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Music as Medicine
6 a>&0 funr et
girate, eti
Frontispiece Aldobrandino o f Siena, Livres pour la sauté garder
(Régime du corps), late thirteenth century. British
Library, Sloane MS 2435, f. 10v.
Music as Medicine
Edited by
PEREGRINE HORDEN
D Routledge
Taylor & Francis Group
LONDON AND NEW YORK
First published 2000 by Ashgate Publishing
The authors have asserted their moral right under the Copyright, Designs
and Patents Act, 1988, to be identified as the authors o f this work.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in
any form or by any electronic, mechanical, or other means, now known or hereafter
invented, including photocopying and recording, or in any information storage or
retrieval system, without permission in writing from the publishers.
Notice:
Product or corporate names may be trademarks or registered trademarks, and are used
only for identification and explanation without intent to infringe.
Introduction
Peregrine Horden
1 Musical Solutions: Past and Present in Music Therapy 4
Peregrine Horden
PART I: ANCIENT LITERATE TRADITIONS
Commentary on Part I, with a Note on China 43
Peregrine Horden
2 Music Therapy in Antiquity 51
Martin West
3 Jewish and Muslim Traditions of Music Therapy 69
Amnon Shiloah
4 Music Therapy: Some Possibilities in the Indian Tradition 84
J. B. Katz
PART II: MEDIEVAL EUROPE
Commentary on Part II, with a Note on the Early Middle Ages 103
Peregrine Horden
5 Music and Medicine in the Thirteenth Century 109
Christopher Page
6 Music Therapy in the Later Middle Ages:
The Case of Hugo van der Goes 120
Peter Murray Jones
PART III: RENAISSANCE AND EARLY MODERN EUROPE
Commentary on Part III, with a Note on Paracelsus 147
Peregrine Horden
7 Marsilio Ficino, the Second Orpheus 154
Angela Voss
vi CONTENTS
Peregrine Horden
At various times and in various cultures over the past two and a half
millennia - and probably still further back in time - music has been
medicine. Performing or listening to music have variously been
thought to achieve something more than arousal or entertainment;
something different from, though often related to, enhanced spiritual
awareness; something that beneficially outlasts the performance - that
maintains or restores the health of mind and, even, body.
How exactly has this therapeutic power of music been conceptual
ized and explained? Who has done that - why, and in what social or
intellectual setting? Who has actually used music as or in therapy?
What were their techniques and purposes? How important has music
therapy been within the broad medical and musical culture of any
given place and time - central or marginal, occasional or enduring?
These historical questions and others arising from them are the
focus of the present volume. They are addressed (perhaps for the first
time in English) in a systematic, scholarly, and sceptical manner. The
volume’s aim is to provide a history of music therapy since antiquity
that is as comprehensive as the available space, expertise and evi
dence permit. The primary focus is the European intellectual and
medical tradition, from its classical roots to the development of a
music therapy profession in the decades since the Second World War.
At least some comment is ventured on every major period in between,
and, specifically, on every century since the end of the Middle Ages.
In addition, there are chapters on the Judaic and Islamic traditions, so
important to medieval European developments; on India; and on
South-East Asia. There is thus broad geographical scope as well as
chronological depth with respect to one area. Editorial commentaries
on the five parts into which the book is divided outline the themes of
each chapter, some connections between chapters, and topics that the
ideal volume might have embraced.
2 PEREGRINE HORDEN
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