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Deleuze: A Guide for the Perplexed, Claire Colebrook
Deleuze and Guattari's Philosophy of History, Jay Lampert
Deleuze and the Unconscious, Christian Kerslake
Who's Afraid of Deleuze and Guattari?, Gregg Lambert
Deleuze and the Schizoanalysis of Cinema, Ian Buchanan and
Patricia MacCormack
 Deleuze and the
Schizoanalysis of Cinema

Edited by
Ian Buchanan
and
Patricia MacCormack
The Tower Building 80 Maiden Lane
11 York Road Suite 704
London SE1 7NX New York NY 10038

www.continuumbooks.com

© Ian Buchanan and Patricia MacCormack and Contributors 2008

All rights reserved. No part of this publication may be reproduced or transmitted

in any form or by any means, electronic or mechanical, including photocopying,
recording, or any information storage or retrieval system, without prior permission
in writing from the publishers.

A catalogue record for this book is available from the British Library.

ISBN-10: HB: 1-8470-6127-3

PB: 1-8470-6128-1
ISBN-13: HB: 978-1-8470-6127-0
PB: 978-1-8470-6128-7

A catalog record for this book is available from the Library of Congress.

Deleuze and the schizoanalysis of cinema/ [edited by] Ian Buchanan and
Patricia MacCormack.
p.cm.
ISBN 978-1-84706-127-0 - ISBN 978-1-84706-128-7
1. Motion pictures-Psychological aspects. 2. Deleuze, Gilles, 1925-1995.1. Buchanan, Ian,
1969- II. MacCormack, Patricia. III. Title.

PN1995. D3968 2008

791.4301'9--dc22
2008001211

Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India

Printed and bound in Great Britain by Cromwell Press Ltd, Trowbridge, Wiltshire
For Negar Mottahedeh
For Mark Ferelli
 Contents

Introduction: Five Theses of Actually Existing

Schizoanalysis of Cinema

Schizoanalysis and the Phenomenology of Cinema

Schizoanalysis and the Cinema of the Brain

Losing Face

Disorientation, Duration and Tarkovsky

Suspended Gestures: Schizoanalysis,

Affect and the Face in Cinema

Schizoanalysis, Spectacle and the Spaghetti Western

Cinemas of Minor Frenchness

Delirium Cinema or Machines of the Invisible?

Off Your Face: Schizoanalysis, Faciality and Film

 Contents

10. An Ethics of Spectatorship: Love, Death and Cinema

Patricia MacCormack 130
Notes 143
Bibliography 148
Index 157
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 Contributors

is Professor of Critical and Cultural Theory at Cardiff University.

He is the founding editor of Deleuze Studies.

is an Assistant Professor of English and Comparative

Literature. The editor of The Brain Is the Screen: Deleuze and the Philosophy of Cinema
(U. Minnesota Press, 2000), he is currently finishing a book on philosophy, art
and fabulation.

is Assistant Professor of Media Studies at Queens College, CUNY,

where she teaches courses on film theory and popular music. Her work has
appeared in American Music and Invisible Culture, and she has contributed
essays to edited volumes on music video, on film adaptations of Carmen and
a forthcoming collection on Deleuze and cinema. She is currently writing a
book that explores the intersections of Deleuzian philosophy and questions of
temporality, history and embodiment in musical film.

recently finished a PhD thesis on the problem of genesis in

Deleuze's philosophy at the University of Edinburgh. He is also the co-translator
of Deleuze's Tericles and Verdi' to be published by Columbia University Press
in 2008.

is Professor of English, Syracuse University, USA. Among

his other writings on the philosophy of Deleuze are Who's Afraid of Deleuze
and Guattari? (Continuum, 2006) and The Non-Philosophy of Gilles Deleuze
(Continuum, 2002). He is an advisory editor of Deleuze Connections and a
co-editor of Deleuze Studies.

is senior lecturer in Communication and Film at Anglia

Ruskin University, Cambridge. She has published extensively in the areas of
the visceral dimension of cinema, corporeality, the post-human, queer theory,
feminism, ethics and continental philosophy. Recent work on perversion,
masochism, body modification, non-human rights, Polysexuality and the ethics
X Contributors

of becomings have appeared in Body and Society, Women: A Cultural Review,

Thirdspace, Rhizomes and Theory Culture and Society. Her book Cinesexuality is
forthcoming from Ashgate.

is lecturer in Film Studies at The University of St Andrews,

Scotland. He is the author of Deleuze, Cinema and National Identity (Edinburgh UP,
2006) and co-author of Why Deleuze? (I. B.Tauris, forthcoming). He is also on the
editorial board of the international salon-journal, Film-Philosophy. His research
primarily focuses on Deleuze and cinema, but also examines representations of
Scotland, and various Asian Cinemas.

is a PhD candidate in the department of English and Comparative

Literature at the University of North Carolina, Chapel Hill. She is currently
finishing her dissertation on the relationship between cinema and thought in
French film-philosophy.

is professor of film studies at the department of Media

Studies of the University of Amsterdam. Her publications include: Micropolitics
of Media Culture: Reading the Rhizomes of Deleuze and Guattari (ed., Amsterdam
University Press, 2001), The Matrix of Visual Culture: Working with Deleuze in Film
Theory (Stanford University Press, 2003) and Shooting the Family: Transnational
Media and Intercultural Values (ed. with Wim Staat; Amsterdam University Press,
2005). Her recent articles include: 'Arresting the Flux of Images and Sounds:
Free Indirect Discourse and the Dialectics of Political Cinema' in Ian Buchanan
and Adrian Parr (eds), Deleuze and the Contemporary World (Edinburgh UP, 2006)
and T h e Spiritual Dimension of the Brain as Screen. Zigzagging from Cosmos
to Earth (and Back'). In Robert Pepperell (ed.), Screen Consciousness: Cinema,
Mind and World, Amsterdam and New York: Rodopi.

is author of Deleuze and the Horror Film (2005), and has published
articles on Deleuze and cinematic affect in Pli and Spectator. Her latest book
Deleuze, Altered States and Film is in production with Edinburgh University Press.
She is the director of A/V (Actual/Virtual) the audio-visual Deleuze Studies
webjournal.

is Professor of Modern French Studies at the University of Glasgow.

His publications include book-length studies of the French gay theorist Guy
Hocquenghem (1996) and film director Andre Techine (2007), and on Quebec
National Cinema (2001).
 Contributors XI

is a lecturer in Photography and Art History at Roehampton

University London. He graduated from Central School of Art and Design in
1985, completed an MA in Fine Art at Central St Martins College of Art and
Design in 1997, and a PhD at Goldsmiths College in 2005.
Five Theses of Actually Existing
Schizoanalysis of Cinema
Ian Buchanan
2 Deleuze and the Schizoanalysis of Cinema

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