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Everyday Feminist Research Praxis
Everyday Feminist Research Praxis:
Doing Gender in the Netherlands

Edited by

Domitilla Olivieri and Koen Leurs


Everyday Feminist Research Praxis:
Doing Gender in the Netherlands,
Edited by Domitilla Olivieri and Koen Leurs

This book first published 2014

Cambridge Scholars Publishing

12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK

British Library Cataloguing in Publication Data


A catalogue record for this book is available from the British Library

Copyright © 2014 by Domitilla Olivieri, Koen Leurs and contributors

All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system,
or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or
otherwise, without the prior permission of the copyright owner.

ISBN (10): 1-4438-6011-5, ISBN (13): 978-1-4438-6011-6


To Xavier, your laugh makes the world a better place.

To M., L. and my nomadic community, for being a constant reminder


of how much what we do really matters.
TABLE OF CONTENTS

List of Illustrations ...................................................................................... x

Acknowledgements .................................................................................... xii

Contributors .............................................................................................. xv

Introduction ............................................................................................ xxiv

Section I: Negotiating Space-Time

Preface ......................................................................................................... 2
Louis van den Hengel

Chapter One ................................................................................................. 5


Webs of Feminist Knowledge Online: Representations of the Women’s
Movement in Digital Documents and Monuments
Sanne Koevoets

Chapter Two .............................................................................................. 23


What is European about Homonationalism?
Thinking through the Italian Case
Gianmaria Colpani and Adriano José Habed

Chapter Three ............................................................................................ 40


Irigarayan Insights on the Problem of LGBT Inequality:
How Re-Imagining Difference can Facilitate Respect for Others
Louise Richardson-Self

Chapter Four .............................................................................................. 56


Performing (Readings of) Moving Across as Decolonial Praxis
Heather Hermant
viii Table of Contents

Section II: The Matter of Affect

Preface ....................................................................................................... 72
Iris van der Tuin

Chapter Five .............................................................................................. 74


Tracing the Roots of the Fashion Image: Fashion Models as Fashion
Workers, Immaterial Production and Affective Transmission
Eline van Uden

Chapter Six ................................................................................................ 87


“I Didn’t Know That I Do Not Know”: Writing the Feminine
in Anne Enright’s What Are You Like
Mariëlle Smith

Chapter Seven.......................................................................................... 101


Intimate Encounters in Fuses and One Night Stand
Sara Janssen

Chapter Eight ............................................................................................116


When the Personal Meets the Theoretical: Reflections
on my Conversations with Luce Irigaray
Krizia Nardini

Section III: Negotiating Private-Public

Preface ..................................................................................................... 134


Liza Mügge

Chapter Nine............................................................................................ 136


In the Service of Modernity: The Gendered Deployment of Premarital
Sexuality in the Processes of Identification among the Iranian Dutch
Rahil Roodsaz

Chapter Ten ............................................................................................. 151


Bargaining between Husbands and Societies: The Obstacles
and Difficulties of Chinese Mothers Teaching their Children
Mandarin in the Netherlands
Shu-Yi Huang
Everyday Feminist Research Praxis: Doing Gender in the Netherlands ix

Chapter Eleven ........................................................................................ 168


A Narrative Analysis of the Experiences of Women on Antiretroviral
Therapy in the Mopani District of the Limpopo Province:
Comparing Private and Public Institutions in South Africa
Tiny Petunia Mona

Chapter Twelve ........................................................................................ 187


Public-Private Boundaries and Gendered Codes in Limiting
Institutional Childbirth in Rural Bangladesh
Runa Laila

Section IV: Negotiating Technologies and Mediations

Preface ..................................................................................................... 208


Kathrin Thiele

Chapter Thirteen ...................................................................................... 210


In the Intervals between ‘Now’ and ‘Then’, ‘Here’ and ‘There’:
Transnational Spaces Performed and Reimagined in Digital
Hybrid Documentary
Domitilla Olivieri

Chapter Fourteen ..................................................................................... 230


Scholarship as Geek Feminism: Subverting Gender and Sexuality
in Glee Fan Fiction
Nicolle Lamerichs

Chapter Fifteen ........................................................................................ 247


“A Shock to Thought”: The Affects of an Online Encounter
with Posthuman Imagery
Simone van Hulst

Chapter Sixteen ....................................................................................... 262


Wired Fingers, Sticky Keyboards: Towards an Embodied Approach
to Internet Pornography
Goda Klumbytơ

Epilogue

Chapter Seventeen ................................................................................... 280


A Dialogue on the Dilemmas of Feminist Research Praxis
Koen Leurs, Rosemarie Buikema, Willy Jansen and Lies Wesseling
LIST OF ILLUSTRATIONS

Figure 1.1..................................................................................................... 5
The Leeds University Library hides the Feminist Archive North at its
margins—are digital feminist archives better at avoiding traditional
hierarchies and exclusions?

Figure 2.1................................................................................................... 23
Photograph of the slogan “Italy vs Europe: in Europe it’s different”,
taken by the authors at the Gay Pride in Turin, Italy, in 2009.

Figure 3.1................................................................................................... 40
“Sorry to show you this. It’s the face of Homophobia” (Wilfred de Bruijn,
personal Facebook profile page, 8 April, 2013).

Figure 4.1................................................................................................... 56
Vanessa Dion Fletcher embodies a language of indigenous sovereignty,
as land writes itself on her copper shoes (Courtesy Dion Fletcher,
Writing Landscape, video still).

Figure 5.1................................................................................................... 74
Author made collage, images from personal collection.

Figure 6.1................................................................................................... 87
Bracha L. Ettinger, Woman-Other-Thing, n. 12. 1990-1993.
Oil and mixed techniques on paper mounted on canvas. 30x29,5 cm.
Courtesy of the artist.

Figure 7.1................................................................................................. 101


Emilie Jouvet, ‘Red Fetish Bathroom,’ in One Night Stand, 2006.

Figure 8.1..................................................................................................116
Paris May 2012, Courtesy of the Author.

Figure 9.1................................................................................................. 136


Words, in Persian, used by one of the informants for the author’s research,
Hamid. Word-cloud made by Rahil Roodsaz.
Everyday Feminist Research Praxis: Doing Gender in the Netherlands xi

Figure 10.1............................................................................................... 151


“He can’t even write his own name in Chinese,” said the obviously
disappointed Betty about the heritage language loss of her son.
These characters were written by Shu-Yi Huang in 2013.

Figure 11.1 ............................................................................................... 168


“One pill a day will greatly improve adherence. Prior the introduction
of the Fixed Dose Combination Therapy (FDC), people on antiretroviral
therapy had to take 8 tablets or more a day.” A chart designed
by Hoedspruit Training Trust (Hlokomela). Photo taken by Tiny Petunia
Mona.

Figure 12.1............................................................................................... 187


Demonstration of the position of women during childbirth. Photo taken
by Runa Laila.

Figure 13.1............................................................................................... 210


“This image is not available in your country.” Screenshot taken
and manipulated by Domitilla Olivieri.

Figure 14.1............................................................................................... 230


Kurt and Blaine by ZephyrianBoom.

Figure 15.1............................................................................................... 247


‘Posthumanism’ according to Google search, in Images.

Figure 16.1............................................................................................... 262


“Insert Body Here”: a DYI collage by Goda Klumbytơ.
ACKNOWLEDGEMENTS

In the first place, the editors thank everyone who has contributed essays,
introductions to the different sections and interview input to this volume. It
has been a rewarding and privileged experience to bring together emerging
and established scholars. We have greatly extended our knowledge and
awareness from engaging with work from a variety of fields, frameworks
and topics.
The anthology emerged from discussions, input and support of a wide
network of colleagues and friends. Our academic environments have made
this trajectory possible: Utrecht University in the Netherlands, London
School of Economics and Political Science in the United Kingdom, the
international networks of the Netherlands Research School of Gender
Studies (NOG) (www.graduategenderstudies.nl), ITN Gender Graduates
financed by the Marie Curie EU Sixth Framework Programme, the Utrecht
University 2006 High Potential Research Program, the Marie Curie EU
FP7 Intra-European Fellowship Programme, the GEMMA Erasmus
Mundus Programme, the European Association for Gender Research,
Education and Documentation (AtGender), and our Gender, Postcolonial,
Anthropology, Media, Communication, and Cultural Studies networks in
the Netherlands, Europe and beyond.
We especially thank our departments, the Media and Culture
Department, Graduate Gender Programme and Institute for Cultural
Enquiry at Utrecht University and the Department of Media and
Communications at the London School of Economics and Political
Science (LSE). In particular we would like to thank the Netherlands
Research School of Gender Studies (NOG), its board members Rosemarie
Buikema, Willy Jansen and Lies Wesseling for championing the cause of
everyday feminist research praxis and Trude Oorschot, Vibeke Otter and
Christel Meijer who organized the 2011, 2012 and 2013 NOG conferences.
Claudia Krops and Wilma Lieben were the local conference coordinators
in Nijmegen and Maastricht respectively. Trude, thank you for re-
connecting us with those participating in the previous conferences. We
also would like to thank our editor at Cambridge Scholars Press, Carol
Koulikourdi, for believing in the project and guiding us in the writing
process.
Everyday Feminist Research Praxis: Doing Gender in the Netherlands xiii

This book originated from a brainstorming session held in Utrecht on a


warm afternoon on May 24, 2012 during one of the PhD “Reading/Writing
seminar” of the Graduate Gender Programme (www.genderstudies.nl).
Almost two years later, in the first weeks of spring 2014 the manuscript
was finalized.
In this whole process, the NOG conferences and the Dutch gender
studies community were not only our starting point, but also our main
academic networks. We are grateful for the support we received being
members of the NOG as PhD candidates and afterwards, in our careers as
researchers and lecturers. We participated in the three annual National
Research Days in 2011, 2012 and 2013, and in hindsight we appreciate the
value of having such a safe space to exchange, discuss and develop cutting
edge work of junior researchers of Dutch universities in the field of
Gender, Ethnicity, Sexuality and Diversity. Koen Leurs presented his paper
“Community and voice: Dutch-Moroccan youth using online discussion
boards” in 2011, and gave the introductory key-note lecture titled “Digital
Passages. Moroccan-Dutch youth performing gender, diaspora and youth
culture across digital spaces” in 2012 and acted as a respondent to several
papers in 2013. Domitilla Olivieri delivered a paper on “Indexicality,
Vision and the Artifice of Reality: for a feminist study of documentary
film” in 2011; and in 2013 she partook to several panels as a respondent to
younger scholars.
This trajectory of our engagement in the NOG conferences is but an
example of the kind of academic sharing of knowledge and experiences
that characterizes this community and inspired this volume.

Koen Leurs is grateful for his mentor Sandra Ponzanesi for her
continuing guidance throughout the years as well as Myria Georgiou and
Florian Töpfl for warmly welcoming him at his new intellectual home at
the LSE. With much gratitude I wish to acknowledge informants in the
Netherlands, in Addis Ababa, Ethiopia and London, UK who have
generously let me in to their world during my recent fieldwork. At last,
Stephanie and Xavier, thank you for your love, patience and support,
without you in my midst – either virtually or physically – this book would
not have been possible.
Domitilla Olivieri would like to thank Massimo and Luciana and her
other families and kindred spread all over the world for all the care,
support and love they have shown; without you I would not have been able
to develop and consistently practice my critical outlook onto the world.
Finally, my deepest gratitude goes to all my students who have shown me
the importance of sharing knowledge, and who have taught me how to
xiv Acknowledgements

remain enthusiastic, humble and engaged in the potential of feminist


research and praxis.
CONTRIBUTORS

Rosemarie Buikema
Utrecht University, the Netherlands
Rosemarie Buikema is professor of Art, Culture and Diversity at Utrecht
University. She chairs the UU Graduate Gender programme and is the
scientific director of the Netherlands Research School of Gender Studies
(NOG). Her current research concerns the role of the arts in processes of
political transitions. Here she combines theories of transitional justice, the
politics of aesthetics and theories of sexual difference in order to develop
new and multi-layered scenarios for change and transnational justice.

Gianmaria Colpani
University of Verona, Italy / Utrecht University, the Netherlands
Gianmaria Colpani is a PhD candidate in Philosophy and Gender Studies
at the University of Verona, Italy, and Utrecht University, the Netherlands.
He is research assistant of PEN (Postcolonial Europe Network). His
research lies at the crossroad of the debates on homonationalism, the
European construction and the Mediterranean space, trying to conceptualize
a Mediterranean perspective on homonationalism in contemporary fortress
Europe. With Adriano J. Habed, he has written another essay on European
homonationalism from an Italian perspective that is going to be published
in the book LGBT Activism and the Making of Europe: A Rainbow
Europe? edited by David Paternotte and Phillip Ayoub (Palgrave,
forthcoming).

Adriano José Habed


Radboud University Nijmegen, the Netherlands
Adriano José Habed obtained his Bachelor in Philosophy at the University
of Turin, Italy, and his Master in Philosophy at the Radboud University in
Nijmegen, the Netherlands. His research concerns the intersections between
sexuality and the nation-state but also the epistemic intersections between
psychoanalysis and intersectionality. Together with Gianmaria Colpani, he
has written another essay on European homonationalism from an Italian
perspective that is going to be published in the book LGBT Activism and
the Making of Europe: A Rainbow Europe? edited by David Paternotte and
Phillip Ayoub (Palgrave, forthcoming). He has also written with Veronica
xvi Contributors

Vasterling a monographic piece on the work of Judith Butler that is going


to appear in the next edition of Filosofen Van Deze Tijd (Bert Bakker,
forthcoming).

Louis van den Hengel


Maastricht University, the Netherlands
Louis van den Hengel is Assistant Professor at the Department of
Literature and Art and the Centre for Gender and Diversity at Maastricht
University. He holds an MA in Classics and Mediterranean archaeology
and a PhD in Gender Studies, and specialized in contemporary gender and
diversity studies, with a focus on feminist theories of materiality,
embodiment, and subjectivity. His publications include a book on Roman
imperial sculpture and the embodiment of gender as well as various
articles about contemporary art and cultural theory. His current research
examines the relations between affect, materiality, and time in
contemporary performance art, and presently centres on the work of the
Serbian and New York-based artist Marina Abramoviü. In the spring of
2010, Louis van den Hengel was a Visiting Scholar at New York
University. During this period he observed and participated in
Abramoviü’s durational performance The Artist is Present at the Museum
of Modern Art in New York.

Heather Hermant
Utrecht University, the Netherlands / York University, Toronto
Heather Hermant is an artist and PhD candidate in Gender Studies, Utrecht
University, The Netherlands (supervisors Gloria Wekker and Geertje
Mak), supported by a Canadian SSHRC fellowship. She has taught in the
Community Arts Practice program at York University, Toronto since 2006
and is an Associate Artist of urban ink productions, Vancouver. Her solo
show ribcage: this wide passage premiered in 2010 and has been
translated to French. Her one-to-one performance, Aujourdhuy / This Day,
1738, was presented by Rhubarb Festival, Toronto, in 2012; at the 8th
European Feminist Research Conference, Budapest, 2012; and at the 8th
Hemispheric Institute of Performance and Politics Encuentro, São Paulo,
2013. Recent writing has appeared in Canadian Theatre Review and
Tusaaji: A Translation Review.

Shu-Yi Huang
Utrecht University, the Netherlands
Shu-Yi Huang is a PhD candidate at Institute of Gender Studies, Utrecht
University, the Netherlands. She received a Taiwanese Government
Everyday Feminist Research Praxis: Doing Gender in the Netherlands xvii

Scholarship for Studying Abroad in the field of gender studies. Her PhD
research project is entitled “Being a mother in an alien land: Motherhood
practice experienced of first-generation Chinese diasporic women in the
Netherlands.” She is a columnist in http://www.frontier.org.tw, a Taiwanese
feminist website. Her recent publications include: Chen, Yi-Chien &
Huang, Shu-Yi (2010) “Tysiąc v. Poland㸦Case of Reproduction Freedom)
European Court of Human Rights 2007/3/20” Judgments Translation
Selection II: European Court of Human Rights, 408-440. Taipei: Judical
Yuan (in Mandarin). Wekker, Gloria, translated by Huang, Shu-Yi (2013)
“Innocent Unlimited: Some Reflections on Dutch Multicultural Society”
Journal of Gender Equity (65).

Simone van Hulst


Independent researcher
Simone van Hulst lives in Rotterdam. In 2009 she finished the Master
Literary Studies at Leiden University, with a thesis on the phenomenon of
‘prefab-literature’ in the Netherlands. In august 2012 she completed the
Research Master Gender & Ethnicity at Utrecht University with a thesis
that was titled Towards an Ethics of the Unimaginable: Feminism,
Literary Thinking, and the Question of Relating Differently. At the
moment she is writing on popular scientific discourse, rhetoric and critical
posthumanism. Besides, she has several freelance jobs in proofreading,
editing, translating and writing and is involved in projects in which she
collaborates with artists and curators. Also, she is looking into the
possibilities of starting a PhD project on the unimaginable, science and
critical posthumanism.

Sara Janssen
Utrecht University, the Netherlands
Sara Janssen studied Cultural Studies at Radboud University Nijmegen
where she obtained her MA in 2010. She wrote her master thesis on the
embodiment of sexuality in the film One Night Stand. After that, Sara
participated in the PhD Training Year at the Netherlands Research School
for Genderstudies (NOG). Currently, she is starting up her PhD research
there. Her primary interests are in visual culture, feminist theory, sexuality,
and corporeality. Besides her academic activities, Sara is also involved
with the organization of the annual DIEP festival about gender and
sexuality “against the grain” in Utrecht, and with a sex-education project
from a sex-positive feminist and queer standpoint. Sara lives in Nijmegen.
xviii Contributors

Willy Jansen
Radboud University, the Netherlands
Willy Jansen is professor of Gender Studies and director of the Institute for
Gender Studies at Radboud University Nijmegen, the Netherlands. She has
done anthropological research in Algeria, Jordan and Spain and published
on issues of women, gender and sexuality in relation to education, material
culture, religion and reproduction. In 2009 she was elected as member of
the Royal Netherlands Academy of Arts and Sciences.

Sanne Koevoets
Utrecht University, the Netherlands
Sanne Koevoets holds a PhD in Gender Studies from Utrecht University,
where she analyzed the figure of the library in the western imaginary
through the lens of feminist cultural and media studies. She teaches new
media studies at Utrecht University. She co-edited the volume Teaching
Gender with Libraries and Archives: The Power of Information (2013) and
is an editor for the Dutch Journal of Gender Studies (Tijdschrift voor
Genderstudies). Her research interests include symbolic expressions and
monumental materializations of knowledge regimes, the tropes of the
librarian and the library in popular culture, and the political dynamics of
knowledge production, organization, and dissemination in network
cultures.

Goda Klumbytơ
Utrecht University, the Netherlands
Goda Klumbytơ has recently earned an MA in Media Studies at Utrecht
University. She has presented in conferences “Thriving on the Edge of
Cuts: Inspirations and Innovations in Gender Studies” (University of
Leeds, 2011) and “NOG National Research Day” (University of Nijmegen,
2012), and tutored at the NOISE Gender Studies Summer School in 2012.
Her co-authored chapter (with Katrine Smiet) “‘Bodies like our own?’ The
Dynamics of Distance and Closeness in Online Fat Porn” is forthcoming
in Fat Sex: New Directions in Theory and Activism collection (eds. Dr
Caroline Walters and Dr Helen Hester). Her academic interests include
pornography studies, feminist media and technology studies and critical
theory. She is also an editor of Lithuanian online feminist magazine
Dilgơlơ and a queer activist.
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