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c o l l e c t e d p o e t r y a n d p r o s e
 Dante Gabriel Rossetti

Collected Poetry and Prose

edited by jerome mcgann

Yale University Press / New Haven & London

Copyright © 2003 by Yale University. All rights reserved.
This book may not be reproduced, in whole or in part,
including illustrations, in any form (beyond that copying
permitted by Sections 107 and 108 of the U.S. Copyright Law
and except by reviewers for the public press), without written
permission from the publishers.

Designed by Nancy Ovedovitz and set in Galliard Old Style

type by Integrated Publishing Solutions, Grand Rapids,
Michigan. Printed in the United States of America by
Vail-Ballou Press, Binghamton, New York.

Library of Congress Cataloging-in-Publication Data

Rossetti, Dante Gabriel, 1828 – 1882.
[Selections. 2003]
Collected poetry and prose / Dante Gabriel Rossetti ; edited
by Jerome McGann.
p. cm.
Includes bibliographical references and indexes.
isbn 0-300-09801-4 (cloth : alk. paper)—isbn 0-300-09802-2
(pbk. : alk. paper)
I. McGann, Jerome J. II. Title.

PR5242.M38 2003
821′.8—dc21 2002191017

A catalogue record for this book is available from the

British Library.

The paper in this book meets the guidelines for permanence

and durability of the Committee on Production Guidelines
for Book Longevity of the Council on Library Resources.

10 9 8 7 6 5 4 3 2 1
c o n t e n t s

Introduction xvii

Part One • Poems (1870, 1881)

The Blessed Damozel 3

Sister Helen 6
Stratton Water 14
The StaV and the Scrip 19
Ave 24
Dante at Verona 27
Troy Town 41
Eden Bower 43
The Card-Dealer 48
Love’s Nocturne 50
The Stream’s Secret 54
Jenny 60
The Portrait 69
My Sister’s Sleep 72
A Last Confession 74
The Burden of Nineveh 88
An Old Song Ended 93
Aspecta Medusa (For a Picture) 94
The Bride’s Prelude 94
A New-Year’s Burden 117
Even So 118
 three translations from françois villon, 1450
A Ballad of Dead Ladies 119
To Death, of His Lady 119
His Mother’s Service to Our Lady 120

John of Tours. Old French 121

My Father’s Close. Old French 122
Beauty (A Combination from Sappho) 123

Part Two • The House of Life (1870, 1881)

the sonnets (1881)

[Sonnet on the Sonnet] 127
Part I. Youth and Change
I. Love Enthroned 127
II. Bridal Birth (1870) 128
III. Love’s Testament (1870) 128
IV. Lovesight (1870) 129
V. Heart’s Hope 129
VI. The Kiss (1870) 129
VIa. Nuptial Sleep (1870) 130
VII. Supreme Surrender (1870) 130
VIII. Love’s Lovers 131
IX. Passion and Worship (1870) 131
X. The Portrait (1870) 132
XI. The Love-Letter (1870) 132
XII. The Lovers’ Walk 133
XIII. Youth’s Antiphony 133
XIV. Youth’s Spring-Tribute 133
XV. The Birth-Bond (1870) 134
XVI. A Day of Love (1870) 134
XVII. Beauty’s Pageant 135
XVIII. Genius in Beauty 135
XIX. Silent Noon 136

vi c o n t e n t s
XX. Gracious Moonlight 136
XXI. Love-Sweetness (1870) 136
XXII. Heart’s Haven 137
XXIII. Love’s Baubles (1870) 137
XXIV. Pride of Youth 138
XXV. Winged Hours (1870) 138
XXVI. Mid-Rapture 139
XXVII. Heart’s Compass 139
XXVIII. Soul-Light 140
XXIX. The Moonstar 140
XXX. Last Fire 140
XXXI. Her Gifts 141
XXXII. Equal Troth 141
XXXIII. Venus Victrix 142
XXXIV. The Dark Glass 142
XXXV. The Lamp’s Shrine 143
XXXVI. Life-in-Love (1870) 143
XXXVII. The Love-Moon (1870) 143
XXXVIII. The Morrow’s Message (1870) 144
XXXIX. Sleepless Dreams (1870) 144
XL. Severed Selves 145
XLI. Through Death to Love 145
XLII. Hope Overtaken 146
XLIII. Love and Hope 146
XLIV. Cloud and Wind 146
XLV. Secret Parting (1870) 147
XLVI. Parted Love (1870) 147
XLVII. Broken Music (1870) 148
XLVIII. Death-in-Love (1870) 148
XLIX. Willowwood. I (1870) 149
L. Willowwood. II (1870) 149
LI. Willowwood. III (1870) 150
LII. Willowwood. IV (1870) 150

c o n t e n t s vii
 LIII. Without Her 150
LIV. Love’s Fatality 151
LV. Stillborn Love (1870) 151
LVI. True Woman. I. Herself 152
LVII. True Woman. II. Her Love 152
LVIII. True Woman. III. Her Heaven 152
LIX. Love’s Last Gift 153
Part II. Change and Fate
LX. TransWgured Life 153
LXI. The Song-Throe 154
LXII. The Soul’s Sphere 154
LXIII. Inclusiveness (1870) 155
LXIV. Ardour and Memory 155
LXV. Known in Vain 156
LXVI. The Heart of the Night 156
LXVII. The Landmark (1870) 156
LXVIII. A Dark Day (1870) 157
LXIX. Autumn Idleness (1870) 157
LXX. The Hill Summit (1870) 158
LXXI. The Choice. I (1870) 158
LXXII. The Choice. II (1870) 159
LXXIII. The Choice. III (1870) 159
LXXIV. Old and New Art. I.
St. Luke the Painter (1870) 160
LXXV. Old and New Art. II.
Not as These 160
LXXVI. Old and New Art. III.
The Husbandman 160
LXXVII. Soul’s Beauty (1870) 161
LXXVIII. Body’s Beauty (1870) 161
LXXIX. The Monochord (1870) 162
LXXX. From Dawn to Noon 162
LXXXI. Memorial Thresholds 163

viii c o n t e n t s
 LXXXII. Hoarded Joy (1870) 163
LXXXIII. Barren Spring (1870) 163
LXXXIV. Farewell to the Glen (1870) 164
LXXXV. Vain Virtues (1870) 164
LXXXVI. Lost Days (1870) 165
LXXXVII. Death’s Songsters (1870) 165
LXXXVIII. Hero’s Lamp 166
LXXXIX. The Trees of the Garden 166
XC. “Retro me, Sathana!” (1870) 167
XCI. Lost on Both Sides (1870) 167
XCII. The Sun’s Shame. I (1870) 168
XCIII. The Sun’s Shame. II 168
XCIV. Michelangelo’s Kiss 168
XCV. The Vase of Life (1870) 169
XCVI. Life the Beloved 169
XCVII. A Superscription (1870) 170
XCVIII. He and I (1870) 170
XCIX. Newborn Death. I (1870) 171
C. Newborn Death. II (1870) 171
CI. The One Hope (1870) 171

the songs (1870)

I. Love-Lily 172
II. First Love Remembered 173
III. Plighted Promise 173
IV. Sudden Light 174
V. A Little While 174
VI. The Song of the Bower 175
VII. Penumbra 176
VIII. The Woodspurge 177
IX. The Honeysuckle 177
X. A Young Fir-Wood 178
XI. The Sea-Limits 178

c o n t e n t s ix
 Part Three • Sonnets for Pictures and Other Sonnets
(1850, 1870, 1881)

For “Our Lady of the Rocks” by

Leonardo da Vinci 183
For a Venetian Pastoral by Giorgione
(In the Louvre) 183
For an Allegorical Dance of Women by
Andrea Mantegna (In the Louvre) 184
For “Ruggiero and Angelica” by Ingres 184
For “The Wine of Circe” by
Edward Burne-Jones 185
Mary’s Girlhood (For a Picture) 185
The Passover in the Holy Family
(For a Drawing) 186
Mary Magdalene at the Door of Simon
the Pharisee (For a Drawing) 187
Cassandra (For a Drawing) 187
Venus Verticordia (For a Picture) 188
Pandora (For a Picture) 189
On Refusal of Aid between Nations 189
On the “Vita Nuova” of Dante 189
Dantis Tenebrae (In Memory of My Father) 190
A Match with the Moon 190
The Holy Family, by Michelangelo
(In the National Gallery) 191
For Spring, by Sandro Botticelli (In the
Accademia of Florence) 191
“Found” (For a Picture) 192
A Sea-Spell (For a Picture) 192
Fiammetta (For a Picture) 193
The Day-Dream (For a Picture) 193
Astarte Syriaca (For a Picture) 194
Proserpina (Per un Quadro) 194
Proserpina (For a Picture) 195

x c o n t e n t s
La Bella Mano (Per un Quadro) 195
La Bella Mano (For a Picture) 196

Part Four • Ballads and Lyrics (1881)

Rose Mary 199

The White Ship 223
Soothsay 231
Spheral Change 233
Sunset Wings 234
Insomnia 234
The Cloud ConWnes 235

Part Five • The Early Italian Poets (1861, 1874)

preface to the first edition (1861) 239

Canzone. Of the Gentle Heart
(Guido Guinicelli) 241
Of His Lady in Heaven (Jacopo da Lentino) 242
Of His Lady, and of Her Portrait
(Jacopo da Lentino) 243
Canzone. Of His Dead Lady
(Giacomo Pugliesi) 244
How He Dreams of His Lady (Bonaggiunto
Urbiciani, da Lucca) 246
His Portrait of His Lady, Angiola of Verona
(Fazio degli Uberti) 247
The New Life (Dante Alighieri) 249
“To every heart which the sweet pain
doth move” 251
“All ye that pass along Love’s
trodden way” 253
“Weep, Lovers, sith Love’s very self
doth weep” 254
“Death, alway cruel, Pity’s foe in chief ” 255
“A day agone, as I rode sullenly” 256

c o n t e n t s xi
 “Song, ’tis my will that thou do seek
out Love” 258
“All my thoughts always speak to me
of Love” 260
“Even as the others mock, thou
mockest me” 261
“The thoughts are broken in my memory” 262
“At whiles (yea oftentimes) I muse over” 263
“Ladies that have intelligence in love” 265
“Love and the gentle heart are one
same thing” 267
“My lady carries love within her eyes” 268
“You that thus wear a modest
countenance” 269
“Canst thou indeed be he that still
would sing” 270
“A very pitiful lady, very young” 272
“I felt a spirit of love begin to stir” 275
“My lady looks so gentle and so pure” 278
“For certain he hath seen all perfectness” 278
“Love hath so long possess’d me for
his own” 279
“The eyes that weep for pity of the heart” 281
“Stay now with me, and listen to my sighs” 283
“Whatever while the thought comes
over me” 284
“That lady of all gentle memories” 285
“Mine eyes beheld the blessed pity spring” 286
“Love’s pallor and the semblance of
deep ruth” 286
“ ‘The very bitter weeping that ye made’ ” 287
“A gentle thought there is will often start” 288
“Woe’s me! by dint of all these sighs
that come” 289
“Ye pilgrim-folk, advancing pensively” 290

xii c o n t e n t s
 “Beyond the sphere which spreads to
widest space” 291
Sestina. Of the Lady Pietra degli Scrovigni
(Dante Alighieri) 292
Sonnet. A Rapture Concerning His Lady
(Guido Cavalcanti) 293
Ballata. Of His Lady Among Other Ladies
(Guido Cavalcanti) 294
To Guido Orlandi. Sonnet. Of a Consecrated
Image Resembling His Lady
(Guido Cavalcanti) 294
Ballata. Of a Continual Death in Love
(Guido Cavalcanti) 295
To Dante Alighieri. Sonnet. He Conceives
of Some Compensation in Death
(Cino da Pistoia) 295
Canzone. His Lament for Selvaggia
(Cino da Pistoia) 296
Sonnet. Of All He Would Do
(Cecco Angiolieri) 297
Sonnet. On the Death of His Father
(Cecco Angiolieri) 297
Sonnet. Of the Star of His Love
(Dino Frescobaldi) 298
To Dante Alighieri. Sonnet. He Commends
the Work of Dante’s Life, Then Drawing
to Its Close; and Deplores His Own
DeWciencies (Giovanni Quirino) 298
Of His Last Sight of Fiammetta
(Giovanni Boccaccio) 299

Part Six • Other Translations

In Absence of Becchina (Cecco Angiolieri) 303

From the Roman de la Rose 303
Lilith. From Goethe 304
“I saw the sibyl at Cumae” 304
Francesca da Rimini (Dante) 304

c o n t e n t s xiii
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