State Laughter. Stalinism, Populism, and Origins of Soviet Culture 1st Edition Evgeny Dobrenko Updated 2025
State Laughter. Stalinism, Populism, and Origins of Soviet Culture 1st Edition Evgeny Dobrenko Updated 2025
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State Laughter
State Laughter
Stalinism, Populism, and Origins
of Soviet Culture
EVGENY DOBRENKO
and
NATALIA JONSSON-SKRADOL
1
3
Great Clarendon Street, Oxford, OX2 6DP,
United Kingdom
Oxford University Press is a department of the University of Oxford.
It furthers the University’s objective of excellence in research, scholarship,
and education by publishing worldwide. Oxford is a registered trade mark of
Oxford University Press in the UK and in certain other countries
© Evgeny Dobrenko and Natalia Jonsson-Skradol 2022
The moral rights of the authors have been asserted
First Edition published in 2022
Impression: 1
All rights reserved. No part of this publication may be reproduced, stored in
a retrieval system, or transmitted, in any form or by any means, without the
prior permission in writing of Oxford University Press, or as expressly permitted
by law, by licence or under terms agreed with the appropriate reprographics
rights organization. Enquiries concerning reproduction outside the scope of the
above should be sent to the Rights Department, Oxford University Press, at the
address above
You must not circulate this work in any other form
and you must impose this same condition on any acquirer
Published in the United States of America by Oxford University Press
198 Madison Avenue, New York, NY 10016, United States of America
British Library Cataloguing in Publication Data
Data available
Library of Congress Control Number: 2021944925
ISBN 978–0–19–884041–1
DOI: 10.1093/oso/9780198840411.001.0001
Printed and bound by
CPI Group (UK) Ltd, Croydon, CR0 4YY
Links to third party websites are provided by Oxford in good faith and
for information only. Oxford disclaims any responsibility for the materials
contained in any third party website referenced in this work.
For Liudmila Nedialkova.
ED.
For Olga Skradol and Nick Jonsson.
NJS.
Mankind, which in Homer’s time was an object of amusement for the
Olympian gods, now is one for itself. Its self-alienation has reached
such a degree that it can experience its own destruction as an aesthetic
pleasure of the first order.
Walter Benjamin, The Work of Art in the
Age of Mechanical Reproduction
Table of Contents
List of Illustrations xi
Introduction 1
1. The Stalinist World of Laughter: The Fate of the Comic
in a Tragic Age 18
2. A Killer Wit: Laughter in Stalinist Official Discourse 68
3. The Funny War: Laughing at the Front in World War Two 115
4. “One Might Think It Is a Ward in a Madhouse”: Late Stalinism,
the Early Cold War, and Caricature 152
5. The Gogols and the Shchedrins: Lessons in “Positive Satire” 211
6. The Soviet Bestiary: Genealogy of the Stalinist Fable 250
7. The Merry Adventures of Stalin’s Peasants: Kolkhoz Commedia
dell’arte 285
8. “A Total Racket”: Vaudeville for the New People 325
9. Metalaughter: Populism and the Stalinist Musical Comedy 361
Bibliography 399
Index 417
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