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THE OXFORD HANDBOOK OF

THE BAROQUE
THE OXFORD HANDBOOK OF

THE BAROQUE

Edited by

JOHN D. LYONS
 Oxford University Press is a department of the University of Oxford. It furthers

the University’s objective of excellence in research, scholarship, and education by

publishing worldwide. Oxford is a registered trade mark of Oxford University

Press in the UK and certain other countries.

Published in the United States of America by Oxford University Press 198

Madison Avenue, New York, NY 10016, United States of America.

© Oxford University Press 2019

All rights reserved. No part of this publication may be reproduced, stored in a

retrieval system, or transmitted, in any form or by any means, without the prior

permission in writing of Oxford University Press, or as expressly permitted by

law, by license, or under terms agreed with the appropriate reproduction rights

organization. Inquiries concerning reproduction outside the scope of the above

should be sent to the Rights Department, Oxford University Press, at the address

above.

You must not circulate this work in any other form and you must impose this

same condition on any acquirer.

Library of Congress Cataloging-in-Publication Data Names: Lyons, John D.,

1946– editor.

Title: The Oxford Handbook of the Baroque / edited by John D. Lyons.

Description: New York, NY : Oxford University Press, [2019] | Includes

bibliographical references and index.

Identifiers: LCCN 2018045242 | ISBN 9780190678449 (hardcover) | ebook ISBN

9780190678470

Subjects: LCSH: Civilization, Baroque.

Classification: LCC CB401 .O94 2019 | DDC 940.2/52—dc23 LC record available

at https://lccn.loc.gov/2018045242

1 3 5 7 9 8 6 4 2

Printed by Sheridan Books, Inc., United States of America

 Contents

Acknowledgments

Contributors

1. Introduction: The Crisis of the Baroque

John D. Lyons

PART I VISUAL, SPATIAL, AND PERFORMING

ARTS

2. Decentering the European Imaginary: A

Baroque Taste for India

Faith E. Beasley

3. Line and Trait of the Baroque River

Tom Conley

4. Baroque Theatricality

Julia Gros de Gasquet

5. Water in the Baroque Garden

Stephanie Hanke

6. Fashioning the Baroque Male

Martha Hollander
 7. Antinomies of the Twenty-First-Century

Neobaroque: Cormac McCarthy and Demian

Schopf

Monika Kaup

8. The Automaton

Jessica Keating

9. The Baroque City

David Mayernik

10. Surface and Substance: Baroque Dress in

Spain and France, 1600–1720

Lesley Ellis Miller

11. Baroque Dance

Jennifer Nevile

12. Ibero-American Architecture and

Urbanism

Paul Niell

13. Baroque Organ Music

David Ponsford
14. Ottoman Baroque

Ünver Rüstem

15. Baroque Opera

Downing A. Thomas

16. Machine Plays

Hélène Visentin

17. Ornamentation

Michael Yonan

PART II LITERARY AND PHILOSOPHICAL

WRITING

18. The Organization of Knowledge from

Ramus to Diderot

Emmanuel Bury

19. Experience and Knowledge in the Baroque

Anthony J. Cascardi

20. Conversation and Civility

Delphine Denis

21. The Philosopher’s Baroque: Benjamin,

Lacan, Deleuze
 William Egginton

22. The Spanish Baroque Novel

Enrique GarcÍa Santo-Tomás

23. Baroque Tragedy

Blair Hoxby

24. The Baroque as a Literary Concept

Katherine Ibbett and Anna More

25. Baroque Discourse

Christopher D. Johnson

26. Classical Defense of the Baroque

Hélène Merlin-Kajman

27. The Baroque and Philosophy

Michael Moriarty

28. The Baroque as Anti-Classicism: The

French Case

Larry F. Norman

29. Is There a Baroque Style of Preaching in

Early Modern France?

Anne Régent-Susini and Laurent Susini

PART III SOCIETY, INSTITUTIONS, AND

PRACTICES

30. Prayer, Meditation, and Retreat

Mette Birkedal Bruun

31. Baroque Sexualities

Gary Ferguson

32. Paradoxes: Baroque Science

Ofer Gal

33. Baroque Diplomacy

Timothy Hampton

34. The End of Witch-Hunting

H. C. Erik Midelfort

35. Time and Chronometry

Roland Racevskis

36. Court Spectacle and Entertainment

Guy Spielmann

37. The Baroque State

Barbara Stollberg-Rilinger
38. Saints and Baroque Piety

Thomas Worcester

Index
 Acknowledgments

This Handbook spans so many arts, media, disciplines, and

languages that it would have been impossible to put it together

without the generous help of many people—most particularly that

of the contributors themselves. By generously sharing their

expertise with the volume editor they made this project a truly

collaborative one. Special thanks go to the two editors at Oxford

Handbooks: Julia Kostova, for her encouragement and advice from

the inception of this work, and to Elda Granata, who brought it to

its happy conclusion. Evonne Levy provided many ideas in the early

phase of planning, and Cecily Berberat oversaw the almost infinite

number of details that needed to come together for the whole

enterprise to take shape.

 Contributors

Faith E. Beasleyis Professor of French and Women’s and Gender

Studies at Dartmouth College. A specialist of early modern French

culture, she is the author of numerous books and articles on French

women writers and salon culture, including Revising Memory:

Women’s Fiction and Memoirs in Seventeenth-Century France (1990),

and Salons, History, and the Creation of Seventeenth-Century France:

Mastering Memory (2006). Her book Versailles Meets the Taj Mahal:

François Bernier, Marguerite de La Sablière and Enlightening

Conversations in Seventeenth-Century France (2018), supported by a

Guggenheim Fellowship, explores the effect that France’s encounter

with India had on early Enlightenment thought, material culture,

and literature.

Mette Birkedal Bruunis Professor of Church History at the

University of Copenhagen. She is the author of Parables: Bernard of

Clairvaux’s Mapping of Spiritual Topography (2007), editor of The

Cambridge Companion to the Cistercian Order (2012), and co-editor of

several volumes, including Negotiating Heritage: Memories of the

Middle Ages (2008) and Commonplace Culture in Western Europe in the

Early Modern Period (2011). She was awarded the Carlsberg

Foundation Research Prize in 2017.

Emmanuel Buryis Professor of French Literature at Sorbonne

University. His research is devoted to the study of the relations

between literature and society in France in the seventeenth and

eighteenth centuries and to the study of the influence of the culture

of Antiquity (pagan and Christian) on the culture of the French

classical age, from humanism to the beginning of the

Enlightenment. His earlier work focused on classical rhetoric and

poetics and the theory of translation (in particular creative

mistranslation, the Belles Infidèles). His current work concerns

learned discourse and the intellectual life of the Republic of Letters,

with particular concentration on the relations between literature and

philosophy (Lucianism, libertinage érudit, and philosophical

dialogue).

Anthony J. Cascardiis Dean of Arts and Humanities at the

University of California, Berkeley. He is also Professor of

Comparative Literature, Rhetoric, and Spanish. He is former

Director of the Townsend Center for the Humanities and of the Arts

Research Center. His many books include Literature and the Question

of Philosophy (1987), The Subject of Modernity (1992), Consequences of

Enlightenment (1999), and Cervantes, Literature, and the Discourse of

Politics (2012).

Tom Conleyis Abbott Lawrence Lowell Professor of Visual and

Environmental Studies and of Romance Languages and Literatures

at Harvard University. He studies relations of space and writing in

literature, cartography, and cinema. Among his many books are Film

Hieroglyphs (1991, new edition 2006), The Graphic Unconscious in

Early Modern Writing (1992), The Self-Made Map: Cartographic Writing

in Early Modern France (1996, new edition 2010), L’Inconscient

graphique: Essai sur la lettre à la Renaissance (2000), Cartographic

Cinema (2007), An Errant Eye: Topography and Poetry in Early Modern

France (2011), and À fleur de page: Voir et lire le texte de la Renaissance

(2014). He has had numerous fellowships, such as those from the

American Council for Learned Societies, the National Endowment

for the Humanities, and the Guggenheim Foundation.

Delphine Denisis Professor of French Language and Literature

of the seventeenth century at Sorbonne University. She is a

specialist in the history of the forms and the styles of early modern

France and has published, alone or in collaboration, around fifteen

books, including La Muse Galante: Poétique de la conversation dans

l’œuvre de Madeleine de Scudéry (1997) and Le Parnasse galant.

e
Institution d’une catégorie littéraire au XVII siècle (2001) and four

critical editions. She created the website Le Règne d’Astrée, dedicated

to Honoré d’Urfé’s novel (1607–1628), and is directing the first

critical edition of this major text of French literature.

William Eggintonis Decker Professor in the Humanities,

Director of the Alexander Grass Humanities Institute, and a

member of the Department of German and Romance Languages and

Literatures at Johns Hopkins University. His numerous books

include Medialogies: Reading Reality in the Age of Inflationary Media

(2016), The Man Who Invented Fiction (2016), The Theater of Truth:

The Ideology of (Neo)baroque Aesthetics (2010), and How the World

Became a Stage: Presence, Theatricality, and the Question of Modernity

(2002).

Gary Fergusonis Douglas Huntly Gordon Professor of French

and Chair of the Department of French at the University of Virginia.

His books include Same-Sex Marriage in Renaissance Rome: Sexuality,

Identity, and Community in Early Modern Europe (2016), Queer

(Re)Readings in the French Renaissance: Homosexuality, Gender, Culture

(2008), and Mirroring Belief: Marguerite de Navarre’s Devotional Poetry

(1992).

Ofer Galis Professor in the Faculty of Science at the University

of Sydney, Australia, where he is also the Director of the Sydney

Centre for the Foundations of Science. He is the author, with Raz

Chen-Morris, of Baroque Science (2013) and also co-editor with R.

Chen-Morris of Science in the Age of Baroque (2013) and co-editor

with C. Wolf of The Body as Object and Instrument of Knowledge

(2010).

Enrique García Santo-Tomásis the Frank P. Casa Collegiate

Professor of Spanish at the University of Michigan. He is the author

of La creación del ‘Fénix’: Recepción crítica y formación canónica del teatro

de Lope de Vega (2000), recipient of the “Premio Moratín de Ensayo a

la Investigación Teatral” (2001); Espacio urbano y creación literaria en

el Madrid de Felipe IV (2004), winner of the “Premio de Investigación

Municipal Antonio Maura” (2005); Modernidad bajo sospecha: Salas

Barbadillo y la cultura material del siglo XVII (2008); and La musa

refractada: literatura y óptica en la España del Barroco (2014, 2015),

which has come out in English with the University of Chicago Press

with the title The Refracted Muse: Literature and Optics in Early Modern

Spain (2017).

Julia Gros de Gasquetis both an actor and university teacher.

She is Associate Professor (maître de conférences) and Research

Fellow (habilitée à diriger des recherches) at the Institut d’Études

Théâtrales of the University Sorbonne-Nouvelle (Paris 3). She is the

author of En disant l’alexandrin, l’acteur tragique et son art, 17e siècle-

20e siècle (2006). She appears in Eugène Green’s feature film Le Fils
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