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THE MEDIEVAL MANUSCRIPT BOOK
Traditional scholarship on manuscripts has tended to focus on issues
concerning their production and has shown comparatively little
interest in the cultural contexts of the manuscript book. The
Medieval Manuscript Book redresses this by focusing on aspects of
the medieval book in its cultural situations. Written by experts in the
study of the handmade book before print, this volume combines
bibliographical expertise with broader insights into the theory and
praxis of manuscript study in areas from bibliography to social
context, linguistics to location, and archaeology to conservation. The
focus of the contributions ranges widely, from authorship to
miscellaneity, and from vernacularity to digital facsimiles of
manuscripts. Taken as a whole, these essays make the case that to
understand the manuscript book it must be analyzed in all its cultural
complexity, from production to transmission to its continued
adaptation.
MICHAEL JOHNSTON is Associate Professor in the Department of
English at Purdue University and specializes in the circulation of
literary manuscripts in fifteenth-century England. He is the author of
Romance and the Gentry in Late Medieval England (2014) and the
co-editor, with Susanna Fein, of Robert Thornton and His Books:
New Essays on the Lincoln and London Manuscripts (2014).
MICHAEL VAN DUSSEN is Associate Professor in the Department of
English at McGill University and specializes in communication before
print in the Latin West, with emphasis on England’s relations with
Central Europe. He is the author of From England to Bohemia:
Heresy and Communication in the Later Middle Ages (Cambridge,
2012) and the co-editor, with Pavel Soukup, of Religious Controversy
in Europe, 1378–1536: Textual Transmission and Networks of
Readership (2013).
CAMBRIDGE STUDIES IN MEDIEVAL
LITERATURE
General editor
Alastair Minnis, Yale University
Editorial board
ZYGMUNT G. BARAŃSKI, University of Cambridge
CHRISTOPHER C. BASWELL, Barnard College and Columbia University
JOHN BURROW, University of Bristol
MARY CARRUTHERS, New York University
RITA COPELAND, University of Pennsylvania
ROBERTA FRANK, Yale University
SIMON GAUNT, King’s College, London
STEVEN KRUGER, City University of New York
NIGEL PALMER, University of Oxford
WINTHROP WETHERBEE, Cornell University
JOCELYN WOGAN-BROWNE, Fordham University
This series of critical books seeks to cover the whole area of
literature written in the major medieval languages – the main
European vernaculars, and medieval Latin and Greek – during the
period c.1100–1500. Its chief aim is to publish and stimulate fresh
scholarship and criticism on medieval literature, special emphasis
being placed on understanding major works of poetry, prose, and
drama in relation to the contemporary culture and learning that
fostered them.
Recent titles in the series
Jessica Rosenfeld Ethics and Enjoyment in Late Medieval Poetry:
Love After Aristotle
Michael Van Dussen From England to Bohemia: Heresy and
Communication in the Later Middle Ages
Martin Eisner Boccaccio and the Invention of Italian Literature:
Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular
Emily V. Thornbury Becoming a Poet in Anglo-Saxon England
Lawrence Warner The Myth of “Piers Plowman”
Lee Manion Narrating the Crusades: Loss and Recovery in Medieval
and Early Modern English Literature
Daniel Wakelin Scribal Correction and Literary Craft: English
Manuscripts 1375–1510
Jon Whitman (ed.) Romance and History: Imagining Time from the
Medieval to the Early Modern Period
Virginie Greene Logical Fictions in Medieval Literature and Philosophy
A complete list of titles in the series can be found at the end of the
volume.
THE MEDIE VA L
MANUSCRIPT BO OK
Cultural Approaches
Edited by
Michael Johnston and Michael Van Dussen
University Printing House, Cambridge CB2 8B S , United Kingdom
Cambridge University Press is part of the University of Cambridge.
It furthers the University’s mission by disseminating knowledge in the
pursuit of education, learning and research at the highest international
levels of excellence.
[Link]
Information on this title: [Link]/9781107066199
© Cambridge University Press 2015
This publication is in copyright. Subject to statutory exception and to the
provisions of relevant collective licensing agreements, no reproduction of any
part may take place without the written permission of Cambridge University
Press.
First published 2015
Printed in the United Kingdom by Clays, St Ives plc
A catalogue record for this publication is available from the British Library
Library of Congress Cataloguing in Publication data
The medieval manuscript book : cultural approaches / edited by
Michael Johnston, Michael Van Dussen.
pages cm. – (Cambridge studies in medieval literature ; 94)
Includes bibliographical references and index.
ISBN 978-1-107-06619-9
1. Manuscripts, Medieval–Europe–History–To 1500. 2. Manuscripts,
Medieval–Social aspects–History–To 1500. 3. Transmission of texts–
Europe–History–To 1500. 4. Books and reading–Europe–History–To 1500.
5. Literature, Medieval–History and criticism. I. Johnston, Michael
(Michael Robert), 1977– editor. II. Van Dussen, Michael, 1977– editor.
Z 106.5.E 85M 43 2015
091–dc23 2015010005
ISBN 978-1-107-06619-9 Hardback
Cambridge University Press has no responsibility for the persistence or
accuracy of URLs for external or third-party internet websites referred to in
this publication, and does not guarantee that any content on such websites is,
or will remain, accurate or appropriate.
Contents
List of illustrations
List of contributors
Acknowledgments
1 Introduction: manuscripts and cultural history
Michael Johnston and Michael Van Dussen
2 Bibliographical theory and the textuality of the
codex: toward a history of the premodern book
Seth Lerer
3 What is a manuscript culture? Technologies of the
manuscript matrix
Stephen G. Nichols
4 Decoding the material book: cultural residue in
medieval manuscripts
Erik Kwakkel
5 Organizing manuscript and print: from compilatio to
compilation
Jeffrey Todd Knight
6 Containing the book: the institutional afterlives of
medieval manuscripts
Siân Echard
7 Medieval manuscripts: media archaeology and the
digital incunable
Martin K. Foys
8 The circulation of texts in manuscript culture
Pascale Bourgain
9 Multilingualism and late medieval manuscript culture
Lucie Doležalová
10 Miscellaneity and variance in the medieval book
Arthur Bahr
11 Vernacular authorship and the control of manuscript
production
Andrew Taylor
12 Medieval French and Italian literature: towards a
manuscript history
Keith Busby and Christopher Kleinhenz
13 Afterword: social history of the book and beyond:
Originalia, medieval literary theory, and the
aesthetics of paleography
Kathryn Kerby-Fulton
Bibliography
Index
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