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ROUTLEDGE MUSIC BIBLIOGRAPHIES

COMPOSERS
Samuel Barber (2001) Christoph Willibald Gluck, Giacomo Puccini (1999)
Doris Bosworth Powers 2nd Edition (2003) Linda B. Fairtile
Wayne C. Wentzel Patricia Howard
Maurice Ravel (2004)
Béla Bartók, 2nd Edition Charles François Gounod Stephen Zank
(1997) (2009)
Elliott Antokoletz Timothy S. Flynn Gioachino Rossini, 2nd
Edition (2009)
Vincenzo Bellini, 2nd Edition G.F. Handel, 2nd Edition Denise P. Gallo
(2009) (2004)
Stephen A. Willier Mary Ann Parker Camille Saint-Saëns (2003)
Alban Berg, 2nd Edition Timothy S. Flynn
Paul Hindemith, 2nd Edition
(2009) (2009) Alessandro and Domenico
Bryan R. Simms Stephen Luttmann Scarlatti (1993)
Leonard Bernstein (2001) Carole F. Vidali
Charles Ives, 2nd Edition
Paul F. Laird (2009) Heinrich Schenker (2003)
Johannes Brahms (2003) Gayle Sherwood Magee Benjamin Ayotte
Heather Platt
Scott Joplin (1998) Alexander Scriabin (2004)
William Byrd, 2nd Edition Nancy R. Ping-Robbins Ellon D. Carpenter
(2005)
Zoltán Kodály (1998)
Richard Turbet Jean Sibelius (1998)
Mícheál Houlahan and
Glenda D. Goss
Elliott Carter (2000) Philip Tacka
John L. Link Giuseppe Verdi (1998)
Franz Liszt, 3rd Edition
Carlos Chávez (1998) Gregory Harwood
(2009)
Robert Parker Michael Saffle Tomás Luis de Victoria
Frédéric Chopin (1999) Guillaume de Machaut (1998)
William Smialek (1995) Eugene Casjen Cramer

Aaron Copland (2001) Lawrence Earp Richard Wagner (2010)

Marta Robertson and Gustav and Alma Mahler Michael Saffle
Robin Armstrong (2008)
Adrian Willaert (2004)
Frederick Delius, 2nd Susan M. Filler
David Michael Kidge
Edition (2009) Felix Mendelssohn Bartholdy
Mary Christison Huismann (2010)
John Michael Cooper and GENRES
Gaetano Donizetti, 2nd
Edition (2009) Angela R. Mace
American Music
James P. Cassaro
Olivier Messiaen (2008) Librarianship (2005)
Edward Elgar (1993) Vincent P. Benitez Carol June Bradley
Christopher Kent
Giovanni Pierluigi da Chamber Music, 3rd Edition
Alberto Ginastera (2010) Palestrina (2001) (2009)
Deborah Schwartz-Kates Clara Marvin John H. Baron
Church and Worship Music The Musical (2004) Serial Music and Serialism
(2005) William A. Everett (2001)
Avery T. Sharp and John D. Vander Weg
North American Indian
James Michael Floyd
Music (1997) String Quartets (2009)
The Concerto (2006) Richard Keeling Mara E. Parker
Stephen D. Lindeman Opera, 2nd Edition (2001) The Violin (2006)
Ethnomusicology Guy Marco Mark Katz
(2003) Piano Pedagogy (2009) Women in Music (2010)
Jennifer C. Post Gilles Comeau Karin Pendle and
Melinda Boyd
Jazz Scholarship and The Recorder, 2nd Edition
Pedagogy, 3rd Edition (2003)
(2005) Richard Griscom and
Eddie S. Meadows David Lasocki
FELIX MENDELSSOHN BARTHOLDY
A RESEARCH AND INFORMATION GUIDE

SECOND EDITION

JOHN MICHAEL COOPER

REVISED AND ENLARGED BY ANGELA R. MACE
First edition published 2001
By Routledge
This edition published 2010
by Routledge
270 Madison Avenue, New York, NY 10016
Simultaneously published in the UK
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
This edition published in the Taylor & Francis e-Library, 2011.
To purchase your own copy of this or any of Taylor & Francis or Routledge’s
collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.

© 2001 by John Michael Cooper

© 2010 Taylor & Francis
Typeset in Time New Roman by Taylor & Francis Books
All rights reserved. No part of this book may be reprinted or reproduced or
utilised in any form or by any electronic, mechanical, or other means, now
known or hereafter invented, including photocopying and recording, or in
any information storage or retrieval system, without permission in writing
from the publishers.
Trademark Notice: Product or corporate names may be trademarks or
registered trademarks, and are used only for identification and explanation
without intent to infringe.
Library of Congress Cataloging in Publication Data
A catalog record has been requested for this book

ISBN 0-203-87607-5 Master e-book ISBN

ISBN10: 0-415-80241-5 (hbk)

ISBN10: 0-203-87607-5 (ebk)
ISBN13: 978-0-415-80241-3 (hbk)
ISBN13: 978-0-203-87607-7 (ebk)
To the Mendelssohn Community
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Contents

Preface to the First Edition and Acknowledgements xi

Acknowledgements for the Revised Edition xiii
Introduction to the Revised Edition xv
Problems and Potentials of Mendelssohn Scholarship xvii
Scholarship and Reception History Concerning the Musical
Mendelssohns: A Brief Review xvii
About this Book xxi
Changes in the Revised Edition xxii

1 Life-and-Works Studies 1
Collections of Specialized Essays, Conference Reports 1
Surveys of Mendelssohn’s Life and Works 6
Special Aspects of Mendelssohn’s Biography 28

2 Studies of Individual Works and Repertoires 64

Secular Works 64
Stage Works 64
Orchestral Works 71
Accompanied Secular Choral Works 83
Concert Arias 88
Choral Songs 88
Songs and Vocal Duets 90
Chamber Music 94
Music for Solo Piano 99
Organ Music 103
Sacred Works 107
Oratorios 107
Chorale Cantatas 113
Psalm Settings 114
Other Accompanied Sacred Choral Works 116
Other Unaccompanied Sacred Choral Works 117
Arrangements and Editions of Other Composers’ Works 118
x Contents

3 General Studies of the Music of Felix Mendelssohn Bartholdy 121

General Surveys and Overviews 121
Mendelssohn and the Music of the Past 134
Secular Works 151
Sacred Works 159
Performance Practice 163
Compositional Process 168

4 Sociological and Cultural Studies 174

The Mendelssohn Family 174
Studies of Jewish Issues 184
Reception History 191

5 Memoirs, Recollections, and Editions of Letters 204

Memoirs and Recollections 204
Editions of Letters 213

6 Documentary Studies 228

Work-lists and Literature Concerning Collected-Works
Editions 228
Bibliographies, Bibliographic Essays, Discographies,
Chronologies, and Iconographies 231
The Mendelssohn Estate Nachlaß 232
Documentary Inventories and Overviews of Editions,
Exhibitions, Music Manuscripts, and Papers 233
Mendelssohn and the Visual Arts 244
The Mendelssohn Homes and Mendelssohn Monuments 245

Appendix: Introduction to Internet Resources 248

Archival Sources and Websites 248
Online Articles 250

Index of Mendelssohn’s Compositions 253

Index of Authors 258
General Index 268
Preface to the First Edition and
Acknowledgements

Any reader who has gone so far as to pick up this book probably already
has some knowledge of the fundamental reason for its existence: Felix
Mendelssohn Bartholdy, although known by name and by a few warhorse
compositions to virtually everyone familiar with any classical music, remains
one of the most ambivalently represented composers in the world of musical
scholarship. As Mendelssohn’s reception history has vacillated between
excessive adulation and equally excessive dismissals, the elite canon of first-
rate research sources has been almost hopelessly outnumbered by a pro-
liferation of biographies and critical essays based on little more than the
authors’ prejudices and assumptions—often reflecting (but not explicitly
articulating) racist agendas that most latter-day readers find untenable, irre-
levant, and abhorrent. The result is a bewildering landscape in which some
extraordinary fruits of scholarly research exist within a stiflingly arid waste-
land of music-historical prose. This book endeavors to assist researchers in
locating, assessing, and using those sources.
More directly, the book owes its existence to two of the great men of
latter-day Mendelssohn scholarship. Donald Mintz, whose seminal disserta-
tion on the manuscripts for three of the composer’s major works (item 833)
broke important new ground in enabling Mendelssohn scholarship to escape
the quagmire into which it had descended in the first half of the twentieth
century, began collecting the data and wrote preliminary annotations for
some sources. Professor Mintz was kind enough to share this material with
me when I was contracted for the book, and his contributions provided the
foundation for the completed project. For some entries Professor Mintz’s
information has been retained in toto or only slightly modified; these are
designated by a [DM] or a [DM/JMC] at the end of the annotation. In
addition, R. Larry Todd, my doctoral advisor at Duke University and by
consensus one of the deans of modern Mendelssohn scholarship, contributed
not only his global knowledge of sources, issues, and ideas, but also the
recommendation for taking on this project.
The volume also would not have been possible without the assistance of
a number of individuals and institutions. For shepherding the book through
the various complexities of production I owe a special debt of gratitude to
Richard Carlin (senior music editor), Rachael Shook, and Julie H. Ho at
Routledge. These individuals’ patience and professionalism made it possible
xii Preface to the First Edition and Acknowledgements

to negotiate some difficult deadlines and thorny editorial issues that might,
in less expert hands, have compromised the book.
Likewise, a debt of gratitude is owed to the staffs and interlibrary loan
departments at a number of libraries and universities during the prepar-
atory stages of work: the Mary Duke Biddle Music Library at Duke
University; the Warren D. Allen Music Library at The Florida State Uni-
versity; the Musikabteilung of the Hessische Landes- und Hochschulbi-
bliothek in Darmstadt; the Heinrich-Heine-Institut in Düsseldorf; the Music
and Strozier Libraries at Illinois Wesleyan University; the Music Division of
the Library of Congress in Washington, D.C.; the Firestone Library at
Princeton University; the Musikabteilung and Mendelssohn-Archiv of the
Staatsbibliothek zu Berlin–Preußischer Kulturbesitz; the Musikabteilung of
the Stadt- und Universitätsbibliothek Frankfurt am Main; and the Music
Library of the University of Illinois at Urbana-Champaign. A debt of gra-
titude also goes to the two fine graduate students who assisted with the
proofreading and prepared the indexes for the first edition: William
McGinney and Aaron West. Finally, I wish to thank the staff of Willis
Library at The University of North Texas. Their extraordinary expertise,
efficiency, and patience have made the completion of this book a doubly
rewarding experience.
John Michael Cooper,
Denton, Texas,
1 December 2000
Acknowledgements for the Revised Edition

Since John Michael Cooper published the first edition of this book in 2001,
Mendelssohn scholars have not been idle. This revised and expanded edition
is a reflection of their hard work: there are nearly 300 new entries to expand
the book by about a third, most of them in the biographical (Chapter 1) and
specific musical study areas (Chapter 2). Please see the Introduction (p. xv)
for more about what is new and noteworthy in this volume and Mendelssohn
scholarship.
We owe the existence of this volume to the scholars who wrote the
works cited herein, but I owe the completion of this revision to many indi-
viduals who I would like to thank here. First, I would like to thank this
volume’s original author, John Michael Cooper, who—although he could
not revise this book himself due to other obligations—generously lent me his
advice on the bibliography and pointed out areas that were in need of special
attention. My dissertation advisor at Duke University, R. Larry Todd, gave
me his unflagging encouragement and support throughout the process, and
read the proofs, even while traveling extensively for his many engagements
during the Mendelssohn bicentenary year. The timely completion of and
international research for this book were greatly aided by funding through
Duke University, including the Julian Price Endowed Dissertation Fellow-
ship, the Dr. James W. Plonk Graduate Summer Research Fellowship, and
the Pre-Dissertation Research Travel Fellowship. To the editor of the series
at Routledge, Constance Ditzel, senior editatorial assistant Denny Tek, copy
editor Susan Dunsmore, and project managers at Taylor & Francis, Ulrike
Swientek and Megan Graieg, I wish to express my thanks for expertly
guiding this volume through the press
For their assistance with locating and verifying obscure, elusive, not-yet-
released, and international sources I would like to thank John Michael
Cooper (Southwestern University), Colin T. Eatock (University of Toronto),
Anselm Hartinger (Schola Cantorum Basiliensis), Hiromi Hoshino (Rikkyo
University, Tokyo), Makiko Kawamoto (Duke University), Donald Ober-
holzer-Landolt (Duke University), Sebastian Panwitz (Moses Mendelssohn-
Zentrum Potsdam), Herbert Schneider (Universität des Saarlandes), Jeffrey
S. Sposato (University of Houston), R. Larry Todd (Duke University), Jac-
queline Waeber (Duke University), Janet I. Wasserman (Schubert Society of
the USA), and Rodney Wynkoop (Duke University). I am greatly indebted
to the staff at the Duke University Libraries and at the many libraries
around the United States of America who processed my inter-library loan
xiv Acknowledgements for the Revised Edition

requests, especially the University of North Carolina at Chapel Hill. Vielen

Dank to Roland Schmidt-Hensel and the staff at the Staatsbibliothek zu
Berlin–Preußischer Kulturbesitz Musikabteilung mit Mendelssohn-Archiv
for their assistance in the reading room and locating items in the catalogs.
Thank you all for your kindness, patience, and generosity.
To Bryan Christian, Karen Cook, Sarah Griffin, Makiko Kawamoto,
Amy Scurria, Elizabeth Terry, and all of my graduate colleagues at Duke
University, my thanks for your enthusiasm, support, and friendship.
Thanks and love go above all to my family, especially my parents, Mr.
and Mrs. Alan R. and Linda S. Mace, and my twin sister and fellow musician,
Abigail R. Mace.
To the community of Mendelssohn scholars and devotees with whom I
have had the pleasure of conversing over the past years, who have welcomed
me to their dinner tables, opened my eyes to new possibilities within the
field, suggested articles to read, and discussed tirelessly the minutiae of
Mendelssohniana, I give my sincerest thanks and the dedication of this
volume; without them, in many ways, this book would not exist.
Angela R. Mace
Durham, North Carolina
November 2009
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