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MUSIK TOR GITARRE
Herausgegeben von
KARL SCHEIT
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LORRRRRY
FRANCISCO TARREGA
SAMTLICHE
TECHNISCHE STUDIEN
COMPLETE TECHNICAL STUDIES
ETUDES TECHNIQUES COMPLETES
STUDI COMPLETI TECNICI
CVED
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UE 14451
UNIVERSAL EDITIONINHALT
Seite
Vorwort 2 6 2 ee ee ee ee ee ee ee ee
(Gale kesdleangs ai Newt as |e mnaerimee ce cea neac ese eemareranars EG
Bindeiibungen, Nr. M82. 0 ee noes 50
10 verschiedene Obungen, Nr 4352.0 ee BB
Quergriff- und Uberstredcungsibbungen, Ne.
Vierklangzerlogungen, Nr. 6774... 38
Chromatische Terzeniibung, Nr. 75. « tee “
ee eer “
32 dreistimmige Zerlegungen, Nr. a es
© Ome. : aoe
M4 siertimmige Zerleronge, Nr 19 (Anucblagformen fr Ne 71) auf den Saiten ®, ©,
OumdO..... en .. ce 16
4 viersimmige Quererif- und Zeelegungsibungen, Nr. 8083. 7
13 sechsstimmige Quergriff- und Zerlegungsiibungen, Nr. 84, 85/113)... . . - 48
Ubung zur Ausarbeitung der Randstimmen, Nr.86 0. 2 2. ee ee 80
‘Ubungen in den hohen Lagen (XU.—XV. Lage), Nr. 87-90. 2. ee BR
7 Gleitoktaveniibungen, Ne. 91. ee BM
Erfiterungen 00 00 0 ee BS
CONTENTS
Page
Preface 2 eee 4
Dexterity exerci oe 6
Legato exercises, ee 16
‘Ten various exercises, Not. 4352. ee
Barré and finger extension exercises, Nos.53—65 - 6 6 2 ee ee 8B
Four-note chord arpeggios, Nos. 674. 2. ee . 38
Exercise with consecutive thirds, No.75 . . + ce ae
Twenty alternatingatroke exercises on strings ® and @, Nos. 78/1) 20)... ss
Thietywo three-part arpegsion, Now. 78/132). Pattern of striking for No, 76 on wings
@@md®.. 2... eee eee : 4
Fourteen four-part arpeggion No. 79. (Patterns of striking for No. 7) om stings ©, ©, ©
and © 2.2 eee ce M6
eee rE
‘Thirteen six-part barré and arpeggio exercises, Nos. 84, 85/1)—13) . . 6 1. . 48
Exercise for outer parts, No. 86... Be ed)
os (twelfth-fftcenth postion), Nos. 87— 52
Seven exercises in glissando octaves, No.91 6 2 2 2 ee ee Sf
Explanatory Notes... + Fe too)Samtliche technische Studien
Complete Technical Studies / Etudes techniques completes
Studii completi tecnici
Meranagngsbon won / Edad Dy Francisco Tarrega
itee par / Acura (1982.1809)
Karl Scheit
© 1969 by Universal Edition A.G., Wien
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3
ERLAUTERUNGEN
Drei Tonleitertypen wurden zu ciner
Triolenibung zusammengefaRt. Die
Fingersitze fiir die recite Hand,
tnter den Noten, stammen vom Her
ausgeber
In allen Lagen 2u ben.
Zur Obungscrleichterung wurden
Nr. Mund 13 in eine tiefere Lage
sransponiert.
Dbungsvorgang: Ohne Bindung —
linke “Hand allein — mit. Bindung.
In allen Lagen und auf allen Saiten
zu ben.
Obung fiir die linke Hand alte.
Auch auf dem Saitenpaar © ® zu
iben
Variation aus: Térrega, Jota
Variation aus: Tarrega, Carneval in
Venedig.
Vorerst ohne Quergriff zu tiben, Atle
Noten ohne» Fingersatzbezcichnung
sind mit dem ersten Finger 70 greifen
In allen Lagen au iben.
Tm allen Lagen 2u tiben
Die Fingersitze fir die recite Hand,
Uber den Noten, stammen vom Heraus-
geber.
Vierklinge aber ®o0
VierkLinge aber
Vierklinge iber
Vierklinge uber ©
Vierklinge ther
Vierklinge tber ©
in hiheren Lagen und 2ur
Vierklinge aber © @
Vierklinge iber ©OO©@@O — mit
Uberstreckung, 2. Finger auf ® und
1. Finger auf © bleiben liegen und
fiiheen.
Es sind nur zwei Takte angegeben
Ausfdbrung wie Ne. 75.
a) Als Wechselschlagiibungen auf den
Saiten © und ® (ohne Bag) 20
Teoren
ee080
9e000
OF E0080
® ee eo
auch
e
verwenden. Vorerst auf
Saiten tiben
b) als Anschlagformen fiie Ne. 75 bis
78/20) und
©) als Anschlagformen fiir Nr. 76 20
verwenden,
Anschlagformen fiir Nr. 77.
Jn allen Lagen und auch abwires 20
‘iben
Anschlagformen fiir Nr. 84, vorerst
auf leeren Saiten 2u aben,
Ubung zur Ausarbeitung dee Rand
‘Auch abwirts 70 tiben
Bis in die V. Lage 2u tben.
Bis in die XV. Lage u tben
Wie Nr. 89a zu iben, jedoch cine
Okcave hoher
Wie Nr, 90a 70 tben, jedoch eine
Oktave hoher.
Auch abwiets 20 tiben
No.
No.
Nos.
Nos.
No.
No.
Nos.
Nos.
Nos.
No.
No.
No.
No.
No.
No.
No.
Nos
No,
?
10 and 12
441
2
48b
51
5369
6206,
67 and 68
or
68
70
a
n
rz
7
76 and 77
7
9
B0—84
85
Xe
7
8a
38b
89
90b
on
EXPLANATORY NOTES:
Three types of scales have been pet
together asa triolee exercise. The
right-hand fingering (beneath _ the
notes) has been added by the editor
To be practised in all positions.
Should be practised firs. of all in a
lower position. (Nos. 11 and 13 have
already been transposed.)
Should be practised: non-legato —
left-hand alone — slurred. Practise
in all positions and on all strings.
Exercise for the left-hand alone.
Also on string-pair © ©.
Variation from Tarrega's Jota
Variation from Tirrega's Carnival
inn Venice.
Practise first without barré. All
notes without fingering should be
stopped with first finger. Practise in
all positions
Practise in all positions
‘The fingering for the right-hand
above the notes) has been added
by the editor.
Four-note chords on ©00
Four-note chords on
Four-note chords on
Four-note chords on
Four-note chords on
Four-note chords on
also in higher posii
again.
Four-nore chords on ©@ OOO
Four-note chords on © © © @
using finger-extension. Leave second
finger on @ and first finger on ©
when sliding to new position,
Only wo bars are explained. Per-
form just like No. 75.
a) Use as alternating-stroke exer-
cises on strings @ and @
(without bass notes). Practise
first on open strings
b) Use these patterns of striking
for Nos. 75—78/20).
©) Use these patterns of striking
for No. 76.
Use these patterns of striking for
No. 77.
Practise in all higher positions coo
and back again,
Use these patterns of striking for
No. 84, Practise first on open strings.
Exercise for getting the outer parts
right.
Practise also in lower postions.
Practise up to fifth position,
Practise up to fifteenth position
Practise as No. 89, but an octave
higher.
Practise as No. 90, but an octave
higher.
Practise also in lower positions
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