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Shifting Twenty-First-
Century Discourses,
Borders and Identities
Shifting Twenty-First-
Century Discourses,
Borders and Identities
Edited by
Oana-Celia Gheorghiu
Shifting Twenty-First-Century Discourses, Borders and Identities
All rights for this book reserved. No part of this book may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording or otherwise, without
the prior permission of the copyright owner.
Cover:
International Ego
70x50 cm mixed technique painting by Tudor Șerban
© Tudor Șerban 2020
For my dear mentor, my brilliant friend, Michaela Praisler.
Thank you for everything!
TABLE OF CONTENTS
Foreword ................................................................................................... ix
The World Is Spinning around Us…
Oana-Celia Gheorghiu
PART I
Heart(s) of Darkness
Chapter I ..................................................................................................... 3
Cosmopolitanism and Remigration in Laila Halaby’s Once in a Promised
Land and Mohsin Hamid’s The Reluctant Fundamentalist
Joseph M. Conte
Chapter II .................................................................................................. 23
Dialogic Heteroglossia: Polyphonic Discourse of Migration in the Novel
Exit West (2017) by Mohsin Hamid
Qurratulaen Liaqat and Asia Mukhtar
Chapter IV ................................................................................................ 69
Confrontation of Victims and Perpetrators: The Paralogical Structure
of Robin Soans’s Talking to Terrorists
Ömer Kemal Gültekin
PART II
To Europe or Not to Europe? That is the Question
Chapter V ................................................................................................. 89
B/ordering the Mediterranean Sea: Aesthetics and Geopolitics
Silvia Ruzzi
viii Table of Contents
OANA-CELIA GHEORGHIU
The world is spinning around us and we are spinning with it – when changes
occur at the geopolitical level, inevitable changes also occur in people’s
identity and in the way they see and represent the world.
This book is looking at the world with new eyes. Eyes of many a
civilisation united as one in the advent of a new world. The key word, as
obvious from its title, is shifting. When borders shift, people shift with them
– identities take new shapes and discourse follows suit. Since 9/11, nothing
is as it used to be.
The authors in this collection approach contemporary history (and
herstory) from a scholarly perspective that cancels borders. Emphasis is laid
on migration, geopolitics, global citizenship, human rights, the EU and the
non-EU, East and West, as represented in fiction and drama or trans-lated
on television. The first part of the volume deals with migration and
alterations in the non-Western world, with constant references to September
11, terrorism and wars, the Syrian refugee crisis, and then the focus falls on
one of the most important migration hosts nowadays, the European Union,
discussing its expansion to the East, French President Macron’s call for
renewal, and lastly, a possible beginning of the end, announced by Brexit.
Shifting Twenty-First-Century Discourses, Borders and Identities
is a mirror of the discourses of globalization, one that makes the old self-
other dichotomy obsolete. We are all selves in the eye of the storm that is
raving around us, bringing the change with it.
Initially envisaged as a collection of critical views on the literary
and cultural representations of resonant historical and political events of the
twenty-first century, this volume has proven to have a will and a way of its
own, building up gradually, with every contribution, as an increasingly
heterogeneous perspective on the world today, which has set on a course of
becoming a breaking news event in its “banality of evil”, to use Arendt’s
phrase. The outcome is magus-like, manoeuvring perspectives and ‘truths’
x Foreword
located within and without fictions from around the world, making its
contributors testify to “experiment[ing] with confrontations with ‘the real’”
and forcing them to “return to reconsider reality in terms of the fictional
underlying it.” 1
Tributary to the duality that still characterises our worldviews,
despite the multicultural, multi-layered, multiform and polyphonic voices
that make up the new Weltliteratur, the cultural hegemony in force is easily
perceivable in the two-part structure of the book. The East and West
dichotomy is still an axis around which borders and identities revolve,
changing places, and finally shift, if only for a little while, within
predetermined frameworks. Accordingly, this collective volume is shaped
as a critical heteroglossia which aims to assess the dual nature of the
contemporary worlds and words of magic, as well as their insertion into ‘the
real’.
The first part, entitled Heart(s) of Darkness, a self-evident tribute
to Joseph Conrad’s novella – so mistakenly accused of racism or, at best,
blunt Orientalism –, gathers commentaries on the current trends in
postcolonial writing, which seem to have overcome the anxieties of being
subject of one colonial empire or another, shifting towards finding their
place in the remains of those days. It is not by chance that the world
wanderer, the vacillator from East to West and back again, Mohsin Hamid,
is featured with two of his novels in this book. The former, one of the
hallmarks of 9/11 fiction, The Reluctant Fundamentalist, is critically
assessed by Joseph Conte in a chapter which brings it together with Laila
Halabi’s Once in a Promised Land. Conte reads the post-9/11 global novel
as an expression of transnational politics, as narratives that expose and
foreground a cultural différend which resists translation into a single global
idiom. In these novels, he tries to identify characters who may be
cosmopolites, who instigate a shared deterritorialization, or who may be
facets of an identitarianism that is in the process of transformation into
global citizenship. The latter, Hamid’s most recent opus, Exit West, is
analysed by Qurratulaen Liaqat and Asia Mukhtar as a key text in the
polyphonic discourse of migration, regarded as one of the most prominent
phenomena of contemporary global and political reality. This reality,
nonetheless, translates into fiction through magical doors, just as the reality
of racial wars and rapes in Darfur translates into fiction through magical
chants and sorcery – a metafictional guise for women’s power of language/
writing in Nnedi Okorafor’s speculative fiction Who Fears Death, here
under Gabriela Debita’s New Historicist/ gynocritical lens. Yet another
fall. The United States of Europe, Churchill’s proposal for regaining power
– with or without the United Kingdom (preferably without) – materialised
in the latter half of the twentieth century and the first two decades of the
twenty-first century as the European Union, seems to have come near the
beginning of its end, close to an expected dissolution, with the resounding
‘divorce’ known as Brexit. Interestingly enough, the last chapter, authored
by Michaela Praisler and Oana-Celia Gheorghiu, deals with the only actual
border shift in the book besides the Eastern European enlargement
mentioned above. It is beyond doubt that this alteration of the map of the
European Union, whose machinations are put on display by the HBO filmic
production Brexit – The Uncivil War and by Ian McEwan’s dystopian
novella, The Cockroach, will not be the last. The stories continue to unfold.
Today, the COVID-19 pandemic is sweeping the world and leaving it in
silence and disarray. Tomorrow there will be something else. But as long as
humanity lasts, stories will continue to be told. And as long as stories are
told, criticism will be present also, to assess the shifts observable in borders,
identities or discourses.
PART I
HEART(S) OF DARKNESS
CHAPTER I
JOSEPH M. CONTE
Transversal Cosmopolitanism
In her essay, “Patriotism and Cosmopolitanism,” Martha Nussbaum argues
that the assertion by Diogenes Laërtius, “I am a citizen of the world,” that
he is kosmou politês, means that he did not identify with his local origin
(perhaps from the town of Laerte, in the province of Anatolia) or the class
of Greek male citizens, but rather that “he defined himself in terms of more
universal aspirations and concerns.”1 For Nussbaum, a cosmopolitan is a
“person whose allegiance is to the worldwide community of human
beings.”2 On the contrary, the primary allegiance of a patriot or nationalist
would be to his or her race, class, religion, and place of origin. A stern
illustration of the latter view was advanced by (now) Vice President Mike
Pence at the Republican National Convention in 2016, when he declared,
“I’m a Christian, a conservative, and a Republican, in that order.” Such
“ethnocentric particularism,” Nussbaum argues, will ultimately undermine
“the values that hold a nation together, because it substitutes a colorful idol
for the substantive universal values of justice and right.”3 While I am
inclined to agree with her argument that the social good is better maintained
by the values of the cosmopolite than by those of the nationalist, I am
cosmopolitanisms in the plural, some of which extend beyond “a white, male, upper-
crust Western affair” to a “sort of popular, non-Western or non-elite cosmopolitanism.”
6 Nussbaum, “Patriotism and Cosmopolitanism,” 6.
7 Deleuze and Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, 1987,
293.
Cosmopolitanism and Remigration in Laila Halaby’s Once in a Promised Land 5
and Mohsin Hamid’s The Reluctant Fundamentalist
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