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Everyday Feminist Research Praxis
Everyday Feminist Research Praxis:
Doing Gender in the Netherlands
Edited by
All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system,
or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or
otherwise, without the prior permission of the copyright owner.
Contributors .............................................................................................. xv
Preface ......................................................................................................... 2
Louis van den Hengel
Preface ....................................................................................................... 72
Iris van der Tuin
Epilogue
Figure 1.1..................................................................................................... 5
The Leeds University Library hides the Feminist Archive North at its
margins—are digital feminist archives better at avoiding traditional
hierarchies and exclusions?
Figure 2.1................................................................................................... 23
Photograph of the slogan “Italy vs Europe: in Europe it’s different”,
taken by the authors at the Gay Pride in Turin, Italy, in 2009.
Figure 3.1................................................................................................... 40
“Sorry to show you this. It’s the face of Homophobia” (Wilfred de Bruijn,
personal Facebook profile page, 8 April, 2013).
Figure 4.1................................................................................................... 56
Vanessa Dion Fletcher embodies a language of indigenous sovereignty,
as land writes itself on her copper shoes (Courtesy Dion Fletcher,
Writing Landscape, video still).
Figure 5.1................................................................................................... 74
Author made collage, images from personal collection.
Figure 6.1................................................................................................... 87
Bracha L. Ettinger, Woman-Other-Thing, n. 12. 1990-1993.
Oil and mixed techniques on paper mounted on canvas. 30x29,5 cm.
Courtesy of the artist.
Figure 8.1..................................................................................................116
Paris May 2012, Courtesy of the Author.
In the first place, the editors thank everyone who has contributed essays,
introductions to the different sections and interview input to this volume. It
has been a rewarding and privileged experience to bring together emerging
and established scholars. We have greatly extended our knowledge and
awareness from engaging with work from a variety of fields, frameworks
and topics.
The anthology emerged from discussions, input and support of a wide
network of colleagues and friends. Our academic environments have made
this trajectory possible: Utrecht University in the Netherlands, London
School of Economics and Political Science in the United Kingdom, the
international networks of the Netherlands Research School of Gender
Studies (NOG) (www.graduategenderstudies.nl), ITN Gender Graduates
financed by the Marie Curie EU Sixth Framework Programme, the Utrecht
University 2006 High Potential Research Program, the Marie Curie EU
FP7 Intra-European Fellowship Programme, the GEMMA Erasmus
Mundus Programme, the European Association for Gender Research,
Education and Documentation (AtGender), and our Gender, Postcolonial,
Anthropology, Media, Communication, and Cultural Studies networks in
the Netherlands, Europe and beyond.
We especially thank our departments, the Media and Culture
Department, Graduate Gender Programme and Institute for Cultural
Enquiry at Utrecht University and the Department of Media and
Communications at the London School of Economics and Political
Science (LSE). In particular we would like to thank the Netherlands
Research School of Gender Studies (NOG), its board members Rosemarie
Buikema, Willy Jansen and Lies Wesseling for championing the cause of
everyday feminist research praxis and Trude Oorschot, Vibeke Otter and
Christel Meijer who organized the 2011, 2012 and 2013 NOG conferences.
Claudia Krops and Wilma Lieben were the local conference coordinators
in Nijmegen and Maastricht respectively. Trude, thank you for re-
connecting us with those participating in the previous conferences. We
also would like to thank our editor at Cambridge Scholars Press, Carol
Koulikourdi, for believing in the project and guiding us in the writing
process.
Everyday Feminist Research Praxis: Doing Gender in the Netherlands xiii
Koen Leurs is grateful for his mentor Sandra Ponzanesi for her
continuing guidance throughout the years as well as Myria Georgiou and
Florian Töpfl for warmly welcoming him at his new intellectual home at
the LSE. With much gratitude I wish to acknowledge informants in the
Netherlands, in Addis Ababa, Ethiopia and London, UK who have
generously let me in to their world during my recent fieldwork. At last,
Stephanie and Xavier, thank you for your love, patience and support,
without you in my midst – either virtually or physically – this book would
not have been possible.
Domitilla Olivieri would like to thank Massimo and Luciana and her
other families and kindred spread all over the world for all the care,
support and love they have shown; without you I would not have been able
to develop and consistently practice my critical outlook onto the world.
Finally, my deepest gratitude goes to all my students who have shown me
the importance of sharing knowledge, and who have taught me how to
xiv Acknowledgements
Rosemarie Buikema
Utrecht University, the Netherlands
Rosemarie Buikema is professor of Art, Culture and Diversity at Utrecht
University. She chairs the UU Graduate Gender programme and is the
scientific director of the Netherlands Research School of Gender Studies
(NOG). Her current research concerns the role of the arts in processes of
political transitions. Here she combines theories of transitional justice, the
politics of aesthetics and theories of sexual difference in order to develop
new and multi-layered scenarios for change and transnational justice.
Gianmaria Colpani
University of Verona, Italy / Utrecht University, the Netherlands
Gianmaria Colpani is a PhD candidate in Philosophy and Gender Studies
at the University of Verona, Italy, and Utrecht University, the Netherlands.
He is research assistant of PEN (Postcolonial Europe Network). His
research lies at the crossroad of the debates on homonationalism, the
European construction and the Mediterranean space, trying to conceptualize
a Mediterranean perspective on homonationalism in contemporary fortress
Europe. With Adriano J. Habed, he has written another essay on European
homonationalism from an Italian perspective that is going to be published
in the book LGBT Activism and the Making of Europe: A Rainbow
Europe? edited by David Paternotte and Phillip Ayoub (Palgrave,
forthcoming).
Heather Hermant
Utrecht University, the Netherlands / York University, Toronto
Heather Hermant is an artist and PhD candidate in Gender Studies, Utrecht
University, The Netherlands (supervisors Gloria Wekker and Geertje
Mak), supported by a Canadian SSHRC fellowship. She has taught in the
Community Arts Practice program at York University, Toronto since 2006
and is an Associate Artist of urban ink productions, Vancouver. Her solo
show ribcage: this wide passage premiered in 2010 and has been
translated to French. Her one-to-one performance, Aujourdhuy / This Day,
1738, was presented by Rhubarb Festival, Toronto, in 2012; at the 8th
European Feminist Research Conference, Budapest, 2012; and at the 8th
Hemispheric Institute of Performance and Politics Encuentro, São Paulo,
2013. Recent writing has appeared in Canadian Theatre Review and
Tusaaji: A Translation Review.
Shu-Yi Huang
Utrecht University, the Netherlands
Shu-Yi Huang is a PhD candidate at Institute of Gender Studies, Utrecht
University, the Netherlands. She received a Taiwanese Government
Everyday Feminist Research Praxis: Doing Gender in the Netherlands xvii
Scholarship for Studying Abroad in the field of gender studies. Her PhD
research project is entitled “Being a mother in an alien land: Motherhood
practice experienced of first-generation Chinese diasporic women in the
Netherlands.” She is a columnist in http://www.frontier.org.tw, a Taiwanese
feminist website. Her recent publications include: Chen, Yi-Chien &
Huang, Shu-Yi (2010) “Tysiąc v. Poland㸦Case of Reproduction Freedom)
European Court of Human Rights 2007/3/20” Judgments Translation
Selection II: European Court of Human Rights, 408-440. Taipei: Judical
Yuan (in Mandarin). Wekker, Gloria, translated by Huang, Shu-Yi (2013)
“Innocent Unlimited: Some Reflections on Dutch Multicultural Society”
Journal of Gender Equity (65).
Sara Janssen
Utrecht University, the Netherlands
Sara Janssen studied Cultural Studies at Radboud University Nijmegen
where she obtained her MA in 2010. She wrote her master thesis on the
embodiment of sexuality in the film One Night Stand. After that, Sara
participated in the PhD Training Year at the Netherlands Research School
for Genderstudies (NOG). Currently, she is starting up her PhD research
there. Her primary interests are in visual culture, feminist theory, sexuality,
and corporeality. Besides her academic activities, Sara is also involved
with the organization of the annual DIEP festival about gender and
sexuality “against the grain” in Utrecht, and with a sex-education project
from a sex-positive feminist and queer standpoint. Sara lives in Nijmegen.
xviii Contributors
Willy Jansen
Radboud University, the Netherlands
Willy Jansen is professor of Gender Studies and director of the Institute for
Gender Studies at Radboud University Nijmegen, the Netherlands. She has
done anthropological research in Algeria, Jordan and Spain and published
on issues of women, gender and sexuality in relation to education, material
culture, religion and reproduction. In 2009 she was elected as member of
the Royal Netherlands Academy of Arts and Sciences.
Sanne Koevoets
Utrecht University, the Netherlands
Sanne Koevoets holds a PhD in Gender Studies from Utrecht University,
where she analyzed the figure of the library in the western imaginary
through the lens of feminist cultural and media studies. She teaches new
media studies at Utrecht University. She co-edited the volume Teaching
Gender with Libraries and Archives: The Power of Information (2013) and
is an editor for the Dutch Journal of Gender Studies (Tijdschrift voor
Genderstudies). Her research interests include symbolic expressions and
monumental materializations of knowledge regimes, the tropes of the
librarian and the library in popular culture, and the political dynamics of
knowledge production, organization, and dissemination in network
cultures.
Goda Klumbytơ
Utrecht University, the Netherlands
Goda Klumbytơ has recently earned an MA in Media Studies at Utrecht
University. She has presented in conferences “Thriving on the Edge of
Cuts: Inspirations and Innovations in Gender Studies” (University of
Leeds, 2011) and “NOG National Research Day” (University of Nijmegen,
2012), and tutored at the NOISE Gender Studies Summer School in 2012.
Her co-authored chapter (with Katrine Smiet) “‘Bodies like our own?’ The
Dynamics of Distance and Closeness in Online Fat Porn” is forthcoming
in Fat Sex: New Directions in Theory and Activism collection (eds. Dr
Caroline Walters and Dr Helen Hester). Her academic interests include
pornography studies, feminist media and technology studies and critical
theory. She is also an editor of Lithuanian online feminist magazine
Dilgơlơ and a queer activist.
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