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“L D”
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“L
D”
Thomas L. Kane, Romantic Reformer
Matthew J. Grow
Published with assistance from the Charles Redd Center for Western Studies.
Set in Electra Roman types by Tseng Information Systems, Inc. Durham, North Carolina.
Printed in the United States of America by Sheridan Books, Ann Arbor, Michigan.
A catalogue record for this book is available from the British Library.
10 9 8 7 6 5 4 3 2 1
To Alyssa
I will not dissemble my hope, that each person whom I address has felt his
own call to cast aside all evil customs, timidities, and limitations, and to be in
his place a free and helpful man, a reformer, a benefactor, not content to slip
along through the world like a footman or a spy, escaping by his nimbleness and
apologies as many knocks as he can, but a brave and upright man, who must
find or cut a straight road to everything excellent in the earth, and not only go
honorably himself, but make it easier for all who follow him, to go in honor and
with benefit.
—Ralph Waldo Emerson, “Man the Reformer,” January 25, 1841
Acknowledgments ix
Introduction xiii
ONE Raising Kane 1
TWO Europe 13
THREE Beginnings of Reform 28
FOUR Meeting the Mormons 47
FIVE The Suffering Saints 71
SIX Free Soil and Young America 93
SEVEN Fugitive Slaves 113
EIGHT Reforming Marriage 128
NINE The Utah War, Act I 149
TEN The Utah War, Act II 174
ELEVEN Honor, Reform, and War 207
TWELVE Developing Kane 236
viii Contents
ix
x Acknowledgments
I owe debts to numerous other scholars. Sally Gordon, Bruce Dorsey, Mel
Piehl, Kathleen Flake, and Paul Reeve commented on portions of this book at
various conferences. David Waldstreicher provided crucial direction as I chose
my topic and formulated my approach. Ardis Parshall gave me copies of tran-
scripts of Brigham Young letters. Mark Sawin shared his expertise on the Kane
family and gave me a copy of his fascinating book manuscript on Thomas’s brother
Elisha. Besides graciously tutoring me in all things related to the Utah War, Bill
MacKinnon closely read my Utah War chapters; his sharp eye for detail, deep
knowledge of the Utah War, and sense for good prose greatly improved my writ-
ing. Fellow graduate students at Notre Dame—especially Patrick Mason, Mike
DeGruccio, Tim Gloege, Bryan Smith, and the members of the Colloquium on
Religion and History—read chapters, providing both key insights and important
moral support. Richard Bushman and Jan Shipps both read the entire manu-
script and their advice has proved extremely valuable. A portion of this book was
published in the fall 2005 issue of Utah Historical Quarterly as “‘I Have Given
Myself to the Devil’: Thomas L. Kane and the Culture of Honor.” I’m grateful
for the suggestions of the anonymous reviewers for the UHQ as well as for the
assistance of editor Kent Powell. This book has also very much benefited from
the editing of Chris Rogers, Laura Davulis, and Jessie Dolch at Yale University
Press.
Generous funding from the following sources allowed me to travel to archives
from New Hampshire to Utah: a Dissertation Research Grant from the Joseph
Fielding Smith Institute for Latter-day Saint History at Brigham Young Univer-
sity, a Zahm Research Travel Fund Grant from the University of Notre Dame, a
Dissertation Research Grant from the Charles Redd Center for Western Studies,
and a Humane Studies Fellowship from the Institute for Humane Studies.
My parents Robert and Linda Grow have read and improved almost every-
thing of significance I have written since, well, I began to write. This book is
no exception. During the summer in which I began my research, my parents
provided a home close to the Utah archives and plenty of free babysitting. My
parents-in-law Paul and Beverly Bawden gave my family similar accommoda-
tions on shorter research trips to Utah, as well as emotional support. My sister
Lisa Grow Sun read the entire manuscript (even the notes!) with her perceptive
eye for detail and clear writing. David, my brother, cleaned up the footnotes and
pulled together the bibliography in the week before I turned in the dissertation.
Our first son, Caleb, arrived during the fall of my second year of graduate
school and is now old enough to ask why my story of Tom Kane is so long (a ques-
tion others have found exceptionally insightful). The ratio of words to pictures
is also disappointing to him. Elsie had the good sense to arrive in the weeklong
Acknowledgments xi
xiii
xiv Introduction
pursuits of peace and war. Indeed, he was a man of sharp contrasts. An anti-
slavery crusader, he longed for the chivalrous world of the southern gentry. A
Philadelphian, a cosmopolitan urbanite, comfortable in the salons of Paris and
the parlors of London, he spent most of the last twenty-five years of his life in
the rustic Alleghenies, developing an eastern frontier. A master of media “spin,”
Kane generally preferred backroom negotiations to the public spotlight. Equally
repulsed and fascinated by politics, he decried the corruptness of the American
political scene but was constantly drawn toward it. A child of wealth, an Ameri-
can aristocrat, he worried endlessly about finances.
Raised in a devout Presbyterian home, Kane gravitated toward atheism and a
“religion of humanity” (influenced by the French philosopher Auguste Comte)
before experiencing not one, but two, conversions to Christianity, though he
refused to join a denomination and the nature of his faith always remained am-
biguous. Drawn to religious asceticism and self-denial, Kane was also deeply
ambitious. A Jacksonian Democrat by birth, he betrayed his family and their
true “faith,” first by becoming a Free Soiler, and then, even worse in their eyes,
a Republican.³ Kane could speak in moving terms of the humanity of blacks
and Native Americans and simultaneously shudder in horror at the prospects of
racial mixing. Diminutive (he stood five feet four inches tall and was exception-
ally slight) and described by contemporaries as feminine-looking, Kane over-
compensated with aggressive masculinity. In perpetually feeble health and often
depressed, he felt most alive when in danger.
Some of these contrasts, of course, are contradictions only to a twenty-first-
century mind. Others are more intriguing and difficult to explain. Certainly,
not all of the tensions of Kane’s life are explicable or resolvable; internal in-
consistency is part of the human condition. But some of the enigma of Kane’s
character can be illuminated by reimmersing him in the cultural contexts of
nineteenth-century America, which sheds light not only on Kane’s own life, but
more importantly, on the culture around him.
Kane’s life illuminates a type of social reformer central to America’s reform
traditions but largely forgotten by its historians. Few topics in American history
have attracted as much attention as the social reform movements in the decades
preceding the Civil War. The roots of antebellum reform are generally found
in the convergence of Whig politics and evangelical religion during the era of
the Second Great Awakening. Evangelical Protestants became the religious and
cultural mainstream of American life in these decades. They emphasized a per-
sonal conversion to Christ as the central experience of Christianity, the Bible
as the sole religious authority, and the duty of Christians to engage actively in
society through both revivalism and social reform. Most Baptists, Methodists,
xvi Introduction
and Disciples of Christ, groups that were rapidly growing, were evangelicals,
as were large numbers of Congregationalists and Presbyterians. Evangelical re-
formers constructed a “Benevolent Empire” of reforming institutions to perfect
individuals and create a Christianized nation and culture. Concentrated in New
England and Yankee regions of the Old Northwest, these reformers were gener-
ally middle-class Whig businessmen, farmers, and their wives.
By contrast, Kane is representative of reformers who combined an allegiance
to the Democratic Party, anti-evangelicalism, and romanticism. The antebellum
Democratic Party, though usually depicted as antireform because of its general
support of southern slavery, had a significant reform wing, driven by the party’s
egalitarian impulses and more inclusive vision of American religious and ethnic
pluralism. Though generally raised in religious homes, many of these reformers,
like Kane, abandoned traditional Christianity, channeling their high ideals into
fervor for social reform. They thus joined an American tradition of reformers,
including figures from Benjamin Franklin to William Lloyd Garrison, whose
reforming impulses took them far from their Calvinist roots. Furthermore, even
the devout among them argued for a strict separation of church and state, de-
nounced clerical meddling in politics, and explicitly positioned themselves
against evangelical, Whiggish reformers.
The ethos of these anti-evangelical, Democratic reformers also resonated
with romanticism. The emphasis that Jacksonian Democrats placed on liberty,
by which they meant removing barriers to individual progress and freedom,
corresponded with romanticism’s emphasis on the individual and its belief in
the perfectibility of humankind. Romantics often distrusted traditional religion,
though they generally retained a religious sensibility and longed for spirituality.
A romantic impulse impelled these reformers to sympathize with those on the
margins of society, declare war on human suffering, and create a self-identity
rooted in protecting the oppressed—including slaves, prisoners, the poor, Catho-
lic immigrants, and Mormons. An obituary of Kane aptly described this philoso-
phy as “liberty to the down-trodden.”⁴ Antislavery and other nineteenth-century
reforms owe as much, if not more, to these Democratic, anti-evangelical, roman-
tic reformers as to their Whig, evangelical counterparts. Reformers like Kane
insisted that they, not the evangelicals, represented the true spirit of American
reform. Kane’s status as a foot soldier in a wide variety of causes makes him an
ideal window onto this culture of reformers.
Like other reformers of the day, Kane saw himself as part of a transatlantic
movement. In the early 1840s, two extensive trips to Europe fired his reforming
ideals and fueled his religious unorthodoxy. As a young man, Kane was a peri-
patetic reformer, a moral gadfly who flitted from one unpopular cause to the
Introduction xvii
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