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Heidegger, Holderlin, and the Subject of
Poetic Language
Series Board

James Bernauer
Drucilla Cornell
Thomas R. Flynn
Kevin Hart
Richard Kearney
Jean-Luc filarion
Adriaan Peperzak
Thomas Sheehan
David Tracy
Hent de Vries
Merold Westphal
Edith Wyschogrod
Michael Zimmerman
John D. Caputo, deried eaitol*
 JENNIFER ANNA
GOSETTI-FERENCEI

Heidegger, Holderlin, and the

Subject of Poetic Language
Towar3 a New poetic^ of Dadein

FORDHAM
UXIT'ERSITY
PRESS
Nero Yor.1~ 2004
Copyright 0 2004 Fordham Unirersity Press

iill rights reserved. No part of this publication may be reproduced, stored in a

retriexral system, or transmitted in any form or by any means -electronic, mechani-
cal, photocopy, recording, or any other-except for brief quotations in printed
reviews, without the prior permission oh the publisher.

Perspectives in Continental Philosophy No. 38

ISSN 1089-3938

Library of Congress Cataloging-in-Publication Data

Gosetti-Ferencei, Jennifer Anna

Heidegger, Holderlin, and the subject of poetic language : to~rarda ne\r poetics
of dasein / Jennifer Anna Gosetti-Ferencei. - 1st ed.
p. cm. - (Perspectixres in continental philosophy ; no. 38)
Includes bibliographical references and index.
ISBN 0-8232-2360-4 (hardcover)
1. Heidegger, Rlartin, 1889-1976-I'iews 011 poetics. 2. Heidegger, hlartin,
1889-1976-I'iews 011 Gerrnan poetry. 3. Hlilderlin, Friedrich, 1770-1843-
Language. 4. German poetry-History and criticism. 5. Poetics-History.
6. Phenomenology and literature. I. Title. 11. Series.
B3279.H49G593 2004
193-dc22
2004011586

Printed in the United States of America

070605045432 1
First edition
For Arthur Milan Alexander Ferencei
Contents

A661.eviatioizd of Fl-eqice~zth~
Cited Wfol-kd xvii
Introduction: The Dialogue Between Poetry and Thinking
I Heidegger's Critique of Subjectivity and the Poetic Turn
2 Heidegger's Holderlin: Andenken and Ereignis Beyond
Subjectivity
3 Poetic Subjectivity and the Elusiveness of Being
4 The Critique of Technology and the Poetics of "Life"
5 The Politics of Sacrifice: The Sublime and the Caesura
6 Revolutionary Poetics and the Subject-in-Process
7 A New Poetics of Dasein
Preface

AIartin Heidegger's theory of language, in particular in his interpre-

tations of the poet Friedrich Holderlin, has brought poetry to the fore-
front of philosophical thought after more than two millennia of nearly
unanimous, but also highly problematic, philosophical ejection of
poetry from the realm of knowrledge and truth. This alone makes Hei-
degger's poetics wrorthy of serious study. Heidegger's interpreta-
tions have dominated the reception of Holderlin's poetry and have
established Holderlin as the philosopher's poet, yet one who rightly
forces a reengagement and critique of the metaphj~sicaltradition to
wrhich he is wredded. The aim of this book is to develop a theory of
poetic language and of the subject of poetic speech in light of Heideg-
ger's interpretations, one that engages a critical study of Heideg-
ger's philosophj~and yet attends to Holderlin as a thinker and prac-
titioner of poetics in his own right. Contrary to the received scholarship
on Heidegger's Holderlin, and contrary to Heidegger's severance of
language from the notion of the subject, I develop a competing the-
ory of the subject of poetic language, a theory of poetic Drz,~i.i/zor poetic
existence, drawing from several distinct illuminations of subjectivity
in Continental thought, including Holderlin's roots in Kantian philos-
ophy. il/ly subject of poetic language is to be disentangled from the
metaphj~sicaldeterminations of the model Heidegger criticizes. This
book aims to provide a needed contribution to the study of poetics in
light of Heideggerian philosophy, since it takes on the problem of the
absence of subjectivity in Heidegger's theory of language; and 1believe
it is the only account to counterpose, in significant philosophical detail,
Heidegger's interpretations of Holderlin to the latter's own incipient
theory. Thus I aim in part toward a revivification of Holderlin, in the
case that his bvork has been too decisively overshado\ved by -and
even confounded with - Heidegger's readings. The theory of poetic
subjectivity I suggest remains nonetheless advanced by Heidegger's
philosophical intuitions about the importance of poetic language.
With regard to Heidegger, while aiming to avoid distortion of the
unity of his thought, I argue that the phenomenological impulses of his
engagement with language can be distinguished from the domination
of its ontological-historical aspects - Heidegger 's theory of the history
of Being, to wrhich his model of the poet is tethered. Against Heideg-
ger's eschatological tendency to lift the poet out of mundane concerns,
and in particular against his argument that the poet heroically "founds"
truth and thus plays a privileged role in the destiny of humanity and
of the German people in particular, I attempt to reclaim Heidegger's
earlier account of Dasein's being in the wrorld, and his earlier con-
ception of the facticity of human existence. These aspects of Heideg-
ger's thought, T argue, are consistent with a Holderlinian poetics, in
that the radical finitude of the subject of poetic speech is made appar-
ent by the nature of that speech, which, preciseljr because of that fini-
tude, offers a poetic shelter for that wrhich is. By virtue of involvement
in a unique relationship to language, the poet's perspicacious insight
into the depths of reality and into the possibility (and loss) of the divine
leaves him or her painfulljr aware of the limitations of the standpoint
of consciousness. The subject of poetic language is itself not a unified
anchor of cognition from which to analyze the world; it is, rather, analep-
tic, that is, an effort at self-restoration in light of radical limits, a restora-
tion realized only in and through the illimitable process of sheltering
engagement with bvhat is.
Although the primary aim of this book concerns the theory of poetic
language and its attendant subject, it is no less important that the polit-
ical entanglements of Heidegger's reading of Holderlin be taken on
directly. The subject of poetic language, for all its fragility-empha-
sized, for instance, in the revolutionary poetics of Julia Kristeva, bvhich
I treat in the penultimate chapter -unravels the heroistic founding
of truth that Heidegger, in the troubling context of his involvement
with German fascism, attributes to Holderlin. That poetry is to found
and institute Being in a thrust against the historical-ontological crisis,
is challenged by the theory I propose, bvhich is, then, much closer to

sii Preface
the tenor of Heidegger's later theory of Gekzddetzlaeit, loosely defined as
I argue, contributes to
a poetical letting-be. The notion of Geltz~~etzbeit,
dismantling the more heroic strain that overtakes Heidegger's think-
ing about the relation of Dasein to Being, and returns to the more phe-
nomenologically rooted insights of Heidegger's early bvork.
Heidegger is right that an instrumental viebv of language lacks
the resources to address the profundity of human existence. If poetic
language can be shown t o uniquely illuminate the human situa-
tion, as I believe it does, and offer, as I also believe, a palliative
resource for the ailments of modernity and for human life in the wake
of its failures, then \\,hat bve make of our most significant poets is
indeed not only a scholarly and aesthetic issue, but rather one that
pertains to the very possibilities of our being and dbvelling bvhich
Holderlin so courageousljr, yet unheroicalljr, examined. Tt is also pos-
sible that poetic thinking, when tethered to an account of the poetic
self-or a poetic account of the self-puts us in a position to over-
come the seemingly irreparable rift betbveen modernism, with its
belief in subjectivity and truth -and postmodernism, wrhich has yet
to fully articulate an account of the subject in the \\rake of its decon-
struction. A new poetics of Dasein, T hope, can do for philosophy
what string theory has aimed to do for theoretical physics, that is,
reconcile convincing but incompatible and incomplete models of the
universe. It is towrard these possibilities that my thinking here, and
the poetic theory that emerges, are aimed. This book is an effort to
think through a theory of poetic language and a model of poetry, on
one hand in affirmation of the possibilities of poetic thought and
dwelling and on the other in light of the fragile conditions of poetic
life and engagement that resist the heroism of the founding of truth,
yet might offer its shelter. The newr poetics of Dasein 1 set forth in
the final chapter aims to offer an original account of the poetic self.
This might provide a phenomenological scaffolding from bvhich to
view the structures of poetic experience and understand the unique
form of truth that belongs t o poetic language. Beyond Holderlin,
poets such as Arthur Rimbaud, Rainer AIaria Rilke, and AIik16s
Radn6ti are considered in light of a radically revised poetic phenom-
enology of being in the bvorld.

Preface siii
Acknowledgments

Some of the material treated in this book appeared in earlier formula-

Stu0ieL+i12 Philrxfryiclhyand Phik~fo~iclhy
tions as articles in Ilztel-~zrzti~icl~zrzl Tnc)cz>/;
articles related to my work here were published in I ~ z t e r ~ z r r t ~ ~Philo- tztzl
,~oPhic~rrl
Qrrrrl.terl!/ and in Fe17zitzi~ft I t z t e r ~ ~ ~ - ( ~ t r zofAhz~-titz
t i o ~ z ~ f Hei0eqqel; ed.
Nancy Holland and Patricia Huntington (Bloomington: Indiana Uni-
versity Press, 2001).
I bvould like to thank the Delores Zohrab Liebmann Fund for fel-
lowrship support that afforded bvork on this project during a stay at the
Humboldt University in Berlin, and the German Academic Exchange
Service (DAAD), without whose assistance I would not have been
able to achieve the fluency in German requisite for this kind of engage-
ment with Heidegger and Holderlin. About the topics treated in this
book, I have learned much from too many people to name, but a febv
mentions are necessary. J o h n D. Caputo has provided much counsel
for this project, as well as enthusiastic encouragement, for which I
gratefully thank him. I am indebted to Richard Howard of Columbia
University, from whom T have learned a great deal about the special
vivacities of poetic language. Thanks to Patricia Huntington at Loy-
ola University of Chicago for her helpful comments on the manuscript.
Friends, colleagues, and students, too many to name, have offered
various kinds of support and discussion. I should like to thank specif-
ically Bill Parrigin; Victoria Pitts at Queens College; Angela Pitts at
hlary Washington University; and Eric Charles LeAIay at Harvard
University, bvho have been longtime interlocutors in my engagements
with these topics. Above all, T am grateful to AIilan Ferencei, whose
love for poetry is eclipsed only by his insights into being, and who
has been able to afford my life a sustained conversation about the
subject(s) of poetic language. This book, hobvever, is dedicated espe-
cially to my son Arthur Milan Alexander Ferencei, bvhose bvondrous
existence bespeaks the very source at bvhich poetry and thinking are
always grasping.

sui Acknowledgements
Abbreviations of Frequently Cited Works
General
CJ Immanuel Kant, Critique of Judgment

Heidegger's Writings
Note: In cases \\,here 1 rely primarily on available English transla-
tions, the abbreviation bvill be given according to the English transla-
tion; yet in some cases I have altered the translations slightly. Where
I have altered the given translations significantly, I provide also the
German reference after the English reference. In the case of references
to Beiiz.9 rrtzd K i l z e I provide the English, then the German, reference.
For volumes not available in translation at the time of this bvriting, and
for those for bvhich I do not give an English reference, the translations
are my owrn (these include GA 60, GA 52, GA 13, and GA 39). In some
cases individual essays were published in English translation in vol-
umes that do not correspond to their appearance in German volumes;
in these cases T use abbreviations for the essays (LH, OTYA) as given
belobv. See the bibliography for full citations.
EB E , ~ i f t e t z r erziz0 Beitz:]
EHD E I ~ ~ ~ . u ~ ~ I - ~-11 L I ZHiik)e~./itz,f
;~PIZ Dizht~~iz:~
EhVII1.l Eitzfihi-~riz;~itz die ilfetlzphydik (Eh1)/ Atz f t z t 1 ~ ~ ~ 0 ~ ~ r t i o i z
to / I h ~ t r ~ p h ! / ~ i i(IAI)
c~f
EP T h e E n d ofPL7iIoLiopl(,!/ tztzd the Trr,ik of T h i t z k i ~ z . ~
GIDT Ge/rr,i~etzheit/ DiicorrrLieotz T h b z k i ~ < ~
GA 60 P h t z i ~ n n z e t z ~ ~Oed / ~ ~~-e/(~iij~+etz
~~ie Lehetz,,, Ge,fczilztrz~~,f:~rzhe 60.
( T h e P h e t z a i ~ z e t z a /r!f'Rel&iclud
~ Lib)
GA 24 Die Gi-~~izr~~i.r~h/ei1ze dei- Phiitzali I P ~ Z O / L ?Gedrzilz -3%
~ ~ Y , trz~~,+;~lzhe
( T h e Brr,iic Problei7z,i o f P L ~ e n o i ~ z e ~ o / t ~ ~ ? / )
GA 63 0ntolo9h (Herilzetzer[tik ()(.I-Frrktizitiit), Ge,~rul~trrrr,!~rrbe 63.
( T h e Hei-ilzener[ticLi of Ftzctic.it!/)
GA 53 / D I Hiikdei-/iiz,f H>/n~ize "Dei- f L + t e i ; G e ~ f r z ~ i ~ t r z ~ [ ~ + :6%
" ~~~tzhe
(Hiik)e~./itzh H/ilziz "Dei-JL+tei-")
 AH,,
del. E I ~ ~ Z ~ IOe,+
- I IDelzketz,,,
IZ:~ G L ' , I ~ z I ~ z ~13. ~zLL~+;~~z~P
Hij/Oe~-/itz~fH~/17ztze' ~ I Z ~ ~ I Z Gc~Lirz~~ztrzr~~~~9rzbe
" ~ ~ ~ I Z , 52.
HiikJel-kilzd HJIIZZ I Z ~ I"ZG e l - l ~ z t ~ ~ z i e
L~L IzZ"~"Dei-R h e i ~ z "
,
Ge~~anzttzrr~~qtzbe 39.
HW Holzroe;ye
LH "Letter on Humanism," in Brz<+ic-TF4*iti1z;y~1
0 ~ 7 "The
~ Origin of the Work of Art," in B t ~ l i rI E . i t i t ~ ~ g ~ +
PLT Poetly, Ltzt~qrrtz~qc; tznd TL?or[.qht
"The Questions Concerning Technologj~, In
8, .
QT
The Qrrwtiou C;~ncc~~-tzit~q Techtzok~q?/r r n d Other Eidtz?jLi
Srhelli/z;y 2 Tl.erzti<+e 012 t h e EL+detzreof'H~117zrz12F I - ~ P ~ O I ~ Z
Seitz 11120 Z e i t I Bei12:g rz120 Z i z e
"The Turning," in The _Olre,~tiolz C'n~~rel.~zitz;y Terhl~n/r7:~>/
(LIZC) Other EJJ~Z!/J
us I O W L 17tztc~rrr~e~qr/~
Zr~l- S,urrrcbe I On t h e V4z?/ to Lrrt<qrrr<qe
WIP We~q~~zrzrkc~tz 1Ptzth17ztzrk~
ZSDI O T B ZLLI- Srzrhe 0e<1De~zkelz,~ I 0tz Z 7 z e rz120 Bei12;y

Hiilderlin's Works
Note: In-text citations are given for theoretical bvritings and for
H>/17e~-ibtzonly. All poems quoted are found in IV21.ke ~ r t z dB1-ie:f'e,I and 11.
Other references are given in endnotes. Except where otherwise noted,
translations of the poems are my own. Existing translations I have con-
sulted are cited in the bibliography.
ELT Eidtzy~ tztzd L e t t e l ~otz Theol?/
H HY,vel-hllz
TS Theol.eti~+cheSrhl.(ftetz
JVB I IV21-ke 11120 BI-ief'e,BtzlzO J
TVB IT UGrke r r n d Brie+,, B t z n d I1

Kristeva's Works
Note: In-text citations are given for these frequently-cited works. Ref-
erences to other writings are given in endnotes. Translations of essays not
marked individually in the bibliography are found in The lii-i+teicz Rerzdel:
ACW A h o t ~ tC'bitzi.de TF47t7tetz
AKI "A New, Kind of Intellectual"
DL De,+il-e itz Lrztz:g~~rz;ye
RPL R e r ~ ) / r [ t i o t zNz Poetic Ltz~z*qr[tz.qe
TVT i i W ~ m e nTime" '~

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