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Also in the Variorum Collected Studies Series:
JOHN J. CONTRENI
Learning and Culture in Carolingian Europe
Letters, Numbers, Exegesis, and Manuscripts
P.D.A. HARVEY
Manors and Maps in Rural England, from the Tenth Century to the Seventeenth
ROGER E. REYNOLDS
Studies on Medieval Liturgical and Legal Manuscripts from Spain and Southern Italy
ANNE HUDSON
Studies in the Transmission of Wyclif's Writings
ANDREW G. WATSON
Medieval Manuscripts in Post-Medieval England
PATRIZIA LENDINARA
Anglo-Saxon Glosses and Glossaries
RODNEY M. THOMSON
England and the Twelfth-Century Renaissance
PATRICK MCGURK
Gospel Books and Early Latin Manuscripts
HELMUT GNEUSS
Language and History in Early England
HELMUT GNEUSS
Books and Libraries in Early England
MICHAEL W. HERREN
Latin Letters in Early Christian Ireland
ROSAMOND MCKITTERICK
Books, Scribes and Learning in the Frankish Kingdoms, 6th-9th centuries
MARIO ESPOSITO
Irish Books and Learning in Medieval Europe
VARIORUM COLLECTED STUDIES SERIES
M.B. Parkes has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be
identified as the author of this work.
All rights reserved No part of this book may be reprinted or reproduced or utilised in any form or by any
electronic, mechanical, or other means, now known or hereafter invented, including photocopying and
recording, or in any information storage or retrieval system, without permission in
writing from the publishers.
Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for
identification and explanation without intent to infringe.
Acknowledgements V111
Introduction IX
I The Hereford Map: the handwriting and copying of the text 107-117
The Hereford World Map: Medieval World Maps and their Context,
ed. P.DA Harv0'. London: British Library, 2006
PART 2: PUNCTUATION
PART 3: READERS
PUBLISHER'S NOTE
The articles in this volume, as in all others in the Variorum Collected Studies Series, have not been
given a new, continuous pagination. In order to avoid confusion) and to facilitate their use where
these same studies have been referred to elsewhere) the original pagination has been maintained
whereverpossible. Article XII has been reset with a new pagination, and the originalpage numbers
in square brackets within the text.
Each article has been given a Roman number in order 0/ appearance, as listed in the Contents.
This number is repeated on each page and is quoted in the index entries.
ACKNOWLEDGEMENTS
The editors and publishers wish to thank the following for permission to reproduce the
essays in this volume: The British Library, London (for articles I and IV); Boydell and Brewer
Ltd, Woodbridge (II and VIII); Fondazione Centro Italiano di Studi sull'alto Medioevo,
Spoleto 01, VII and X); Cambridge University Press (IX); Yushodo Press, Tokyo (XI);
Brepols Publishers, Turnhout (XII); Harrassowitz Verlag, Wiesbaden (XIII); and Oxford
University Press (XIV).
INTRODUCTION
This collection of essays published between 1992 and 2007 bears witness to the wide
range and depth of Professor Parkes's contributions to the study of palaeography
and codicology. Hallmarks of his work include its remarkable chronological span
(seen here in studies of manuscripts dating from the seventh to the sixteenth century)
and his scholarly judgement in the analysis of fine detail, such as an individual
scribe's 'hand' or distinctive modification of the letter forms or model of script in
his mind's eye.! Parkes's studies of the development of the layout of the text and the
history of punctuation have proved significant contributions to the history of the
medieval book,2 and their impact is seen in the works of many other scholars. His
latest book, Their Hands bifore our Eyes: A Closer Look at Scribes (Alders hot: Ashgate,
2008), based on his Lyell Lectures in Oxford (1999) and a book he has described
as his palaeographical testament, will equally have far-reaching impact, for it can
truly be said of him that he has pushed the bounds of the subject well beyond the
study of the particular medieval script or manuscript to raise broader conceptual
considerations.
These essays also bear testimony to Parkes's longstanding personal and scholarly
friendships and collaborations with several scholars (including the present editors).
This can be seen in the tribute to Ian Doyle (chapter III) with whom he has shared
literary interests and concern for the transmission of the works of major English
poets, especially Chaucer and Gower, or that to Andrew Watson (chapter IV) with
whom he edited Medieval Scribes, Manuscripts and Libraries, a Festschrift to their former
teacher, the late Neil Ker.3 The appropriate matching of topic to honorand is also
evident in the subtlety of the tribute to Eamonn 6 Carrigiin (chapter XII), an Irish
scholar of Old English with a perennial personal interest in scholarly relations with
Rome, travel, and the exchange of books and learning. Malcolm Parkes, the sage of
1 In his writings Parkes always carefully distinguishes between the terms 'script' and 'hand'; see his
previous collection of essays, Scribes, Scripts and Readers: Studies in the Communication, Presentation and
Dissemination of Medieval Texts (London: Hambledon, 1991), p. xxii: 'A "script" is what scribes have in
their minds' eyes when they write, whereas a "hand" is what one actually puts down on the page'.
2 Cf. his 'The influence of the concepts of Ordinatio and Compilatio on the development of the book',
repro Scribes, Scripts and Readers, pp. 35-70, and Pause and Effect: An Introduction to the History of Punctuation
in the West (Aldershot: Scolar Press, 1992).
3 Doyle and Parkes collaborated on 'The production of Copies of the Canterbury Tales and the
Confessio Amantis in the early fifteenth century' in lWedieval Scribes, Manuscripts and Libraries: Essqys
Presented to N.R Ker, eds Parkes and Watson (London: Scolar Press, 1978), pp. 163-210.
x INTRODUCTION
the gatehouse room of Keble College (until his retirement in 1997), has long been a
hub for the transmission of ideas, talents and generous hospitality.
All these aspects of his work and the development of key themes and topics
are seen here in this new collection of discrete essays originally published at home
and abroad. In discussing the handwriting of individual scribes and the evidence
script can provide of the circumstances of a book's production (chapters I-IV), the
effect of punctuation and layout of text on the reader's interpretation of a work
(chapters V-VIII), and the provision and production of books for communities of
readers, both clerical and academic (chapters IX-XIV), two overarching concerns
emerge: the palaeography of manuscript books in relation to what Parkes has called
the 'grammar of legibility'; and the importance of considering the circumstances in
which medieval books were produced, copied and read.
The essays that follow are organised into four different sections: Scribes and
Scripts; Punctuation; Readers; and Book Provision. Essays under the first heading
move from the study of the local and particular to the general in a survey of scribes
who attempted to imitate, with greater or lesser success, the script of an earlier
date than that at which they were actually writing. In the first two chapters Parkes
demonstrates the value of a meticulous examination of a scribe's handwriting,
for the evidence it provides enables him to construct an individual's career. Thus
chapter I on the famous Hereford Map analyses the hand of the unknown copyist
of the entries on the map and inscriptions within its frame, transcribed from
an exemplar containing material supplied after the death of the map's compiler,
Richard of Holdingham (d. 1278). Analysis of this scribe's characteristic personal
ductus enables Parkes to identify him as the scribe whose hand appears in part of
Oxford, Bodleian Library, MS Ashmole 399 (a medical and scientific miscellany), in
which his contribution can be dated to late 1298 or early 1299. 4 This date accords
well with other specimens of handwriting datable between c.1290-c.1310 and thus
provides a terminus a quo for the map itself. Moreover, the scribe can be located
to Hereford or its vicinity from the knowledgeable precision with which he has
inserted the entries for Hereford and the river Wye. While we cannot name the map's
scribe, Richard Frampton, the subject of chapter II, is well-known. He signed one
manuscript (Glasgow, University Library, Hunterian TA.1) and is recorded in the
Duchy of Lancaster's accounts as the scribe of the Duchy's register of deeds, the
'Great Cowcher' (Kew, The National Archives, DL 41/1-2), and its transcript (TNA,
DL 42/192-93). Again, analysis of Frampton's personal ductus and what Parkes calls
the scribe's 'hall-marks', or distinctive treatment of letter forms, serve to identify
his hand in other volumes. The evidence provided by careful study of Frampton's
The Easter table copied by the scribe (fols 25v-29v) is marked by him after the year number for
1299, providing a terminus a quo. On this method of dating a manuscript, see H.M. Bannister, 'Signs in
kalendarial tables', in Melanges rfferts d M. Emile Chatelain (paris: H. Champion, 1910), pp. 141-9.
INTRODUCTION xi
93 See J.H. Fisher, John Gower, Moral Philosopher and Friend of Chaucer (London: Methuen, 1965), pp. 93
and 101.
Xli INTRODUCTION
final essay in this section studies a post-medieval reader and collector of manuscripts,
Stephan Batman. The many Middle English devotional works which passed through
his hands were read with close attention, witnessed by his glossing of unfamiliar
words and his marginal comments on their theological content. While the stated
purpose of this essay is to provide a list of manuscripts associated with Batman, his
choice of books and the annotations he made in them also reveal a reader of piety
and learning.
These studies of readers are followed by corresponding essays on book
provision in chapters XlI-XIV. Read in conjunction, they throw light on cultural
and social history. Chapter XII, 'History in books' clothing', tracing the wanderings
of manuscripts between Anglo-Saxon England, Ireland and the Continent
demonstrates why books and texts should not be studied in isolation but considered
in their historical context. Establishing the origin and provenance of manuscripts
brought to England, and of books written here that were sent to the Continent,
reveals the extent to which Anglo-Saxon culture participated in the transmission of
late Antique culture and contributed to the Carolingian renaissance. Chapter XlII,
on the compilation of the Dominican Lectionary, revisits a manuscript, Oxford,
Keble College MS 49, fully described in an exemplary catalogue of the college's
manuscripts by Parkes. 6 Commissioned by 'Gebehard comes' and his wife Sophia,
and produced beween 1267 and 1276 for the nuns of Regensburg, Keble 49 is one
of the few surviving copies of the Lectionary which enables us to see how Humbert
of Romans went about the task of revising the Lectionary for the Dominican order.
It preserves annotations to the rubrics recording Humbert's assessment, in light of
the contemporary state of knowledge, of the authority and reliability of the sources
he had used as learned compiler. The final chapter (XIV) on book provision in the
medieval University of Oxford was written for the standard work on the University's
history.7 Parkes's comprehensive overview in this chapter discusses all aspects of
book provision and production in the University from the twelfth to the late fifteenth
century, and draws upon a wealth of instances of books having Oxford origins or
with an Oxford provenance. We also meet well-known scholars such as Thomas
Gascoigne and Robert Grosseteste, bishop of Lincoln, as well as such lesser known
individuals as Master AIured and Emo of Friesland. The discussion ranges from
books with caucio notes which show that they had once been pledged as security for
a loan (usually of money), and the contribution of scribes and stationers to the book
world of Oxford, to the emergence and development of the University and college
93 The Medieval Manuscripts of Keble College, Oxford: A Descriptive Catalogue with Summary Descriptions of the
Greek and Orienta! Manuscripts (London: Scalar Press, 1979), pp. 227-49, colour pIs X-XI and pIs 124-34.
The patrons are depicted on fo1. 7, illustrated pI. X.
7 A History of the University of Oxford, gen. ed. T.H. Aston, 8 vols (Oxford: Clarendon Press, 1984-2000).
XlV INTRODUCTION
libraries. Crucially, Parkes expresses scepticism that the pecia system, established at
Paris, Bologna and elsewhere, operated in Oxford. This encyclopaedic chapter is
essential reading for an understanding of how books shaped the intellectual world
of medieval Oxford.
Parkes's engagement with cultural and literary history through manuscripts is
well seen throughout this collection of essays. His historically rich knowledge of
manuscripts combined with insights into textual connections afford the reader
an informed appreciation of the contribution the study of books makes to our
understanding of medieval society.
June 2011
ABBREVIATIONS AND CONVENTIONS
Principal Abbreviations
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