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This book has been optimized for viewing
at a monitor setting of 1024 x 768 pixels.
 The
Forever WAR
 The
Forever WAR

DEXTER FILKINS

Alfred A. Knopf New York 2008

 this is a borzoi book
published by alfred a. knopf

Copyright © 2008 by Dexter Filkins

All rights reserved. Published in the United States by Alfred A. Knopf,

a division of Random House, Inc., New York, and in Canada by
Random House of Canada Limited, Toronto.
www.aaknopf.com

Knopf, Borzoi Books, and the colophon are registered trademarks

of Random House, Inc.

Portions of this work are based upon and include excerpts from the
following pieces that the author wrote for the Los Angeles Times: “In the
Villages, Taliban’s Absolute Hold on Power Begins to Slip” (August 14,
2000), “Where War’s Legacy Is Just a Step Away” (July 18, 2000), “An
Afghan Lion Looks at Possible Final Stand” (April 26, 1999), “Captives for
the Taliban’s Cause” (April 25, 1999), “Afghans Pay Dearly for Peace”
(September 22, 1998), “Afghans Report Ethnic Massacre by Taliban”
(September 18, 1998), “Afghans Starve from Within” (May 8, 1998), and
“U.S. Ambassador Receives Promise of Peace Talks in Visit to Afghanistan”
(April 18, 1998). All material from these articles is copyright © by the
Los Angeles Times and is reprinted by permission of the Los Angeles Times.

Other portions of this work are based on pieces that the author wrote for
The New York Times. All material from these articles is copyright © by
The New York Times and appears courtesy of The New York Times.

Grateful acknowledgment is made to the following for permission to

reprint previously published material:
C3 Management: Excerpt from “Copenhagen” by Robert Earl Keen (Keen
Edge Music, BMI). Reprinted by permission of C3 Management.
“Hells Bells” © 1981, J. Albert & Son Pty. Ltd., is used by permission
of the copyright owner. Excerpt from “Laili Jan,” an Afghan folk song sung
by Ahmad Zahir, translated by Homa Sorouri.
Reprinted by permission of Homa Sorouri.

Library of Congress Cataloging-in-Publication Data

Filkins, Dexter.
The forever war / Dexter Filkins.
p. cm.
eISBN: 978-0-307-27034-4

1. Iraq War, 2003– I. Title.

ds79.76.f53 2008
956.7044'3—dc22 2008011761

v1.0
To Khalid Hassan and Fakher Haider,
friends and colleagues who were killed
while looking for the truth,
and
Lance Corporal William L. Miller,
who went first
He thought that in the beauty of the world were hid a
secret. He thought the world’s heart beat at some terri-
ble cost and that the world’s pain and its beauty moved
in a relationship of diverging equity and that in this
headlong deficit the blood of multitudes might ulti-
mately be exacted for the vision of a single flower.

—Cormac McCarthy, All the Pretty Horses

Oh, horrible vultureism of earth! from which not the

mightiest whale is free.

—Herman Melville, Moby-Dick

 contents

Prologue Hells Bells 3

Part One / Kabul, Afghanistan, September 1998

1 Only This 13
2 Forebodings 38
Third World 44
3 Jang 48

Part Two / Baghdad, Iraq, March 2003–

4 Land of Hope and Sorrow 71
5 I Love You, March 2003 87
6 Gone Forever 95
Video 109
The Kiss 111
7 A Hand in the Air 114
Blonde 134
8 A Disease 136
The View from the Air 145
9 The Man Within 149
10 Kill Yourself 168
The Cloud 185
Mogadishu 186
x Contents

11 Pearland 189
Habibi 214
12 The Vanishing World 218
Communiqués (1) 234
13 Just Talking 239
14 The Mahdi 245
15 Proteus 254
Your Name 267
Communiqués (2) 269
16 The Revolution Devours Its Own 272
The Normal 278
17 The Labyrinth 281
The Wall 292
18 Fuck Us 296
19 The Boss 307
20 The Turning 315
21 The Departed 328
Epilogue: Laika 335

Acknowledgments 343
Notes 347
Index 355
 The
Forever WAR
 prologue

Hells Bells

Falluja, Iraq,
November 2004

T
he marines were pressed flat on a rooftop when the
dialogue began to unfold. It was 2 a.m. The minarets
were flashing by the light of airstrikes and rockets
were sailing on trails of sparks. First came the voices from the
mosques, rising above the thundery guns.
“The Americans are here!” howled a voice from a loud-
speaker in a minaret. “The Holy War, the Holy War! Get up
and fight for the city of mosques!”
Bullets poured without direction and without end. No one
lifted his head.
“This is crazy,” one of the marines yelled to his buddy over
the noise.
“Yeah,” the buddy yelled back, “and we’ve only taken one
house.”
And then, as if from the depths, came a new sound: violent,
menacing and dire. I looked back over my shoulder to where
we had come from, into the vacant field at Falluja’s northern
edge. A group of marines were standing at the foot of a gigan-
tic loudspeaker, the kind used at rock concerts.
It was AC/DC, the Australian heavy metal band, pouring
out its unbridled sounds. I recognized the song immediately:
“Hells Bells,” the band’s celebration of satanic power, had
come to us on the battlefield. Behind the strains of its guitars,
a church bell tolled thirteen times.
4 the forever war
I’m a rolling thunder, a pouring rain
I’m comin’ on like a hurricane
My lightning’s flashing across the sky
You’re only young but you’re gonna die

The marines raised the volume on the speakers and the

sound of gunfire began to recede. Airstrikes were pulverizing
the houses in front of us. In a flash, a building vanished. The
voices from the mosques were hysterical in their fury, and
they echoed along the city’s northern rim.
“Allahu Akbar!” cried one of the men in the mosques.
“God is great! There is nothing so glorious as to die for God’s
path, your faith and your country!”

I won’t take no prisoners, won’t spare no lives

Nobody’s putting up a fight
I got my bell, I’m gonna take you to hell
I’m gonna get ya, Satan get ya!

“God is Great!”
The shouting continued until the houses in front of us
were obliterated and the firing and the music began to die.
For seven months Falluja had been controlled by jihadis
who had held the city in a medieval thrall. And now the
marines were taking it back, six thousand of them, going into
the city on foot in the middle of a November night. I was trav-
eling with a company of 150 marines called Bravo, of the First
Battalion, Eighth Regiment. Ashley Gilbertson, an Australian
photographer, was with me.
We stepped into the blackened streets and Bravo split into
three columns, one for each platoon. We moved half a block
before the mortar fire began. Big mortars, 82 millimeters,
exploding in the next street over. Everyone froze but Read
Omohundro, a stocky Texan and Bravo Company’s com-
mander. Omohundro was thirty-four, which was old for a
marine captain. He’d enlisted out of high school, went to
Texas A&M on a scholarship and became an officer later than
most. But he was a better captain for it. Omohundro advanced
in the darkness as if guided by some inner sonar, sensing the
 Hells Bells 5

location of his men, confident he knew where the shells would

fall.
“This way,” Omohundro said, and we crept for another
block in the darkness until he stopped and put up his hand.
Gunfire rang out and we scrambled for the walls on the
sides of the street. The insurgents knew what they were
doing; they were bracketing us with their shells, dropping
them to the left and to the right. They were falling close now,
exploding in titanic crashes, more closely each time. I’d seen
mortars in the movies and even in Iraq but never this close
and never so big. Their booms were crushing, and I imagined
the shards of metal flying away from each shell. I felt sure we
were going to die if we didn’t move, and I felt sure we would
die if we did. We tried to back up, to retrace our steps, but
there were snipers behind us, too. With the mortars crashing
closer, Omohundro and his radio man, Sergeant Kenneth
Hudson, were the only ones still in the middle of the street.
Hudson looked terribly young. Some of the marines were gri-
macing, preparing to be hit.
Four men stepped from the darkness. They were not part
of Bravo Company; I hadn’t seen them before. They wore
flight suits that shimmered in the night and tennis shoes and
hoods that made them look like executioners. The four men
wore goggles that shrouded their eyes and gave off lime-green
penumbras that lightened their faces. With the shells explod-
ing I got off the wall and rejoined the captain in the street,
shaking in the knees, and I listened to him tell the execution-
ers the location of the snipers. Up ahead, he said. One of the
four men mumbled something but I couldn’t hear. I couldn’t
see their eyes through the green glowing but one of them was
on the balls of his feet, bouncing, like a football player on the
sidelines. Coach, he seemed to be saying, put me in the game.
The four men peeled off into the blackness without a
sound. Moments passed and the shelling stopped. And then
the sniper fire stopped. We never saw the men again. Omo-
hundro got off his knee and looked at his men who were hug-
ging the walls. “Get moving,” he said.
The pace quickened, a movie reel in the dark. Sailing in
from above came a white flare that shattered as it descended
6 the forever war

into our ranks. Someone yelled, “Phosphorous!” and one of

the marines screamed and grabbed me and threw me into a
mulberry bush. I was angry at him for that, running me over.
Then another marine yanked off my pack and pointed to the
fist-size chunks burning through my sleeping bag. “All the
way to your bones,” he shouted. I threw the pack on my back
and ran to catch the marines, leaving behind me a trail of
white feathers.
A moment of quiet gave way to dawn.
We broke into a trot, our boots thudding on the pavement
like hooves, rounding a corner, to the right, to the left, up
Tharthar Street, when a jeep, a blue Cherokee, entered our
flowing ranks. The doors swung open. I was still running and
wrenching my head to see when a bunch of men piled out
with guns and rocket-propelled grenades. Suddenly I saw
them: black eyes, pale skin and baggy gray suits with ammo
belts. I thought they had us, they thought they had us, when
the marines on the roof opened fire. I had no idea how the
marines had gotten up there or when; I thought we were dead.
The head of one of the jihadis burst like a tomato, the deep
red of his brainy blood spattering against his clammy skin and
his head disappearing. The jihadi fell back onto the street and
spread his arms wide like a headless Christ. Three more
jihadis died right there on Tharthar Street and two of them
scampered away. A couple of the kids ran them down and shot
them, and one of the wounded jihadis rolled over on the
ground and pulled something on his jacket and exploded.
“Fuck!” the kids were yelling, running back. “Fuck! Fuck-
ing jihadi rag-head motherfuckers! They’ve rigged them-
selves. Fuck!”
The kids started slapping plastic explosives onto the
Cherokee, taking out big cakes of it and throwing it on, and
one of them said it’s going to blow, and somebody yelled,
“Fire in the hole!” and we got behind a wall and the earth
shook and the jeep disappeared. An axle remained in the road
and a piece of engine block and some smoke. The jihadis were
gone. Like the moment never happened.
We gathered in an enclosed area behind a brick wall,
spilling into it, the clop-clop of boots and clangs of metal and
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