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 The
All-Around
Horse
and
Rider
 The
All-Around
Horse
and
Rider

donna snyder-smith
This book is printed on acid-free paper.

Copyright © 2004 by Donna Snyder-Smith. All rights reserved.

Howell Book House

Published by Wiley Publishing, Inc., Hoboken, New Jersey
Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or
by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permit-
ted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written
permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the
Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978)
646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be
addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN
46256, (317) 572-3447, fax (317) 572-4447.

Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts
in preparing this book, they make no representations or warranties with respect to the accuracy or com-
pleteness of the contents of this book and specifically disclaim any implied warranties of merchantability
or fitness for a particular purpose. No warranty may be created or extended by sales representatives or
written sales materials. The advice and strategies contained herein may not be suitable for your situation.
You should consult with a professional where appropriate. Neither the publisher nor the author shall be
liable for any loss of profit or any other commercial damages, including but not limited to special, inci-
dental, consequential, or other damages.

For general information about our other products and services, please contact our Customer Care
Department within the United States at (800) 762-2974, outside the United States at (317) 572-3993 or
fax (317) 572-4002.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may
not be available in electronic books. For more information about Wiley products, visit our web site at
www.wiley.com.

Library of Congress Cataloging-in-Publication Data:

Snyder-Smith, Donna.
The all-around horse and rider / Donna Snyder-Smith.
p. cm.
ISBN 0-7645-4974-X (alk. paper)
1. Horsemanship. II. Horses. III. Title.
SF309.S635 2004
2003018788

Printed in the United States of America

10 9 8 7 6 5 4 3 2 1

Photography by Donna Snyder-Smith unless otherwise credited

Illustrations by Bethany Caskey and Susan Harris
This book is dedicated to the special horses in my life—
Kopper, Karmah and Falcon

To my horse friends, since only they can understand

what it means to need to be in the presence of these
unique creatures

And to my many clients, who have allowed me to

participate with them in their journey toward their
equestrian dreams.
 Contents

Foreword by Denny Emerson ix

Introduction 1

1 The All-Around Horse, an American Heritage 4

2 Determining Where You Stand Now 16

3 Setting Realistic Goals 44

4 First Foot in the Stirrup 66

5 Developing Skills 92

6 Getting Agreement 136

7 When to Ask for Help (and How and Where to Find It) 180

8 Where the Road Can Lead 210

9 Six Fun Things You Can Do With the Same Horse 234

10 Three All-Around Horses and Their Riders 258

Appendix 279

About the Author 281

Index 283

vii
 Foreword

A s I began to read Donna Snyder-Smith’s The All-Around

Horse and Rider, I found myself constantly nodding in agreement, think-
ing, “Yes! Yes!” For what Donna has brilliantly accomplished here is to
have taken a highly complex subject and, without downplaying its com-
plexity, made it appear possible.
Possible, not easy—an important distinction. It’s a truth-telling book,
not necessarily a feel-good book for those with low goals and meager
aspirations. For the truth is that while there are many gradations of rid-
ing skills, and it’s possible to “ride” a horse very badly, good riding
requires physical and intellectual rigor.
Donna uses phrases like “biomechanical action,” “basic cognitive
program” and “auditory, visual and kinesthetic learning channels.” This
is clearly a book aimed at the serious student, but that’s not to imply that
it’s a “heavy” book—just one that is uncompromisingly correct.
Correct is a term that can be used very narrowly, as in “That is a cor-
rect half pass,” but that isn’t the “correct” I mean. Horses, for all their
variety, have skeletons and muscles, tendons and ligaments, which
move in certain ways that are relatively constant. They have central
nervous systems that have been programmed by eons of evolution to
respond to certain stimuli in ways that are also relatively constant.
When riders are in tune with these movements and responses, that is
“correct” riding. The horse feels less pressure, less duress, less dis-
comfort. When the rider’s incorrect posture, or rough hands, or abusive
temper puts her out of tune with the horse’s natural physical and emo-
tional pathways, that is incorrect riding.
The really good, all-around riders can ride lots of different horses in
a multitude of disciplines because they harmonize correctly with the
movements of the horse in ways that also do not trigger the horse’s fight-
or-flight mechanisms. It doesn’t matter whether the saddle is Western or

ix
x FOREWORD

English, or whether the rider foxhunts or trail rides, as long as she main-
tains that fundamental correctness.
I’ve spent much of my life in close proximity to some of the truly great
riders in the world. Almost universally, they aren’t one-dimensional rid-
ers. Eight-time Olympic three-day veteran Mike Plumb won the Maclay
equitation class as a child and placed second in the Maryland Hunt
Cup. Frank Chapot, six-time grand prix jumping Olympian, placed third
in the Maryland Hunt Cup.
Great riders are great riders—something Donna recognizes and
encourages in this marvelous book. She says to us, in essence, that we
need to learn to ride correctly, and then take that riding wherever we
wish to go, in any direction that sparks our passion. The All-Around
Horse and Rider is a road map, an intellectual exercise and an inspira-
tion that deserves a prominent place on the bookshelf of every serious
rider.
Denny Emerson
Tamarack Hill Farm
Member 1974 USET World Championship
Gold Medal Eventing Team
USCTA National Leading Rider
 Introduction

R iding, in its simplest form, is nothing more than keeping a

horse between you and the ground. Competition, on the other hand, is
an expression of skill and athleticism, and has as its ultimate goal—
winning. Riding as art is much like Zen—an enlightenment (of the rider
by the horse) by direct intuition (communication done through bodily
contact) achieved through meditation (upon the horse, by the rider).
Good riding is good riding, regardless of the clothes, the saddle or the
century.
To become an all-around horseman or horsewoman requires education.
Whether that education is self-taught or gained with the help of experi-
enced teachers and mentors, the rider who wishes to attain the title of all-
around must be prepared to challenge themselves mentally, as well as
physically. The first challenge you will meet is finding a jumping-off
point for your journey. Intelligent adults can select a goal and proceed
toward it in a successful way on their own time schedule if they are pro-
vided with reliable information and an overall context.
Forty years of working within the equestrian industry as an instructor
and trainer has impressed upon me that the value of context is often
underestimated, and it is not unusual for that particular piece of the puz-
zle to be missing all together. I see riders and owners making diligent
efforts to seek knowledge but finding it only in isolated segments. Not
having an overview is as much of a handicap as is trying to piece together
a puzzle without first looking at the image you are working to bring
together. Seeing the journey as a whole gives context, which in turn gives
greater meaning and clarification to the content you are seeking.
Today’s rider faces many landmines in the search for context as well
as content. For instance, it is currently fashionable to recommend that
you look to the horse to evaluate input. But if you lack the expertise to
read him accurately, you will be unable to rely on his input as your pri-
mary guidance system in the search for a safe and satisfactory route to

1
2 THE ALL-AROUND HORSE AND RIDER

your destination. On another front, there is a lack of continuity within

the equestrian industry that makes it, at best, a flimsy launching pad to
success. It is a sad fact that within any state, even within a single
county, riders exhibiting identical skills can be classified so differently
that one is named a novice by one instructor and the other is named
advanced by another instructor. This poses a serious problem to both the
individual and the industry, and is, in part, the reason this book was
born. Over the course of your riding lives, you and your horse can try
many paths; you don’t have to choose just one. In order to do this, how-
ever, you will need an overview of the equestrian world that allows you
to see and understand that the various disciplines function on the same
principles. Loving horses all my life, I wish to see them live happy lives,
and I know that the better you ride, the happier your horse will be. My
second goal is to see the level of equestrian knowledge in this country
constantly evolve to a higher and higher standard, and I believe that
today’s caring, adult amateur riders can become the standard bearers in
this cause.
In the past 50 years, performance tests have tended to underscore dif-
ferences and emphasize specialization. This trend has resulted in prac-
tices in training and showing horses that are ultimately injurious to the
health and soundness of the animal. Horses in western pleasure classes
are forced into head sets so low that they are known as “peanut rollers.”
The exotic Arabian horse that appears in the show rings today is shaved
to the skin around his eyes and muzzle and coated with oil, to “enhance”
his beauty. Tennessee Walking horses have been subjected to leg irri-
tants and devices on their feet to promote “natural” movement.
Specialization has even crept into the breeding shed. Stallions and
mares are being selected with one purpose in mind. That is,
Thoroughbreds, which are bred for racing on a groomed track, are
selected for speed, not the structure and strength of their feet. As a
result, many in the breed now have thin walls and shelly feet that often
won’t hold up to the wear and tear of normal riding. Similar problems
haunt the Quarter Horse, whose notoriously small feet are simply not
engineered to support their large, muscular body. As a result, many of
the breed are plagued with soundness problems during their perform-
ance lifetime.
As we enter the new century, I believe the pendulum of specialization
has finally reached the end of its negative arc and is beginning to return
toward center and balance. Riders and owners want more for their
 INTRODUCTION 3

horses, who have become companion animals rather than toys or tools.
Events in our nation’s recent past have encouraged many to revisit their
sense of identity, and, awakened by the piper’s song of our country’s
equestrian heritage, riders are reaching for a new vision—one in which
the team of horse and rider forms a deep and historical partnership.
The American urge to “be all you can be” will continue to challenge
riders, but the standards many strive toward today are the standards of
the men, women and horses whose mastery of multiple skills is the rea-
son our nation exists. We want to ride the cavalry mount; the companion
and trusted friend who braved the roar of cannon and the rattle of sabers
to carry his rider obediently into battle; the one who would gallop great
distances, leaping barriers and swimming rivers at his rider’s request, to
arrive at their destination; the horse who stories tell was known to stand
guard over his rider fallen in battle rather than return to the safety of the
stable. Or the cow pony, the horse who stood quietly at the end of a rope
for the cowboy while the branding iron was applied to the calf, moved
readily to full gallop if an animal broke from the herd and returned to a
relaxed walk when the errant critter had been returned to its place, who
stood without being tied while his rider strung fence, and brought him
safely back to the home corral on the darkest night, in rain or snow. That
horse, the all-around horse, is our heritage, our privilege and our prize.
4
SUSAN HARRIS
 Chapter 1

The All-Around Horse,

an American Heritage

T he history of the horse seems to holds a tenacious influence on

man’s future. Doubters may want to consider the case of the solid rocket
booster fuel tanks, a part of the propulsion system for NASA’s Space
Shuttle, which is arguably, the most advanced form of transportation of
the age. Made by Thiokol in Utah, their size is influenced by horses who
lived and served their owners in Imperial Rome! Deeply imbedded ruts
made by the Roman war chariots dominated wheeled design specifica-
tions for centuries, influencing the prototype for the British railroad
gauge (the width between the rails on railroad tracks is 4 feet, 8.5
inches, derived from the specification for an Imperial Roman war char-
iot), and Englishmen helped design and build the American rail system.
The shuttle’s booster tanks, which must be shipped by rail from their
manufacturing site to their final destination at the launch pad, could not,
therefore, exceed the width of a pair of horse’s haunches—or so the story
goes.
It seems no coincidence, then, that the history of our country is bound
up with that of the horse; the very act of riding continuing the chronicle
of horsemen and horsewomen who have left their marks on history from
the saddle in years past. It is fair to say the country could not have grown
the way it did if it were not for the service of horses.

5
6 THE ALL-AROUND HORSE AND RIDER

Used in everyday affairs from the time they were brought to the shores
of this continent in 1493 by Columbus, horses were the earliest tractors,
serving the farmer in the nation’s agricultural fields, pulling plows and
clearing the land for building. They were the engines between the traces
of a great variety of vehicles, from the earliest version of UPS (heavy
delivery wagons) to the forerunner of our modern bus (the stagecoach) to
the RV of its time (the covered wagon). They served as engine for the
family station wagon (the buckboard), sedan (doctor’s buggy) and sports
car (the gig).
But it wasn’t until the American Revolution, when a regiment of 400
men from Connecticut known as the Light Horse reported to General
George Washington mounted on their own private bloodstock, that the
horse made a significant appearance in American history as a war
machine. This particular group of sporting gentlemen enlisted with the
agreement that they would be excused from some of the normal soldierly
duties in order to have the time to care for their animals, whom they con-
sidered as valuable as their other fighting weapons. General
Washington, fearing his foot soldiers would be jealous of the time these
men spent with their mounts, sent the regiment home. Shortly thereafter,
he suffered a major defeat at the hands of the British, whose successful
strategy relied heavily on mounted troops. Washington, himself a horse-
man and a foxhunter, soon changed his mind, and in 1777, Congress for-
mally authorized the formation of four regiments of dragoons. They
fought with sabers and flintlock pistols, and the fashion press of the day
showed them dressed in buckskin breeches and top boots with helmets
of brass—their actual attire was much meaner.
As the mounts for couriers and soldiers, horses earned their daily
rations by their patience, endurance and bravery. When life and death
hung on the point of a saber, the cavalry horse had to respond to a rider’s
slightest cue, rapidly and without question.
After the end of the Revolution, as men and families from the East
pushed West, it was largely the fighting skills of Native American horse-
men that revived the government’s interest in the cavalry in 1832. In The
Story of the U.S. Cavalry by Major General John K. Herr and Edward
Wainwright, the Indian mounts are described as scarcely 14 hands,
slight in build, with powerful forequarters, good legs, a short, strong
back and a full barrel (deep heart girth). Although they did not resem-
ble the “blooded” horses from the East, it was said they had sharp ears
and bright eyes, and unusual intelligence. “The amount of work he
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