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 $15.00 / POETRY

PICTURE PALACE
STEPHANIE YOUNG

PICTURE PALACE
ingirumimusnocteetconsumimurigni

Picture Palace, Stephanie Young’s second book, collects

recent writings and performance texts constructed along-
side scenes from film. It is a systems analysis gone wrong, a
nightmare of nested boxes, a reading report, a psychogeog- STEPHANIE YOUNG
raphy of evangelical protestantism. This anti-lyric-memoir-
sob throws itself at the boundaries of literature, dream anal-
ysis, history, memory, the movies, the family, the internet,
utopia, imperialism, and some sounds from popular song.

young.cover.6.indd 1 5/20/08 6:44:44 PM

 PICTURE PALACE

young.pages.6.indd i 5/20/08 6:48:29 PM

young.pages.6.indd ii 5/20/08 6:48:29 PM
 PICTURE PALACE

STEPHANIE YOUNG

young.pages.6.indd iii 5/20/08 6:48:30 PM

 Copyright 2008 Stephanie Young

ingirumimusnocteetconsumimurigni

isbn-13: 978-1-934639-06-1
isbn-10: 1-934639-06-1

Distributed by Small Press Distribution (Berkeley, CA)

www.spdbooks.org

Cover and text design by Tag Savage

Cover collage by Konrad Steiner

Printed in Canada

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young.pages.6.indd v 5/20/08 6:48:31 PM
young.pages.6.indd vi 5/20/08 6:48:31 PM
 We are unable to relive duration that has been destroyed.
gaston bachelard

And yet it has not been.

I set out to write a memoir. A plot of originary relation, and at each
corner, a church. Protestant, evangelical, 1980s.
One church is a building on Wadsworth Ave. Another is a radio station,
and one opens onto a series of schools (elementary, secondary, higher).
One is a governing body, and one is a think tank. One is Colorado. One
is a marriage, itself having taken place inside another church (radio
station, school, think tank, governing body, Colorado). One is a kitchen
table. One is a family unit of four, the marriage plus two girl children.
One is the father’s workweek, travel, wages: church that supports the
other churches.
One thought she-child could eventually step outside. She found she
could not.
Instead she found it everywhere. (Repetitive arrangements with more
than one side. Her own, and other’s. The house, its content and struc-
ture. Governing bodies.)
But she couldn’t stick with it either; couldn’t “spelunk”. Indeed, she
couldn’t see a thing. Couldn’t see the lines connecting one corner to
another. Especially couldn’t see the lines connecting one corner to its
opposite, or to the corners of other plots, churches, schools, bodies,
states, marriages, tables, family units, travel or wages.
Nevertheless the attempt seemed useful. So I bashed it with a stick
(keyboard). I couldn’t see what I was doing any better than I could see
what I was running into.

young.pages.6.indd 1 5/20/08 6:48:31 PM

 At the same time I watched a lot of movies. I watched some scenes of
some movies over and over again, in order to perform alongside them. I
slipped in through the side. I thought I might be able to see something
this way. The various churches’ near-total injunction against movies
and television (particularly rigid in those last years before screens mar-
ried the churches directly) left me not a little obsessed with the form.
Watching what congealed there, of the order’s dominance, a slivered
piece of the whole, absent from my earlier experience yet ruled by it
like anything else, I thought I might have a better chance of seeing.
Everything was that.
The memoir thing falls apart.
Things rolled past my face, one reel after another on repeat. The bodies
of those I love came close. Some went away. Some returned. I, too, went
away and returned.
Some analogies and symptoms presented themselves.
There was something vaguely golden about it. The edges and middle of
the film either blurred out, or disappeared in a series of bright popping
light.
Much like my singular experience of ocular migraine.

young.pages.6.indd 2 5/20/08 6:48:31 PM

 THE IMAGE RECORD

Scene from the first novel (can’t be located): a female servant or

prisoner sits on the lap of Cardinal Richelieu
can this be right?
He “diddles” or “dawdles” with her while making plans,
one of my earliest influences.

Gathering all these scraps of paper

-ing -ing -ing
over the river

which is snow

over the river

with one pony ( )

now with three hundred (0.33333)

damage was done to the ponies

with ponies

a prologue, then
to the engine

* * *

what’s wrong with you

it is a jpg
you are a program

young.pages.6.indd 3 5/20/08 6:48:31 PM

 (did you mean the image?)

go, and find every instance

(I’m going to) do likewise

the thighs of the new display

in series production
provide crisp images at all times:

having a very intense experience

part of which was trying to figure out
which time zone we were in

it’s possible
(well it’s always possible)
to destroy

the dots finally darkened and going away

so that it’s difficult to step down
to step back as you’re going

RICK, YOUR PURSE!

like in the movies I would

it would be written, I said
not love you unless

or make cruel, bad decisions.

and threw the pen away
for the marks it made

those were that, too

thou art that

all the –anol,

all the –yne

young.pages.6.indd 4 5/20/08 6:48:31 PM

 in a non-stick formula still casts

wearily it will have to be done

in speed and under the cover of lotion

much is lost for the viewer, that is

when your foot

hits the carpet
take a hard right,
or pastiche

“who holds the reins?” yes,

who does?

then the bars went up

there were five in all
there was so much

* * *

the vintage youth

in which I want to love you better
in which the original
interior, image repertoire

of behavior
in a dog bowl, not done
downloading music

books on the revolutionary war

stacked up unto a glass table top
pamphlets smuggling bibles to China

no it was the iron curtain

and bibles went behind it

young.pages.6.indd 5 5/20/08 6:48:31 PM

 as a child beneath the glass gazes up
above it gazing down

darkly
upon the glass table-top

it took so long to fall

and having given thanks, broke it

even now, tagged

taking it in rows
even if one does not

take, eat
this is my body
“broken for you”

with the pastry fork

with the violence of plows
with pastry
with slander
with theft
with false testimony
with lust

with fights and quarrels

it took so long
how else could it

* * *

NOW WHY DID YOU HAVE TO GO

AND DO THAT TO YOUR EYE?

* * *

young.pages.6.indd 6 5/20/08 6:48:31 PM

 I correspondent
so sarcoma

finding unseen messages . . .

preparing to receive . . .

a young woman is walking through the park. It’s

high tech baby in tile late and dark

you’ve got to see this incident report

“Don’t,”
an election

footsteps behind her

prone to go multitude

* * *

it’ll let up if you let it

rip the thermostat right off the wall

good for projection

on the bed flush left
blood blister
with a little torque on the half shell

bad feeling splattered there

and in water that gurgled up
and in William’s dream (could not be listened to)
and in James’ dream (could not be read)

like a cigarette on film in the new century

everything over-indicated
fine

young.pages.6.indd 7 5/20/08 6:48:31 PM

 one, how a blister shows up on the screen
two, touched by a wand
three coins tripping from the lap, music

an image too

the bus, cinched blasts

and hits the air: an image

little hairs inside the ear

direct this gist? in the lining of the bell the paper
(can’t be located) where someone else said that
someone else said that, so

where to place the mark?

in its tyranny
I breathe faster
get down on my hands and knees
yet what you’ve seen across the room
may fail to deliver

I mean, it seems to me, you sitting by his side,

“divines your little one on one”
it’s nothing.

nobody ever said it would be comfortable

with a blister on the inside

* * *

so that it would not act out

it was “toyed with” the image

doesn’t suffer, it likes the way it looks

alone in the room

young.pages.6.indd 8 5/20/08 6:48:31 PM

 brick bloodied by its own color
or property
arranged in circles

left a mark.
what color.
in psychology

the name is legion

in panties
to be remembered as Nancy Reagan

hard with feeling, cleaning the house:

“You know you give good brain,
like you graduated from a good school”

in the sense of an organ

a hand-organ

all thought exhausted

of course a container, and when
breached the body

that is
even harder to get supplies through

when I did it
and when someone else

there’s the blue crayon of mystery pretty much

the blue crayon of agony and I’m writing with it

with what’s attached is what’s teeming

with arms and legs on the screen

with internal organs, you can’t just turn it off.

young.pages.6.indd 9 5/20/08 6:48:31 PM

 wakes you up, demanding a password—don’t take this wrong, but
I look like a man, or a teenager
. . . pleasantly hardcore

* * *

“I don’t even know if they’re alive.”

“They’re muffins.”
“Well, they’re not dead.”

no, I insist they were all poetic

in their extra fine-tipped ultra available way

moving as they moved with the money

from one form to another

so that the server knows you are finished

so that it may gather children from the local disc

when is speech that and not just in a bubble

when art thou? acted upon

by another’s resolution
and where?

the vessel dilated, or broken.

dialed, or token.

havana of a reply
data or, no attain

no attainment

on the airplane weeping

to “Blanche and Stanley”

* * *

10

young.pages.6.indd 10 5/20/08 6:48:32 PM

 I’m pretty much covered in putty
in that picture
it’s time again, friends
for little pink umbrellas

and if they should come

who should say how they go . . .

tinkling sound, as the shoes move

back, and forth

I could skate away on

this near-dearth of information

at what point in the line

of lines
attacked by dogs?

at no point. for I so loved the face

I would make its image
favorite, the same I took
I would take again

to bind it twice

I think now I must have been allergic

nobody told me you could be, to that

“it is interminable” labor, or

“who is depth”

in the gaslight
I need everything from a store

“No, sorry, that’s an error. I want to obtain something of value, which is

a struggle although I have the money.”

11

young.pages.6.indd 11 5/20/08 6:48:32 PM

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