BFA Visual Arts
PORTFOLIO
Parthasarathi
PARTHASARATHI
Aspiring Artist
EDUCATION PROFILE
My name is Parthasarathi, and I am 23 years old. At present, I am
Higher Secondary studying for a BFA in Visual Arts at the DOT School of Design. I
Gangadhara Mat. High Sec. frequently draw parallels between my environment and my
2016 - 2018 experiences, finding inspiration in both. I have a special fondness for
phrases and idioms, as they deeply resonate with me.
Bachelor of Commerce
SSS College PROJECT
2018 - 2021
Group Exhibition 2023
Bachelor of Fine Arts Dot x Gangneung University
Dot School of Design Participated in Art Exhibition in Gangneung university,
2021 - 2025 South Korea
Printmaking - Dakshina Chitra x Thara Books 2024
EXPERTISE Travelling Patterns through George Town
A print development project in collaboration with Dakshina
Drawing Chitra Heritage Museum and Thara Books
Metal Couture 2024
Painting - mixed media
Dissertation by Abhirami Hemachandra
Sculpture
Sheet metal garments for a dissertation project, made using
Aluminium
Print Making
Indo Korean Art Installation 2025
Power Tools Handling
Limits of Change
2 Art Installations speaking about the contributions of India in
ending the Korean War in for Artist Parvathi Nayar
LANGUAGE
WORKSHOP - CONDUCTED
Tamil
English
Sculpture Workshop 2022
Dot School of Design
Relief sculpture and POP molding and casting
Mural Tiles 2023
Siragu Montessori School
Relief tile mural workshop
GRADUATION PROJECT
The Florist
Oil on canvas
3X2
The Intersection
Oil on canvas
3X2
Self Portrait
Mixed Media
1.5×2
Oil on canvas
3X3
Pencil on MDF Board
Bangle Seller
11.7" X 16.5"
Aduppangkarai
11.7" X 16.5"
Ice Apple Seller
Pencil on Paper
The Commoner
Pencil on paper
8.3" x 11.7"
Pencil on paper
8.3" x 11.7"
Pencil on paper
A5
Pencil on paper
8.3" x 11.7"
Pencil on paper
8.3" x 11.7"
LANDSCAPE
26.5"×24"
16.5"×11.7" Water colour
Water colour
11.7"×16.5" 11.7"×16.5" 11.7"×16.5"
OIL PAINTING
Oil Painting
3×2
Oil Painting
1×1
PRINTMAKING
Linocut
8.3" x 11.7"
Serigraphy
11.7" x 16.5"
TRAVELLING PATTERNS THROUGH GEORGE TOWN
4x4
Concept Note
The bond between a merchant and their goods is a powerful concept that highlights connection and
identity. This relationship goes beyond simple transactions; it reflects a narrative where each product
embodies the merchant's values and story. in pattern making, this bond can be visually represented
through designs that symbolize trust, craftsmanship, and the journey of goods. Patterns might depict the
lifecycle of products, from sourcing raw materials to the artisanal processes that create them. Intricate
designs can highlight the origins of materials, while repetitive motifs symbolize the dedication behind
each item.
These patterns not only emphasize the uniqueness of each product but also reinforce the merchant's
commitment to quality and authenticity. By using shapes and symbols that reflect. cultural heritage,
merchants can create a visual language that resonates with consumers, inviting them to engage with
the history and craftsmanship involved. Ultimately, this concept underscores the importance of
storytelling in commerce. The connection between a merchant and their goods transforms the act of
purchasing into an improve experience, fostering loyalty and a sense of community. Through
meaningful patterns, merchants can celebrate the journey of their products and the relationships they
build with their customers.
CERAMICS
FIBERGLASS SCULPTURE
METAL CASTING
SHEET METAL WORK
SHOWS AND DISPLAYS
PORTRAIT
Size: 11"×16"
Medium: pen on paper
Size: 11.7"×16.5"
Medium: pencil
MY FIRST WORK
T H ANK YOU
THAT'S MY PORTFOLIO SO FAR.
