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 QUEENSHIP AND POWER

PREMODERN RULERS AND

POSTMODERN VIEWERS
Gender, Sex, and Power in
Popular Culture

Edited by
Janice North, Karl C. Alvestad,
and Elena Woodacre
 Queenship and Power

Series Editors
Charles Beem
University of North Carolina, Pembroke
Pembroke, NC, USA

Carole Levin
University of Nebraska-Lincoln
Lincoln, NE, USA
This series focuses on works specializing in gender analysis, women’s
studies, literary interpretation, and cultural, political, constitutional,
and diplomatic history. It aims to broaden our understanding of the
strategies that queens—both consorts and regnants, as well as female
regents—pursued in order to wield political power within the structures
of male-dominant societies. The works describe queenship in Europe as
well as many other parts of the world, including East Asia, Sub-Saharan
Africa, and Islamic civilization.

More information about this series at

http://www.palgrave.com/gp/series/14523
 Janice North · Karl C. Alvestad
Elena Woodacre
Editors

Premodern Rulers
and Postmodern
Viewers
Gender, Sex, and Power in Popular Culture
Editors
Janice North Elena Woodacre
Altoona, PA, USA Department of History
University of Winchester
Karl C. Alvestad Winchester, UK
Department of History
University of Winchester
Winchester, UK

Queenship and Power

ISBN 978-3-319-68770-4 ISBN 978-3-319-68771-1 (eBook)
https://doi.org/10.1007/978-3-319-68771-1

Library of Congress Control Number: 2017957840

© The Editor(s) (if applicable) and The Author(s) 2018

This work is subject to copyright. All rights are solely and exclusively licensed by the
Publisher, whether the whole or part of the material is concerned, specifically the rights
of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction
on microfilms or in any other physical way, and transmission or information storage and
retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology
now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this
publication does not imply, even in the absence of a specific statement, that such names are
exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and
information in this book are believed to be true and accurate at the date of publication.
Neither the publisher nor the authors or the editors give a warranty, express or implied,
with respect to the material contained herein or for any errors or omissions that may have
been made. The publisher remains neutral with regard to jurisdictional claims in published
maps and institutional affiliations.

Cover credit: Vladimir Pomortzeff/Alamy Stock Photo

Printed on acid-free paper

This Palgrave Macmillan imprint is published by Springer Nature

The registered company is Springer International Publishing AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
To our loved ones, who have offered us unflagging support and patience
during the production of this collection.
 Acknowledgements

The editors would like to thank Christine Pardue at Palgrave Macmillan

for her assistance throughout the process, which has been invaluable. We
would also like to thank Timothy McCallister and Kavita Mudan Finn for
their helpful comments on the introduction and Daniel Delgado Díaz
for his assistance with formatting the images in the book for production.

vii
 Contents

1 Introduction—Getting Modern: Depicting

Premodern Power and Sexuality in Popular Media 1
Janice North, Elena Woodacre, and Karl C. Alvestad

Part I Reappraising Female Rulers in the Light of Modern

Feminism(s)  21

2 Early Modern Queens on Screen: Victors, Victims,

Villains, Virgins, and Viragoes 27
Elena Woodacre

3 Silencing Queens: The Dominated Discourse

of Historical Queens in Film 51
April Harper

4 Feminism, Fiction, and the Empress Matilda 69

Katherine Weikert

5 ‘She Is My Eleanor’: The Character

of Isabella of Angoulême on Film—A
Medieval Queen in Modern Media 91
Carey Fleiner

ix
x    Contents

6 Women’s Weapons in The White Queen 111

Misty Urban

7 ‘Men Go to Battle, Women Wage War’: Gender

Politics in The White Queen and Its Fandom 131
Kavita Mudan Finn

Part II Questions of Adaptation: Bringing Premodern

Queens to the Page and Screen  153

8 Religious Medievalisms in RTVE’s Isabel 159

Emily S. Beck

9 ‘The Queen of Time’: Isabel I in The Ministry

of Time (2015) and The Queen of Spain (2016) 179
Emily C. Francomano

10 From Mad Love to Mad Lust: The Dangers

of Female Desire in Twenty-First Century
Representations of Juana I of Castile in
Film and Television 195
Janice North

11 The Filmic Legacy of ‘Queen Christina’:

Mika Kaurismäki’s Girl King (2015) and
Bernard Tavernier’s Cinematic ‘Amazons’
in D’Artagnan’s Daughter (1994) and
The Princess of Monpensier (2010) 215
Séverine Genieys-Kirk

12 Thomas Imbach’s Marian Biopic: Postmodern

Period Drama or Old-Fashioned Psychogram? 239
Armel Dubois-Nayt
 Contents    xi

Part III Undermining Authority: Rulers with Conflicted

Gender and Sexual Identities  257

13 Queering Isabella: The ‘She-Wolf of France’

in Film and Television 263
Michael R. Evans

14 Seeing Him for What He Was: Reimagining King

Olaf II Haraldsson in Post-War Popular Culture 283
Karl C. Alvestad

15 Televising Boabdil, Last Muslim King of Granada 303

Elizabeth Drayson

16 A Man? A Woman? A Lesbian? A Whore?: Queen

Elizabeth I and the Cinematic Subversion of Gender 319
Aidan Norrie

Index 341
 Editors and Contributors

About the Editors

Janice North is an independent scholar and a specialist in medieval and

Golden Age Iberian literatures, who previously taught at the University
of Arkansas and the University of Virginia. She received her Ph.D.
from the University of Virginia in 2013, after defending her thesis on
Queen María de Molina of Castile (1284–1321) and her influence on
thirteenth- and fourteenth-century literature and historiography. Her
publications include “El Caballero de Dios y la muy noble reina: María
de Molina’s Patronage of the Libro del Caballero Zifar” (Romance
Quarterly 63:3, 2016), “Queen Mother Knows Best: María de Molina
and the Vestiges of Medieval Politics in Modern Historiography”
(Royal Mothers and Their Ruling Children, Palgrave Macmillan, 2015),
and a forthcoming article in the Bulletin of Spanish Studies, “Three
Queens for the Same Throne: Politics, Sex, and Disorder in TVE’s
Isabel” (2018).

Karl C. Alvestad is a specialist on Norwegian medievalism and early

medieval and Viking age Scandinavia, and is currently a lecturer in his-
tory at the University of Winchester. His thesis Kings, Heroes and Ships:
The Use of Historical Characters in Nineteenth- and Twentieth- Century
Perceptions of the Early Medieval Scandinavian Past explored elements
of Norwegian medievalism in the nineteenth and twentieth century

xiii
xiv    Editors and Contributors

with a focus on the use of Vikings as part of Norwegian nation build-

ing. He has also published: “Den Nasjonale Olav: Bruk og Misbruk av
Helgenkongens Bilde mellom 1920 og 1945” [The National Olaf: The
Use and Abuse of St Olaf’s image between 1920 and 1945] a chapter in
a volume on the image of St Olaf through the ages.

Elena Woodacre is a specialist in medieval and early modern queen-

ship and Senior Lecturer in Early Modern European History at the
University of Winchester. Her publications include her monograph The
Queens Regnant of Navarre; Succession, Politics and Partnership (Palgrave
Macmillan, 2013) and she has edited/co-edited several collections on
queenship and monarchy. Elena is the lead organizer of the ‘Kings &
Queens’ conference series and the founder of the international Royal
Studies Network, a resource that aims to bring together scholars who
work on monarchical topics. She is also the Editor-in-Chief of the Royal
Studies Journal.

Contributors

Emily S. Beck is Associate Professor of Early Modern Hispanic Studies

and Affiliate Professor in the Comparative Literature and Women and
Gender Studies Programs at the College of Charleston. Her primary
research interests concern the court of Queen Isabel I of Castile and
works that attempt to define and impose idealized behaviors for mem-
bers of medieval and early modern Iberian society. She has published
articles reexamining ways that works from the period subtly communi-
cate broader signs of social acceptance and norms for acceptability, which
have particularly important effects on those at the margins of society,
including ethnic and religious minorities and women. Her research inter-
ests include diverse genres of texts, including popular literary fiction,
religious treatises, legal texts, historical chronicles, theatrical interludes,
epistles, and manuals of courtesy and etiquette.
Elizabeth Drayson is Senior College Lecturer in Spanish at Murray
Edwards College and Peterhouse, and member of the department of
Spanish and Portuguese of the University of Cambridge. She special-
izes in medieval and early modern literature and cultural history and
her monograph The Lead Books of Granada was published by Palgrave
 Editors and Contributors    xv

Macmillan in 2013. Her latest book The Moor’s Last Stand: How Seven
Centuries of Muslim Rule in Spain Came to an End was published by
Profile Books in 2017.
Armel Dubois-Nayt lectures as an associate professor at the University
of Versailles-Saint-Quentin. She specializes in the history of ideas in the
sixteenth century in Scotland, England, and France with special empha-
sis on the gender controversy. She has published several articles on John
Knox, George Buchanan, and Mary Queen of Scots and co-edited sev-
eral volumes on the querelle des femmes in Europe and early modern
women as history writers. She has also co-written a book on women,
power, and nation in Scotland. She is currently preparing a book on
Mary Queen of Scots in the querelle des femmes.
Michael R. Evans is an instructor in history at Delta College, Michigan.
He is the author of The Death of Kings: Royal Deaths in Medieval
England (Continuum, 2003) and Inventing Eleanor: The Medieval and
Post-Medieval Image of Eleanor of Aquitaine (Bloomsbury, 2014).
Kavita Mudan Finn is an independent scholar who previously taught
medieval and early modern literature at Georgetown University, George
Washington University, Simmons College, Southern New Hampshire
University, and the University of Maryland, College Park. She earned
her Ph.D. from the University of Oxford in 2010 and published her first
book, The Last Plantagenet Consorts: Gender, Genre, and Historiography
1440–1627, in 2012. Her work has also appeared in Shakespeare, Viator,
Critical Survey, and Medieval and Renaissance Drama in England, and
she has edited several collections, most recently Fan Phenomena: Game
of Thrones (Intellect, 2017). She is currently working on her second
book, which looks at representations of and fan responses to premodern
women in television drama, and her chapter in this volume comes from
that project.
Carey Fleiner is Senior Lecturer in Classical and Early Medieval
History and Programme Leader in Classical Studies at the University of
Winchester in Great Britain. Her recent publications include “Optima
Mater: Power, Influence, and the Maternal Bonds between Agrippina
the Younger (AD 15–59) and Nero, Emperor of Rome (AD 54–68)”
in Royal Mothers and their Ruling Children: Wielding Political Authority
from Antiquity to the Early Modern Era, Vol. 1, eds. Elena Woodacre and
xvi    Editors and Contributors

Carey Fleiner (Palgrave, 2015): 149–170; and The Kinks: A Thoroughly

English Phenomenon (Rowman, 2017). She lives on the south coast of
England.
Emily C. Francomano is Associate Professor in the Department of
Spanish and Portuguese at Georgetown University, where she is also a
core faculty member in the Comparative Literature and Medieval Studies
Programs. She is the author of Wisdom and Her Lovers in Medieval
and Early Modern Hispanic Literature (Palgrave, 2008) and The Prison
of Love: Romance Translation, and the Book in the Sixteenth Century
(University of Toronto Press, 2017), as well as articles on medieval
poetry and romance. Her current research revolves around adaptation
and how certain narratives, particularly those about gender identities,
are told and re-told in many different literary and material forms, from
medieval manuscripts to film and digital environments.
Séverine Genieys-Kirk is a lecturer in French at the University of
Edinburgh. Her main area of research focuses on the history of femi-
nism, and more specifically on early modern women as agents of cultural
transactions through literary and artistic production, translation and his-
toriography. She is is currently preparing a monograph arising from an
AHRC project award: Women’s Bodies, Spaces and Voices in Early Modern
Fiction. She is also chief editor of SIEFAR’ s online dictionary of French
women writers (http://siefar.org/), and is a member of the Center for
the New Historia Scholars Council (The New School, New York).
April Harper is an associate professor of medieval history at the State
University of New York, Oneonta. Her research and teaching interests
include the history of medicine and sexuality. More specifically, her work
examines the idexical signs of gender in medieval medical and legal texts.
Aidan Norrie is a historian of monarchy. He is a Chancellor’s
International Scholar in the Centre for the Study of the Renaissance at
The University of Warwick, and Honorary Associate of the Department
of English and Linguistics at the University of Otago. Aidan is the editor
of Women on the Edge in Early Modern Europe (with Lisa Hopkins), and
of From Medievalism to Early Modernism: Adapting the English Past (with
Marina Gerzic). He is currently researching the use of biblical figures in
Elizabethan royal iconography, with a focus on Elizabeth I’s conflation
with Deborah the Judge to create the ‘English Deborah.’
 Editors and Contributors    xvii

Misty Urban holds an MFA in fiction and a Ph.D. in Old and Middle
English Literature from Cornell University and has published articles
on medieval history and literature, teaching medieval literature, and
medieval film. She is the author of Monstrous Women in Middle English
Romance, winner of the D. Simon Evans Dissertation Prize for Medieval
Studies, and co-editor of Melusine’s Footprint: Tracing the Legacy of a
Medieval Myth, published in the Explorations in Medieval Culture series
by Brill. She teaches and coordinates the Writing Center at Muscatine
Community College in Muscatine, Iowa.
Katherine Weikert is Lecturer in Early Medieval European History at
the University of Winchester. Her areas of interest include gender and
authority in the central middle ages, medieval hostageship, and the polit-
ical use of the medieval in modern society.
 List of Figures

Fig. 7.1 A post on The White Queen Confessions,

dated 22 July 2014 (Tumblr) 137
Fig. 7.2 Tweet from Philippa Gregory (@PhilippaGBooks)
on 19 October 2013 145
Fig. 8.1 Image from the opening sequence of Isabel ©RTVE 160
Fig. 8.2 Screen shot of homepage of Isabel website
©RTVE 2017. “Portada,” RTVE 172
Fig. 9.1 Film, History, and Film-History meet in The Queen of Spain 187
Fig. 13.1 Isabella (Geneviève Casile) and Edward II
(Michel Beaune); Les Rois maudits (1972) 267
Fig. 13.2 Isabella (Tilda Swinton) and Mortimer (Nigel Terry);
Derek Jarman’s Edward II (1991) 272
Fig. 13.3 Isabella (Sophie Marceau); Braveheart (1995) 276
Fig. 13.4 Isabella (Aure Atika) takes the crown from the head
of Edward II; World Without End (2012) 279
Fig. 15.1 The Surrender of Granada (La rendición de Granada),
Francisco Pradilla y Ortiz, 1882 312
Fig. 16.1 An armor-clad Elizabeth (played by Cate Blanchett)
addresses the troops at Tilbury 323
Fig. 16.2 Elizabeth (Quentin Crisp, left) and Orlando
(Tilda Swinton) twist gender norms as they share
an intimate moment 333

xix
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