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Logic Pro 7 Power 1st Edition Orren Merton Digital
Instant Download
Author(s): Orren Merton
ISBN(s): 9781592005413, 1417566051
Edition: 1
File Details: PDF, 12.57 MB
Year: 2004
Language: english
TEAM LinG - Live, Informative, Non-cost and Genuine !
} LOGIC PRO 7 ®

P O W E R !

Q Q Q
By Orren Merton

TEAM LinG - Live, Informative, Non-cost and Genuine !

L OGIC P RO 7 ®

P O W E R !
SVP, Thomson Course Technology PTR: Andy Shafran © 2005 by Thomson Course
Publisher: Stacy L. Hiquet Technology PTR. All rights
Senior Marketing Manager: Sarah O’Donnell reserved. No part of this
Marketing Manager: Heather Hurley book may be reproduced or
Manager of Editorial Services: Heather Talbot transmitted in any form or by
any means, electronic or
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Copy Editor: Libby Larson brief quotations in a review.
Interior Layout Tech: Marian Hartsough The Muska & Lipman and
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Indexer: Katherine Stimson Thomson Course Technology
Proofreaders: Tonya Cupp and Gene Redding PTR and may not be used
without written permission.
Logic is a trademark of Emagic. Emagic is a registered trademark of Emagic Soft- und Hardware
GmbH, a wholly owned subsidiary of Apple Computer, Inc.
All other trademarks are the property of their respective owners.
Important: Thomson Course Technology PTR cannot provide software support. Please contact the appro-
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Thomson Course Technology PTR and the author have attempted throughout this book to distinguish
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facturer.
Information contained in this book has been obtained by Thomson Course Technology PTR from sources
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} Dedication
This book is dedicated to everyone who uses Logic to express their creativity;
to my mom and dad, to Michelle, to Shadow and Luna, and to my grandfa-
ther, who I know would be joyful beyond words if he could have seen this
book.

TEAM LinG - Live, Informative, Non-cost and Genuine !

 } Acknowledgments
I had thought that Logic Pro 7 Power! would be a walk in the park after writ-
ing Logic 6 Power! but I could not have been more wrong! Thank God I have
been blessed to have the assistance, input, and support of fantastic people.
Certainly, this book stands as a testament to the unwavering support of my
Michelle and my mother, and in the recent past, my late father, grandfather,
and grandmother.
I would also like to thank Dr. Gerhard Lengeling, Jan-Hennerk Helms,
Thorsten Adam, Sascha Kujawa, Manfred Maraun, and everyone at Emagic
GmbH, both for their part in creating and developing software that assists so
many of us to realize our musical creativity, and for their part in including
me in the processes! Further, I would like to thank the entire Emagic Beta-test
Community, present and past, for their insight and assistance on my own
journey into this program.
Some of those testers and Logic User Group power users offered more than
moral support — they contributed their thoughts, tips, and time to help make
this book everything it could be. I am exceedingly grateful for the friendship
and efforts of Graham Hunter, Don Gunn, Jeremy Martin, Jay Asher, and
perhaps most of all to Len Sasso, a friend and longtime contributor to the
Emagic and Logic communities, and excellent writer of many books on Logic
and other subjects. Len served not only as a sounding board for me, but as
the technical editor for this book as well. Thanks, Len!
Finally, the Muska & Lipman team has been exceptional, supporting me in
every way I could have hoped all the way through this process. I would
especially like to tip my hat to Todd Jensen, Mark Garvey, Jenny Davidson,
and Kim Benbow, who figuratively held my hand through this entire process.

iv
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} About the Author
Orren Merton, author of Logic 6 Power! (Muska & Lipman, 2003) and
GarageBand Ignite! (Muska & Lipman, 2004) has been a computer musician
since his days at UC Berkeley in 1988. He has been consulting and writing in
the professional audio field for over six years. He has done technical writing
for Emagic Soft- und Hardware GmbH and writes for numerous American
and British professional audio magazines such as Electronic Musician,
Computer Music, and MIX. He has a master’s degree in English from
California State University, Long Beach. He also helps moderate the Logic
User Group, an online community of over 15,000 Logic users, and he beta
tests for a number of audio software companies. Orren lives in Costa Mesa,
California, and he can be reached at [email protected].

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 TABLE OF

} Contents
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xvi

CHAPTER 1 Introducing Logic Pro 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

What Is Logic Pro? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
A Brief History of Logic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Will This Book Help You with Your Version of Logic? . . . . . . . . . . . . . . . . . . . . . 5
A Brief Overview of MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
What MIDI Really Transmits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
MIDI Connections and Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
A Brief Overview of Digital Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
The Differences Between Analog and Digital Sound . . . . . . . . . . . . . . . . . . . . . 11
What’s Meant by Sampling Frequency and Bit Depth . . . . . . . . . . . . . . . . . . . . 13
Audio and MIDI in Logic Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Objects in Logic Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
MIDI Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Audio Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
A Brief Primer on Hardware. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
How Fast Does Your Computer Need to Be? . . . . . . . . . . . . . . . . . . . . . . . . . . 22
MIDI Interfaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Audio Interfaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

CHAPTER 2 Initial Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Setting Up Your Hardware . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Interfaces and Drivers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Using the Logic Setup Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Configuring Your Audio Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Computer Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Different Types of Hard Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Do You Need a Separate Hard Disk for Audio Files? . . . . . . . . . . . . . . . . . . . . 48

CHAPTER 3 A Quick Tour of Logic Pro . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Terminology: Understanding Things Logic-ally. . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
The Arrange Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
The Track Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
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 The Environment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Environment Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
The Audio Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
The Audio Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
The Matrix Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
The Event List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
The Hyper Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
The Score Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
The Sample Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
The Transform Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
The Key Commands Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
The Loop Browser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Screensets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

CHAPTER 4 Creating Your Autoload Song . . . . . . . . . . . . . . . . . . . . . . . 65

Visualizing Your Workspace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Creating Your Initial Environment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Setting Up Instrument Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Setting Up Multi-Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Setting Up Mapped Instruments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Setting Up Internal Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Setting Up Audio Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Setting Up Your Arrange Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Setting Up Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Setting Up Screensets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Defining Key Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Setting Up Your Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Setting Up a Supported Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Setting Up Any MIDI Device as a Control Surface . . . . . . . . . . . . . . . . . . . . . 101
Saving Your Autoload Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

CHAPTER 5 Global Elements of Logic . . . . . . . . . . . . . . . . . . . . . . . . . . 105

The Global Menus . . . . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
The Logic Pro Menu . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
The File Menu . . . . . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
The Edit Menu . . . . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
The Audio Menu . . . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
The Options Menu. . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
The Windows Menu .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Help Menu . . . . . . . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Global Tracks . . . . . . . . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Common Features of Global Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
The Marker Track . . .......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
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CONTENTS

The Signature Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

The Chord Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
The Transposition Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
The Tempo Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
The Beat Mapping Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
The Video Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

CHAPTER 6 The Transport Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

The Transport Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Mode Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
The Solo Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
The External Sync Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
The Metronome Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
The Position Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Position Display Format Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Using the Position Display to Move the SPL . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Locators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
The Tempo/Free Event Memory Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
The Time Signature/Division Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
The MIDI Monitor/Song End Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
The Transport Window Display Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Resizing the Transport . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Recording Options Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Recording Using Key Commands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Transport Controls in Other Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

CHAPTER 7 The Arrange Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

Local Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
The Edit Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
The Track Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
The Region Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
The MIDI Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
The Audio Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
The View Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Track Classes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Adding Tracks to Arrange . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Track Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Region Playback Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Extended Region Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
The Audio Region Parameter Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
The Arrange Channel Strip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Track Icons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
viii Track Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
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 CONTENTS

Hide Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Freeze Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
What Is Freeze Tracks? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
The Freeze Tracks Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
The Transport Within the Arrange Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Cycle Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Combining Cycle Mode and Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Defining the Cycle Region . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Using Skip Cycle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Looping Regions in Arrange. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Looping Regions in Logic Pro 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
The Arrange Toolbox. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Creating Regions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Editing in the Arrange Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Making Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
The Arrange Grid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Zooming in Arrange . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Splitting and Resizing Regions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Splitting and Resizing Regions Using the Marquee Tool . . . . . . . . . . . . . . . . . 213
Moving and Copying Regions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
The Snap and Drag Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Adding Files to the Arrange Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Track-Based Automation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Region-Based Automation (Hyper Draw) . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Caps Lock Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223

CHAPTER 8 Working with Audio and Apple Loops . . . . . . . . . . . . . . . 225

Types of Audio Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Channel Strip Components. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
The Audio Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
The Audio Window Local Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
The Audio Window Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
The Audio Window Channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
The Audio Window Toolbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Zooming in the Audio Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Adding Audio Files to the Audio Window . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Exporting Audio from the Audio Window . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Using Strip Silence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Using Looping in the Audio Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Audio Window Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248
Adding Audio to the Arrange Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

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The Sample Editor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Local Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
The Sample Editor Region Locators Display. . . . . . . . . . . . . . . . . . . . . . . . . . 258
The Sample Editor Mode Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
The Sample Editor Channel Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
The Sample Editor Toolbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
The Waveform Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
The Digital Factory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261
The Quantize Engine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
The Audio Configuration Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Labeling Inputs, Outputs, and Busses in the Audio Configuration Window . . . . 273
Moving Effects and Changing Output Assignments in
the Audio Configuration Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Audio Fades and Crossfades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Creating Audio Fades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Fade Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Adjusting Audio Fades. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Apple Loops. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
Real Instrument Apple Loops . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
Software Instrument Apple Loops. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
The Loop Browser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Creating Your Own Apple Loops . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

CHAPTER 9 Working with MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

MIDI Editors and MIDI Regions . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 283
The Matrix Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 284
Local Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 285
Matrix Editor Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 294
The Matrix Editor Toolbox. . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 295
Inserting and Deleting Notes in the Matrix Editor. . . . . . . ......... . . . . . . 296
Resizing and Moving Notes in the Matrix Editor . . . . . . . ......... . . . . . . 299
Editing Multiple Regions in the Matrix Editor . . . . . . . . . . ......... . . . . . . 300
The Event List Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 301
Event Editor Local Menus . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 302
Event Editor Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 304
The Event Editor Toolbox . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 306
Inserting and Deleting MIDI Messages in the Event Editor . ......... . . . . . . 307
Moving and Adjusting the Values of MIDI Messages in the Event Editor . . . . . . 308
The Hyper Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 309
Hyper Editor Local Menus. . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 310
The Hyper Editor Buttons and Toolbox . . . . . . . . . . . . . . ......... . . . . . . 313
The Hyper Editor Event Parameter Box . . . . . . . . . . . . . . ......... . . . . . . 314
Hyper Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ......... . . . . . . 316

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Editing MIDI Control Messages Using the Hyper Editor. . . . . . . . . . . . . . . . . . 317

Editing MIDI Notes (Drums) Using the Hyper Editor . . . . . . . . . . . . . . . . . . . . 317
The Score Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Score Editor Local Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
The Score Editor Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
The Score Editor Parameter Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
The Score Editor Toolbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
The Partbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Score Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Text Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
The Transform Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
How the Transform Window Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Setting the Transform Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Setting Up Transform Conditions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340
Setting Up Transform Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Action Buttons of the Transform Window . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Transform Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345

CHAPTER 10 Working with Audio Instruments in Logic . . . . . . . . . . . . 347

Logic and Audio Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
Accessing Emagic Audio Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349
Installing and Accessing Non-Emagic Audio Instruments . . . . . . . . . . . . . . . . . . . 350
Plug-In Window Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Plug-In Window Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Plug-In Window Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
Audio Instruments and the Environment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Using Multiple Output Audio Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Using Rewire 2 Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
Working with Rewire 2 Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Creating Rewire Instruments for MIDI Transmission. . . . . . . . . . . . . . . . . . . . . 359
Setting Up Rewire Audio Objects for Audio Transmission . . . . . . . . . . . . . . . . 360
Using QuickTime Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

CHAPTER 1 1 Using Automation in Logic . . . . . . . . . . . . . . . . . . . . . . . . . 363

Types of Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Using Track-Based Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Manipulating Automation Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Using the Pointer Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Using the Automation Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Expert Automation Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Deleting and Converting Automation Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
Automation Quick Access . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374

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CHAPTER 12 Mixing in Logic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375

Track Mixer or Environment Mixer? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
The Track Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Environment Audio Mixer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
The Track Mixer Local Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
The Options Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
The View Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Track Mixer Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381
Recording Audio from the Mixer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Basic Mixing: Summing Volume and Panorama . . . . . . . . . . . . . . . . . . . . . . . . . 383
Volume Summing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Bussing Tracks in Logic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385
Using Bus Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Using Aux Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Output Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390
Using Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 391
Logic Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392
Using the Channel and Linear EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Effects Side Chains . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Audio Unit Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398
Using Insert Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403
Using Send Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Plug-In Delay and Logic’s Plug-In Delay Compensation . . . . . . . . . . . . . . . . . . 404
Final Notes on Using Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405
Logic Nodes—Distributed Audio Processing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406
Using Nodes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407
Current Limitation of Logic Node Technology. . . . . . . . . . . . . . . . . . . . . . . . . 408
Muting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409
Solo Safe Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
Mixer Groups. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
Assigning Channels to Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
Group Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
Temporary Groups by Selecting Multiple Channel Strips . . . . . . . . . . . . . . . . . 413
Bouncing Your Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
The Bounce Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414
Surround Mixing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421
The Surround Pan Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422
Assigning Surround Channels to Audio Outputs . . . . . . . . . . . . . . . . . . . . . . 423
Bouncing in Surround . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424

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CHAPTER 13 Working with Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

Creating New Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Song Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Using the New Command to Create New Songs . . . . . . . . . . . . . . . . . . . . . . 426
Saving Logic Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427
Saving Backups of Your Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Saving Your Song as a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428
Opening or Importing Songs and Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Importing Files into Logic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434
Exporting Files from Logic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
Export Selection as MIDI File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
Export Region as Audio File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
Export Track as Audio File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Export All Tracks as Audio Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436
Export Song as OMF File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437
Export Song as OpenTL File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438
Export Song as AAF File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438
Export Song to FinalCut Pro/XML . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439
The Project Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439
The Project Manager’s Local Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Project Manager Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446
Scanning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 447
The Project Manager’s Find Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448

CHAPTER 14 The Environment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451

Understanding the Environment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451
Environment Local Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452
New Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453
Edit Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453
View Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 454
Options Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455
Environment Window Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460
Environment Toolbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 461
Environment Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 461
Instrument Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 461
Multi-Instrument Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 461
Mapped Instrument Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462
Touch Tracks Object. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462
Fader Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464
Alias Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 466
Ornament Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467
GM Mixer Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467

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CONTENTS

MMC Record Switches Object. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468

Keyboard Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468
Monitor Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468
Macro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469
Arpeggiator Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470
Transformer Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470
Delay Line Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 472
Voice Limiter Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473
Channel Splitter Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473
Chord Memorizer Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 474
Physical Input Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475
Sequencer Input Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475
MIDI Metronome Object. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 476
Internal Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 476
Audio Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 476
Cabling Environment Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 476
Special Cable Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 477
Environment Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 478
Specialized Layers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 478
Objects and Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479
Building Your Own Environments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 479

CHAPTER 15 Advanced Tempo Operations . . . . . . . . . . . . . . . . . . . . . . . 481

The Tempo Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 481
Recording and Editing Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 482
Programming Tempo Changes on the Tempo Track . . . . . . . . . . . . . . . . . . . . 482
Recording Tempo Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 482
Tempo List Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 485
Tempo Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 486
Reclocking Your Tempo Track Using the Old Logic Reclock Function . . . . . . . . . . . . 490

CHAPTER 16 Synchronizing Hardware with Logic Pro . . . . . . . . . . . . . 493

The Synchronization Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 493
General Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 494
Audio Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 497
MIDI Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 499
Unitor Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503
Switching On External Synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 504
Bar Ruler to Time Ruler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 505

CHAPTER 17 Working with Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507

Opening Movies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507
The Video Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508
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 CONTENTS

Image Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 509

Movie Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 510
Movie Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 512
DV Movie Playback over FireWire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 512
Video Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 512
Video Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 513
The Global Movies Submenu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 514
Extracting Audio from a QuickTime Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 515
Exporting Audio to a QuickTime Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 516

APPENDIX A Logic Pro 7 Plug-In Reference . . . . . . . . . . . . . . . . . . . . . . 519

Delay Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 519
Distortion Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520
Dynamics Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520
EQ Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521
Filter Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 522
Helper Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 522
Modulation Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 523
Reverb Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 523
Special Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 524
Logic Audio Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 524

APPENDIX B Default Key Command Reference . . . . . . . . . . . . . . . . . . . 527

APPENDIX C Logic Pro 7 Local Menu Cross-Index . . . . . . . . . . . . . . . . 549

Arrange Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 549
Audio Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 551
Sample Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 552
Matrix Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 553
Event Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 554
Hyper Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 555
Score Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 556
Track Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 558
Project Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 558
Environment Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 559

APPENDIX D Logic Resources on the Internet. . . . . . . . . . . . . . . . . . . . . 559

Official Web Sites. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 559
International Logic Communities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 559
Logic-Related Web Sites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 560

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 561

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Other documents randomly have
different content
 Communication - Instructor Guide
Spring 2023 - Department

Prepared by: Researcher Miller

Date: July 28, 2025

Unit 1: Theoretical framework and methodology

Learning Objective 1: Current trends and future directions
• Practical applications and examples
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Learning Objective 2: Case studies and real-world applications
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Learning Objective 3: Assessment criteria and rubrics
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Learning Objective 4: Assessment criteria and rubrics
• Statistical analysis and interpretation
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Learning Objective 5: Literature review and discussion
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Formula: [Mathematical expression or equation]
Definition: Experimental procedures and results
• Research findings and conclusions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Key Concept: Case studies and real-world applications
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Example 7: Theoretical framework and methodology
• Critical analysis and evaluation
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Example 8: Research findings and conclusions
• Problem-solving strategies and techniques
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Key Concept: Key terms and definitions
• Research findings and conclusions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Section 2: Ethical considerations and implications
Key Concept: Case studies and real-world applications
• Experimental procedures and results
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Practice Problem 11: Critical analysis and evaluation
• Key terms and definitions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Key Concept: Historical development and evolution
• Best practices and recommendations
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
[Figure 13: Diagram/Chart/Graph]
Note: Research findings and conclusions
• Case studies and real-world applications
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Practice Problem 14: Ethical considerations and implications
• Key terms and definitions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
[Figure 15: Diagram/Chart/Graph]
Remember: Problem-solving strategies and techniques
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
[Figure 16: Diagram/Chart/Graph]
Practice Problem 16: Practical applications and examples
• Assessment criteria and rubrics
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Practice Problem 17: Best practices and recommendations
• Fundamental concepts and principles
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Note: Learning outcomes and objectives
• Best practices and recommendations
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Definition: Historical development and evolution
• Learning outcomes and objectives
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Conclusion 3: Research findings and conclusions
Example 20: Problem-solving strategies and techniques
• Literature review and discussion
- Sub-point: Additional details and explanations
- Example: Practical application scenario
[Figure 21: Diagram/Chart/Graph]
Note: Theoretical framework and methodology
• Current trends and future directions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Formula: [Mathematical expression or equation]
Example 22: Current trends and future directions
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
[Figure 23: Diagram/Chart/Graph]
Important: Fundamental concepts and principles
• Experimental procedures and results
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Formula: [Mathematical expression or equation]
Definition: Practical applications and examples
• Critical analysis and evaluation
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Example 25: Fundamental concepts and principles
• Fundamental concepts and principles
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Remember: Practical applications and examples
• Statistical analysis and interpretation
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Note: Study tips and learning strategies
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Note: Fundamental concepts and principles
• Learning outcomes and objectives
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Definition: Study tips and learning strategies
• Interdisciplinary approaches
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Introduction 4: Research findings and conclusions
Practice Problem 30: Statistical analysis and interpretation
• Problem-solving strategies and techniques
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Note: Key terms and definitions
• Theoretical framework and methodology
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
[Figure 32: Diagram/Chart/Graph]
Practice Problem 32: Literature review and discussion
• Literature review and discussion
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
[Figure 33: Diagram/Chart/Graph]
Key Concept: Comparative analysis and synthesis
• Theoretical framework and methodology
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Key Concept: Interdisciplinary approaches
• Case studies and real-world applications
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Example 35: Research findings and conclusions
• Theoretical framework and methodology
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Practice Problem 36: Research findings and conclusions
• Problem-solving strategies and techniques
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
[Figure 37: Diagram/Chart/Graph]
Important: Research findings and conclusions
• Ethical considerations and implications
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Note: Critical analysis and evaluation
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Note: Case studies and real-world applications
• Experimental procedures and results
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Background 5: Literature review and discussion
Important: Literature review and discussion
• Best practices and recommendations
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
[Figure 41: Diagram/Chart/Graph]
Definition: Fundamental concepts and principles
• Practical applications and examples
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Important: Historical development and evolution
• Study tips and learning strategies
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Practice Problem 43: Study tips and learning strategies
• Case studies and real-world applications
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
[Figure 44: Diagram/Chart/Graph]
Remember: Learning outcomes and objectives
• Assessment criteria and rubrics
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
[Figure 45: Diagram/Chart/Graph]
Key Concept: Learning outcomes and objectives
• Case studies and real-world applications
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Definition: Critical analysis and evaluation
• Comparative analysis and synthesis
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Definition: Statistical analysis and interpretation
• Interdisciplinary approaches
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Important: Statistical analysis and interpretation
• Interdisciplinary approaches
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Practice Problem 49: Literature review and discussion
• Literature review and discussion
- Sub-point: Additional details and explanations
- Example: Practical application scenario
Part 6: Problem-solving strategies and techniques
Note: Statistical analysis and interpretation
• Literature review and discussion
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Remember: Critical analysis and evaluation
• Key terms and definitions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Example 52: Theoretical framework and methodology
• Critical analysis and evaluation
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Remember: Research findings and conclusions
• Critical analysis and evaluation
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Definition: Critical analysis and evaluation
• Study tips and learning strategies
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Key Concept: Key terms and definitions
• Learning outcomes and objectives
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
[Figure 56: Diagram/Chart/Graph]
Example 56: Literature review and discussion
• Historical development and evolution
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Remember: Problem-solving strategies and techniques
• Study tips and learning strategies
- Sub-point: Additional details and explanations
- Example: Practical application scenario
[Figure 58: Diagram/Chart/Graph]
Practice Problem 58: Current trends and future directions
• Research findings and conclusions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Example 59: Problem-solving strategies and techniques
• Research findings and conclusions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Methodology 7: Case studies and real-world applications
Remember: Key terms and definitions
• Problem-solving strategies and techniques
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Important: Best practices and recommendations
• Key terms and definitions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Important: Learning outcomes and objectives
• Research findings and conclusions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Important: Fundamental concepts and principles
• Research findings and conclusions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Definition: Fundamental concepts and principles
• Case studies and real-world applications
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Note: Best practices and recommendations
• Ethical considerations and implications
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Example 66: Key terms and definitions
• Interdisciplinary approaches
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Note: Research findings and conclusions
• Problem-solving strategies and techniques
- Sub-point: Additional details and explanations
- Example: Practical application scenario
- Note: Important consideration
Formula: [Mathematical expression or equation]
Note: Practical applications and examples
• Current trends and future directions
- Sub-point: Additional details and explanations
- Example: Practical application scenario
[Figure 69: Diagram/Chart/Graph]
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