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The International Library of Sociology
by
BRIAN JACKSON
First published in 1968 by
Routledge
Publisher's Note
The publisher has gone to great lengths to ensure the quality of this reprint
but points out that some imperfections in the original may be apparent
CONTENTS
I Voices page 1
2 Styles of Living 3
3 Brass Bands 21
4 At the Club 39
5 In the Mill 69
6 On the Bowling Green 99
7 Riot III
9 School Ends 13 2
10 Change and Community 147
II Some Proposals 167
INDEX 178
v
for
BRIAN, DOUGLAS, SHEILA
ACKNOWLEDGEMENTS
My chief debt in preparing this book is to Dennis Marsden who
did so much of the early fieldwork and writing up, and in partic-
ular put far more than I did into the section on the Mill. If life
had been rather different this might have been a joint book with
him, and the better for it. The cost of the initial interviewing
was met by the Frederick Soddy Trust who got the venture off
the ground. It was saved from collapse by further help from
Michael Young and the Institute of Community Studies. And that
it was written up at all is due to the generosity of the Department
of Applied Economics and its director W. B. Reddaway who
during my time as a visiting member there gave me the space and
quietness I couldn't otherwise have had.
I don't suppose I would have stuck at the project at all had I
not only had initial help from Sheila Jackson with the fieldwork
and writing up, but generous and selfless encouragement all the
way through. Drafts of this book have been circulating for five
years, and many people put long hours, sometimes at con-
siderable personal inconvenience, into helping me with it. Perhaps
I've drawn most on the help of Jeremy Mulford, David Grugeon,
Peter Laslett, Sonia Abrams, Richard Hoggart, Royston Lambert,
Jennifer Platt, Kim Townsend and Douglas Brown. But the
crises, complications and pressures of other work have been so
strong that this book has had to be fitted into odd days over the
last six years, and to do all that has meant that I've leaned more
heavily than I care to acknowledge on the perception and patience
both of the people I mention, and many other friends and
colleagues.
vii
Chapter One
VOICES
'I got hit with a frying pan one day. When I got married and
lived with my husband's mother, there was a do up our street. I
was fascinated, and I got a bit too close. Old Ma Ryan threw a
frying pan at her husband and I got it. My mother-in-law said it
served me right for being too nosy.'
'We've been in Millbank Methodist Chapel all our lives, we've
been connected but no, we never went, not after we were little
you know. Bah, you had to go, it were a case of your parents
making you go in them days, you had to do as you were told.
What, don't you forget it, it were real in them days, but when we'd
taken each other like, we didn't go no more.'
'I'll tell you what, I've noticed this with old folk that's been
moved away-they don't seem to have reigned long. It's too bad
rehousing old people, they should leave them alone. I'll give you
an example, that woman over there, her sister and her husband
they were moved from Brow Road. Well he were a big mate 0'
mine, used to go about a lot, and they were moved up Crosland
Moor. Well nothing wrong with Crosland Moor, up top end it's
a nice district, but do you know they were both dead within twelve
month. Somehow it seemed to knock all t'stuffing out of them,
down here you know everything and everybody, I know Millbank
stone by stone as you might say.'
'I know one or two Indians. I go drinking with them, they're
nice blokes. Of course since this Mau Mau job we've got some-
thing against the Jamaicans. We're not so keen on them.'
'We used to think it was real going down to Chinny's, to the
dance. Getting black drainpipes on, and a long duffle coat, and
you looked exactly like a bopper. I couldn't bop, but I used to
think it was real, and we felt it was smashing going out with
greasy faces. We just used to put Hi-Fi on, smear it all over our
I
Voices
faces, no powder or anything and lots of black mascara. Then
we'd go down in the dark and we'd feel exactly like boppers. It
didn't last though, you don't stop at Chinny's very long. Then
after Chinny's, you go to the Empress or Charlie Frost's. Oh I
remember a time down there, the first time I ever went to
Chinny's, and I wasn't wearing the right clothes or anything, I'd
gone in a sort of party frock. And everybody else they all looked
at me, and I cried upstairs because I couldn't get anybody to dance
with me, and then somebody danced with me and I thought I'd
got a partner, but it turned out it was a girl I went with, that had
put him up to it. So next time I went, I got the proper clothes on,
except I'd got a blouse on under me sweater and the neck was
all showing you know. When I got there and took me coat off,
they all looked at me and they said, you don't wear a blouse under
your sweater, and they made me go upstairs and take it off straight
away.'
'I always give to the blind, but I don't like these other things.
What I want to know is where does all the money go ? There's too
many of these things. There's somebody filling their nests. Where's
it go? Congo? Why, we've enough of our own refugees in
England without bothering sending money to that lot. They want
to get some work done, that's what they want. Like the rest of us
have to do. I work with a black woman and I should know.'
'There's this guy next door, Mr. Nugent, an Irishman. When
he's sober he dresses quite smart, but when he's drunk-he shouts
out "Get out! Get out of my house!" And they have to get out. All
twelve. He has twelve children. And some nights he shouts out
"which is the finest race?" And they have to shout back, all in
unison they have to shout back "The Irish!" Or else he might
have them all saying "Heil! Heil Hitler I" When the police
come, he gets out of the bathroom window.'
'On this estate you've got more community spirit than you
would have, say, down Edgefield-real community. We've got
to think first of all of getting this on a local scale; everybody in
Huddersfield being co-operative and community-minded. Then
on a national scale. Then on an international scale. I take it that's
brotherhood.'
2.
Chapter Two
STYLES OF LIVING
When you hear them, those voices are Yorkshire, deliberate,
authoritative within their worlds. This book is an attempt to
exemplify why they matter, why we should hear them. They are
all working-class voices-the mill girl at the dance, the plumber
with his vision of 'brotherhood', the labourer climbing out of the
bathroom window. Following their leads, I've tried in half a
dozen ways to define the qualities, good or bad, of working-class
life: the styles of living that it offers us.
Listening to the voices, or exploring the communities that have
gathered around the weaving sheds, I shall be asking a series of
familiar questions. Questions about the clash between established
working-class values and established middle class values; about
those older working-class values and their encounter with the mass
media; and most of all, about whether the new world of relative
affluence inevitably means the total end of the old styles of living.
To be extreme: are we, by a thousand and one deliberate decisions,
moving in the direction of a society sapped by the poorest middle-
class concerns (such as those about personal status), the poorest
mass media attitudes-(those preoccupied with the packaging and
not the packet's contents), and the poorest of all the old working-
class situations: a vast but enclosed community transformed into
a passive, conforming audience? Or can the decisions, in an
inevitably changing society, be taken differently? Can they lead
to a fusion of middle class feeling for individual development,
with the multiplication of experience that the mass media may
offer, and those qualities of spontaneity and community that my
opening 'voices' suggest?
It would be a bold man who could tackle such large general-
ities head-on. In most of this enquiry I have explored the
questions indirectly, letting the patterns establish themselves and
3
Styles of Living
knowing that my pattern would not always be the reader's.
This study began, in 1958, out of that debate on working-class
life which blazed up, and died down, so very quickly. The Uses of
Literary was fresh on the bookstalls, so was Saturday Night and
Sunday Morning. On television Dennis Mitchell was showing
Morning in the Streets. The papers were attending to the work on
family and kinship that Michael Young and his colleagues were
reporting from Bethnal Green. And the whole structure of our
school and university system was clarified by findings of untapped
working-class talent recorded in such surveys as Floud, Halsey and
Martin's Social Class and Educational Opportunity. Looking back,
we can see that there was an element of fashion in the extent to
which this debate was taken up. No doubt our society needs to
discover a working-class novelist every three or four years as a
kind of exotic thrill: it needs the sense of a rough, sexy, warm,
violent world just around the corner. The nineteenth century was
in the habit of taking up a working-class poet every few years-
John Clare is a sad example. But the subsequent discussions on
rural strengths and uncomplicated freshness of response, though
they concerned real qualities (for Clare is still alive and his
lionizers dead), were often part of the froth of intellectual diver-
sion. Something like this happened around 1958.
But of course the questions raised at the time remain important
and unanswered, and people have continued the work. Any
'answering' must be a collaborative activity involving not only
many people, but time itself and the insight of several disciplines.
These are not questions for the sociologist or the psychologist
or the literary critic or the writer or the film producer alone; but
for all of them on our behalf.
The ground work was laid in the previous debate. For the
matters I intend to explore here, the most interesting survey was
Fami!J and Kinship in East London. 1 In this Michael Young and
Peter Willmott analysed the way the working-class family centred
on Mum: daughters married and lived close by, and the 'extended
family' stretched over several households. Most of their report
suggested strengths in this system, especially for the women:
there was abundant mutual help-looking after children, cooking
1 Young, M. and Willmott, P. Family and Kinship in East London (Routledge
and Kegan Paul, 1957).
4
Styles of Living
meals, sharing shopping. There was quick support in the great
personal crises of death, accident and illness, and a constant flow
of more everyday advice and encouragement. The 'extended
family' mattered a great deal too for men and women-a widow,
an unmarried son-who might otherwise live isolated lives in
small flats. In East London they were absorbed into the linked
system of households, often taking on satisfying roles as sub-
stitute sons or mothers. Against this, the authors contrasted an
analysis of a new housing estate where material conditions were
vastly superior-hot water, gardens, good schools-and where
husband and wife were closer together. Nevertheless there was
unhappiness and loneliness, and the loss of the 'extended family'
meant that a vital part of working-class life, with much of the
emotional and practical support it offered, had been needlessly
destroyed. It was needless, they concluded, because housing
schemes could be built round the existing style of living: to
destroy that and substitute an estate with a 'community centre' was
useless action based on ignorance of our own society. The im-
portance of this survey and the others that cluster round it! lies
firstly in their unravelling of the kinship network which underlies
all working-class 'community'. Secondly, they changed the focus
from untypical 'problem families' or male-centred discussions of
collective bargaining and the creation of trade unions, to the
ordinary world of women and home. And they show the quite
needless harm that can be done by well-meaning middle-class
officials and policy makers who take their decisions in ignorance
of the style of living around them.
This interpretation does not go unchallenged. In Ship Street,
a Liverpool 'problem family' study, Madeleine Kerr emphasized
the restrictive and smothering role of Mum, whose emotional
hold makes it difficult for the children ever to break away-even
into a larger and more attractive life. And in Coal is Our Life,'2 an
enquiry centred on Featherstone in Yorkshire, Dennis, Henriques
7
Styles of Living
with less disabling disease, a longer expectation of life, a lower age
of retirement, more inherited wealth, a proportionately greater and
more assured pension, a tax free lump sum perhaps one hundred
times greater, and in receipt of substantially more non-wage income
and amenities in forms that escape income tax, being neither money
nor convertible into money. Which of two individuals from these
classes receives more aid in absolute terms from the generality of
taxpayers through "the social services" and other redistributive
mechanisms, especially during that phase of life when the foundations
of earning capacity, opportunity and achievement are laid?'
Peter Townsend and those around him have broadened the
great tradition-Rowntree, Booth, the Webbs-of enquiries into
working-class poverty. He has shown that in 1965 there are still
seven and a half million people living below an income level set by
the National Assistance Board as necessary for rent, clothing and
food. 'Poverty' needs to be redefined in each age: it is a relative
statement of lack of primary wants. 1 It may be less visible than it
was. The great city sprawls-Attercliffe in Sheffield, Stepney and
Bethnal Green, the Gorbals-are not as horrifying as they were.
But it still exists, on a big scale, in a complicated system of pockets
-the large family at the end of the street, the widow in the base-
ment fiat. This research has given us new eyes. It has insisted that
behind the 'community' problem-and behind all the fractions of it,
such as education-still lie crude problems of neglect and extreme
inequality: and that the solution of those is the first priority.
A third line of enquiry has concerned itself with the nature and
effect of the mass media. Probably the most important achieve-
ment here of writers such as Richard Hoggart and Raymond
Williams has been to break up the easy concept of the working-
class 'masses' being given the rubbish they ask for and being well
satisfied with it. ('Masses are other people. There are in fact no
1 'The children of 1965 are in some ways more deprived than the poor of the
1 940S when there was a communal poverty. They are surrounded by apparent
affluence. They have no vests and shoes that are too tight, but other children in
their classes will be talking about the Continental holidays they are going to
have. Children who go to school badly dressed are not usually spotted as being
poor, unless it is known that their mothers are widowed or deserted.' Jean
Stean commenting in the Guardian (2, Feb., 1966) on research by Peter Town-
send and Brian Abel-Smith. See Townsend, P. 'The Meaning of Poverty'. Brit.
Journal of Sociology, vol. XIII, no. 3, Sept., 1962. See also Runciman, W. G.
Relative Deprivation and Social Justice (Routledge and Kegan Paul, 1966).
8
Styles of Living
masses; there are only ways of seeing people as masses.')! It has
been shown with some care that 'mass' audiences are made up of
multiple, shifting sub-groups, that programmes or papers with
equally large audiences are not viewed or read with equal in-
tensity, and above all that we must beware of transferring a judg-
ment about cliches and shallowness in magazines or television
into one about trivial or stock responses in their audience. In 1958
it was easy for policy makers-like M.P.s-or the face-to-face
decision takers-like teachers or doctors-to talk about 'the
masses' and television in the same unquestioning way that the
nineteenth-century bourgeoisie could talk about 'the masses' and
the vote. That has gone, and if anything the run of new evidence
now concentrates attention on the fact that the content of the
media very often stems from producers, editors, writers, with
middle class backgrounds and expensive educations. The more
serious surrender to the 'packaging' values may come not from
working-class teenagers but from ex-public schoolboys down from
Cambridge knowingly grading their 'copy' according to the
educational level of their audience. 2 But so far as questions of
working-class community are concerned, what is now coming out
of these enquiries is a sharper sense of discrimination within the
mass media instead of the old black-and-white opposition between
'mass' art and the older 'minority' arts. ('School and home' said
the Secretary of the National Union of Teachers 'are often cases
threatened by the surrounding desert'.) What is only just begin-
ning to be accepted is that the mass media-from Marks and
Spencer to television-have penetrated working-class com~
munities with new goods and experiences of an important kind. 3
1 Williams, R. Culture and Society (Chatto and Windus, 1958).
a 'A Bri-nylon fabric is advertised in a gay, carefree manner in Woman's
Own, but in a suave, modish and expensively restrained way once it reaches
the pages of Queen, About Town or Vogue. Advertising contributes to cultural
stratification in our society'. Hall, S. and Whannel, P. The Popular Arts (1964)
p. 415, from whom the quotation by the Teachers' Secretary (p. 21) and E.
Shils (p. 380) are also taken.
3 'Mass Society has liberated the cognitive, appreciative, and moral
capacities of individuals. Larger elements of the population have consciously
learned to value the pleasures of eye, ear, taste, touch and conviviality. People
make choices more freely in many spheres of life, and these choices are not
necessarily made for them by tradition, authority, or scarcity'. Shils, E.
Culture for the Millions.
B 9
Styles of Living
To take a small example, the middle class with its background of
good schooling over several generations, and its strong pull
towards London, has easy access to the dramatic heritage of
western civilisation. But the arrival of television into almost every
home in Dewsbury, Warrington or Swindon is often the first
sustained encounter with what 'drama' can offer as an entry into
other experience: a leap of the imagination so common to many
well-educated middle-class citizens, and so fundamental to their
most serious culture, that they may be inclined to accept it as
being open to all.
Lastly, that familiar line of enquiry which could once have been
safely summarised as 'working-class problem studies', has under-
gone a most extraordinary change. (Though the older middle class
attitudes about the 'problem' can still be tenaciously held.) This
could be illustrated by recent work on delinquency, l but I want
to take two studies of subjects that are more central to this book.
The first is Infant Care in an Urban Community, 2 a survey of 700
Nottingham mothers. Compared with earlier work this is
remarkable by virtue of its readiness to accept that varied styles
of living might make sense in different ways, and its insistence
that we must start by 'looking at real families'. When they did
look at 'real families', they found that far from the majority of
working-class husbands being absent all the time at the pub, the
majority of them took a practical part in the care of small babies.
'At a time when he has more money in his pocket, and more
leisure on which to spend it, than ever before, the head of the
household chooses to sit at his own fireside, a baby on his knee
and a feeding bottle in his hand.' Of course this is a picture of a
changing life. The quality of family life has plainly been affected
by the arrival of the forty-hour week, the husband having more
energy and time to give to his family-especially at weekends. And
during the day, the woman's load has been considerably lightened
by the benefits of mass production-and even such humble things
as the proliferation of effective cleaning materials, more easily
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