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 The Art of Voice Acting: The Craft and Business of
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 ISBN 978-1-138-39161-1

www.routledge.com
Routledge titles are available as eBook editions in a range of digital formats 9 781138 391611
 The Art of
Voice Acting
sixth edition

The Art of Voice Acting covers all aspects of the craft and business of
performing voiceover. Chapters include how to get started in voiceover,
performing techniques, setting up a personal recording space, voiceover
demos, the basics of running a voiceover business, unions, and much
more. Throughout the book are numerous contributions from some of the
voiceover world’s top professionals and website URL’s for additional
resources and reference. Additional content can be found on the Voice
Acting Academy website at AOVA.VoiceActing.com.

James R. Alburger is an award-winning producer, director, performance

coach and voice actor. After a 25-year career in recording studios and
television (receiving 11 Emmy® Awards), he opened VoiceActing, LLC and
The Voice Acting Academy. He teaches workshops on performing
voiceover, voices a variety of audio projects and is an expert in personal,
professional studio design and audio production for radio, location sound
recording and audio post-production for film and video. He also provides
coaching for companies of all sizes, using his voice acting techniques to
teach business professionals how to be more effective communicators.
 Chapter Title Here v

The Art of

Voice
A cting sixth edition

The Craft and Business of Performing Voiceover

James R. Alburger
vi The Art of Voice Acting
Sixth edition published 2019
by Routledge
52 Vanderbilt Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa

business

© 2019 James R. Alburger

The right of James Alburger to be identified as author of this work has

been asserted by him in accordance with sections 77 and 78 of the
Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced

or utilised in any form or by any electronic, mechanical, or other means,
now known or hereafter invented, including photocopying and recording,
or in any information storage or retrieval system, without permission in
writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or

registered trademarks, and are used only for identification and
explanation without intent to infringe.

Front and back cover images © Digital Juice

Conductor image © James R. Alburger, VoiceActing, LLC

First edition published by Focal Press 1999

Second edition published by Focal Press 2002
Third edition published by Focal Press 2007
Fourth edition published by Focal Press 2011
Fifth edition published by Routledge 2014

Library of Congress Cataloging-in-Publication Data

A catalog record has been requested for this book

ISBN: 978-1-138-39160-4 (hbk)

ISBN: 978-1-138-39161-1 (pbk)
ISBN: 978-0-429-42263-8 (ebk)

Typeset in Arial and Footlight

by James R. Alburger

Publisher’s Note
This book has been prepared from camera-ready copy provided by the
author.

Visit www.AOVA.VoiceActing.com for additional resources, audio

recordings, and content from previous editions.
 Chapter Title Here v

This edition is dedicated…

To those who use their voice to tell stories.

Whether you are behind a microphone, on camera,
on stage, or in the boardroom…
your ability to communicate effectively
makes a difference in the lives of people everywhere.

Voice acting is the performing craft

of creating believable characters,
in interesting relationships, telling compelling stories,
using only the spoken word.
Mastering and applying the skills of voice acting
will take your personal and professional
communication to an entirely new
level of effectiveness.
James R. Alburger
vi The Art of Voice Acting

Many people stand at the microphone.

But relatively few
take to the mic as if it were a canvas
and are true artists.

For more about James Alburger and The Art of Voice Acting,
visit our websites:

VoiceActing.com
VoiceActingStudios.com
JamesAlburger.com
 Contents

Contents

Preface by James R. Alburger ........................................... xiii

Introduction ........................................................................ xv

1. The Business of Voice Acting

“Voiceover” vs. “Voice Acting” ..................................... 1
Types of Voiceover Work ............................................. 3
The Essentials ............................................................. 4
The Realities of Voice Acting ....................................... 4
Full-Time or Part-Time ................................................. 6
Are You an Actor or a Salesperson? ............................ 7
Getting the Skills You Need ......................................... 9
Breaking into the Business of Voiceover ...................... 14
Ten Things You Must Know about Voiceover Work ..... 16
2. Using Your Instrument
All about Breathing ...................................................... 19
Joni Wilson (20 Facts You Must Know About Your Voice) 24
Correcting Speech Problems and Habits ..................... 26
Voice and Body Exercises ........................................... 31
Physical Attitudes to Help Delivery ............................... 40
27 Tips for Maintaining Your Voice and Improving Your
Performance .............................................................. 45
Be Easy on Yourself .................................................... 56
3. Microphone Technique
The #1 Tool of Your Trade ........................................... 59
Microphone Technique ................................................ 63
Using Headphones ...................................................... 65
Your Clothes Make a Difference .................................. 66
4. The Monologue
How Will You Tell the Story? ....................................... 69
Tips for Performing Monologues .................................. 70
Monologue Scripts ....................................................... 71
5. Voice Acting 101
Give Yourself Permission to Play ................................. 81
Commit to Your Choices - And Adjust .......................... 83
Getting Away from the Read ........................................ 87
No Judgments Allowed ................................................ 103
The Magic of Your Mind: If You Believe it, They Will .... 104
vii
The Art of Voice Acting
6. Developing Your Unique Style
What’s in Your Tool Kit? .............................................. 107
Style ............................................................................ 108
Your Signature Voice ................................................... 109
The Road to Proficiency .............................................. 110
Three Steps to Creating an Effective Performance ...... 111
The Elements of a Voice Acting Performance .............. 114
7. Techniques for Developing Style
Critical Voice Acting Concepts ..................................... 133
Shortcuts that Trick Your Brain .................................... 136
Basic Techniques ........................................................ 138
Advanced Techniques ................................................. 141
8. The Seven Core Elements
Acting is Acting is Acting… Sort of ............................... 149
It Starts with Pretending .............................................. 150
A = AUDIENCE: Core Element #1 ............................... 150
B = BACK STORY: Core Element #2 ........................... 151
C = CHARACTER: Core Element #3 ............................ 153
D = DESIRES: Core Element #4 .................................. 155
E = ENERGY: Core Element #5 ................................... 156
F = FORGET WHO YOU ARE AND FOCUS:
Core Element #6 ....................................................... 159
G= Gamble: Core Element #7 ..................................... 160
9. Wood Shedding and Script Analysis
Creating a Performance Road Map: Analyzing and
Marking a Script ........................................................ 163
Wood Shed Your Copy ................................................ 165
Wood Shed to Be More Believable .............................. 167
Tips for Wood Shedding .............................................. 173
Script Analysis Worksheet ........................................... 174
10. The Character in the Copy
How Will You Play the Role? ....................................... 177
Your Best Tool Is Your Own Personality ...................... 180
Theater of the Mind ..................................................... 182
An Exercise for Creating Real Characters ................... 183
Visualization Script for “Creating a Character” ............. 184
Making Your Characters Believable ............................. 185
Tips for Performing All Types of Copy ......................... 188
11. Single Voice
Working Solo ............................................................... 191
Tell Me, Don’t Sell Me ................................................. 192
Tips for Performing Single-Voice Copy ........................ 194
Single-Voice Scripts .................................................... 194
12. Multiples and Dialogue
Types of Dialogue Copy .............................................. 203
Tips for Performing Comedic Dialogue Copy ............... 204
Dialogue and Multiple-Voice Scripts ............................ 204

viii
 Contents
13. Long Form Narration: Corporate, Medical & eLearning
Telling a Different Kind of Story ................................... 213
Tips for Performing Long-Form Narration .................... 214
The Challenges of Medical Narration (Julie Williams) .. 215
Corporate and Narrative Scripts ................................... 217
14. Audio Book Narration
Telling the Long Story .................................................. 221
Tips for Performing Audio Books ................................. 224
Audio Book Scripts ...................................................... 224
15. Mastering Character Voices
Vocalizing Characters .................................................. 229
Pat Fraley’s Six Critical Elements of Character Voice .. 231
Finding Your Voice ...................................................... 233
The Character Voice Worksheet .................................. 233
Tips for Character and Animation Copy ....................... 235
Character Sides for Games and Animation .................. 236
Character and Animation full Script .............................. 240
16. Imaging - Promo - Trailer
Radio Imaging ............................................................. 245
Television Promo ......................................................... 246
Trailer .......................................................................... 247
Tips for Performing Imaging, Promo and Trailer .......... 248
Imaging Scripts ............................................................. 248
Promo Scripts .............................................................. 249
Trailer Scripts .............................................................. 250
17. Other VO Genres
What Is Your Niche? .................................................... 253
ADR and Looping ........................................................ 254
Pocholo Gonzales (The Art of Foreign Language ADR) 255
Anime .......................................................................... 265
Telephony .................................................................... 265
New Media ................................................................... 266
18. The Business of Voiceover: Getting Paid to Play
The Same but Changing .............................................. 271
It’s Show-biz, Folks! ..................................................... 272
The Many Hats of a Voiceover Professional ................ 273
Non-Union Voiceover Work ......................................... 273
Union work ................................................................... 275
Talent Agencies, Casting Agencies,
and Personal Managers ............................................. 282
Online Audition Services and Advertising Agencies ..... 284
Ad Agencies and Production Companies ..................... 287
19. Your Voiceover Demo
Your Professional Calling Card .................................... 291
Demo Rule #1: Don’t Produce Your Demo Until
You Are Ready .......................................................... 291
Demo Rule #2: Your Demo Must Accurately
Represent Your Abilities ............................................ 294
ix
The Art of Voice Acting
Versatility Is Your Selling Tool ..................................... 295
Demo Basics ............................................................... 296
Preparing for Your Voiceover Demos .......................... 297
Types of Voiceover Demos .......................................... 297
Producing Your Demo ................................................. 301
Your Demo Recording Session .................................... 309
20. Your Home Studio
A Million-Dollar Studio in Your Home ........................... 311
The Challenge of Recording at Home .......................... 312
Designing Your Home Studio ...................................... 313
Understanding Room Acoustics ................................... 318
Managing Your Computer ............................................ 325
Working with Clients Remotely .................................... 327
21. Home Studio Technology
Wearing the Hat of Audio Engineer ............................. 329
Digital Recording 101 .................................................. 330
Advanced Home Studio Technology ............................ 333
The Mysterious Decibel ............................................... 335
An Audio Recording and Editing Primer ....................... 338
22. How to Work in the Voiceover Business
Promoting and Marketing Yourself ............................... 345
Managing Your Time ................................................... 346
Business Basics .......................................................... 349
Dave Courvoisier (Using Social Media Networking to
Build Your Voiceover Business) ................................ 356
Working Internationally ................................................ 362
Andy Boyns (Working as a Global Voice Actor) ........... 362
Male vs. Female .......................................................... 364
Trends ......................................................................... 366
A Business Plan for Voice Actor You, Inc. ................... 367
A Business Plan for Voice Actor You, Inc. (Worksheet) 369
23. Managing Your Voiceover Business
Setting Your Talent Fee ............................................... 373
Negotiating Your Fee ................................................... 382
Getting Paid for Your Work .......................................... 384
How to Guarantee You’ll be Paid ................................. 386
Documenting Your Session ......................................... 390
Keeping Records ......................................................... 393
Banking and Your Business ......................................... 396
Voiceover and the Law ................................................ 397
24. Your Voiceover Identity
Present Yourself as a Professional .............................. 399
Words of Wisdom from Paul Frees .............................. 400
Defining Your Business ............................................... 401
Setting Up Shop .......................................................... 405
Print Materials ............................................................. 407
Your Website ............................................................... 409

x
 Contents
25. The Talent Agent
Finding and Working with an Agent ............................. 413
The Changing Role of the Talent Agent ....................... 421
26. Auditions
The Audition Process ................................................... 423
Auditioning from Your Home Studio ............................. 424
The Live Audition ......................................................... 428
After the Audition .......................................................... 434
Union vs. Non-Union Auditions .................................... 435
27. You’re Hired! The Session
A Journey through the Creative Process ...................... 437
Types of Sessions, Setups, and Script Formats ........... 440
The Session: Step-by-Step .......................................... 442
Common Direction Terms ............................................ 444
Wrap it Up .................................................................... 449
28. Stop It!
What are You Doing to Sabotage Yourself? ................. 451
29. The Changing World of Voiceover
An Industry in Flux ....................................................... 459
J. Michael Collins (The Future of the Industry) ............. 459
Hugh P. Klitzke (So, What About the Future? A Casting
Director’s Perspective) .............................................. 462
Tom Dheere (Ignore the Noise) ................................... 464
Peter Bishop (The World-Voices Organization)............. 465
30. Wisdom from the Pros
Peter Dickson and Hugh Edwards (Advice on Considering
a Career in Voiceover) .............................................. 467
Shelley Cohen (Is This Business Right for You?) ......... 471
Dana Detrick (22 Jobs Every Creative Solopreneur
Must Be Able to Do) .................................................. 474
Marc Cashman (Twenty Crucial V-O Tips) ................... 477
Melissa Moats (A Day in the Life of a Voice Actor) ....... 479
Kelly Buttrick (Career Compass) .................................. 482
Kate McClanaghan (What You Should Know
When Meeting with a Talent Agent) .......................... 483
Lisa Orkin (Directing Radio Spots: It’s All About
the Playables) ........................................................... 486
Bob Bergen (Voiceover Demos) .................................. 488
Fred Frees (Advice from Paul Frees) ........................... 489
Index .................................................................................... 491

xi
The Art of Voice Acting

xii
 Preface

Preface
James R. Alburger

The origins of this book go back to the mid 1970’s. At that time,
my life revolved around my work as a part-time professional
magician, my work as audio producer and director at the NBC-TV
affiliate in San Diego, and my side jobs of editing music for other
performers and working part-time at a local recording studio. I really
didn’t have much of a social life back then!
Although I was working with voiceover talent on a daily basis,
and I had an innate understanding of creating visual imagery and
telling stories through the medium of sound alone, I had no idea that
I would one day write a book that has become one of the standard
reference works on the craft and business of voiceover.
Each edition of this book has built upon the prior editions by
adding more techniques, completely updated information, and more
content from many of the top professionals in this industry. In
addition to this book, you’ll find a ton of supporting audio content,
and much more, under the Resources menu tab on my website at
VoiceActing.com. This area of my website can be reached directly
at AOVA.VoiceActing.com.
The business of voiceover is one that is in a constant state of
flux—and a lot has happened since the previous edition of this book
was published. Although the fundamental performing techniques
may be consistent, there are trends and performing styles that are
constantly changing. As voice actors, we must keep up with these
business trends, maintain our performing skills and adapt to a variety
of changes in order to keep the work coming in. But the reality is,
there’s actually a lot more to it than that.
What you hold in your hands is a manual for working in the
business of voiceover that will take you from the fundamentals of
performing to the essentials of marketing… and everything in-
between. Most books on voiceover talk about interpretation—how to
deliver phrases and analyze a script, or the book is more about the
author than the craft.
This book is different!
This book was written with the intention of giving you a solid
foundation in both the craft and business of voiceover. Within these
pages you’ll find dozens of tools and techniques that are essential
for success in this area of show business—some of which you won’t
find anywhere else. With this book, you will learn exactly how to use
xiii
The Art of Voice Acting
these tools, not just in voiceover, but in everything you do. Unlike
some other books on voiceover, I don’t focus on how I did it, or go
into boring stories of my voiceover career. No… I’ll show you how
you can do it! Every story and every technique you’ll read in this
book is here for a reason—to teach you exactly how some aspect of
this craft and business works, and how you can make it work for you.
The tools and techniques are just that—tools and techniques.
Without understanding how to use them, they are little more than
words on the page. But once you learn how to use these tools, you’ll
discover that they can be used to improve relationships, get more
customers, resolve problems, close more sales, make you a better
actor, improve your public speaking skills, and so on. You won’t use
every performance tool all the time, and some may not work for you
at all. That’s fine. Find the tools and techniques that do work for you,
take them, and make them your own. Create your own unique style.
If you can achieve that, you’ll be ahead of the game.
This is a book about how you can communicate more effectively
than you can imagine. Everything you experience in life holds an
emotion that can be used to make you more effective as a voice
actor. And even if you never intend to stand in front of a microphone
in a recording studio, you can still use what you learn here to
become a more effective communicator.
Performing voiceover is much like performing music: There is a
limited number of musical notes, yet there is an almost unlimited
variety of possibilities for performing those notes. The same is true
with a voiceover script. Words and phrases can be delivered with
infinite variety, subtlety, and nuance. A voiceover performance is,
indeed, very similar to the way a conductor blends and balances the
instruments of the orchestra. Your voice is your instrument, and this
book will give you the tools to help you create a musical
performance. You might think of voiceover as a “Symphony of
Words,” or “Orchestrating Your Message,” both catch phrases I’ve
used to describe the results of what we do as voice actors.

Acknowledgments
We are fortunate to be part of a community that is supportive and
generally operates under “the bigger pie” theory: “Instead of going
for a small ’piece of the pie,’ let’s just make a bigger pie.” This edition
of my book would not have been possible without the generous
support and help from so many people and companies who work in
the world of voiceover every day. As you read through these pages,
you will see names, web site links, and other references to the many
individuals who have supported my efforts with their contributions.
Please visit their websites and join me in thanking them for their
willingness to share their knowledge and experience.
xiv
 Introduction

Introduction
“You’ve got a great voice!”

“You should be doing commercials!”

“You should be doing cartoons!”

I’m going to take a chance here! At some point in the past,

someone said something to you similar to the above statements.
And you’ve become inspired! Or perhaps voiceover has been a life-
long dream and you finally have time to start learning about what
“VO” is all about. Or it might be that you read about a course in voice
acting, and it sounded like fun! Regardless of how you got here, the
idea of working in voiceover may have been percolating for a few
years, or you may have already dabbled a bit. You picked up this
book because you realize that there’s a lot you don’t know, and
you’ve finally decided to get serious and “take the leap.”
Congratulations!
It doesn’t matter if you are studying voiceover as part of a higher
education curriculum or if you’re doing it on your own. Either way,
you are about to embark on a journey that will be filled with new
concepts, loaded with new knowledge, and certain to be lots of fun.
But along your journey, you will face challenging obstacles,
frustrating clients, and scripts that seem almost impossible to
decipher.
As with most things in life, there are no guarantees. But If you
are persistent, you will more than likely find success. One thing I can
guarantee, though, is that you will learn more about personal
communication than you ever imagined.
Maybe working as a professional voice actor is not your primary
objective here. Perhaps you simply enjoy making up funny character
voices or sounds, or enjoy telling stories and jokes. This book will
show you how to do it better and more effectively. Perhaps you need
to make presentations as part of your job. If so, this book will
definitely give you a new insight into reaching your audience with a
stronger message. If you are involved in any line of work for which
you need to communicate any sort of message verbally to one or
xv
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