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History on Film/Film on History

History on Film/Film on History has established itself as a classic treatise on the

historical film and its role in bringing the past to life. In the third edition of this
widely acclaimed text, Robert A. Rosenstone argues that to leave history films
out of the discussion of the meaning of the past is to ignore a major means of
understanding historical events.
This book examines what history films convey about the past and how they
convey it, demonstrating the need to learn how to read and understand this new
visual world and integrating detailed analysis of films such as Schindler’s List,
Glory, October, and Reds. Advocating for the dramatic feature as a legitimate way
of doing history, this edition includes a new introduction, a revised final chapter, a
new epilogue that discusses recent history films such as Selma and The Imitation
Game, and an extensive and updated guide to further reading.
Examining the codes and conventions of how these films tell us about the past
and providing guidance on how to effectively analyse films as historical interpre-
tations, this book is an essential introduction to the field for students of history
and film.

Robert A. Rosenstone is Professor Emeritus of History at the California Insti-

tute of Technology, USA. His award-winning biography of John Reed, Romantic
Revolutionary (1975), was used as the basis of Warren Beatty’s multiple Academy
Award winner, Reds, on which Rosenstone served as historical consultant. His
other publications include Visions of the Past: The Challenge of Film to Our Idea
of History (1995), Crusade of the Left: The Lincoln Battalion in the Spanish Civil
War (1969), and Mirror in the Shrine: American Encounters with Japan (1988).
He is the editor of Revisioning History: Film and the Construction of a New Past
(1995) and Experiments in Rethinking History (2004) and is the Founding Editor
of Rethinking History: The Journal of Theory and Practice.
History: Concepts, Theories and Practice
Series editor: Alun Munslow, University of Staffordshire

The New History

Alun Munslow

History on Film/Film on History

Robert A. Rosenstone

Imperialism
Barbara Bush

Class Struggles
Dennis Dworkin

Time, Religion and History

William Gallois

History Meets Fiction

Beverley Southgate
History on Film/Film
on History
Third edition

Robert A. Rosenstone
This edition published 2018
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2006, 2012, 2018 Robert A. Rosenstone
The right of Robert A. Rosenstone to be identified as author of this work has
been asserted by him in accordance with sections 77 and 78 of the Copyright,
Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or
utilised in any form or by any electronic, mechanical, or other means, now
known or hereafter invented, including photocopying and recording, or in any
information storage or retrieval system, without permission in writing from
the publishers.
Trademark notice: Product or corporate names may be trademarks or
registered trademarks, and are used only for identification and explanation
without intent to infringe.
First edition published by Pearson Education Limited 2006
Second edition published by Pearson Education Limited 2012
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloguing-in-Publication Data
Names: Rosenstone, Robert A.
Title: History on film-film on history / Robert A. Rosenstone.
Description: Third edition. | Abingdon, Oxon ; New York : Routledge, 2017. |
Series: History: concepts, theories and practice | Includes bibliographical
references and index.
Identifiers: LCCN 2017008671 | ISBN 9781138653320 (hardback : alk. paper) |
ISBN 9781138653337 (pbk. : alk. paper) | ISBN 9781315113654 (ebook)
Subjects: LCSH: Motion pictures and history. | Historical films—History and
criticism.
Classification: LCC PN1995.2 .R665 2017 | DDC 791.43/658—dc23
LC record available at https://lccn.loc.gov/2017008671
ISBN: 978-1-138-65332-0 (hbk)
ISBN: 978-1-138-65333-7 (pbk)
ISBN: 978-1-315-11365-4 (ebk)

Typeset Times New Roman

by Apex CoVantage, LLC
For Alun Munslow
an inspiration and a friend
Contents

Illustrations viii
Preface to the series x
Introduction to the third edition xi
Introduction to the second edition xii
Acknowledgements xxii

1 History on film 1
2 To see the past 11
3 Mainstream drama 29
4 Innovative drama 45
5 Documentary 63
6 Telling lives 79
7 Film-maker/historian 99
8 Engaging the discourse 119
9 Film on history 137
Epilogue: the view from 2017 145

Guide to key reading 155

Bibliography 163
Index 169
Illustrations

1 The young lawyer at the start of his career: Abraham Lincoln

(Henry Fonda) rides through the streets of Springfield, Illinois,
in director John Ford’s classic film, Young Mr. Lincoln (1939).
© 20th Century Fox Film Corp./Everett Collection Inc./Alamy. xxiv
2 Spartacus (Kirk Douglas) in a fight to the death at the school
for gladiators in Stanley Kubrick’s classic film about the leader
of a slave revolt in Rome (Spartacus: 1960). © cineclassico/Alamy. 10
3 Colonel Robert Gould Shaw (Matthew Broderick) leading the
troops of the 54th Massachusetts, one of the first African
American regiments in the Civil War, on a parade through
Boston prior to leaving for the battlefront in Glory (1989).
© AF Archive/Alamy. 28
4 Right after his return to Russia on 16 April 1917, the Bolshevik
leader, Lenin, addresses a crowd outside the Finland Station in
Petrograd in Sergei Eisenstein’s October (October: 1927).
© AF Archive/Alamy. 44
5 Communist Deputy Dolores Ibarruri, widely known as
La Pasionaria, making a speech to a crowd in Frederic Rossif’s
documentary history of the Spanish Civil War, Mourir à
Madrid (1965). © Michael Ochs Archives/Stringer. 62
6 John Reed (Warren Beatty) running across a battlefield to reach
a carriage full of Red soldiers to help them fight off enemies of
the new revolutionary Russian regime in Reds (1982).
© Everett Collection Inc./Alamy. 78
7 Ron Kovic (Tom Cruise), a Marine made a paraplegic by
wounds in combat, leads the Vietnam Veterans Against the
War into the Republican National Convention of 1968 in
Oliver Stone’s Born on the Fourth of July (1989).
© Entertainment Pictures/Alamy. 98
8 Jews from Cracow, Poland, who have been rousted from their
homes and are marched towards the railroad station and the trains
that will transport them to the death camps in Steven Spielberg’s
Schindler’s List (1993). © Everett Collection Inc./Alamy. 118
 Illustrations ix
9 Nineteenth-century African warrior queen, Sarraounia,
in front of a group of her soldiers who defeated invading
French armies in director Med Hondo’s post-colonial,
eponymous epic (Sarraounia: 1986).
© United Archives GmbH/Alamy. 136
10 Fearing an assault by state troopers, Martin Luther King
(David Oyelowo) in Selma leads his followers in prayer on
the Edmund Pettus Bridge before calling off the second
attempt to march to the Alabama state capitol in Montgomery.
The third march proceeded peacefully under court order
(Selma: 2014). © Atlaspix/Alamy. 144
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