhere as the ‘time of theory’ — the 1960s and 1970s — were formative of
their thought and thus of the critical contexts of the present.3 The work of Maurice
Blanchot, Jacques Derrida and Jean-Luc Nancy evolves in engagement with that
of Bataille. Through historical focus on the punctual incidences of Bataille’s
interventions and of critical engagements with his work I intend to counter a
movement in current work in critical theory towards the dehistoricization of
theory as such, a generalized forgetting of the historical and existential dimensions
in which ‘theory’, as we know it, emerged. Since the significant moments in
the thought of Bataille and in his wake, on the part of thinkers such as Claude
Lévi-Strauss, Maurice Blanchot, Jacques Derrida, Jean-Luc Nancy and others
were often responses or engagements to precise conjunctures and encounters, the
erasure of the detail of chronology and context tends to entail a f lattening out and
a homogenization of thought which risks missing and misinterpreting what was
at stake. I seek to emphasize the existential dimension, the value of the encounter
and the sense of commitment to the thought and the experience to which it bears
witness on the part of the thinkers and writers with whom this book engages.
This book is motivated in part therefore by a desire to do justice to the personal
commitment to thought, to a certain experience and to the communication of this
experience, on the part of Bataille and his readers.
Theoretically this book is generated by the proposition that Bataille’s
heterogeneous and often difficult work is made consistent when seen as an attempt
to think through different forms and possibilities of relation. Crudely speaking, the
proposition is that Bataille’s work as a whole is about what passes between beings,
the movements that traverse individuals and groups. One can understand such
forms of relation in at least two ways: as an immediate and unmediated affection
of something or someone by something or someone else, or by an idea, or as
of how this commitment has been pursued by others. Crudely, the broader, human
question which drives the book is: what does Bataille’s thought make possible?
What possibilities, what ‘lines of f light’, to speak with Deleuze and Guattari, in
terms of thinking and living, does it open up? I pursue this question in part through
a close attention to the ways others have pursued Bataille’s thought, after Bataille,
and in part through my own attempt to attend to and thus to pursue the experience
and the thought which were his.
If relationality is the conceptual focus of the book, it nevertheless sounds rather
dry and philosophical in comparison to the concepts which pervade Bataille’s work
and which have been pursued in his wake. I seek therefore to address the figures taken
by relation throughout Bataille’s work and after. The words which appear in this
book’s subtitle — sacrifice, exposure, community — express schematically the argument
that Bataille’s fascination with sacrifice be read in terms of the kinds of relation it
implies, and that, if such a relation can be named as exposure, that thinking this is
pursued by Bataille in terms of exposure to the friend, and to the particular kinds of
exposure implied in the concept of community or in eroticism. If sacrifice provides
a generating motif for my analysis, it is because I want to question the limits of such
a concept in Bataille’s thought, and in the wake of his thought, to ask to what extent
sacrifice is a limiting structure in Bataille’s thought.
The concept or theory of sacrifice as a structure has been developed in recent
work by Jean-Luc Nancy.4 It is one way in which this book may enter into contact
with the political real, beyond its specific argument about Bataille and beyond
its retrospective mapping. If sacrifice is a structure, this is to say that sacrifice
structures our ways of thinking about existence at a social and an individual level.
On the one hand this might mean that a social body is constituted as a unified
whole through the loss or destruction of a designated part which is sacrificed for the
good of the whole. On the other hand it might mean that a social or an individual
body becomes more truly ‘itself ’ through a sacrificial move whereby a part or an
aspect of it is destroyed in a movement towards a higher or truer level. Nancy has
called such an operation ‘trans-appropriation’, and detected it at work at the very
foundation of the thought of ‘the West’, of its philosophical and religious discourses
and of the very idea of the subject that is its keystone.5 Trans-appropriation always
denies the materiality or the real of an experience in order to translate it into an
idea; thus sacrifice could be said to be inherent in the very movement of thought. In
particular, it denies the material fact of death, in most cases retrospectively, in order
to make this death mean something, in order for there to be something given back
for this death. Sacrifice is in this regard an economic operation, which attempts
to put in terms of exchange something which resists such an exchange. A death as
such means nothing and is not for anything; it is unexchangeable. To propose, for
example, that in war soldiers have given their lives for their country, or that a life
may be given suicidally in the name of a cause, is retrospectively or prospectively to
equate the lives and deaths of soldiers and martyrs with an accountable value which
can be bartered. The economics of sacrifice, however, are problematic, since there
will always be a remainder, something that does not pass through the movement of
appropriation or transfer. The corpse, for example, is left behind as the witness to
that which does not lend itself to translation into an idea. Moreover, the visceral,
affective materiality and reality of the experience itself is not commensurate with the
terms of the economic exchange. The experience of what is proposed as sacrifice, of
cruelty or violence, of the inevitable loss and destruction, resists symbolic exchange
and appears as an affect, as feeling.
Equally prominent in contemporary life is a fascination with violence and
cruelty, and the pursuit of affect in multiple forms, a pursuit of and a fascination
with a level of raw experience, foreclosed from the structure of sacrifice and left over
in the exchange. Bataille, who was resolutely critical of the economics of exchange,
and of philosophies of sublation or trans-appropriation, was also fascinated by the
cruelty and violence of sacrifice, and with unemployable, that is incommensurate,
experience. For Nancy, Bataille goes furthest in pursuit of the critique of sacrifice
as structure and with this fascination for what he (Nancy) calls the ‘le cœur
sanglant’ [the bloody heart] of sacrifice.6 In Bataille’s thought sacrificial structure
is confronted by its remainder, by the affect which it forecloses, such that as a
structure it starts to be undermined, to tremble. But Nancy also argues, as does
the Italian philosopher Giorgio Agamben, that sacrifice ought to be abandoned, both
as structure and as an object of fascination, in that the fascination and affect are
produced by the structure as a kind of after-effect, or as a kind of symptom.7 If the
fascination with affective violence, with the ‘bloody heart’ is a product of sacrificial
structure, then the gaze fixed upon this remainder supports this structure. Sacrifice
must thus be rewritten.
The theoretical wager of this book is that an engagement with Bataille’s thought
offers the possibility of a rewriting of sacrifice, and an overcoming of the limits
of sacrifice in thought, towards other possibilities. It proposes that at the basis of
sacrifice is the question of the social bond, that in sacrifice what is at stake is the
unification of a social body via the excision of a part of it, or the unitarization of
the self via an excision of a part of it. But in this operation of unitarization and
excision, in the event of a bloody sacrifice, for example, something else emerges,
namely the affective charge that passes between and across the gathered community
at the sight of the slitting of the victim’s throat. Within the operation of sacrifice,
then, before its accomplishment as unification, or exchange (of the part given up for
the unified whole) there appears a movement of affection, of what passes between,
of the exposure of each individual to the other. The critique of sacrifice contrasts
the constitution of the unified individual or social body (Subject or State) with the
relation between, with the movement of affection which exposes each human being
to the other and to what is not human. Such a question is worthy of consideration
when one part of the globe constitutes itself as a unitary existence at the expense of
all others, and in a context where there is a marked disparity between the moralistic
or cynical discourses of national or international security and the affect induced by
the spectacle of the death that it deals.8 The rewriting of sacrifice as exposure, in
the different forms of friendship, community, and between genders, moves towards
other ways of thinking about being, other possibilities of conceiving of relation.
Programme
The broad outline of the map may be sketched as follows: in Chapter 1 I aim to
show that the theory of the sacred in Bataille’s work up to 1939 is determined to a
large extent by the political context in which it develops, and that Bataille’s account
of the sacred emerges initially as an account of the political use and abuse of human
affectivity, which we may define, for the moment, as an emotional force which
passes between individuals and across groups, and which does not take the route of
rational, conceptual thought. This is to say that it is an immediate, non-mediated
form of relation, ‘without a subject’, a relation between emotive bodies rather than
rational subjects, a non-subjectal mode of relation which supposes the efficacy of
a form of sorcery, or magic. I map this out through attention to the encounters
between Bataille and Kojève around 1937, and to the question of immediacy, before
contextualizing Bataille’s engagement with sociology and in particular with Mauss
earlier in the decade, around 1931–33. The chapter moves historically backwards in
order to position and contextualize Bataille’s thought in the 1930s. The notion of
affectivity or emotional contagion will then be considered in contrast to moments
in the work of Freud, in order to provide a critical perspective on it, before moving
through a series of explicit or implicit positionings in relation to Bataille around
this question in the work of Sartre, in 1938, Lévi-Strauss, in 1962, and Deleuze and
Guattari, in 1980.
Chapter 2 addresses the question of the subject in Bataille’s work and after it,
where, again, this after suggests both ‘according to’ and ‘subsequently’. It will be
concerned with the relation of Bataille to Hegel, insofar as what is at stake there is
the distinction between a sacrifice internal to the dialectic of self-consciousness and
therefore constitutive of the subject, and a sacrifice of the subject which dissolves
the subject, without return. This will involve a ‘testing’ of the concept of sacrifice:
I will ask to what degree the term sacrifice can be maintained where it is a question
of a loss without gain, commensurate or not. I will also be concerned in this chapter
with the kind of relation implied by sacrifice, and crucially, with the question of
the writing of sacrifice, with sacrificial writing or writing as sacrifice, with the
kinds of relation configured by such a writing. In this context I look closely at the
attention Bataille gives to poetry in his writings of the early post-war period, and
at the engagements with Bataille on the part of 1960s theorists of écriture, namely
Jacques Derrida and the Tel Quel group.
Consideration of writing and of the ‘space of literature’ cannot fail to bring to
the fore the name of Maurice Blanchot, and accordingly, in Chapter 3, I propose a
close reading of the relations — real and textual — between Bataille and Blanchot,
named by the latter with the word friendship. Although an important focus here is
an extensive consideration of the imbrication of Bataille and Blanchot’s texts with
each other, the argument moves away from the terrain of writing and introduces
the issue of friendship as a way of figuring relation. It is proposed that exposure
does not take place solely in writing or as the movement of writing but also in
different aspects of relational presence, of being-with (although the presence at stake
here has to be thought as irredeemably relational, as a fractured and dispersed,
Bataille are few in Lacan’s work, either in his Ecrits or in the seminars, published
or unpublished. They appear at symptomatic, nodal moments, on the question
of psychosis, on fantasy; but the displaced, altered presence of Bataille can be
felt throughout Lacan’s work, bearing witness to an engagement and a relation
that merits extensive consideration elsewhere.12 This relation is also biographical,
suggesting that its account needs to be written in the mode of biography or perhaps
of fiction. Nevertheless, it will surface recurrently throughout the book, isolated
sketches for a future mapping.
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