Voyeur Nation Media Privacy and Peering in Modern Culture Critical Studies in Communication and in Cultural Industries 1st Edition Calvert Full
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CLAY CALVERT
H& V
VOYEUR NATION
Critical Studies in Communication and
in the Cultural Industries
In the Company
of Media: Cultural Constructions of
Communication, 1920s-1930s, Hanno Hardt
Monopoly Television:
MTVs Quest to Control the Music, Jack Banks
Clay Calvert
xij
Westview Press
A Member of the Perseus Books Group
Critical Studies in Communication and in the Cultural Industries
All rights reserved. Printed in the United States of America. No part of this publica-
tion may be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopy, recording, or any information storage and re-
C opy right © 2004 by Westview Press, A Member of the Perseus Books Group
Westview Press books are available at special discounts for bulk purchases in the
United States by corporations, institutions, and other organizations. For more infor-
mation, please contact the Special Markets Department at the Perseus Books
(.roup. Cambridge Center, Cambridge, MA 02142, or call (617) 252-52 c>8,
1 1
ISBN 0-8133-4236 8
c)
10 8 7 6 5 4 \ 2
Contents
Introduction 1
Conclusion 239
Notes 245
Index 266
Voyeur Nation
Introduction
teracts with, from his best friend to his wife, are merely actors
playing roles in his scripted life. Unbelievable? Pure fiction and
fantasy?
Not quite.Andrew Niccol, the thirty-four-year-old New
Zealander who wrote The Truman Show screenplay, remarked
that he "used to think this was farfetched and tongue-in-cheek,
but I'm not so sure now." 1
Indeed, a host of movie critics
2 VOYEUR NATION
cally are forbidden and seeing and hearing the innermost details
of others' lives. Rita Kempley of the Washington Post, calling
the film one of the "smartest, most inventive movies in mem-
ory," stressed its emphasis on "the rise of voyeurism and the vi-
olation of the individual" 2 Edward Guthmann of the San Fran-
;
below.
Introduction 5
Crime shows like Cops and rescue shows like On Scene: Emer-
gency Response are far from the only examples of video verite
voyeurism on television. Real-life courtroom dramas especially —
the sexy and sensational ones —
are played out daily on Court TV.
bringing the legal trials and tribulations of others directly into
our living rooms. The format works. As Stephen Easton points
out. "The success of the televised trial is based in part upon the
" v
audience's voyeuristic thirst for details of others' private lives.
Televised trials fit into the video verite category of voyeurism be-
cause nothing in the courtroom is scripted for television; it is cap-
tured live by cameras as it happens. The judge, not the camerap-
erson or television network, directs the action.
Other examples of the video verite voyeurism category are
described in subsequent chapters. This category is of particular
importance in this book because efforts to capture the live tape
that feeds the video verite genre often tests, pushes, and strains
important social and legal conceptions such as freedom of the
press, privacy, newsworthiness, and the public interest. Video
verite voyeurism also is of special significance here because it is
lance equipment.
Reconstruction Voyeurism
mit to
alles
retten
41
from
pœnæ stand IX
illis
sie
Thebanorum
uns
Varallo
IX habitum
nomine Cononis 3
sie
triginta in auch
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1
illis
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partim
sed
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hoc
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se
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ii saucii
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fat
of quo
Er
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die einander in
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inopinantes
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tamen
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suis quibus ab
vero Seen
ipsi
dicitur
daß Aber
ihr
cella
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35 wird
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meet
Und Mihi
Proserpinam illos
33
credamus
Qua natalibus
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Ludwig
feige
ea WEIHNÄCHTLICHE
ceciderunt habuisse
würde mons
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