Mathematical Thinking and Writing A Transition To Abstract Mathematics 1st Edition Randall Maddox Sample
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MATHEMATICAL
THINKING
AND WRITING
This Page Intentionally Left Blank
RANDALL B. MADDOX
Pepperdine University, Malibu, CA
MATHEMATICAL
THINKING
AND WRITING
A Transition to Abstract Mathematics
ACADEMIC PRESS
A H a r cour t S cience and Technology Com pany
Sponsoring Editor Barbara Holland
Production Editor Amy Fleischer
Marketing Coordinator Stephanie Stevens
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Copyright
c 2002 by HARCOURT/ACADEMIC PRESS
Requests for permission to make copies of any part of the work should be mailed to:
Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.
Academic Press
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CHAPTER 1 Logic 13
1.1 Introduction to Logic 13
1.1.1 Statements 13
1.1.2 Negation of a statement 15
1.1.3 Combining statements with AND/OR 15
1.1.4 Logical equivalence 18
1.1.5 Tautologies and contradictions 18
1.2 If-Then Statements 20
1.2.1 If-then statements 20
1.2.2 Variations on p → q 22
1.2.3 Logical equivalence and tautologies 23 vii
viii Contents
CHAPTER 3 Functions 97
3.1 Definitions and Terminology 97
3.1.1 Definition and examples 97
3.1.2 Other terminology and notation 101
3.1.3 Three important theorems 103
3.2 Composition and Inverse Functions 106
3.2.1 Composition of functions 106
3.2.2 Inverse functions 108
3.3 Cardinality of Sets 110
3.3.1 Finite sets 111
3.3.2 Infinite sets 113
3.4 Counting Methods and the Binomial Theorem 118
3.4.1 The product rule 118
3.4.2 Permutations 122
3.4.3 Combinations and partitions 122
3.4.4 Counting examples 125
3.4.5 The binomial theorem 126
Index 299
This Page Intentionally Left Blank
Why Read This Book?
One of Euclid’s geometry students asked a familiar question more than 2000 years ago.
After learning the first theorem, he asked, “What shall I get by learning these things?”
Euclid didn’t have the kind of answer the student was looking for, so he did what anyone
would do — he got annoyed and sarcastic. The story goes that he called his slave and said,
“Give him threepence since he must make gain out of what he learns.”1
It is a familiar question: “So how am I ever gonna use this stuff?” I doubt that anyone
has ever come up with a good answer because it’s really the wrong question. The first
question is not what you’re going to do with this stuff, but what this stuff is going to do
with you.
This book is not a computer users’ manual that will make you into a computer
industry millionaire. It is not a collection of tax law secrets that will save you thousands
of dollars in taxes. It is not even a compilation of important mathematical results for you
to stack on top of the other mathematics you have learned. Instead, it’s an entrance into
a new kingdom, the world of mathematics, where you learn to think and write as the
inhabitants do.
Mathematics is a discipline that requires a certain type of thinking and communi-
cating that many appreciate but few develop to a great degree. Developing these skills
involves dissecting the components of mathematical language, analyzing their structure,
and seeing how they fit together. Once you have become comfortable with these princi-
ples, then your own style of mathematical writing can begin to shine through.
Writing mathematics requires a precision that seems a little stifling because at first it
might feel like some pedant is forcing you to use prechosen words and phrases to express
the things you see clearly with your own mind’s eye. Be patient. In time you’ll see how
adapting to the culture of mathematics and adopting its style of communicating will
shape all your thinking and writing. You’ll see your skills of critical analysis become more
developed and polished. My hope is that these skills will influence the way you organize
1
T.L. Heath, A History of Greek Mathematics, Oxford, 1931.
xiii
xiv Why Read This Book?
and present your thoughts in everything from English composition papers to late night
bull sessions with friends.
Here’s an analogy of what the first principles of this book will do for you. Consider
a beginning student of the piano. Music is one of the most creative disciplines, and our
piano student has been listening to Chopin for some time. She knows she has a true
ear and an intuition for music. However, she must begin at the piano by playing scales
over and over. These exercises develop her ability to use the piano effectively in order to
express the creativity within her. Furthermore, these repetitive tasks familiarize her with
the structure of music as an art form, and actually nurture and expand her capacity to
express herself in original and creative ways through music. Then, once she has mastered
the basic technical skills of hitting the keys, she understands more clearly how really
enjoyable music can be. She learns this truth: The aesthetic elements of music cannot
be fully realized until the technical skills developed by rote exercises have been mastered
and can be relegated to the subconscious.
Your first steps to becoming a mathematician are a lot like those for our pianist. You
will first be introduced to the building blocks of mathematical structure, then practice
the precision required to communicate mathematics correctly. The drills you perform in
this practice will help you see mathematics as a discipline more clearly and equip you to
appreciate its beauty.
Let n be a positive integer, and think of this course as a trip through a new country
on a bicycle built for n. The purposes of the trip are:
To familiarize you with the territory;
To equip you to explore it on your own;
To give you some panoramic views of the countryside;
To teach you to communicate with the inhabitants; and
To help you begin to carve out your own niche.
If you are willing to do the work, I promise you will enjoy the trip. You’ll need help pedaling
at first, and occasionally when the hills are steep. But you’ll come back a different person,
for this material will have done something with you. Then you’ll understand that Euclid
really got it right after all, and you’ll appreciate why his witty response is still fresh and
relevant after 2000 years.
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