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POWER OF SCANDAL:
SEMIOTIC AND PRAGMATIC IN MASS MEDIA
Power of Scandal
Semiotic and Pragmatic in Mass Media
ISBN 978-1-4426-4125-9
Preface ix
Acknowledgments xv
Notes 333
Bibliography 379
Index 403
ference into All: that we are different from the one who is being sanc-
tioned. In other words, ‘This is the bad one – and we are the good ones.’
Religion has a special relationship with public opinion. The two are
natural enemies of sorts, and they battle on the field of authority. Public
opinion directs human actions by determining goals for them. God, as
the point of reference of religion, has a practical influence over the life
of believers when He is sought as a transcendental goal, as a source of
the good. At the same time, God is jealous ( ִקְנַאת2 Kings 19:31) and
does not tolerate other gods next to Him (אֹלִהים ֱ ֵחר ֽים.א
ֲ 2 Kings 17:7),
not even public opinion’s divine voice (cf. infra). In a religious media
scandal, one god tries to prevail over another in a struggle of proxies.
Methodologically, it would have had a certain ‘natural’ appeal to
approach the subject of religious scandals as a collection of historical
events in the course of which religion, and not some other grand idea,
happened to be the bone of contention. This would have meant ‘re-
narrating’ religious scandals – that is, painting narrative panoramas so
as to illustrate various facets of the subject. A number of studies have
taken this ‘natural’ approach for political scandals, sex scandals, and
so forth. For religion – in particular regarding the abuse scandals in the
United States – such treatments of the subject have already flooded the
market. Our interest is much more theoretical and general as opposed
to event-oriented. Our method, therefore, is not narratable, a history of
[whatever] in disguise.
The first four chapters of this book amount to a vast theorizing effort.
They develop initial insights from observations of media scandals; they
then reflect on theories of meaning from which communicable public
meanings can be deduced; this then leads to a semiotic theory of public-
ity.1 Finally, we test our results against the media theories of Habermas
and Luhmann.
In chapter 1 we reflect on the phenomenon of scandals and examine
how various theories grapple with it. This will serve as a platform from
which to uncover dimensions that are not obvious and that point to
deeper inquiries into broader and more general fields.
Chapter 2 approaches one of these fields: the peculiar nature of the
object itself, that is, the public opinion phenomenon. As a means to
grasp an idea so intangible, we propose two fundamentally different
figures of thought: simulacrum and subsistence. Simulacrum is a fig-
ure of thought that makes the intangible familiar as a ‘simile’ to the
experienced. The substance, or subsistence, figure procedes from the
familiar experienced to intangible principles ‘under which’ they are
herently aware not just of media but of all varieties of sign. The bone
of contention with systems theory thus arises at the level of principles.
Do signs have a function? What is their business, not only in the classi-
cal Peircean domains of a cognitive grasp of the possible, existent, and
necessary being, but also in a narrower sense of the being-in-society?
Again, this provides an occasion to develop the semiotic of society and
immediately connect the results with a concrete social media being.
Here we will test a preliminary analysis of a fascinating phenomenon
of public opinion, one that encroaches on religion (and vice versa): tel-
evangelism.
In chapter 5 we strive for a theoretical clarification of the central
mechanism of meaning. Systems theory tries to conceive of this mecha-
nism as function. Does this hold more explanatory power than a theory
of the real that hinges on the triadic concept of the sign? The strength
that systems theory claims for itself is that it offers a comprehensive
theory of society, referred to non-ontically as the ‘society of society’
(Luhmann). Albeit without the same premises, we will be testing the
potential of semiotic in the same area: the challenging but central mat-
ter of the theoretical concept of society. This chapter will go on to practi-
cal considerations, towards the core issue, which is the encroachment
of public logic on forms of religious presentation. This brings us to tele-
vangelism, which as we will see, once the ‘sign of society’ sheds its light
on it, is more than an aesthetic form, or an instance of ‘television form.’
Chapter 6 looks briefly at religion as it appears before it becomes an
object of public opinion; we then examine the transformations that oc-
cur at the point where religion decides to appear as ‘public.’ Televan-
gelism is again the classic illustration of the transition from privately
religious to publicly religious. This provides an occasion to describe in
terms of semiotic processes the structural pillars of televangelist shows.
At this stage the bedrock conflict with public opinion becomes evident,
as a sort of primordial ‘scandalicity’ of all things publicly religious.
Chapter 7 examines the ‘techniques’ of narrative scandal production.
Which narrative apparatus needs to be established to produce the spe-
cific meaning (pro-gram), which becomes a scandal when turned into
a series of events? We will be guided in this and in further analyses by
the now famous early coverage of the child sexual abuse (from now on
‘CSA’) scandal in the Boston Globe. This will lead us to consider profes-
sional practices, such as investigative journalism and the ‘industrial’
production of objectivity. An important result of a semiotic analysis is
the concept of metatext, of which there are two kinds: the legitimiza-
tion of power and the realization of the Self. From there we can deduce
purely theoretically all classes of scandal.
In chapter 8, we observe the process arising from the program. The
most important aspect to be unearthed at this stage is the construction
of the event, both as a narrative and as a logical step in a processual
whole. With regard to this theoretical scaffolding, we will concern our-
selves mainly with describing one concrete series of events in the CSA
scandal.
Chapter 9 turns to the central question of reality. What is real in a
scandal? Initially we dismissed the simplicist idea that ‘real facts’ cause
scandal. Instead of causes, we investigated formal, mainly narrative el-
ements that determined almost perfectly the meaning of scandal. But
reality is intrinsic to that meaning, so that theory must find other than
naive ways to integrate the real. With the aid of metatexts, it is possi-
ble to view society as an institutional reality, not in the sense of rawly,
physically real, but as organized as reality. In this domain, scandals un-
fold by forcing real changes on institutions; that is what happens when
one social institution affects other institutions. But before effects, there
must be causes, and there must be more weight behind scandal causes
than mere ‘indignation.’ We will examine how turning the experiential
real into a problematic real is key to turning the former into a cause of
institutional effects.
When we return to our object of study, scandal, it will be clear that
increasingly it has come to define the practice and theory of journalism
tout court. Scandal is so ubiquitous and such a mainstay of the press
that we find it even at the zenith of journalism. Periodically and world-
wide, we stumble over ‘gates.’3 Yet as industry products, scandals
seem to contradict certain aspects of the ideal of objectivity, which, by
the way, was invented by the Anglo-American press (after Chalaby’s
well-known albeit somewhat extreme thesis). The ideal of objectivity
has given way to more sober characterizations of the news industry’s
products, but it still serves its purpose. The press’s self-justifications in-
exorably seem to involve an appeal to this ideal. In our analyses of the
scandal-igniting articles in the Boston Globe (around CSA), we will come
across some fascinating conflicts: troubled relationships with sources,
the public relations efforts of law firms. In this vein, problematic re-
lationships arise when the scandal target is religion, which somehow
seems to be above the tribunal of public opinion.
In prevailing approaches to communication studies, it is astonish-
ing how little attention is paid to the media themselves. Mainstream
Even before they meet the readers’ eyes, habent sua fata libelluli. While
this book was being written and prepared for publication, it seemed
to me that my object of study exploded before my eyes. Scandals of
the kind on which this study focuses were bursting like bubbles, one
after another, in very different places. However diverse these events,
they all seemed as if they were being run by one and the same book
of rituals, titled The Sexual Abuse of Children by Priests. It was almost
as if I was writing a play while it was being performed on stage. This
scenario has become a well-established topos, a true commonplace. One
could become defensive, apologetic, or sarcastic when dealing with this
matter. However, the public outrage, much justified, proved also to be
very helpful and continues to have a strong impact. While the abuse
all was carried out by individuals, the scandal targeted the institution,
and the institution reacted. Did the Church react to the real suffering
of human beings or to prodding by the media? The more I understood
the nature of public opinion in this study, the more I understood this
as a moot question: institutions are almost immune to individuals; only
other institutions can force them to change. In that sense, the current
crisis serves as an illustrated volume of our descriptions. So much for
the real-world setting of the topic and the vital personal interest of this
book …
I shared an interest in this subject with a number of people, to whom
I want to express my gratitude. My students, in particular my doctoral
students from so many countries, motivated me to expand my purview.
To them, to their questions and research, I owe a sense of the real. My
colleague and friend in London, Maria Way, volunteered to correct the
manuscript’s language and style. She gave generously of her time and
Kitabu hiki ni kwa ajili yenu kaka na dada zangu ambao mmekataliwa na watu
wenu na nchi zenu na bado mnakumbana na matatizo ya kimaisha kuishi
Dzaleka.
Ninahuzunishwa na hali ya wasichana na wanawake ambao wamekumbwa
na vitendo vya ukatili visivyoelezeka. Ingawa mmeepushwa kuuwawa, wengi
mmepoteza familia zenu.
Mungu wa amani na baba wa huruma awe nanyi nyote!
Not every scandal is really a scandal. What those with vested inter-
ests call ‘scandalous’ often does not have a scandal’s power. It is, there-
fore, advisable to separate the wheat from the chaff. Not every piece of
‘negative press’ generates impact, just as not every successful public
relations stunt has sustainable effects. Many mini-scandals, moreover,
are products of an industry striving to have celebrities talked about by
any means. Under the rules of this ‘fame game,’ tacit agreements exist
between PR agencies (celebrity handlers) and the tabloid press; indeed,
the two have an out-and-out symbiotic/parasitical coexistence. Clearly,
then, how to define a scandal is not a moot question; rather, it is central
to any theoretical grasp. This will be discussed in section 1.1. Then in
section 1.2 we will discuss the following: the characteristics of media
scandals from the perspective of both victors or victims; the pivotal fac-
tor of how the Ideal Subject and the Ideal Object of value are construct-
ed; and how judgments or sanctions are passed. Note that none of these
operations can occur in isolation as individual operations; rather, all
are supported by the scaffolding of industrial practices, which depend
on cultural patterns of logic that have roots even in ancient rituals, as
in the (architectonic, social, meaning) form of the ancient theatre. This
is evident in the narrative form that scandals take, which we introduce
and discuss at length in section 1.3.
The ‘materiality’ of media scandals is relevant not simply because of
the pragmatic of its production. Section 1.4 contends that ‘scandal’ in its
(original) religious sense had a different meaning from the social and a
fortiori from the media setting. Notwithstanding the semantics at hand
here, there is no continuum of scandal meaning from the Torah to the
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