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The Perversity of Things
 Electronic Mediations
Series Editors: N. Katherine Hayles, Peter Krapp, Rita Raley, and Samuel Weber
Founding Editor: Mark Poster

52 The Perversity of Things: Hugo Gernsback 39 Digital Memory and the Archive
on Media, Tinkering, and Scientifiction Wolfgang Ernst
Grant Wythoff, Editor 38 How to Do Things with Videogames
51 The Participatory Condition in the Digital Age Ian Bogost
Darin Barney, Gabriella Coleman, Christine 37 Noise Channels: Glitch and Error in Digital
Ross, Jonathan Sterne, and Tamar Tembeck, Culture
Editors Peter Krapp
50 Mixed Realism: Videogames and the Violence 36 Gameplay Mode: War, Simulation, and
of Fiction Technoculture
Timothy J. Welsh Patrick Crogan
49 Program Earth: Environmental 35 Digital Art and Meaning: Reading Kinetic
Sensing Technology and the Making Poetry, Text Machines, Mapping Art,
of a Computational Planet and Interactive Installations
Jennifer Gabrys Roberto Simanowski
48 On the Existence of Digital Objects 34 Vilém Flusser: An Introduction
Yuk Hui Anke Finger, Rainer Guldin, and Gustavo
47 How to Talk about Videogames Bernardo
Ian Bogost 33 Does Writing Have a Future?
46 A Geology of Media Vilém Flusser
Jussi Parikka 32 Into the Universe of Technical Images
45 World Projects: Global Information before Vilém Flusser
World War I 31 Hypertext and the Female Imaginary
Markus Krajewski Jaishree K. Odin
44 Reading Writing Interfaces: From the Digital 30 Screens: Viewing Media Installation Art
to the Bookbound Kate Mondloch
Lori Emerson
29 Games of Empire: Global Capitalism and Video
43 Nauman Reiterated Games
Janet Kraynak Nick Dyer-Witheford and Greig de Peuter
42 Comparative Textual Media: Transforming 28 Tactical Media
the Humanities in the Postprint Era Rita Raley
N. Katherine Hayles and Jessica Pressman,
Editors 27 Reticulations: Jean-Luc Nancy and the
Networks of the Political
41 Off the Network: Disrupting the Digital World Philip Armstrong
Ulises Ali Mejias
26 Digital Baroque: New Media Art and
40 Summa Technologiae Cinematic Folds
Stanisław Lem Timothy Murray
25 Ex-foliations: Reading Machines and the 10 Avatar Bodies: A Tantra for Posthumanism
Upgrade Path Ann Weinstone
Terry Harpold 9 Connected, or What It Means to Live in the
24 Digitize This Book! The Politics of New Media, Network Society
or Why We Need Open Access Now Steven Shaviro
Gary Hall 8 Cognitive Fictions
23 Digitizing Race: Visual Cultures of the Internet Joseph Tabbi
Lisa Nakamura 7 Cybering Democracy: Public Space and the
22 Small Tech: The Culture of Digital Tools Internet
Byron Hawk, David M. Rieder, and Ollie Diana Saco
Oviedo, Editors 6 Writings
21 The Exploit: A Theory of Networks Vilém Flusser
Alexander R. Galloway and Eugene Thacker 5 Bodies in Technology
20 Database Aesthetics: Art in the Age Don Ihde
of Information Overflow 4 Cyberculture
Victoria Vesna, Editor Pierre Lévy
19 Cyberspaces of Everyday Life 3 What’s the Matter with the Internet?
Mark Nunes Mark Poster
18 Gaming: Essays on Algorithmic Culture 2 High Techn–e: Art and Technology
Alexander R. Galloway
from the Machine Aesthetic to the Posthuman
17 Avatars of Story R. L. Rutsky
Marie-Laure Ryan
1 Digital Sensations: Space, Identity,
16 Wireless Writing in the Age of Marconi and Embodiment in Virtual Reality
Timothy C. Campbell Ken Hillis
15 Electronic Monuments
Gregory L. Ulmer
14 Lara Croft: Cyber Heroine
Astrid Deuber-Mankowsky
13 The Souls of Cyberfolk: Posthumanism as
Vernacular Theory
Thomas Foster
12 Déjà Vu: Aberrations of Cultural Memory
Peter Krapp
11 Biomedia
Eugene Thacker
 The
Poferversity
Things
HUGO GERNSBACK
on Media, Tinkering,
and Scientifiction

Edited by GRANT WYTHOFF

Electronic Mediations 52
University of Minnesota Press
minneapolis • london
This publication was made possible in part by the Barr Ferree Foundation Fund for
Publications, Department of Art and Archaeology, Princeton University.

A portion of the Introduction was published in an earlier version as “Aerophone,

Telephot, Hypnobioscope: Hugo Gernsback’s Media Theory,” Wi: Journal of Mobile
Media 8, no. 2 (2014), Future Media edition.

Unless otherwise noted, all illustrations in the volume were provided courtesy
of Syracuse University Libraries, Special Collections Research Center.

Copyright 2016 by the Regents of the University of Minnesota

All rights reserved. No part of this publication may be reproduced, stored in a re-
trieval system, or transmitted, in any form or by any means, electronic, mechanical,
photocopying, recording, or otherwise, without the prior written permission of the
publisher.

Published by the University of Minnesota Press

111 Third Avenue South, Suite 290
Minneapolis, MN 55401-2520
http://www.upress.umn.edu

Printed in the United States of America on acid-free paper

The University of Minnesota is an equal-opportunity educator and employer.

22 21 20 19 18 17 16 10 9 8 7 6 5 4 3 2 1

Library of Congress Cataloging-in-Publication Data

Names: Gernsback, Hugo, 1884–1967, author. | Wythoff, Grant, editor.
Title: The perversity of things : Hugo Gernsback on media, tinkering,
and scientifiction / Hugo Gernsback ; edited by Grant Wythoff.
Minneapolis : University of Minnesota Press, 2016. | Series: Electronic
mediations ; 52 | Includes bibliographical references and index.
Identifiers: LCCN 2016022208 | ISBN 978-1-5179-0084-7 (hc) |
ISBN 978-1-5179-0085-4 (pb)
Subjects: | BISAC: Literary Criticism / Science Fiction & Fantasy. |
Literary Collections / Essays. | Science / History.
Classification: LCC PS3513.E8668 A6 2016 | DDC 813/.54—dc23
LC record available at https://lccn.loc.gov/2016022208
for SARA
 Thematic Contents

FRONT MATTER PART II. HISTORY AND THEORY OF MEDIA

How to Use This Book xiii The Aerophone Number (1908) 65
Acknowledgments xv Why “Radio Amateur News”Is Here (1919) 194
Introduction 1 Science and Invention (1920) 225
“up-to-date technic”: Hugo Gernsback’s Learn and Work While You Sleep (1921) 232
Pulp Media Theory 11 The “New” Science and Invention (1923) 272
“a perfect Babel of voices”: Communities Are We Intelligent? (1923) 276
of Inquiry and Wireless Publics 25
“’phone and code”: Dynamophone,
Radioson, and Other Emerging Media 33
“certain future instrumentalities”: The
PART III. BROADCAST REGULATION
Mineral Proficiencies of Tinkering 43 The Wireless Joker (1908) 67
“we exploit the future”: Scientifiction’s The Wireless Association of America (1909) 69
Debut 49 The Roberts Wireless Bill (1910) 90
The Alexander Wireless Bill (1912) 108
Wireless and the Amateur: A Retrospect
PART I. TINKERING (1913) 110
A New Interrupter (1905) 60 Sayville (1915) 135
The Dynamophone (1908) 62 War and the Radio Amateur (1917) 168
The Born and the Mechanical Inventor Silencing America’s Wireless (1917) 171
(1911) 99 Amateur Radio Restored (1919) 190
The Radioson Detector (1914) 129 The Future of Radio (1919) 200
What to Invent (1916) 163 Wired versus Space Radio (1927) 322
The Perversity of Things (1916) 165
Thomas A. Edison Speaks to You (1919) 202
Human Progress (1922) 253
Results of the $500.00 Prize Contest:
Who Will Save the Radio Amateur? (1923) 256
The Isolator (1925) 284
The Detectorium (1926) 299
New Radio “Things” Wanted (1927) 315
PART IV. WIRELESS PART VII. SCIENTIFICTION
[Editorials] (1909) 73 Signaling to Mars (1909) 77
From The Wireless Telephone (1911) 93 Our Cover (1913) 113
From A Treatise on Wireless Telegraphy Phoney Patent Offizz: Bookworm’s Nurse
(1913) 115 (1915) 152
The Future of Wireless (1916) 158 Imagination versus Facts (1916) 161
From Radio for All (1922) 237 Interplanetarian Wireless (1920) 214
Radio Broadcasting (1922) 251 An American Jules Verne (1920) 227
Is Radio at a Standstill? (1926) 296 10,000 Years Hence (1922) 245
Edison and Radio (1926) 309 Predicting Future Inventions (1923) 269
Why the Radio Set Builder? (1927) 312 The Dark Age of Science (1925) 282
Radio Enters into a New Phase (1927) 327 A New Sort of Magazine (1926) 287
The Short-Wave Era (1928) 330 The Lure of Scientifiction (1926) 289
Fiction versus Facts (1926) 291
Editorially Speaking (1926) 294
PART V. TELEVISION Imagination and Reality (1926) 303
Television and the Telephot (1909) 83 How to Write “Science” Stories (1930) 337
A Radio-Controlled Television Plane Science Fiction versus Science Faction
(1924) 278 (1930) 342
After Television—What? (1927) 319 Wonders of the Machine Age (1931) 347
Television Technique (1931) 344 Reasonableness in Science Fiction (1932) 354

PART VI. SOUND PART VIII. SELECTED FICTION

Hearing through Your Teeth (1916) 155 Ralph 124C 41+, Part 3 (1911) 101
Grand Opera by Wireless (1919) 196 Baron Münchhausen’s New Scientific
The Physiophone: Music for the Deaf Adventures, Part 5: “Münchhausen
(1920) 218 Departs for the Planet Mars” (1915) 138
The “Pianorad” (1926) 305 The Magnetic Storm (1918) 174
The Electric Duel (1927) 325
The Killing Flash (1929) 333

Index 355
 Chronological Contents

How to Use This Book xiii

Acknowledgments xv
Introduction 1
“up-to-date technic”: Hugo Gernsback’s
Pulp Media Theory 11
“a perfect Babel of voices”: Communities
of Inquiry and Wireless Publics 25
“’phone and code”: Dynamophone,
Radioson, and Other Emerging Media 33
“certain future instrumentalities”:
The Mineral Proficiencies of Tinkering 43
“we exploit the future”: Scientifiction’s
Debut 49
A New Interrupter (1905) 60
The Dynamophone (1908) 62
The Aerophone Number (1908) 65
The Wireless Joker (1908) 67
The Wireless Association of America (1909) 69
[Editorials] (1909) 73
Signaling to Mars (1909) 77
Television and the Telephot (1909) 83
The Roberts Wireless Bill (1910) 90
From The Wireless Telephone (1911) 93
The Born and the Mechanical Inventor
(1911) 99
Ralph 124C 41+, Part 3 (1911) 101
The Alexander Wireless Bill (1912) 108
Wireless and the Amateur: A Retrospect
(1913) 110
Our Cover (1913) 113
From A Treatise on Wireless Telegraphy
(1913) 115
The Radioson Detector (1914) 129
Sayville (1915) 135 Predicting Future Inventions (1923) 269
Baron Münchhausen’s New Scientific The “New” Science and Invention (1923) 272
Adventures, Part 5: “Münchhausen Are We Intelligent? (1923) 276
Departs for the Planet Mars” (1915) 138
A Radio-Controlled Television Plane
Phoney Patent Offizz: Bookworm’s Nurse (1924) 278
(1915) 152
The Dark Age of Science (1925) 282
Hearing through Your Teeth (1916) 155
The Isolator (1925) 284
The Future of Wireless (1916) 158
A New Sort of Magazine (1926) 287
Imagination versus Facts (1916) 161
The Lure of Scientifiction (1926) 289
What to Invent (1916) 163
Fiction versus Facts (1926) 291
The Perversity of Things (1916) 165
Editorially Speaking (1926) 294
War and the Radio Amateur (1917) 168
Is Radio at a Standstill? (1926) 296
Silencing America’s Wireless (1917) 171
The Detectorium (1926) 299
The Magnetic Storm (1918) 174
Imagination and Reality (1926) 303
Amateur Radio Restored (1919) 190
The “Pianorad” (1926) 305
Why “Radio Amateur News” Is Here
Edison and Radio (1926) 309
(1919) 194
Why the Radio Set Builder? (1927) 312
Grand Opera by Wireless (1919) 196
New Radio “Things” Wanted (1927) 315
The Future of Radio (1919) 200
After Television—What? (1927) 319
Thomas A. Edison Speaks to You (1919) 202
Wired versus Space Radio (1927) 322
Interplanetarian Wireless (1920) 214
The Electric Duel (1927) 325
The Physiophone: Music for the Deaf
(1920) 218 Radio Enters into a New Phase (1927) 327
Science and Invention (1920) 225 The Short-Wave Era (1928) 330
An American Jules Verne (1920) 227 The Killing Flash (1929) 333
Learn and Work While You Sleep (1921) 232 How to Write “Science” Stories (1930) 337
From Radio for All (1922) 237 Science Fiction versus Science Faction
(1930) 342
10,000 Years Hence (1922) 245
Television Technique (1931) 344
Radio Broadcasting (1922) 251
Wonders of the Machine Age (1931) 347
Human Progress (1922) 253
Reasonableness in Science Fiction (1932) 354
Results of the $500.00 Prize Contest:
Who Will Save the Radio Amateur?
(1923) 256 Index 355
 How to Use This Book

T his collection contains writings that are representative of Hugo

Gernsback’s thinking across an incredibly prolific and varied
career, as well as pieces that are uniquely interesting documents in
the history of science fiction and media technology. The book has
been designed to invite several different points of entry for different
kinds of readers. In order to preserve a sense of how the Gernsback
magazines seamlessly toggled between fantastic futures and hard
technical detail, the book is arranged chronologically. Much like the
way in which each issue of a Gernsback title contained an impressive
variety of topics from one page to the next, this book read chronolog-
ically encourages a similarly kaleidoscopic reading experience. As a
navigational aid, the reader will find an additional table of contents
that is arranged thematically. These categories in fact bleed into one
another, with articles rarely touching solely on regulation or solely on
television, for instance. Nevertheless, this thematic table of contents
allows readers interested in particular aspects of Gernsback’s career
to drop in at those points. Finally, the book’s electronic Manifold
edition, which will be available early in 2017 at manifold.umn.edu,
makes available the complete magazine issues in which each of these
pieces first appeared and will serve as a resource for those interested
in digging further.
A few notes on the text: pieces that are included in this collection
are referenced throughout the book with their titles in bold and can
be found alphabetically using the index. Any footnotes included in
the original magazines are prefaced by “Gernsback: . . . ,” followed by
the note. Finally, Gernsback experimented with many idiosyncratic
spellings throughout his career as a magazine editor, including words
like publisht, diafram, altho, and slipt. I have chosen to retain these
spellings. The writings are reproduced as closely as possible to their
original versions, including odd capitalizations, punctuation, omitted
words, and the like.

xiii
 Acknowledgments

R esearch for this project began in the Department of English at

Princeton University, and I am grateful for the warm community
of scholars and friends who supported both me and this book through-
out my time there. In particular: Eduardo Cadava, Anne Cheng, Bill
Gleason, Thomas Y. Levin, Meredith Martin, and Benjamin Widiss.
A Summer Prize from the Program in American Studies allowed me to
conduct some of the foundational research for this book at the Hugo
Gernsback Papers in Syracuse, where I luxuriated in a collection con-
taining every issue ever of Gernsback’s magazines.
My colleagues at the Columbia Society of Fellows saw this proj-
ect through several iterations and provided invaluable feedback on
the manuscript at many points along the way; thanks especially to
Vanessa Agard-Jones, Teresa Bejan, Maggie Cao, William Derringer,
Brian Goldstone, David Gutkin, Hidetaka Hirota, Murad Idris, Ian
McCready-Flora, Dan-el Padilla Peralta, Carmel Raz, and Rebecca
Woods. Christopher Brown and Eileen Gillooly are brilliant, devoted,
and incredibly generous leaders of this community, and the quality
of the work that comes out of the program is a testament to their
leadership.
I express my gratitude to staff and curators like Bruce Roloson at
the Antique Wireless Association Museum in Bloomfield, New York,
for actually letting me touch artifacts that for years I was able only to
read about. During this trip, I met Jim and Felicia Kreuzer, collec-
tors and aficionados who told me the entire history of radio through a
show-and-tell that I will never forget, and who are wonderful hosts as
well. Thanks to Patrick Belk of the Pulp Magazines Project and David
Gleason of American Radio History for their help in securing digital
copies of Gernsback issues.
Many others provided input, encouragement, links, and rejoinders
along the way, including Mike Ashley, Andrew Baer, Nolan Baer, John
Cheng, Richard Dienst, Eric Drown, Bruce Franklin, Kristin Galler-
neaux, James Gleick, Sean X. Goudie, Ben Gross, Michael Holley,
Paul Israel, Eugenia Lean, Paul Lesch, Mara Mills, Phillip Polefrone,
Sean Quimby, Eric Schockmel, Bernhard Siegert, Steve Silberman,
Jim Steichen, Priscilla Wald, Lisa Yaszek, and Siegfried Zielinski.
Susan Lehre was immensely helpful in applying for funding from
the Barr-Ferree Publication Fund at Princeton University, support
that made possible the publication of such a richly illustrated vol-
ume. Nicolette Dobrowolski and Nicole Dittrich at the Syracuse

xv
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