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BEYOND ENLIGHTENMENT
The following titles are published in association with the Oxford Centre for
Buddhist Studies
The Oxford Centre for Buddhist Studies conducts and promotes rigorous teaching
and research into all forms of the Buddhist tradition.
BUDDHIST MEDITATION
An anthology of texts from the Pali canon
Sarah Shaw
BEYOND
ENLIGHTENMENT
Buddhism, religion, modernity
Richard S. Cohen
First published 2006
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Simultaneously published in the USA and Canada
by Routledge
270 Madison Ave, New York, NY 10016
Routledge is an imprint of the Taylor & Francis Group,
an informa business
© 2006 Richard Scott Cohen
This edition published in the Taylor & Francis e-Library, 2006.
“To purchase your own copy of this or any of Taylor & Francis or Routledge’s
collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.”
List of illustrations x
Preface xii
Acknowledgments xv
1 A benign introduction 1
Notes 190
Bibliography 216
Index 227
ix
ILLUSTRATIONS
Figures
2.1 Plaque at the entrance to Ajanta. Photo by author 36
2.2 Advertisement from the MTDC campaign, “The Ajanta
Experience.” Image graciously supplied by Ogilvy and
Mather, Mumbai 44
2.3 General plan of the Caves of Ajanta. After James Burgess,
Report on the Buddhist Cave Temples, plate XIV 48
2.4 A view of Ajanta, from Cave Sixteen to Cave
Twenty Six (from left to right). Photo by author 48
3.1 Caves Twenty One, Twenty Two, and Twenty Three
(from left to right). Photo by author 75
3.2 Detail from a painting in the rear of Cave Twenty Two.
Photo by author 76
3.3 A sign inside Cave Ten. The paintings along this
cave’s aisles are probably the most graffiti-damaged at
Ajanta. Photo by author 79
3.4 Two tridents painted on a pillar inside Cave Eleven.
This same pillar is visible in Figure 3.6. Photo by author 93
3.5 James Fergusson’s 1863 plan of Cave Eleven.
From Rock-Cut Temples of India, page 12 97
3.6 James Burgess’ 1882 plan of Cave Eleven. From
Report on the Buddhist Cave Temples, plate XXVIII, no. 2 98
3.7 Cave Eleven’s central buddha. Note the tridents
painted on both pillars. Photo by author 101
4.1 A naga and nagini at the entrance to Cave Nineteen.
Photo by author 110
4.2 Cave Twenty Six’s Maravijaya mural (note, the bottom
left corner is cut). Photo by author 115
4.3 A line illustration of the Maravijaya. From John Griffiths,
The Paintings in the Buddhist Cave-Temples
of Ajanta (London, 1896), 1:24 116
x
ILLUSTRATIONS
Tables
5.1 Organization of knowledge based upon “The Shorter
Discourse to Malukkyaputta” 154
5.2 Individuals 1, 2, 3, 4 form a polythetic group, while
5 and 6 are monothetic. After Rodney Needham’s “Polythetic
Classification” 163
xi
PREFACE
You are walking down a forest path. You meet a man who positively beams
serenity. You ask his teacher’s name. He replies,
Nobody is my teacher.
Nobody is comparable to me.
I am the only perfect buddha in the world.
I have attained supreme enlightenment.
I am conqueror over all.
I know everything.
I am not contaminated by anything at all . . .
I have all the powers of the omniscient.
I am an arhat in the world.
I am unrivaled in all realms, including those of the gods.
I am the victor who conquered Mara.1
xii
PREFACE
ramifications of their decisions, nevertheless make choices that ramify upon others.
Our everyday world is a political world, for there are inevitable contingencies to
how we choose to express our wills. We struggle, we clash, we strive, we harm, we
suffer. Apolitics describes an alternate existential state, in which power is exercised
with autonomy, certainty, stability, supremacy, in sum enlightenment.
Beyond Enlightenment asks how political action comes to be accepted as
apolitical; how contingent paths become necessary routes to absolute freedom. To
return to Fakyamuni and Upagu, the buddha positively celebrates the fact that he
alone dominates the world. But his words also guarantee that this ascendancy is
a force for universal good because his power is the power of a fully enlightened
being. His omniscience allows him to exercise power completely apart from
the contingency of politics. For somebody who takes Fakyamuni at his word,
enlightenment functions as something like a philosopher’s stone, transmuting
the base-metal of political contingency into the certitude of power’s apolitical
expression.
In common speech, the word “enlightened” can be applied as readily to a group
of people as to an individual. Thus it is a truism that there would be no Buddhism
if claims for the buddha’s enlightenment had gained no social traction, if there
were no sakgha. This truism can be rephrased, however, shifting focus to a matter
that is worth further investigation: There would be no Buddhism if the ideological
transformation of the political into the apolitical had not been supplemented by
the installation of that ideology at the heart of a social order. That is, the study of
the political–apolitical is supplemented by the study of hegemony. Hegemony is
found where one segment of a society proffers its own desires and ideals as
universal values bearing on the social whole, necessary for social peace. The
erasure of contingency, the disavowal of partisanship, the representation of truths
as absolute and experiences as spontaneous—unsullied by arbitrary wants or
selfish calculations—are the foundational social acts.
Such are Beyond Enlightenment’s basic concerns: the political function of the
apolitical; enlightenment as an instrument of hegemony. Here now is a brief
outline of its structure.
Chapter 1 explains the meaning and import of several abstract nouns—religion,
enlightenment, hegemony—and explores linkages among them. It proposes that the
Enlightenment of seventeenth- and eighteenth-century Europe provides the political
context for understanding Buddhist enlightenment as the simultaneous, coequal,
perfection of rationality, religiosity, morality, and humanity, beyond politics.
The next three chapters provide a set of case studies for investigating the
hegemonic workings of enlightenment. All three draw their major examples from
the Ajanta caves, a western Indian archaeological site dating to the fifth century
CE. We might see these three as elements in a postmodern microhistory of Ajanta.
The first and fifth chapters, by contrast, mention Ajanta only in passing; the sixth,
not at all.
Chapter 2 treats the hegemony of enlightenment—conceived as a source
of exceptional universal value—over the discursive construction of Ajanta’s
xiii
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