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This edition published in 2014 by:

The Rosen Publishing Group, Inc.

29 East 21st Street
New York, NY 10010

Additional end matter copyright © 2014 by The Rosen Publishing Group, Inc.

All rights reserved. No part of this book may be reproduced in any form without
permission in writing from the publisher, except by a reviewer.

Library of Congress Cataloging-in-Publication Data

Archaeological discoveries of ancient America/editor, Frank Joseph.—First edition.

pages cm.—(Discovering ancient America)
Includes bibliographical references and index.
ISBN 978-1-4777-2809-3 (library binding)
1. America—Antiquities—Juvenile literature. 2. America—Discovery and exploration—
Pre-Columbian—Juvenile literature. 3. Historic sites—America—Juvenile literature.
4. Prehistoric peoples—America—Juvenile literature. 5. Visitors, Foreign—America—
History—To 1500--Juvenile literature. I. Joseph, Frank.
E21.5.A725 2014
970.01—dc23
2013014682

Manufactured in the United States of America

CPSIA Compliance Information: Batch #W14YA: For further information, contact Rosen Publishing, New York, New York, at 1-800-237-9932.

First published as Unearthing Ancient America by New Page Books/Career Press, copyright © 2009 by Ancient American Magazine.

2
To James P. Scherz, professor emeritus, the University
of Wisconsin (Madison), whose decades of original
research and eloquent insight continue to illuminate
American prehistory.

3
 Bibliography

q
Contents
q
Introduction: Welcome to the New History!
11

Chapter 1: Anomalous Artifacts

13
An Ancient Egyptian Statuette Found in Illinois
By Wayne May
13
Medallion Puts Buddhists in Michigan a Thousand Years Ago
By Frank Joseph
24

q
Ancient Michigan’s Solar Eclipse Tablet
By David Allen Deal
31
Chapter 2: Messages from the Past
39
Minnesota’s Viking Runestone Is Authenticated
By Lloyd Hornbostel, Jr.
40
The Lost Inscription of Grave Creek
By Wayne May
45
The Grave Creek Tablet Is Genuine
By Ida Jane Meadows Gallagher
50
The Crespi Collection: Archaeological Fraud or Prehistoric Library?
By Dr. Warren Cook
54
 Chapter 3: Strange Structures
75
Connecticut’s Fifth-Century Church
By John Gallagher
75
Florida’s Stonehenge?
By James P. Grimes
84
Dighton Rock: The Ancient Enigma of Massachusetts
By John Gallagher
90

Chapter 4: Subterranean Mysteries

95
The Money Pit
By Kassandra Dycke
96
Find or Fraud of the Century?
By Philip Coppens
103
An Achievement to Rival the Pyramids
By Fred C. Rydholm
114
Underground City of the Grand Canyon
By Frank Joseph
123
Inscrutable Metallic Tablets of the Rockies
By Jared G. Barton
132
Chapter 5: Underwater Discoveries
141
A Roman-Era Figurine Recovered Off New Jersey
By Lloyd Hornbostel, Jr.
141
Has the Lost Motherland of the Pacific Been Found?
An Interview with Masaaki Kimura
144
Bimini: The Road” to Discovery
“
By William Donato
148
A Rock Lake Time Line
By Frank Joseph
158
The Crystal Pyramid of Wisconsin’s Rock Lake
By Frank Joseph
161
The Great Triangles of Rock Lake and Aztalan
By Frank Joseph
167

Chapter 6: Enigmatic Effigies

177
The Hideous Spider Pipe of Prehistoric Tennessee
By Wayne May
177
Pre-Columbian Hebrews in Michigan
By Dr. John White
182
The Serpent and the Meteor
By Frank Joseph
183
Giants of the California Desert
By Lloyd Hornbostel, Jr.
191
 Chapter 7: Lost Kingdoms
197
Found: The Pre-Inca City of Gran Saposoa
By Earl Koenig
197
The Rise and Fall of Prehistoric America
By David Hoffman
199
Utah’s Nameless City of the Clouds
By Wayne May
202

Chapter 8: Forgotten Seamanship

207
Did a Sunstone Guide the Vikings to America?
By Earl Koenig
207
Sweden’s Iron Age Monument to Transatlantic Voyages
By Reinoud de Jonge and Jay Stuart Wakefield
211
An Old Map and Some Chicken Bones Terrify Archaeologists
By John Gallagher
222
The Pre-Columbian Connection: Ancient Transatlantic Ships
By James P. Grimes
225
How the Portuguese Out-Foxed Columbus
By Dr. Gunnar Thompson
234
Chapter 9: Bones, Skulls, and DNA Rewrite History
245
Inca Skeleton Unearthed in Scandinavia
By Earl Koenig
245
Genetics Rewrite Pacific Prehistory
By Peter Marsh
247
Ancient American Coneheads
By David Hatcher Childress
254
Who Were the First Americans?
By Frank Joseph
265

Glossary
270
For More Information
272
Bibliography
275
Index
284
 Bibliography

Introduction

Welcome to the
New History!

At most, what Americans know of their country’s prehistory is that

Asiatic nomads wandered out of Siberia across an Alaskan landbridge
sometime during the last ice age into our continent, where they eventually
became tribal Indians. Cut to Columbus planting the Spanish flag on the
beach at San Salvador 12,000 years later, and that is just about everything
they have learned from teachers and television.
Aiding and abetting such public ignorance are mainstream scholars.
Their vested professional and financial interests uphold the fiction of early
America as isolated from the rest of the outside world in a kind of impervious
cultural vacuum. This academic dogma has absolutely dominated consensus
reality where our real origins are concerned. Maverick researchers or inde-
pendent investigators who question official versions of the past are shunned,
their careers threatened and sometimes ruined, their reputations held up

11
 Archaeological Discoveries of Ancient America

for ridicule. However, with inexorable advances in technology—from DNA to

ground-penetration radar—the high-handed neglect or effortless suppression
of contrary evidence is no longer possible. Accordingly, we live in an Age of
Breakthroughs that is demolishing Ivory Tower isolation, while broadening
the panorama of prehistory.
These fundamental changes are tracked in popular science format
for everyday readers such as ourselves. And some of its latest, most dra-
matic finds have been collected for this book in 37 articles by 22 writers.
Whether PhDs or avocational antiquarians, they are indeed “unearthing
Ancient America.” In so doing, they have identified its prehistoric con-
querors—Vikings in Minnesota, copper-barons in Michigan, Templars in
Newfoundland. Castaways unintentionally spread their Roman coins off
New Jersey’s shores, etched celestial navigation glyphs into a Massachusetts
boulder, and stashed their Roman Era treasure in an Illinois cave.
Their lingering, if until-now unacknowledged effect on our national
identity has been the victim of academic censors, the true scoundrels in
this lost narrative of the past. If nothing else, it is a tremendous story—the
epic of many peoples who, together, and sometimes unaware of each other,
formed buried foundations on which we have been standing for countless
generations.

12
 Bibliography

Chapter 1

Anomalous Artifacts

M
ainstream scholars scoff at the very notion of ancient Egyptians
sailing to our shores. Yet, a ritual grave object could be physical
proof of visitors to the American Midwest from the Nile Valley some
2,600 years ago.

An Ancient Egyptian Statuette

Found in Illinois
By Wayne May
News occasionally surfaces of persons claiming to have uncovered a
dynastic Egyptian presence in prehistoric America. Unfortunately, their

13
 Archaeological Discoveries of Ancient America

“proofs” for pharaonic visitors here are, at best, theoretically possible,

or, at worst, patently erroneous. Far less often, a piece of exceptionally
persuasive evidence emerges.

An Egyptian statuette allegedly removed from an

ancient burial mound in Libertyville, Illinois.

Little is known of the object’s modern origins, save that it was found
in Libertyville, Illinois, some 20 miles (32 kilometers) north of Chicago.
During the time of its discovery in the early part of the 20th century,
Libertyville was a sparsely populated, agricultural community with only a
few dirt roads, in sharp contrast to the sprawl of upper-class suburbia that
mostly blankets the area today just off the I-94 tollway. But before World

14
 Anomalous Artifacts

War II, only several dozen families—mostly farmers—were spread over some
12,000 acres (49 square km) of largely pristine prairie.
As a young man, the discoverer (whose widow has requested ano-
nymity for her late husband) developed an abiding interest in collecting
Indian artifacts—mostly arrowheads—he found in the vicinity of his
home. But the richest sources for prehistoric materials were along the
banks of the Des Plaines River and nearby Diamond Lake. Otherwise
seldom visited, its 5-mile (8 km) shoreline featured a number of Indian
burial mounds he rifled for whatever grave goods might be dug out.
These were usually limited to small pipes, spools, bones, flints, and
other typical items.
From one earthwork, however, he allegedly extracted a most atypical
statuette. He never attempted to have his discovery professionally evaluated,
and showed it to only a few fellow collectors, perhaps for fear of criticism,
either for having removed the object without informing the archaeologi-
cal authorities in Chicago, or because such finds were automatically con-
demned as the forgeries of conmen trying to defraud money from collectors.
Time passed, and, by the turn of the 21st century, his assemblage of more
conventional Native American artifacts reached prodigious proportions.
Only then did word of the strange statuette reach me, and I was able to
purchase it.
The well-crafted object stands 9 inches (23 centimeters) high, weighs
approximately half a pound (227 grams), and appears to have been sculpted
from a single piece of off-white soapstone. It portrays a man wrapped in a
kind of body-stocking, from which his emerging hands hold a shepherd’s
crook in the left and a flail in the right. The flail was an agricultural tool
used in dynastic times by Nile Valley farmers to separate wheat from chaff
by beating stacks of grain on a stone floor for threshing. Pharaohs were

15
 Archaeological Discoveries of Ancient America

commonly depicted in sacred art holding such a device as the emblem

of judgment: separating the good from the bad subjects. The shepherd’s
crook stood for political guidance over his flock (people).
The Libertyville figure wears a stylized wig behind the ears, together
with a long beard. Beginning at the waist and descending to an area cor-
responding to the ankles are eight lines of hieroglyphic text, with a single,
additional line composed of four glyphs running top to bottom from the
ankles to the unexposed toes.
Other than what is probably some minor erosional damage at the front-
left side between the hand holding the flail and the top line of script, the
object is in perfect condition. Small accumulations of white material in
some of the glyphs, and particularly between the vertical lines of the wig,
are perhaps residues of clay. More puzzling is the appearance of dark orange
pigment found mostly on the wig, but also in the eyes of the face, and in
some of the glyphs and the horizontal lines separating them. The ochre-
like coloration may have been caused by an unknown powdery substance
ritually sprinkled on the figure prior to burial, or caused by reaction with
the soil after interment.
The artifact’s overall workmanship is exceptionally fine. Particularly
outstanding are its hieroglyphs, which, for their individually crafted details,
betray the hand of a master scribe intimately familiar with his subject.
Everything about the object, quite obviously, bespeaks Pharaonic Egypt.
So much so that its provenance may be easily traced to a specific dynasty;
namely, the 26th Dynasty, or “Saite,” after the Nile Delta city of Saiis, where
the royal house was founded in 664 bce, enduring for another 139 years.
This era brackets a time frame when such images were portrayed wearing
the body-stocking described earlier; numerous, comparative specimens are
displayed at Britain’s Fitzwilliam College, in Cambridge.

16
 Anomalous Artifacts

The figure’s identification as an ushabti is no less apparent. Ushabti

were small statuettes placed in ancient Egyptian tombs to act as servants
for the soul of the deceased. Imbued with ceremonial magic during his
or her funeral, the figures were supposed to come alive after the mummy
had been sealed inside its tomb. The term ushabti means “the answerer,”
from the verb wesheb, “to answer.” Inscriptions on a 26th Dynasty ushabti
typically read, “If it is decreed that Osiris [the god of resurrection] is to
do work in the Afterlife, cast down the obstacles in front of this man.
Behold me whenever you are called. Be watchful at any moment to work
there, to plow the fields, to carry water. Behold me whenever called.”
Another commands, “Oh, ushabti, allotted to me! If I be summoned
or detailed to do any work which has to be done in the realm of the dead;
if, indeed, obstacles are implanted for you therewith, you shall detail your-
self for me on every occasion of making arable the fields, of flooding the
banks. ‘Here I am!’ you shall say.” If the Diamond Lake object is indeed an
ushabti, its hieroglyphic text almost certainly carries a similar message, or
other analogous lines from Chapter 6 in The Book of the Dead, a collection
of sacred texts aimed at guiding the human soul successfully through the
terrors of death into the Afterlife; it was likewise interred with the deceased.
As mentioned, the Libertyville object stands 9 inches (23 cm) tall, the
same height for most ancient Egyptian ushabti. They were made in a variety
of media, including stone, wood, and faience (from a glass-ground paste),
so the fact that the Northern Illinois specimen is soapstone means nothing.
For all its apparent authenticity, there is a problem with this find.
Although most ushabti were meant to stand in as servants for the de-
ceased in the Afterlife, a few of the statuettes represented his or her own
soul-essence. The Diamond Lake figure appears to represent one of these
ritual personifications of the grave-owner’s soul, and therein lays the rub.

17
 Archaeological Discoveries of Ancient America

The Northern Illinois item clearly depicts supreme royalty, which means it
belonged in the tomb of a king. All mummies of the 26th Dynasty’s nine
monarchs are accounted for in Egypt, so the Libertyville ushabti could
not have come from the burial of a Saite leader who somehow ended up
in America.
Even though it does not bear a cartouche encircling the name of the
king to whom it was consecrated, the figure’s hands grasp the crook and
flail, emblems of the highest authority. In Egyptian temple art, a cartouche
was a stylized loop of rope knotted at one end to contain two of Pharaoh’s
names. Although many royal ushabti, such as those belonging to the famous
Amenhotep III, are more easily identified by the inclusion of a cartouche,
others possessed none, such as several “answerers” serving the still better
known Tutankhamun.
Yet the Diamond Lake statuette did not necessarily have to come from
the grave of a king. Similar images were available for general purchase,
even by common people, to be interred with their own burial, as a means
of continuing their veneration of the king. Pharaohs were, after all, con-
sidered gods before and after death. It is therefore conceivable that such
an ushabti could have been carried in an ancient ship that made landfall
in North America, even though its owner was not the pharaoh himself. If
the Libertyville find does indeed represent such a ruler, then its inscription
cannot call upon the ushabti to serve the deceased, but rather, according
to other, more relevant passages in Chapter 6 of The Book of the Dead, it
enables the soul of the person interred to honor his or her god-king. This
would have been particularly important for anyone venturing far from the
land of his or her birth.
Ancient Egyptians traveling beyond the Nile Valley always carried
religious symbols of their homeland with them in case of death. Burial

18
 Anomalous Artifacts

outside the holy land of Egypt was thought to imperil the human soul,
which could not find its way to the Afterlife, itself hardly more than an
idealized version of Nile Valley civilization. Hence, a 26th Dynasty ushabti
personifying the royal soul of Egypt discovered in distant Illinois fits the
arrival of an ancient Egyptian who required just such a religious object
in the event that he or she died too far away for burial in native ground.
What makes the Diamond Lake object’s Saite provenance especially
cogent was one 26th Dynasty ruler in particular. In 610 bce, Wehimbre
Necho became Pharaoh Necho II, and 10 years later commissioned the
first known circumnavigation of the African continent, as documented
by the sixth-century Greek historian Herodotus, in his famous Histories.
An expedition of Phoenician ships with mixed Punic-Egyptian sailors was
commissioned and fitted out in July, successfully docking at the Nile Delta
in the opposite direction from which they disembarked three years earlier.
They returned minus a few vessels with their crews, who were driven out
to sea, probably as they entered the Canary Island current. It sweeps off
North Africa’s west coast near the Canary Islands to run straight across
the Atlantic Ocean and into the Gulf of Mexico. It also brought Christopher
Columbus to the New World more than 2,000 years after Necho launched
his own maritime enterprise.
The Diamond Lake item’s identifiably Saite configuration, together
with Necho II’s contemporary Atlantic expedition, suggest that the figure
is indeed a 26th Dynasty ushabti. It probably belonged to an Egyptian
crew member in one of the Phoenician ships swept across the ocean by
the Canary Island current, depositing his vessel in the Gulf of Mexico at a
place along the southern coasts of North America. Somehow, his ushabti
came into the possession of native Indians, who learned at least enough
about the statuette to understand that it was a valuable grave good, judging
from its alleged discovery in a burial mound. The little “answerer” passed,

19
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