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 T HIS COLLECTION EXPLORES the idea of music in the salon during the
long nineteenth century, both as a socio-cultural phenomenon, and
as a source of artistic innovation and exchange. Drawing on a wide
range of scholarly approaches, the authors use the idea of the salon as a Min usical Salon Culture

in the Long Nineteenth Century ß

Musical Salon Culture
the
springboard to examine issues such as gender, religion, biography and
performance; to explore the ways in which the salon was represented in

Long Nineteenth Century

different media; and to showcase the heterogeneity of the salon through a
selection of case studies. It offers fresh considerations of familiar salons in
large cultural centres, as well as insights into lesser-known salons in both
Europe and the United States. Bringing together an international group of
scholars, the collection underscores the enduring impact of the European
musical salon.

ANJA BUNZEL gained her PhD in

ß
Musicology from Maynooth University
and has published on Johanna Kinkel
EDITED BY
and nineteenth-century salon culture in
both English and German. ANJA BUNZEL
NATASHA LOGES is Head of &
Postgraduate Programmes at the
Royal College of Music, London. Her
NATASHA LOGES
publications include Brahm s in the
Home and the Concert Hall (Cambridge,
2014) and Brahms and his Poets
(Boydell Press, 2017). She is a pianist,

ANJA BUNZEL & NATASHA LOGES

EDITED BY
broadcaster and critic.

Contributors: Maren Bagge, Péter Bozó,

Anja Bunzel, Katie A. Callam,
Beatrix Darmstädter, Mary Anne Garnett,
Harald Krebs, Clemens Kreutzfeldt,
Veronika Kusz, Natasha Loges,
Jennifer Ronyak, Kirsten Santos Rutschman,
R. Larry Todd, Katharina Uhde,
Michael Uhde, Harry White,
Petra Wilhelmy-Dollinger, Susan Youens.

Cover image: Der Adelsstand, handcoloured pen

lithograph by Josef Trentsenky, Vienna, c. 1830.
Sammlungen der Gesellschaft der Musikfreunde
in Wien.

Musical Salon cvr_proof04.indd 1 04/10/2018 16:22

Musical Salon Culture in the
Long Nineteenth Century
Musical Salon Culture in the
Long Nineteenth Century

Edited by

Anja Bunzel and Natasha Loges

the boydell press

 © Contributors 2019

All Rights Reserved. Except as permitted under current legislation

no part of this work may be photocopied, stored in a retrieval system,
published, performed in public, adapted, broadcast,
transmitted, recorded or reproduced in any form or by any means,
without the prior permission of the copyright owner

First published 2019

The Boydell Press, Woodbridge

ISBN 978 1 78327 390 4

The Boydell Press is an imprint of Boydell & Brewer Ltd

PO Box 9, Woodbridge, Suffolk IP12 3DF, UK
and of Boydell & Brewer Inc.
668 Mt Hope Avenue, Rochester, NY 14620–2731, USA
website: www.boydellandbrewer.com

A CIP catalogue record for this book is available

from the British Library

The publisher has no responsibility for the continued existence or accuracy

of URLs for external or third-party internet websites referred to in this book,
and does not guarantee that any content on such websites is,
or will remain, accurate or appropriate

This publication is printed on acid-free paper

Typeset in Adobe Arno Pro by

Sparks Publishing Services Ltd—www.sparkspublishing.com
 Contents

List of Illustrations vii

List of Music Examples x
List of Tables xiii
Notes on Contributors xiv
Acknowledgements xvii

Introduction 1
Anja Bunzel and Natasha Loges

part i concepts and contexts

1
Johanna Kinkel’s Social Life in Berlin (1836–39): Reflections on
Historiographical Sources 13
Anja Bunzel
2
Accidental Aesthetics in the Salon: Amateurism and the Romantic
Fragment in the Lied Sketches of Bettina von Arnim 27
Jennifer Ronyak
3
Salon Culture in the Circle of Joseph Joachim, or, Composing
Inwardness: C. J. Arnold’s Quartettabend bei Bettina von Arnim
Reconsidered 43
Katharina Uhde and R. Larry Todd
Reading, Singing, Becoming: The Mädchenlieder of Paul Heyse and
4
Johannes Brahms 65
Natasha Loges

part ii representations of the salon

5
Fridays with Malla: Musical Repertoire in the Swedish Salon of
Malla Silfverstolpe 79
Kirsten Santos Rutschman
6
Observing Musical Salon Culture in England c. 1800 through the
Lens of the Caricature 95
Maren Bagge and Clemens Kreutzfeldt
7
The Salon Singer as Subject of Satire in France during the
July Monarchy 109
Mary Anne Garnett
vi Contents

8
The Instruments of the Vienna Biedermeier Salon:
Diversity in Design, Sound and Technology 123
Beatrix Darmstädter
9 Offenbach and the Representation of the Salon 139
Péter Bozó
10
Affordances of the Piano: A Cinematic Representation of the
Victorian Salon 153
Harry White

part iii case studies

11
‘Der Mensch ist zur Geselligkeit geboren’: Salon Culture,
Night Thoughts and a Schubert Song 167
Susan Youens
12
Traditions, Preferences and Musical Taste in the Staegemann-
Olfers Salon in Nineteenth-Century Berlin 185
Petra Wilhelmy-Dollinger
13 Josephine Lang and the Salon in Southern Germany 199
Harald Krebs
14 Jessie Hillebrand and Musical Life in 1870s Florence 211
Michael Uhde
15
An Invitation to 309 Beacon Street: Clara Kathleen Rogers and
her Boston Salon 225
Katie A. Callam
16
‘Too Much Playing Four Hands!’: Ernst von Dohnányi’s European
Salon in the United States of the 1950s 239
Veronika Kusz

Select Bibliography 255

Index 271
 Illustrations

2.1 Scale in Arnim’s sketchbook with note names

© The Morgan Library & Museum 35

2.2 C-major scale with fingering for both hands in Arnim’s sketchbook
© The Morgan Library & Museum 35

3.1 Carl Johann Arnold, Quartettabend bei Bettina von Arnim (1854/56)
© Freies Deutsches Hochstift/Frankfurter Goethe-Museum 46

3.2 Bettina von Arnim’s sketch for a Goethe-Denkmal, side view

© Freies Deutsches Hochstift/Frankfurter Goethe-Museum,
photograph by David Hall 58

3.3 Carl Steinhäuser, Goethe mit der Psyche (1851), photograph by Concord
(Wikimedia Commons), 2016 59

3.4 Joseph Joachim’s letter seal, ‘F-A-E’ © Staats- und Universitätsbibliothek

Carl von Ossietzky, Musikabteilung Hamburg, Brahms-Archiv,
BRA:Be4:49 60

3.5 Gisela von Arnim’s letter seal with the Head of Psyche (‘Psycheköpfchen’)
© Freies Deutsches Hochstift/Frankfurter Goethe-Museum 61

6.1 James Gillray, Very Slippy-Weather (London, 1808)

© The Trustees of the British Museum 95

6.2 James Gillray, ‘A Little Music’ or the Delights of Harmony (London, 1810)
© Melanie Unseld 98

6.3 James Gillray, A Country Concert; – or – an Evenings Entertainment

in Sussex (London, 1798) © Melanie Unseld 101

6.4 George Cruikshank, Princely Amusements or the Humors of the Family

(London, 1812) © The Trustees of the British Museum 103

7.1 Albert Cler, ‘Le mélomane’, Les Français peints par eux-mêmes
© Bibliothèque nationale de France 112

7.2 Albert Cler, Physiologie du musicien

© Bibliothèque nationale de France 114

7.3 Louis Reybaud, Jérôme Paturot à la recherche d’une position sociale

© Bibliothèque nationale de France 117
viii Illustrations

7.4 Honoré Daumier, ‘En train de charmer toute une société avec la
romance du Beau Nicolas’, Le Charivari, 8 April 1852
© Daumier-register.org DR Number 2244 121

7.5 Honoré Daumier, ‘Cherchant à fasciner une riche héritière avec son
ut de poitrine’, ‘Croquis musicaux’, Plate 4, Le Charivari, 14 February
1852; Lithograph Delteil 2232 © Bibliothèque nationale de France,
Estampes et Photographie, Rés. Dc-180b (46)-Fol. 121

8.1 Cabinet Piano, Seuffert & Seidler, Vienna c. 1830 (SAM 718)
© Kunsthistorisches Museum, Vienna 125

8.2 Fortepiano, Franz Dorn, Vienna c. 1820 (SAM 1077)

© Kunsthistorisches Museum, Vienna 130

8.3 Carl Agricola, portrait of the young Sigismund Thalberg playing the
­physharmonica, Vienna 1827 (SAM 1201)
© Kunsthistorisches Museum, Vienna 131

8.4 Guitar, Georg Leeb, Pressburg 1806 (SAM 479)

© Beatrix Darmstädter 133

8.5 Guitar, Johann Ertl, Vienna 1821 (SAM 469)

© Beatrix Darmstädter 133

8.6 Guitar, Peter Teufelsdorfer, Budapest post 1822 (SAM 492)

© Beatrix Darmstädter 133

8.7 Lyra-bass guitar, Friedrich Schenk, with pedal-based transposition

device by Rudolph Knafl-Lenz, Vienna, c. 1848 (SAM 372)
© Kunsthistorisches Museum, Vienna 136

9.1 Henriette Sontag, lithograph by Léon-Alphonse Noël, 1850, after a

painting by Franz Xaver Winterhalter
© Bibliothèque nationale de France 144

9.2 Antonio Tamburini, lithograph by Alexandre Lacauchie, c. 1830–49

© Bibliothèque nationale de France 144

9.3 Giovanni Battista Rubini, lithographed caricature by Benjamin, 1840

© Bibliothèque nationale de France 145

10.1 Sullivan and Mrs Ronalds at the piano in Sullivan's apartment,

photograph by Simon Mein © Thin Man Films 158

10.2 Mrs Ronalds, Sullivan and Simmonds from the perspective of

the audience, photograph by Simon Mein © Thin Man Films 160
 Illustrations ix

13.1 Wilhelm Kaulbach, portrait of Josephine Lang © Archiv der

Gesellschaft der Musikfreunde in Wien 205

14.1 Jessie Laussot Hillebrand’s salon, Lungarno Nuovo, Florence

© Technische Universität Munich, Architekturmuseum
(hild-672-1002) 213

14.2 Sophie Wilhelmj and Jessie Laussot Hillebrand © Technische

Universität Munich, Architekturmuseum (hild-692-1000) 218

15.1 Studio portrait by Parkinson of Clara Kathleen Rogers, [c. 1910],

Rogers Memorial Collection: Photographs, prints, and drawings,
MS Thr 470 (1185) – (1501), (1330), Houghton Library,
Harvard University 226

16.1 Ernst and Ilona von Dohnányi c. 1955

© Hungarian Academy of Sciences 240

16.2 Ernst von Dohnányi’s Tallahassee house

© Hungarian Academy of Sciences 248

16.3 Ernst von Dohnányi and Albert Spalding, c. 1957

© Hungarian Academy of Sciences 250

The editors, contributors and publisher are grateful to all the institutions and per-
sons listed for permission to reproduce the materials in which they hold copyright.
Every effort has been made to trace the copyright holders; apologies are offered for
any omission, and the publisher will be pleased to add any necessary acknowledge-
ment in subsequent editions.
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