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The Poetry of Alcuin of York

This volume offers for the first time in any language a translation of the poetic
corpus of Alcuin of York (c. 735–804), numbering some 339 individual
pieces and nearly 7,000 lines.
An introduction touches on Alcuin’s life, his writings (including doubtful
works and pseudepigrapha), his Latinity, his place in the Latin literary
tradition, and the manuscripts, textual history, and editions of his poetry.
The translations follow Dümmler’s Latin text, with each poem controlled
by a headnote that places the piece in its historical and literary contexts. A
series of appendices offers translations of selected letters, a register of the
poems by meter, a census of nearly 200 manuscripts with digital links, and
a prolegomenon to a new edition.
The Poetry of Alcuin of York is a stimulating resource for anyone working
on later Latin poetry, and late ancient literature more broadly. The poems also
offer fascinating insights into life and scholarship in Anglo-Saxon England
and in the Carolingian empire in the late eighth and early ninth centuries, and
so will also be of interest to students of medieval history.

Joseph Pucci, Professor of Classics and of Medieval Cultures at Brown

University, studies later and medieval Latin languages and literatures. He
has published over seventy articles, chapters, and reviews, and, among
other books, is the author of The Full-Knowing Reader (1998); Augustine’s
Virgilian Retreat (2014); and The Classics Renewed (with S. McGill, 2016).
Routledge Later Latin Poetry
Edited by Joseph Pucci,
Brown University, USA

The Routledge Later Latin Poetry series provides English translations of the
works of those poets writing in Latin between the fourth and the eighth cen-
turies inclusive. It responds to the increasing interest in later Latin authors
and especially the growth in courses devoted to late antiquity. Books in the
series are designed to provide comprehensive coverage to support students
studying later Latin poetry and to introduce the material to those wishing to
read these important and often under translated works in English.
The RLLP is devoted to publishing creative, accessible translations. Each vol-
ume is self-contained: introductory material contextualizes the life and output of
the poet in question, and includes manuscript and editorial details; some discus-
sion of metrics and Latinity; and a sense of how the work being translated might
be interpreted (including where possible the scholarly history of the same). This
section concludes, as need be, with maps and a list of any editorial changes
made by the translator to the established Latin text. At the conclusion of each
volume, in addition to endnotes and a works cited list, there is a general index
that, beyond allowing readers to negotiate content, also serves as a glossary of
names, dates, figures, places and events. Volumes hew, as much as possible, to
line-for-line versions of the Latin original, so that those who come to the transla-
tions with a knowledge of Latin can orient their reading with the original.
By offering English translations of later Latin poetry with comprehensive
supporting material the series enables a greater understanding of late antiquity
through one of its most important literary outputs. The poems are significant
sources for the culture, religion and daily life of the period and clear and imag-
inative translations also offer readers the chance to appreciate their quality.

Selections from the Poems of Paulinus of Nola, including the

Correspondence with Ausonius
Introduction, Translation, and Commentary
Alex Dressler

The Poetry of Alcuin of York

A Translation with Introduction and Commentary
Joseph Pucci

For more information about this series, please visit: www.routledge.com/

Routledge-Later-Latin-Poetry/book-series/LLP
The Poetry of Alcuin of York
A Translation with Introduction
and Commentary

Joseph Pucci
Designed cover image: Vienna, Österreichische Nationalbibliothek 652,
f. 2v, which shows Hrabanus Maurus, Alcuin, and Otgar, Bishop of Mainz,
from a ninth-century copy of Hrabanus’ De laudibus sanctae crucis.
GRANGER—Historical Picture Archive/Alamy Stock Photo
First published 2024
by Routledge
4 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
605 Third Avenue, New York, NY 10158
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2024 Joseph Pucci
The right of Joseph Pucci to be identified as author of this work has been
asserted in accordance with sections 77 and 78 of the Copyright, Designs
and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or
utilised in any form or by any electronic, mechanical, or other means, now
known or hereafter invented, including photocopying and recording, or in
any information storage or retrieval system, without permission in writing
from the publishers.
Trademark notice: Product or corporate names may be trademarks or
registered trademarks, and are used only for identification and explanation
without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
ISBN: 978-0-367-34213-5 (hbk)
ISBN: 978-1-032-55730-4 (pbk)
ISBN: 978-0-429-32449-9 (ebk)
DOI: 10.4324/9780429324499
Typeset in Times New Roman
by Apex CoVantage, LLC
For Joseph Vincent Pucci (bis)
Solus es omnium, a quo me in omnibus vinci velim.
—Augustine, Op. Imp. 22.51–52
Contents

Acknowledgments ix
List of abbreviations xi

1. Introduction 2
1. Life 2
2. Writings 5
a. Authentic Writings 6
b. Writings of Doubtful Authenticity 17
c. Pseudepigrapha 22
3. Latinity 26
4. The Poetry 29
a. Genres 29
b. Meters 31
c. Manuscripts, Textual History,
and Editions 33
5. Principles of Translation and Using
This Translation 34
6. Changes to the Latin Text 36

2. Maps 38

3. The Poems 40

Appendices 384
1. Letters of Alcuin Pertaining to His Poetry 384
2. Poems in Dümmler/Strecker by Type 411
viii Contents
3. Individual Poems by Meters and Numbers of Lines,
With Summary of Meters 412
4. Census of Manuscripts by Depository,
With Digital Links 420
5. Prolegomenon to a New Edition 436
Bibliography 440
1. Primary Works 440
a. Alcuin 440
b. Other Authors/Works 452
2. Secondary Works 454
Index 468
Acknowledgments

I am grateful to many as these versions of Alcuin’s words come to print. A

first draft was supported by the Dean of the College at Brown, whose sub-
vention enabled Theodore Follini-Press to gather bibliography and sketch
translations of epis. 10, 17, and 311, the latter of which, with my revisions,
I am pleased to publish under his name. Jacob Ihnen, recently student, now
friend, glossed passages in the letters against their scriptural backdrops and
helped as this project grew to include all the poetry. Bryn Canner, former
student, steadfast friend, was a sensitive reader of early versions of more
than a few poems. Nearly one hundred students have studied Alcuin with
me over the last decade (mirabile dictu). I’m grateful to all of them as I
offer specific thanks to Ellie Baker, Lena Barsky, Luis Campos, Kelly Clark,
Annie Craig, Michael Geisinger, Brett Geiss, Shawn Kant, Varun Kasibhatla,
Victoria Lansing, John Michaud, Paul Michaud, Marijke Perry, Eli Petzold,
Samir Saeed, Katie Schulz, Rachel Sklar, Maya Smith, Abby Wells, and
Amelia Wyckoff. Most recently, Jenny Hu helped with finishing touches. I
am more than pleased to publish versions of carm. 6 and 7 under the names
of their translators, Brett Caplan and David Sacks, who met the challenges
of Alcuin’s carmina figurata without blinking. I owe more than I can say
to David, too, for poring over my translations and offering improvements.
I am equally indebted to Rosella Liu and Livia Hoffman, ardent students of
Alcuin’s words, who helped to provide an ultima manus, and under whose
names I am happy to publish with my revisions their translations of epis.
171 and 172. I owe much by way of support to the Bruce Elliot Donovan
Memorial Endowment, whose namesake remains to me an inspiration. Mia
Brossoie, once student, now friend, studied the words of Alcuin with me
over the years as part of an ongoing conversation about late ancient litera-
ture that I know has just begun. My debt to her only grows.
Colleagues at Brown and beyond remain unstinting. As Manager of the
Department of Classics at Brown, Susan Furtado offered all manner of
support during the earlier stages of this project, and Justine Brown, until
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