Jungheinrich Forklift ETV 216 Spare

Parts Manual 91152104

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91152104

Jungheinrich Forklift ETV 216 Spare Parts Manual 91152104Size: 8.9 MBFormat:
PDFLanguage: EnglishBrand: JungheinrichType of Machine: ForkliftType of
Manual: Parts CatalogModel: Jungheinrich ETV 216 ForkliftDate: 2021Number of
Page: 423 PagesSerial Number: 91152104
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 GLOSSARY OF TECHNICAL WORDS.
Abacus.—The upper portion of the capital of a column,
upon which the weight to be carried rests.
Aisle (Lat. ala).—The side subdivision in a church;
occasionally all the subdivisions, including the nave, are
called aisles.
Apse.—A semicircular or polygonal termination to, or
projection from, a church or other public building.
Arcade.—A range of arches, supported on piers or
columns.
Arch.—A construction of wedge-shaped blocks of stone, or
of bricks, of a curved outline, and spanning an open
space. The principal forms of arch in use are Semicircular;
Acutely-pointed, or Lancet; Equilateral, or Less Acutely-
pointed; Four-centred, or Depressed Tudor; Three-
centred, or Elliptic; Ogival; Segmental; and Stilted. (Figs. a
to f.)
Architrave.—(1) The stone which in Classic and
Renaissance architecture is thrown from one column or
pilaster to the next. (2) The moulding which in the same
styles is used to ornament the margin of a door or window
opening or arch.
Ashlar.—Finely-wrought masonry, employed for the facing
of a wall of coarser masonry or brick.
Attic (In Renaissance Architecture).—A low upper story,
distinctly marked in the architecture of the building,
usually surmounting an order; (2) in ordinary building, any
story in a roof.
Bailey (from vallum).—The enclosure of the courtyard of a
castle.
Ball-flower.—An ornament representing a globular bud,
placed usually in a hollow moulding.
Baluster.—A species of small column, generally of curved
outline.
Balustrade.—A parapet or rail formed of balusters.

Fig. a.—Semicircular Arch.

Fig. b.—Stilted Arch.

The Semicircular and the Stilted Semicircular Arch
were the only arches in use till the introduction of
the Pointed Arch. Throughout the Early English,
Decorated, and Perpendicular periods they occur
as exceptional features, but they were practically
superseded after the close of the 12th cent.

Fig. c.—Equilateral Arch.

Fig. d.—Lancet Arch.

The Lancet Arch was characteristic of the Early

English period, is never found earlier, and but
rarely occurs later. The Equilateral Arch was the
favourite arch of the architects of the geometrical
 Decorated, but is not unfrequently met with in
the early part of the Perpendicular period.

Fig. e.—Ogival Arch.

Fig. f.—Depressed Tudor Arch.

The Depressed (or Four-centred) Tudor Arch is

characteristic of the Perpendicular period, and
was then constantly employed. The Ogival Arch is
occasionally employed late in that period, but was
more used by French and Italian architects than
by those of Great Britain.
Band.—A flat moulding or projecting strip of stone.
Barrel-vaulting.—See Waggon-head vaulting.
Barge-board (or Verge-board).—An inclined and pierced or
ornamented board placed along the edge of a roof when it
overhangs a gable wall.
Base.—(1) The foot of a column; (2) sometimes that of a
buttress or wall.

Fig. g.—Base of Early English Shaft.

 Fig. h.—Base of Perpendicular Shaft.

Fig. i.—Base of Decorated Shaft.

Basilica.—(1) A Roman public hall; (2) an early Christian

church, similar to a Roman basilica in disposition.
Bastion (in Fortification).—A bold projecting mass of
building, or earthwork thrown out beyond the general line
of a wall.
Battlement.—A notched or indented parapet.
Bay.—One of the compartments in a building which is
made up of several repetitions of the same group of
features; e.g., in a church the space from one column of
the nave arcade to the next is a bay.
Bay-window.—A window projecting outward from the wall.
It may be rectangular or polygonal. It must be built up
from the ground. If thrown out above the ground level, a
projecting window is called an Oriel. (See Bow window.)
Bead.—A small moulding of circular profile.
Belfry.—A chamber fitted to receive a peal of bells.
Belfry Stage.—The story of a tower where the belfry
occurs. Usually marked by large open arches or windows,
to let the sound escape.
Bell (of a capital).—The body between the necking and
the abacus (which see).
Billet Moulding.—A moulding consisting of a group of small
blocks separated by spaces about equal to their own
length.
Blind Story.—Triforium (which see).
Boss.—A projecting mass of carving placed to conceal the
intersection of the ribs of a vault, or at the end of a string
course which it is desired to stop, or in an analogous
situation.
Bow Window.—Similar to a Bay-window (which see), but
circular or segmental.
Broach-spire.—A spire springing from a tower without a
parapet and with pyramidal features at the feet of its four
oblique sides (see Fig. 22) to connect them to the four
angles of the tower.
Broachead (Spire).—Formed as above described.
Buttress.—A projection built up against a wall to create
additional strength or furnish support (see Flying
Buttress).
Byzantine.—The round-arched Christian architecture of the
Eastern Church, which had its origin in Byzantium
(Constantinople).

Canopy.—(1) An ornamented projection over doors,

windows, &c.; (2) a covering over niches, tombs, &c.
Campanile.—The Italian name for a bell-tower.

Fig. j.—Buttress.

Capital.—The head of a column or pilaster (Figs. l to p).

Cathedral.—A church which contains the seat of a bishop;
usually a building of the first class.
Certosa.—A monastery (or church) of Carthusian monks.
Chamfer.—A slight strip pared off from a sharp angle.
Chancel.—The choir or eastern part of a church.
Chantry Chapel.—A chapel connected with a monument or
tomb in which masses were to be chanted. This was
usually of small size and very rich.
Chapel.—(1) A chamber attached to a church and opening
out of it, or formed within it, and in which an altar was
placed; (2) a small detached church.
Chapter House.—The hall of assembly of the chapter (dean
and canons) of a cathedral.

Fig. l.—Early Norman Capital.

Fig. m.—Early English Capital.

Fig. n.—Later Norman Capital.

Fig. o.—Perpendicular Capital.

 Fig. p.—Early French Capital.

Château.—The French name for a country mansion.

Chevron.—A zig-zag ornament.
Chevet.—The French name for an apse when surrounded
by chapels; see the plan of Westminster Abbey (Fig. 6).
Choir.—The part of a church in which the services are
celebrated; usually, but not always, the east end or
chancel. In a Spanish church the choir is often at the
crossing.
Clerestory.—The upper story or row of windows lighting
the nave of a Gothic church.
Cloister.—A covered way round a quadrangle of a
monastic building.
Clustered (shafts).—Grouped so as to form a pier of some
mass out of several small shafts.
Corbel.—A projecting stone (or timber) supporting, or
seeming to support, a weight (Fig. k).

Fig. k.—Early Renaissance Corbel.

Corbelling.—A series of mouldings doing the same duty as

a corbel; a row of corbels.
Corbel Table.—A row of corbels supporting an overhanging
parapet or cornice.
Cortile (Italian).—The internal arcaded quadrangle of a
palace, mansion, or public building.
Column.—A stone or marble post, divided usually into base,
shaft, and capital; distinguished from a pier by the shaft
being cylindrical or polygonal, and in one, or at most, in
few pieces.
Cornice.—The projecting and crowning portion of an order
(which see) or of a building, or of a stage or story of a
building.
Course.—A horizontal layer of stones in the masonry of a
building.
Crocket.—A tuft of leaves arranged in a formal shape,
used to decorate ornamental gables, the ribs of spires, &c.

Fig. q.—Decorated Crocket.

 Fig. r.—Perpendicular Crocket.

Crossing.—The intersection (which see) in a church or

cathedral.
Cross Vault.—A vault of which the arched surfaces
intersect one another, forming a groin (which see).
Crypt.—The basement under a church or other building
(almost invariably vaulted).
Cusp.—The projecting point thrown out to form the leaf-
shaped forms or foliations in the heads of Gothic windows,
and in tracery and panels.

Dec.
Decorated. } The Gothic architecture of the fourteenth
century in England. Abbreviated Dec.

Detail.—The minuter features of a design or building,

especially its mouldings and carving.
Diaper (Gothic).—An uniform pattern of leaves or flowers
carved or painted on the surface of a wall.
 Fig. s.—Diaper in Spandrel, from Westminster Abbey.

Dogtooth.—A sharply-pointed ornament in a hollow

moulding which is peculiar to Early English Gothic. It
somewhat resembles a blunt tooth.
Dormer Window.—A window pierced through a sloping roof
and placed under a small gable or roof of its own.
Dome.—A cupola or spherical convex roof, ordinarily
circular on plan.
Domical Vaulting.—Vaulting in which a series of small
domes are employed; in contradistinction to a waggon-
head vault, or an intersecting vault.
Double Tracery.—Two layers of tracery one behind the
other and with a clear space between.

E. E.
Early
English.
} The Gothic architecture of England in the
thirteenth century. Abbreviated E. E.

Eaves.—The verge or edge of a roof overhanging the wall.

Eaves-course.—A moulding carrying the eaves.
Elevation.—(1) A geometrical drawing of part of the
exterior or interior walls of a building; (2) the architectural
treatment of the exterior or interior walls of a building.
Elizabethan.—The architecture of England in, and for some
time after, the reign of Elizabeth.
Embattled.—Finished with battlements, or in imitation of
battlements.
Enrichments.—The carved (or coloured) decorations applied
to the mouldings or other features of an architectural
design. (See Mouldings.)
Entablature (in Classic and Renaissance architecture).—The
superstructure above the columns where an order is
employed. It is divided into the architrave, which rests on
the columns, the frieze and the cornice.

Façade.—The front of a building or of a principal part of a

building.
Fan Vault.—The vaulting in use in England in the fifteenth
century, in which a series of conoids bearing some
resemblance to an open fan are employed.
Fillet.—A small moulding of square flat section.

Fig. t.—Perpendicular Finial.

Finial.—A formally arranged bunch of foliage or other

similar ornament forming the top of a pinnacle, gablet, or
other ornamented feature of Gothic architecture.
Flamboyant Style.—The late Gothic architecture of France at
the end of the fifteenth century, so called from the
occurrence of flame-shaped forms in the tracery.
Flèche.—A name adapted from the French. A slender spire,
mostly placed on a roof; not often so called if on a tower.
Flying Buttress.—A buttress used to steady the upper and
inner walls of a vaulted building, placed at some distance
from the wall which it supports, and connected with it by
an arch.
 Fig. u.—Flying Buttress.

Foil.—A leaf-shaped form produced by adding cusps to the

curved outline of a window head or piece of tracery.
Foliation.—The decoration of an opening, or of tracery by
means of foils and cusps.
Fosse.—The ditch of a fortress.
François I. Style.—The early Renaissance architecture of
France during part of the sixteenth century.
Frieze.—(1) The middle member of a Classic or
Renaissance entablature; this was often sculptured and
carved; (2) any band of sculptured ornament.
Gable.—The triangular-shaped wall carrying the end of a
roof.
Gablet.—A small gable (usually ornamental only).
Gallery.—(1) An apartment of great length in proportion to
its width; (2) a raised floor or stage in a building.
Gargoyle.—A projecting waterspout, usually carved in
stone, more rarely formed of metal.
Geometrical.—The architecture of the earlier part of the
decorated period in England.
Grille.—A grating or ornamental railing of metal.
Groin.—The curved line which is made by the meeting of
the surfaces of two vaults or portions of vaults which
intersect.
Group.—An assemblage of shafts or mouldings or other
small features intended to produce a combined effect.
Grouping.—Combining architectural features as above.

Hall.—(1) The largest room in an ancient English mansion,

or a college, &c.; (2) any large and stately apartment.
Half Timbered Construction.—A mode of building in which a
framework of timbers is displayed and the spaces between
them are filled in with plaster or tiles.
Hammer Beam Roof.—A roof peculiar to English architecture
of the fifteenth century, deriving its name from the use of
a hammer beam (a large bracket projecting from the
walls) to partly support the rafters.
Head (of an arch or other opening).—The portion within
the curve; whether filled in by masonry or left open,
sometimes called a tympanum.
Hip.—The external angle formed by the meeting of two
sloping sides of a roof where there is no gable.
Hôtel (French).—A town mansion.

Impost.—A moulding or other line marking the top of the

jambs of an arched opening, and the starting point, or
apparent starting point, of the arch.
Inlay.—A mode of decoration in which coloured materials
are laid into sinkings of ornamental shape, cut into the
surface to be decorated.
Intersection (or Crossing).—The point in a church where
the transepts cross the nave.
Intersecting Vaults.—Vaults of which the surfaces cut one
another.
Interpenetration.—A German mode of treating mouldings,
as though two or more sets of them existed in the same
stone and they could pass through (interpenetrate) each
other.

Jamb.—The side of a door or window or arch, or other

opening.