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 ENGLISH
SILVER

ENGLISH SILVER COINAGE

COINAGE
since 1649

Maurice Bull

6 th Fully Revised Edition

By
ISBN: 978-1-907427-50-3
Cover coin: 1705 Crown, plumes in angles Maurice Bull
Courtesy of www.petitioncrown.com

9 781907 427503
Cover design: Russell Whittle - [email protected]
2015
ENGLISH SILVER COINAGE
from 1649
 ENGLISH
SILVER COINAGE
from 1649

BY
MAURICE BULL

Based on the original work by

P. ALAN RAYNER

LONDON
 English Silver Coinage 1649-1949 by H. A. Seaby
First Edition 1949
English Silver Coinage from 1649 by P. A. Rayner
Second edition 1957
Third (Revised) Edition 1968
Fourth (Revised) Edition 1974
English Silver Coinage from 1649
Fifth (Revised) Edition by P. A. Rayner 1992
Sixth (Revised) Edition by Maurice Bull 2015

The contents of this catalogue, including the numbering system

and illustrations are protected by copyright.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system
or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or
otherwise, without the prior written permission of Spink & Son Ltd.

Printed by Gutenberg Press Ltd., Tarxien, Malta

ISBN 978-1-907427-50-3

© 2015
Spink & Son Ltd.
69 Southampton Row
London WC1B 4ET

www.spink.com
 CONTENTS
ESC Page
Introduction v-viii
Preface ix
Acknowledgements x-xi
History of the Milled Coinage xii-xiv

Commonwealth Introduction 1
1649-60 Crowns 1-14 2-4
Halfcrowns 15-68 5-11
Shillings 69-176 12-19
Sixpences 177-223 20-24
Maundy types 224-230 25

Cromwell Introduction 26
1656-58 Crowns 240-250 27-29
Halfcrowns 251-253 30
Shillings 254-259 31
Sixpences 260-264 32-33

Charles II Introduction 34-35

1660-85 1st Hammered issue 270-284 36-40
2nd -------------------- 385-296 41-43
3rd -------------------- 297-338 44-48
Crowns 339-437 49-63
Halfcrowns 438-499 64-70
Shillings 500-565 71-83
Sixpences 566-581 84
Maundy types 582-738 85-94

James II Crowns 740-747 95-96

1685-88 Halfcrowns 748-759 97-98
Shillings 760-772 99-100
Sixpences 773-780 101
Maundy types 781-816 102-104

William & Mary Introduction 105

1688-94 Crowns 820-825 106-107
Halfcrowns 826-862 108-114
Shillings & Sixpences 863-871 115-116
Maundy types 872-986 117-128
v
 CONTENTS
ESC Page
William III Introduction 129-133
1694-1702 Crowns 990-1013 134-137
Halfcrowns 1014-1102 138-148
Shillings 1103-1200 149-161
Sixpences 1201-1304 162-174
Maundy types 1305-1335 175-177

Anne Introduction 178-179

1702-14 Crowns 1340-1356 180-184
Halfcrowns 1357-1384 185-189
Shillings 1385-1445 190-202
Sixpences 1446-1472 203-209
Maundy types 1473-1533 210-216

George I Introduction 217

1714-27 Crowns 1540-1548 218-220
Halfcrowns 1549-1559 221-222
Shillings 1560-1608 223-228
Sixpences 1609-1616 229-230
Maundy types 1617-1649 231-234

George II Introduction 235

1727-60 Crowns 1660-1672 236-238
Halfcrowns 1673-1693 239-241
Shillings 1694-1735 242-248
Sixpences 1736-1764 249-252
Maundy types 1765-1843 253-254

George III Introduction 259-261

1760-1820 Countermarked Dollars 1850-1903 262-272
1798 Patterns 1904-1924 273-275
Bank of England Dollars 1925-2004 276-284
Crowns 2005-2019 285-286
Pattern Crowns 2020-2060 287-296
Three Shillings Bank Tokens 2061-2085 297-299
Halfcrowns 2086-2111 300-305
1s-6d Bank Tokens 2112-2123 306
Shillings 2124-2182 307-314
(continued)

vi
 CONTENTS
ESC Page
George III Nine pence Bank Tokens 2183-2185 315
1760-1820 Sixpences 2186-2228 316-321
Maundy types 2229-2299 322-329

George IV Crowns 2310-2321 330-331

1820-30 Pattern Crowns 2322-2355 332-339
Halfcrowns 2356-2393 340-345
Shillings 2394-2419 346-349
Sixpences 2420-2443 350-352
Maundy types 2444-2456 353

William IV Crowns 2460-2471 354-357

1830-37 Halfcrowns 2472-2486 358
Shillings 2487-2498 359
Sixpences 2499-2514 360-361
Maundy types 2515-2555 362-366

Victoria Introduction 367-368

1837-1901 Crowns 2560-2609 369-375
Pattern Crowns 2610-2694 376-391
Double Florins 2695-2705 392-394
Halfcrowns 2706-2814 395-406
Florins 2815-2972 407-427
Shillings 2973-3167 428-452
Sixpences 3168-3294 453-460
Pattern Sixpences 3295-3316 461-465
Groats 3317-3360 466-467
Threepences 3361-3455 468-472
Twopences Threehalfpences 3456-3477 473-474
Maundy 3478-3559 475-478

Edward VII Crowns 3560-3566 479-480

1901-10 Halfcrowns 3567-3576 481
Florins 3577-3586 482
Shillings 3587-3596 483
Sixpences 3597-3606 484
Maundy 3607-3626 485-486

vii
 CONTENTS
ESC Page
George V Introduction 487-488
1910-36 Crowns 3630-3676 489-493
Double Florins 3677-3708 494-497
Halfcrowns 3709-3754 498-501
Florins 3755-3798 502-504
Shillings 3799-3858 505-509
Octorinos 3859-3870 510
Sixpences 3871-3925 511-515
Threepences 3926-3969 516-518
Maundy 3970-3997 819-520

Edward VIII Introduction 521

Jan. -Dec. 36 Denominations (all) 4000-4015 522-525

George VI Introduction 526

1936-52 Crowns 4020-4031 527-529
Double Florins 4032-4033 530
Halfcrowns 4034-4075 531-533
Florins 4076-4119 534-536
Shillings 4120-4217 537-542
Sixpences 4218-4274 543-547
Threepences 4275-4303 548-549
Maundy 4304-4323 550-551

Elizabeth II Introduction 552-553

1952- Crowns 4330-4348 554-558
Halfcrowns 4349-4392 559-561
Florins 4393-4441 562-564
Shillings 4442-4520 565-568
Sixpences 4521-4558 569-57
Maundy 4559-4580 571

Proposed decimal coinage 572-578

Unofficial Repro. Patterns 579-582
Provenances 583-647
Mintage figures 648-654
Bibliography 655-656
Proof sets and individuals 657-662

viii
 PREFACE TO THE SIXTH EDITION

This completely revised edition of The English Silver Coinage came about
as a result of a talk with Philip Skingley (Spink Numismatic Publications), when he
asked if I would consider a long overdue update of the work by Alan Rayner. The
last update was in 1992 when letter suffixes were used to record new additions. He
suggested I re-number everything in order to remove the confusing letter suffixes.
After a few unsuccessful attempts with new formats etc., this is the result.

In his fifth Edition Alan Rayner was undecided whether to re-number, in

order to eliminate the use of letter suffixes, and to change the format by monarch
rather than denomination. After consultation with other collectors I have decided
to make those changes and to cross-reference each with the old ESC numbers.

Another major decision was what to include that had not been recorded
before. After consultation with numerous collectors and knowledgeable persons I
decided that this work should be a reference of ALL known silver coins both
available and unavailable to collectors, i.e. a record of proofs and patterns of the
greatest rarity. Thanks to the computer, the opportunity to profusely illustrate
specimens and enlargements of die varieties has been possible. Unfortunately,
some varieties, especially on smaller coins, are not photogenic taken from
publications. I decided to list, as many as possible, every recorded coin at the back
of the book under ‘Provenances’ to show where an illustration is available. This
has the added benefit of proving the existence of many rare examples. A small
number have not been located either because of rarity, or being too common to
have been illustrated in publications.

Prior to 1816, when the reducing machine was introduced and dies were
copied from a master die, they were individually made by hand, and no two dies
were truly identical. This is not intended to be a finite record, but simply to show
the major, and, some minor recognised varieties. Some, so-called, varieties have
been delisted where they are considered to be the result of striking, damaged or
filled dies and not true die-sinker’s errors, i.e. missing stops, un-barred letters and
edge inscriptions caused by slippage of the collar segments.

When re-numbering this series I decided to leave appropriate gaps in the

sequence between reigns for a number of reasons; firstly to enable late additions to
be incorporated easily and secondly to help future additions to be made in the next
edition, if necessary, without the need to re-number the whole series again.

Maurice Bull
2013

ix
 ACKNOWLEDGEMENTS

The first edition of English Silver Coinage 1649-1949 was published by

H.A. Seaby in 1949. P.A. Rayner published a Second Edition in 1957, a Third in
1968, a Fourth in 1974 and the Fifth (Revised) in 1992 (over two decades ago).

Finally I must confess this sixth Edition (revised and updated in a new
format) would not have been possible without the knowledge and dedicated work
of Alan Rayner, to whom I am deeply grateful, and for the input by a number of
collectors in their specialised fields.

My most sincere thanks are to Philip Skingley (Spink Numismatic

Publications) for giving me the opportunity to tackle such an important task, and
for backing the project from start to finish together with immense encouragement
and assistance along the tortuous way.

I must give a very special thanks to Steve Hill for privately taking the
time to proof read and correct my many mistakes and for his valuable suggestions
to improve the text and imagery.

I wish to thank the following people for their contributions, suggestions,

and permission to copy illustrations and notes from their various publications and
collections, for without their generosity this publication would not have been
possible, and my apologies to anyone I may have missed;
Andrew Wide (private collector)
Chris Webb, Director at D.N.W Auctions
Dave Tisbury (private collector)
Douglas Saville (Rare book seller),
Ian Hunter (private collector)
Lloyd Bennett (Coin dealer),
Leon Juckett (private collector)
Malcolm Lewendon (private collector)
Mark Rasmussen (Coin dealer)
Marvin Lessen (private collector)
Mike Shaw (private collector)
Nick Haddad (private collector)
Nigel Prevost (private collector)
Paul Cattermole (private collector)
Roderick Farey (private collector)
Roderick Richardson (Coin dealer)
Seth Freeman & Steve Hill at Baldwin’s, and last, but not least, thank you
to all my friends with whom I bounced many new ideas; Alan Hawkins,
Barry Allen, Mick Martin, Mark Rasmussen, Ray Bayford etc..
x
 ACKNOWLEDGEMENTS

I am especially indebted to the following people for supplying wonderful

images and helping me to unravel many complicated series; Roderick Farey and
Nigel Prevost (shillings), Malcolm Lewendon (Gothic Florins etc.), David Tisbury
(Commonwealth varieties), and to the anonymous collectors who allowed me to
see their private collections.

Finally I am very grateful to all the famous named numismatists of the

past whose collections were illustrated in the many auction and sales catalogues:
Spink, D.N.W, Glendining, Seaby, St. James’s, Bonham’s etc., through which they
were sold over the years (in no particular order); Hyman Montagu, Paul W. Karon,
R.C. Lockett, Herman Selig, Colonel Morrieson, Lord Hamilton, H.M. Lingford,
Jackson-Kent, E.D.J. Van Roekel, The Slaney collection, Dr Bruno Mantegazza,
Frederick Willis, Dr D. Rees-Jones, J.C.S. Rashleigh, La Riviere and Kaufman,
The Magnus collection, R. Henry Norweb, T.H. Paget, Alfred Bole, H.A. Parsons,
H.E. Manville, G. Sommerville,, J.F. Rowlands, Martin Hughes, A.H. Whetmore
Alan Barr and the publication by Alex Wilson & Mark Rasmussen ‘Trials and
proofs in gold’. (See under ‘Provenances’)

A special thanks to the auction houses, dealers and collectors who

graciously waived copyright for me to use some of their images when actual
specimens were unavailable, and to Nigel Prevost, John Howie and Roderick Farey
for allowing me to reprint their published die studies of Anne Shillings.

Maurice Bull
2015

xi
 HISTORY OF MILLED COINAGE

(Reproduced from E.S.C. Fifth Edition by P. Alan Rayner)

ELIZABETH I
First use of the mill and screw press in England

It is usual to refer to all coins struck by machinery as ‘milled’ but this is

a misnomer. The term ‘mill money’ was originally applied to coins made at the
Paris Mint about 1552, when the metal was rolled to the required thickness, a
cutting press stamped out the blanks, and a screw press was used to strike the
coins. The power for these operations was supplied by horse or water (mill).

Despite the coins being technically and artistically superior to those made
by hand, years of bitter opposition from mint workers who feared for their jobs
finally drove the machine’s inventor, Eloye Mestrelle, to seek employment at the
Tower Mint in London in 1561. There he was allowed to set up and demonstrate
his machinery, being paid the rather miserly salary of twenty-five pounds per
annum. During the period from 1561 to 1572 he struck the following
denominations. In gold: half-pound, crown, and halfcrown: and in silver: shilling,
sixpence, fourpence, threepence, twopence and three-farthings.

Mestrelle’s shilling

The gold coins are extremely rare and it is doubtful if they circulated in
any quantity. The silver shillings were struck only in small numbers, but the
sixpences, struck nearly every year between 1561 and 1571, are relitively common
and display such numerous variations in the style of portraiture, mint-mark and
diameter that a considerable number of dies is indicated. The fourpence,
threepence and halfgroat are considerably scarcer than the sixpences and only a
very few specimens of the three-farthings are known. In all, a very considerable
number of coins must have been struck. Also known are several superb patterns in
gold and silver from dies engraved by Derick Anthiony.
xii
 HISTORY OF MILLED COINAGE

Despite the obvious superiority of his coins, Mestrelle fell foul of

strenuous opposition to his machinery and in 1572 was deprived of his
emoluments, probably because he was related to a certain Philip Mestrelle who
was hanged at Tyburn in 1569 for forgery. An attempt to restore his position
resulted in completely false acccusations as to the speed and quality of stiking
being made by the Warden of the Mint, Richard Martin. Mestelle was discharged
and six years later he was hanged at Norwich together with several accomplaces
for striking and passing false money.

CHARLES I
Further experiments with mill machinery by Nicholas Briot

It is to Charles’ fine artistic taste and his intense desire to improve the
poor quality of portraiture and striking of coins that we owe the employment in
London of Nicholas Briot, one of the most brilliant artists and die cutters of his
time. Like Mestrelle, he was of French origin, having spent some years working at
the Paris Mint amid continuous hostility towards the mill and screw machinery, of
which he was a staunch advocate. In 1628 he was allowed to set up machinery in
the Tower Mint, and at once began to make a number of superb pattern pieces of
an artistic and technical standard not previously achieved.

Apart from his outstanding qualities as an artist, his refinement over the
machinery used by Mestrelle consisted of a circular collar which prevented the
blank from spreading unevenly when struck, thus producing coins of a neater and
rounder appearance bearing a fuller impression of the dies than had hitherto been
possible. Portraiture on the hammered coins improved under his influence,
although coins were still struck in a disgracefully shoddy fashion.

N. Briot’s
1st milled
Crown
(D.J. Van Roekel 42)

xiii
 HISTORY OF MILLED COINAGE

Briot’s first milled issue consisted in gold of an angel, unite, double crown
and crown, and in silver of a crown (see illustration above), halfcrown, shilling,
sixpence, halfgroat and penny. These were struck between July 1631 and July
1632, some coins having in addition to the mintmark B, a flower or rose, the mark
in use on the hammered coins at this time.

In August 1635 he was appointed Master of the Scottish Mint, and

although he held this post until 1646, when he was succeeded by his son-in-law
John Falconer, most of the coins for which the Scottish series is justly proud were
struck in 1637. Doubtless under his influence, the use of the mill and screw press
in Scotland pre-dates the general use of this machinery in London by several years.
Briot’s second milled issue in London, struck in 1638-9 with the anchor mintmark
consisted only of a silver halfcrown, shilling and sixpence, although hammered
halfcrowns and shillings were also made from his dies at this time. While
continuing to work at the Tower Mint for the Parliamentary forces during the Civil
War, he surreptitiously made dies for the King’s coins at York and Oxford. He
died at Oxford in 1646.

N. Briot’s
Halfcrown
struck at York
c. 1643
(Bull 557)

xiv
 COMMONWEALTH OF ENGLAND
1649-1660

In 1642, at the beginning of the Civil War, Parliament seized the Tower
Mint but continued to strike coins in the name of Charles I and with his portrait.
After the king’s execution Parliament ordered coins to be made in the name of the
Commonwealth and for the first time the inscriptions in English tongue. The types
of all the denominations were uniform, except for the half-penny, and were very
commonplace: the three smallest pieces bear no legend. The only variation is a
change in the mintmark: until 1657 it was a sun, after that date an anchor; all
pieces with this latter mintmark are rare.

The authorities having heard of the great advancements made in the

manufacture of coins on the continent, sent to Paris for Peter Blondeau who had
invented a new machine. He came over and in a house in the Strand erected a
machine on the mill and screw principle, from which he struck the finely executed
patterns of 1651. His halfcrown patterns were the first pieces made in this country
with an inscription on the edge. His position at the Mint was, however, much
opposed by the ‘old brigade’ and resulted in the issue of a series of patterns by
David Ramage to show that a foreigner was not required. These pieces are of
inferior workmanship to those of Blondeau. However, he held on for a time, but
by 1658 the opposition was so strong that he was forced to resign leaving his
machine behind. He returned to Paris with a pension of £100.

A proclamation of 7 September 1661 demonetised the Commonwealth

Coinage, but the date was extended until 1 May 1662 for payment of taxes (Craig
The Mint, p. 157)

The following recorded die varieties demonstrate how large the

production must have been during this period. No doubt quantities of Charles I
coins were melted down to augment the demand for silver.

1
 COMMONWEALTH, 1649-60
CROWNS

Inverted N

Standard obverse Standard reverse

Blundered E A

Thin wire-line inner circle Very large 2 over 1

Inverted N in ENGLAND 6 over 4

Large 6 over small over 4 6 over 4 Small 6 over 4

Both Ns over inverted Ns A for V in VS Normal & inverted Ns

2
 COMMONWEALTH, 1649-60
CROWNS
Standard design with value shown as • V •

Obv. Cross of St George on a shield between; palm branch left and

laurel branch right, with the mintmark above
Leg. THE COMMONWEALTH OF ENGLAND
mm. SUN

Rev. Value · V · above conjoined shields; the cross of St George left and
the Irish harp right with date above in the legend
Leg. GOD WITH VS
Spink 3214
(Old ESC)
ESC Date Varieties, remarks, etc R
4 1
1 1649 All Ns over inverted Ns R
2 — Thin wire-line inner circle, and R5 2
inverted N in ENGLAND
3 1651 All Ns over inverted Ns R4 3
4 1652 All Ns over inverted Ns Many subtle die varieties R 4
5 — All Ns over inverted Ns Very large 2/1 R3 5
6 1653 All Ns over inverted Ns Many subtle die varieties N 6
7 — All Ns over inverted Ns Rev. A for V in VS R3 6A
8 1654 All normal Ns R3 7
9 — All normal Ns Rev. A for V in VS R3 7A
10 1656 Large round 6 possibly over 4 Rev. A for V in VS R2 8
Blundered E A in COMMONWEALTH
2nd N inverted in ENGLAND
11 — Small 6/4 All normal Ns R2 8A
12 — Small 6/4 All normal Ns Rev. A for V in VS S 9
13 — Small 6/4 2nd N over inverted N in ENGLAND S 9
Rev. A for V in VS
14 — Large 6 over small 6 over 4 Rev. A for V in VS R3 8A
2nd N over inverted N in ENGLAND

Note
There are many sub-varieties of these crowns; most notable in the size of the
numerals, alignment of the legends and spacing of the date relative to the value etc.
This is inherent in individually handmade coinage.

A challenge to make a full die study awaits someone with time and patience

3
 COMMONWEALTH, 1649-60
CROWNS

FABRICATION
Caveat
There are many contemporary and modern forgeries of this series,
including some with a copper core, e.g., 1653 (Baldwin’s cabinet)

“The re-cutting of the inscription on genuine coins

(All Commonwealth denominations) to produce new or rarer readings
was the particular line of the notorious 19th century forger, John White”

Typical example
(Provenance Spink Auction 147, lot 531)

ANCHOR
xxx 1660 Tooled to alter date from 1652 to 1660
and mintmark Sun to Anchor
Normal N in COMMONWEALTH
Ns over inverted Ns in ENGLAND (Unique?)

4
 COMMONWEALTH, 1649-60
HALFCROWNS
OBVERSES

Obverse A All Ns over inverted Ns Only stops by mm

COMMONWE·ALT·H 2nd N over inverted N 2nd N over inverted N

No stop after THE Extra stop in TH·E·

E over ? All Ns inverted First O over M

Inverted Ns N over G

·OF·F Reverse B Missing T

5
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